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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44DD74 it is the complementary color #BB228B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44DD74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44DD74 shade: #49DD6F, #5AEF82, #6BFF95, #7CFFA8 and #8DFFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44DD74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44DD74 shade: #44DD74, #33CB61, #22B94E, #11A73B and #009528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44DD74 shade: #45DD75, #45DD4C, #67DD45, #90DD45 and #B9DD45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44DD74 shade: #45DD75, #45DD9D, #45DDC6, #45CADD and #45A1DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44DD74 shade matches the following richer shades: #45DD75 and #33EE6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44DD74 shade: #45DD75, #57CB7B, #69B982, #7AA788 and #8C968F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44DD74 shade: #68DD45, #45DD4A, #45DD73, #45DD9B and #45DDC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44DD74 shade: #20AF4D, #26D25C, #45DD75, #68E38F and #8BE9A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44DD74 shade: #44DD74, #4591DD and #DD4554

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44DD74 shade: #44DD74, #7345DD and #DD7345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44DD74 shade: #44DD74, #4591DD, #DD45AF and #DD9145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44DD74 shade: #44DD74, #4563DD, #DD45AF and #DDBE45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 48 / 13

HEX #44DD74

RGB 68 221 116

HSL 138.82, 0.69%, 0.57%

LAB 78.58, -62.05, 40.06

 

Complementary color

CMYK 0 / 82 / 26 / 27

HEX #BB228B

RGB 187 34 139

HSL 318.82, 0.69%, 0.43%

LAB 43.61, 66.47, -20.8

 

CMYK 67 / 0 / 50 / 13

HEX #49DD6F

RGB 73 221 111

HSL 135.41, 0.69%, 0.58%

LAB 78.62, -61.94, 42.57

 

CMYK 62 / 0 / 46 / 6

HEX #5AEF82

RGB 90 239 130

HSL 136.11, 0.82%, 0.65%

LAB 84.75, -62.37, 41.15

 

CMYK 58 / 0 / 42 / 0

HEX #6BFF95

RGB 107 255 149

HSL 137.03, 1%, 0.71%

LAB 90.24, -61.83, 39.01

 

CMYK 51 / 0 / 34 / 0

HEX #7CFFA8

RGB 124 255 168

HSL 140.15, 1%, 0.74%

LAB 91.07, -54.83, 30.79

 

CMYK 45 / 0 / 27 / 0

HEX #8DFFBB

RGB 141 255 187

HSL 144.21, 1%, 0.78%

LAB 92.03, -47.19, 22.59

 

CMYK 69 / 0 / 48 / 13

HEX #44DD74

RGB 68 221 116

HSL 138.82, 0.69%, 0.57%

LAB 78.58, -62.05, 40.06

 

CMYK 75 / 0 / 52 / 20

HEX #33CB61

RGB 51 203 97

HSL 138.16, 0.6%, 0.5%

LAB 72.41, -61.26, 41.58

 

CMYK 82 / 0 / 58 / 27

HEX #22B94E

RGB 34 185 78

HSL 137.48, 0.69%, 0.43%

LAB 66.2, -60.02, 43.11

 

CMYK 90 / 0 / 65 / 35

HEX #11A73B

RGB 17 167 59

HSL 136.8, 0.82%, 0.36%

LAB 59.95, -58.16, 44.57

 

CMYK 100 / 0 / 73 / 42

HEX #009528

RGB 0 149 40

HSL 136.11, 1%, 0.29%

LAB 53.65, -55.6, 45.71

 

CMYK 69 / 0 / 47 / 13

HEX #45DD75

RGB 69 221 117

HSL 138.95, 0.69%, 0.57%

LAB 78.61, -61.73, 39.62

 

CMYK 69 / 0 / 66 / 13

HEX #45DD4C

RGB 69 221 76

HSL 122.76, 0.69%, 0.57%

LAB 78.17, -66.93, 57.7

 

