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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44DA19 it is the complementary color #BB25E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44DA19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44DA19 shade: #49DA14, #5AEC27, #6BFE3A, #7CFF4D and #8DFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44DA19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44DA19 shade: #44DA19, #33C806, #22B600, #11A400 and #009200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44DA19 shade: #44DB19, #78DB19, #ADDB19, #DBD419 and #DBA019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44DA19 shade: #44DB19, #19DB22, #19DB56, #19DB8B and #19DBBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44DA19 shade matches the following richer shades: #44DB19 and #39EE05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44DA19 shade: #44DB19, #4FC72D, #5AB341, #659F55 and #708B68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44DA19 shade: #ADDB19, #7ADB19, #46DB19, #19DB20 and #19DB53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44DA19 shade: #2D9111, #39B615, #44DB19, #5DE736 and #7BEB5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44DA19 shade: #44DA19, #19DBD4 and #DB1994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44DA19 shade: #44DA19, #1946DB and #DB1946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44DA19 shade: #44DA19, #19DBD4, #AD19DB and #DB1920

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44DA19 shade: #44DA19, #19A7DB, #AD19DB and #DB4D19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 89 / 15

HEX #44DA19

RGB 68 218 25

HSL 106.63, 0.79%, 0.48%

LAB 76.95, -69.41, 71.88

 

Complementary color

CMYK 19 / 84 / 0 / 10

HEX #BB25E6

RGB 187 37 230

HSL 286.63, 0.79%, 0.52%

LAB 49.01, 79.66, -65.63

 

CMYK 67 / 0 / 91 / 15

HEX #49DA14

RGB 73 218 20

HSL 103.94, 0.83%, 0.47%

LAB 77.05, -68.59, 72.82

 

CMYK 62 / 0 / 83 / 7

HEX #5AEC27

RGB 90 236 39

HSL 104.47, 0.84%, 0.54%

LAB 83.08, -70.13, 74.61

 

CMYK 58 / 0 / 77 / 0

HEX #6BFE3A

RGB 107 254 58

HSL 105, 0.99%, 0.61%

LAB 89.07, -71.24, 75.36

 

CMYK 51 / 0 / 70 / 0

HEX #7CFF4D

RGB 124 255 77

HSL 104.16, 1%, 0.65%

LAB 90.02, -66.09, 70.32

 

CMYK 45 / 0 / 62 / 0

HEX #8DFF60

RGB 141 255 96

HSL 103.02, 1%, 0.69%

LAB 90.79, -59.79, 64.07

 

CMYK 69 / 0 / 89 / 15

HEX #44DA19

RGB 68 218 25

HSL 106.63, 0.79%, 0.48%

LAB 76.95, -69.41, 71.88

 

CMYK 75 / 0 / 97 / 22

HEX #33C806

RGB 51 200 6

HSL 106.08, 0.94%, 0.4%

LAB 70.89, -67.28, 69.23

 

CMYK 81 / 0 / 100 / 29

HEX #22B600

RGB 34 182 0

HSL 108.79, 1%, 0.36%

LAB 64.8, -64.44, 64.9

 

CMYK 90 / 0 / 100 / 36

HEX #11A400

RGB 17 164 0

HSL 113.78, 1%, 0.32%

LAB 58.67, -60.92, 59.92

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 69 / 0 / 89 / 14

HEX #44DB19

RGB 68 219 25

HSL 106.7, 0.8%, 0.48%

LAB 77.26, -69.72, 72.15

 

CMYK 45 / 0 / 89 / 14

HEX #78DB19

RGB 120 219 25

HSL 90.62, 0.8%, 0.48%

LAB 78.88, -56.66, 74.18

 

CMYK 21 / 0 / 89 / 14

HEX #ADDB19

RGB 173 219 25

HSL 74.23, 0.8%, 0.48%

LAB 81.63, -37.75, 77.57

 

CMYK 0 / 3 / 89 / 14

HEX #DBD419

RGB 219 212 25

HSL 57.84, 0.8%, 0.48%

LAB 83.03, -15.48, 80.09

 

CMYK 0 / 27 / 89 / 14

HEX #DBA019

RGB 219 160 25

HSL 41.75, 0.8%, 0.48%

LAB 69.66, 11.48, 69.6

 

CMYK 69 / 0 / 89 / 14

HEX #44DB19

RGB 68 219 25

HSL 106.7, 0.8%, 0.48%

LAB 77.26, -69.72, 72.15

 

CMYK 89 / 0 / 84 / 14

HEX #19DB22

RGB 25 219 34

HSL 122.78, 0.8%, 0.48%

LAB 76.67, -74.78, 69.59

 

CMYK 89 / 0 / 61 / 14

HEX #19DB56

RGB 25 219 86

HSL 138.87, 0.8%, 0.48%

LAB 77.01, -70.54, 52.01

 

CMYK 89 / 0 / 37 / 14

HEX #19DB8B

RGB 25 219 139

HSL 155.26, 0.8%, 0.48%

LAB 77.72, -62.04, 27.24

 

CMYK 89 / 0 / 13 / 14

HEX #19DBBF

RGB 25 219 191

HSL 171.34, 0.8%, 0.48%

LAB 78.83, -49.9, 1.39

 

CMYK 69 / 0 / 89 / 14

HEX #44DB19

RGB 68 219 25

HSL 106.7, 0.8%, 0.48%

LAB 77.26, -69.72, 72.15

 

CMYK 76 / 0 / 98 / 7

HEX #39EE05

RGB 57 238 5

HSL 106.61, 0.96%, 0.48%

LAB 82.93, -77.54, 79.1

 

CMYK 69 / 0 / 89 / 14

HEX #44DB19

RGB 68 219 25

HSL 106.7, 0.8%, 0.48%

LAB 77.26, -69.72, 72.15

 

CMYK 60 / 0 / 77 / 22

HEX #4FC72D

RGB 79 199 45

HSL 106.75, 0.63%, 0.48%

LAB 71.35, -59.95, 62.04

 

CMYK 50 / 0 / 64 / 30

HEX #5AB341

RGB 90 179 65

HSL 106.84, 0.47%, 0.48%

LAB 65.59, -48.02, 48.68

 

CMYK 36 / 0 / 47 / 38

HEX #659F55

RGB 101 159 85

HSL 107.03, 0.3%, 0.48%

LAB 60.09, -33.54, 32.65

 

CMYK 19 / 0 / 25 / 45

HEX #708B68

RGB 112 139 104

HSL 106.29, 0.14%, 0.48%

LAB 54.98, -16.63, 15.65

 

CMYK 21 / 0 / 89 / 14

HEX #ADDB19

RGB 173 219 25

HSL 74.23, 0.8%, 0.48%

LAB 81.63, -37.75, 77.57

 

CMYK 44 / 0 / 89 / 14

HEX #7ADB19

RGB 122 219 25

HSL 90, 0.8%, 0.48%

LAB 78.97, -56.04, 74.28

 

CMYK 68 / 0 / 89 / 14

HEX #46DB19

RGB 70 219 25

HSL 106.08, 0.8%, 0.48%

LAB 77.3, -69.34, 72.2

 

CMYK 89 / 0 / 85 / 14

HEX #19DB20

RGB 25 219 32

HSL 122.16, 0.8%, 0.48%

LAB 76.66, -74.86, 70.03

 

CMYK 89 / 0 / 62 / 14

HEX #19DB53

RGB 25 219 83

HSL 137.94, 0.8%, 0.48%

LAB 76.98, -70.89, 53.28

 

CMYK 69 / 0 / 88 / 43

HEX #2D9111

RGB 45 145 17

HSL 106.88, 0.79%, 0.32%

LAB 52.78, -50.56, 52.34

 

CMYK 69 / 0 / 88 / 29

HEX #39B615

RGB 57 182 21

HSL 106.58, 0.79%, 0.4%

LAB 65.26, -60.24, 62.48

 

CMYK 69 / 0 / 89 / 14

HEX #44DB19

RGB 68 219 25

HSL 106.7, 0.8%, 0.48%

LAB 77.26, -69.72, 72.15

 

CMYK 60 / 0 / 77 / 9

HEX #5DE736

RGB 93 231 54

HSL 106.78, 0.79%, 0.56%

LAB 81.7, -67.03, 69.36

 

CMYK 48 / 0 / 61 / 8

HEX #7BEB5B

RGB 123 235 91

HSL 106.67, 0.78%, 0.64%

LAB 84.16, -57.79, 58.58

 

CMYK 69 / 0 / 89 / 15

HEX #44DA19

RGB 68 218 25

HSL 106.63, 0.79%, 0.48%

LAB 76.95, -69.41, 71.88

 

CMYK 89 / 0 / 3 / 14

HEX #19DBD4

RGB 25 219 212

HSL 177.84, 0.8%, 0.48%

LAB 79.4, -44.1, -8.98

 

CMYK 0 / 89 / 32 / 14

HEX #DB1994

RGB 219 25 148

HSL 321.96, 0.8%, 0.48%

LAB 49.37, 76.31, -16.91

 

CMYK 69 / 0 / 89 / 15

HEX #44DA19

RGB 68 218 25

HSL 106.63, 0.79%, 0.48%

LAB 76.95, -69.41, 71.88

 

CMYK 89 / 68 / 0 / 14

HEX #1946DB

RGB 25 70 219

HSL 226.08, 0.8%, 0.48%

LAB 37.3, 42.7, -79.12

 

CMYK 0 / 89 / 68 / 14

HEX #DB1946

RGB 219 25 70

HSL 346.08, 0.8%, 0.48%

LAB 47.23, 70.38, 27.76

 

CMYK 69 / 0 / 89 / 15

HEX #44DA19

RGB 68 218 25

HSL 106.63, 0.79%, 0.48%

LAB 76.95, -69.41, 71.88

 

CMYK 89 / 0 / 3 / 14

HEX #19DBD4

RGB 25 219 212

HSL 177.84, 0.8%, 0.48%

LAB 79.4, -44.1, -8.98

 

CMYK 21 / 89 / 0 / 14

HEX #AD19DB

RGB 173 25 219

HSL 285.77, 0.8%, 0.48%

LAB 45.21, 77.97, -65.63

 

CMYK 0 / 89 / 85 / 14

HEX #DB1920

RGB 219 25 32

HSL 357.84, 0.8%, 0.48%

LAB 46.79, 69.11, 48.83

 

CMYK 69 / 0 / 89 / 15

HEX #44DA19

RGB 68 218 25

HSL 106.63, 0.79%, 0.48%

LAB 76.95, -69.41, 71.88

 

CMYK 89 / 24 / 0 / 14

HEX #19A7DB

RGB 25 167 219

HSL 196.08, 0.8%, 0.48%

LAB 64.13, -16.67, -36.06

 

CMYK 21 / 89 / 0 / 14

HEX #AD19DB

RGB 173 25 219

HSL 285.77, 0.8%, 0.48%

LAB 45.21, 77.97, -65.63

 

CMYK 0 / 65 / 89 / 14

HEX #DB4D19

RGB 219 77 25

HSL 16.08, 0.8%, 0.48%

LAB 52.33, 53.47, 56.24

 

Description

Color code: HEX #44DA19 | qconv.com Color code: HEX #44DA19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 218 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 218 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 89% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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