CMYK 53 / 0 / 69 / 13

HEX #67DD45

RGB 103 221 69

HSL 106.58, 0.69%, 0.57%

LAB 79.06, -60, 61.67

 

CMYK 35 / 0 / 69 / 13

HEX #90DD45

RGB 144 221 69

HSL 90.39, 0.69%, 0.57%

LAB 80.78, -47.42, 64

 

CMYK 16 / 0 / 69 / 13

HEX #B9DD45

RGB 185 221 69

HSL 74.21, 0.69%, 0.57%

LAB 83.16, -32.18, 67.18

 

CMYK 69 / 0 / 47 / 13

HEX #45DD75

RGB 69 221 117

HSL 138.95, 0.69%, 0.57%

LAB 78.61, -61.73, 39.62

 

CMYK 69 / 0 / 29 / 13

HEX #45DD9D

RGB 69 221 157

HSL 154.74, 0.69%, 0.57%

LAB 79.28, -54.37, 20.11

 

CMYK 69 / 0 / 10 / 13

HEX #45DDC6

RGB 69 221 198

HSL 170.92, 0.69%, 0.57%

LAB 80.21, -44.74, -0.25

 

CMYK 69 / 9 / 0 / 13

HEX #45CADD

RGB 69 202 221

HSL 187.5, 0.69%, 0.57%

LAB 75.28, -29.6, -19.94

 

CMYK 69 / 27 / 0 / 13

HEX #45A1DD

RGB 69 161 221

HSL 203.68, 0.69%, 0.57%

LAB 63.32, -8.23, -38.35

 

CMYK 69 / 0 / 47 / 13

HEX #45DD75

RGB 69 221 117

HSL 138.95, 0.69%, 0.57%

LAB 78.61, -61.73, 39.62

 

CMYK 79 / 0 / 54 / 7

HEX #33EE6E

RGB 51 238 110

HSL 138.93, 0.85%, 0.57%

LAB 83.43, -71.04, 48.84

 

CMYK 69 / 0 / 47 / 13

HEX #45DD75

RGB 69 221 117

HSL 138.95, 0.69%, 0.57%

LAB 78.61, -61.73, 39.62

 

CMYK 57 / 0 / 39 / 20

HEX #57CB7B

RGB 87 203 123

HSL 138.62, 0.53%, 0.57%

LAB 73.65, -50.37, 30.29

 

CMYK 43 / 0 / 30 / 27

HEX #69B982

RGB 105 185 130

HSL 138.75, 0.36%, 0.57%

LAB 68.98, -36.77, 20.44

 

CMYK 27 / 0 / 19 / 35

HEX #7AA788

RGB 122 167 136

HSL 138.67, 0.2%, 0.57%

LAB 64.61, -21.67, 11.21

 

CMYK 7 / 0 / 5 / 41

HEX #8C968F

RGB 140 150 143

HSL 138, 0.05%, 0.57%

LAB 61.11, -4.98, 2.44

 

CMYK 53 / 0 / 69 / 13

HEX #68DD45

RGB 104 221 69

HSL 106.18, 0.69%, 0.57%

LAB 79.09, -59.74, 61.72

 

CMYK 69 / 0 / 67 / 13

HEX #45DD4A

RGB 69 221 74

HSL 121.97, 0.69%, 0.57%

LAB 78.15, -67.12, 58.49

 

CMYK 69 / 0 / 48 / 13

HEX #45DD73

RGB 69 221 115

HSL 138.16, 0.69%, 0.57%

LAB 78.59, -62.04, 40.57

 

CMYK 69 / 0 / 30 / 13

HEX #45DD9B

RGB 69 221 155

HSL 153.95, 0.69%, 0.57%

LAB 79.24, -54.79, 21.1

 

CMYK 69 / 0 / 12 / 13

HEX #45DDC3

RGB 69 221 195

HSL 169.74, 0.69%, 0.57%

LAB 80.13, -45.51, 1.23

 

CMYK 82 / 0 / 56 / 31

HEX #20AF4D

RGB 32 175 77

HSL 138.88, 0.69%, 0.41%

LAB 62.93, -57.04, 39.69

 

CMYK 82 / 0 / 56 / 18

HEX #26D25C

RGB 38 210 92

HSL 138.84, 0.69%, 0.49%

LAB 74.37, -65.87, 46.26

 

CMYK 69 / 0 / 47 / 13

HEX #45DD75

RGB 69 221 117

HSL 138.95, 0.69%, 0.57%

LAB 78.61, -61.73, 39.62

 

CMYK 54 / 0 / 37 / 11

HEX #68E38F

RGB 104 227 143

HSL 139.02, 0.69%, 0.65%

LAB 81.76, -52.62, 30.87

 

CMYK 40 / 0 / 27 / 9

HEX #8BE9A9

RGB 139 233 169

HSL 139.15, 0.68%, 0.73%

LAB 85.32, -41.47, 22.55

 

CMYK 69 / 0 / 48 / 13

HEX #44DD74

RGB 68 221 116

HSL 138.82, 0.69%, 0.57%

LAB 78.58, -62.05, 40.06

 

CMYK 69 / 34 / 0 / 13

HEX #4591DD

RGB 69 145 221

HSL 210, 0.69%, 0.57%

LAB 58.73, 0.92, -45.57

 

CMYK 0 / 69 / 62 / 13

HEX #DD4554

RGB 221 69 84

HSL 354.08, 0.69%, 0.57%

LAB 52.14, 59.65, 25.68

 

CMYK 69 / 0 / 48 / 13

HEX #44DD74

RGB 68 221 116

HSL 138.82, 0.69%, 0.57%

LAB 78.58, -62.05, 40.06

 

CMYK 48 / 69 / 0 / 13

HEX #7345DD

RGB 115 69 221

HSL 258.16, 0.69%, 0.57%

LAB 42.95, 54.07, -70.79

 

CMYK 0 / 48 / 69 / 13

HEX #DD7345

RGB 221 115 69

HSL 18.16, 0.69%, 0.57%

LAB 59.95, 37.81, 43.51

 

CMYK 69 / 0 / 48 / 13

HEX #44DD74

RGB 68 221 116

HSL 138.82, 0.69%, 0.57%

LAB 78.58, -62.05, 40.06

 

CMYK 69 / 34 / 0 / 13

HEX #4591DD

RGB 69 145 221

HSL 210, 0.69%, 0.57%

LAB 58.73, 0.92, -45.57

 

CMYK 0 / 69 / 21 / 13

HEX #DD45AF

RGB 221 69 175

HSL 318.16, 0.69%, 0.57%

LAB 54.79, 68.59, -24.52

 

CMYK 0 / 34 / 69 / 13

HEX #DD9145

RGB 221 145 69

HSL 30, 0.69%, 0.57%

LAB 66.56, 21.99, 50.84

 

CMYK 69 / 0 / 48 / 13

HEX #44DD74

RGB 68 221 116

HSL 138.82, 0.69%, 0.57%

LAB 78.58, -62.05, 40.06

 

CMYK 69 / 55 / 0 / 13

HEX #4563DD

RGB 69 99 221

HSL 228.16, 0.69%, 0.57%

LAB 46.19, 29.17, -65.66

 

CMYK 0 / 69 / 21 / 13

HEX #DD45AF

RGB 221 69 175

HSL 318.16, 0.69%, 0.57%

LAB 54.79, 68.59, -24.52

 

CMYK 0 / 14 / 69 / 13

HEX #DDBE45

RGB 221 190 69

HSL 47.76, 0.69%, 0.57%

LAB 77.66, -1.93, 62.52

 

Description

Color code: HEX #44DD74 | qconv.com Color code: HEX #44DD74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 221 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 221 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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