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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D6A8 it is the complementary color #BB2957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D6A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D6A8 shade: #49D6A3, #5AE8B6, #6BFAC9, #7CFFDC and #8DFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D6A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D6A8 shade: #44D6A8, #33C495, #22B282, #11A06F and #008E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D6A8 shade: #42D5A7, #42D57F, #42D558, #55D542 and #7CD542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D6A8 shade: #42D5A7, #42D5CF, #42B4D5, #428DD5 and #4265D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D6A8 shade matches the following richer shades: #42D5A7, #30E8AE and #1DFAB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D6A8 shade: #42D5A7, #55C3A0, #67B099, #7A9D92 and #8D8B8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D6A8 shade: #42D558, #42D580, #42D5A7, #42D5CE and #42B5D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D6A8 shade: #23A27A, #2BC493, #42D5A7, #64DDB7 and #86E4C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D6A8 shade: #44D6A8, #4253D5 and #D56C42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D6A8 shade: #44D6A8, #A742D5 and #D5A742

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D6A8 shade: #44D6A8, #4253D5, #D54271 and #D5C442

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D6A8 shade: #44D6A8, #5D42D5, #D54271 and #BAD542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 21 / 16

HEX #44D6A8

RGB 68 214 168

HSL 161.1, 0.64%, 0.55%

LAB 77.37, -49.28, 11.63

 

Complementary color

CMYK 0 / 78 / 53 / 27

HEX #BB2957

RGB 187 41 87

HSL 341.1, 0.64%, 0.45%

LAB 42.52, 59.37, 9.82

 

CMYK 66 / 0 / 24 / 16

HEX #49D6A3

RGB 73 214 163

HSL 158.3, 0.63%, 0.56%

LAB 77.37, -49.62, 14.3

 

CMYK 61 / 0 / 22 / 9

HEX #5AE8B6

RGB 90 232 182

HSL 158.87, 0.76%, 0.63%

LAB 83.58, -49.86, 13.11

 

CMYK 57 / 0 / 20 / 2

HEX #6BFAC9

RGB 107 250 201

HSL 159.44, 0.93%, 0.7%

LAB 89.73, -49.97, 12.01

 

CMYK 51 / 0 / 14 / 0

HEX #7CFFDC

RGB 124 255 220

HSL 163.97, 1%, 0.74%

LAB 92.12, -44.41, 5.69

 

CMYK 45 / 0 / 6 / 0

HEX #8DFFEF

RGB 141 255 239

HSL 171.58, 1%, 0.78%

LAB 93.2, -36.28, -2.49

 

CMYK 68 / 0 / 21 / 16

HEX #44D6A8

RGB 68 214 168

HSL 161.1, 0.64%, 0.55%

LAB 77.37, -49.28, 11.63

 

CMYK 74 / 0 / 24 / 23

HEX #33C495

RGB 51 196 149

HSL 160.55, 0.59%, 0.48%

LAB 71.11, -48.73, 12.92

 

CMYK 81 / 0 / 27 / 30

HEX #22B282

RGB 34 178 130

HSL 160, 0.68%, 0.42%

LAB 64.8, -47.88, 14.35

 

CMYK 89 / 0 / 31 / 37

HEX #11A06F

RGB 17 160 111

HSL 159.44, 0.81%, 0.35%

LAB 58.42, -46.61, 15.95

 

CMYK 100 / 0 / 35 / 44

HEX #008E5C

RGB 0 142 92

HSL 158.87, 1%, 0.28%

LAB 51.97, -44.93, 17.72

 

CMYK 69 / 0 / 22 / 16

HEX #42D5A7

RGB 66 213 167

HSL 161.22, 0.64%, 0.55%

LAB 77, -49.4, 11.63

 

CMYK 69 / 0 / 40 / 16

HEX #42D57F

RGB 66 213 127

HSL 144.9, 0.64%, 0.55%

LAB 76.24, -57.64, 31.54

 

CMYK 69 / 0 / 59 / 16

HEX #42D558

RGB 66 213 88

HSL 128.98, 0.64%, 0.55%

LAB 75.73, -63.48, 49.81

 

CMYK 60 / 0 / 69 / 16

HEX #55D542

RGB 85 213 66

HSL 112.24, 0.64%, 0.55%

LAB 76.02, -61.87, 59.45

 

CMYK 42 / 0 / 69 / 16

HEX #7CD542

RGB 124 213 66

HSL 96.33, 0.64%, 0.55%

LAB 77.44, -51.02, 61.38

 

CMYK 69 / 0 / 22 / 16

HEX #42D5A7

RGB 66 213 167

HSL 161.22, 0.64%, 0.55%

LAB 77, -49.4, 11.63

 

CMYK 69 / 0 / 3 / 16

HEX #42D5CF

RGB 66 213 207

HSL 177.55, 0.64%, 0.55%

LAB 78.02, -39.2, -8.29

 

CMYK 69 / 15 / 0 / 16

HEX #42B4D5

RGB 66 180 213

HSL 193.47, 0.64%, 0.55%

LAB 68.46, -21.46, -25.99

 

CMYK 69 / 34 / 0 / 16

HEX #428DD5

RGB 66 141 213

HSL 209.39, 0.64%, 0.55%

LAB 57.09, 0.04, -43.7

 

CMYK 69 / 53 / 0 / 16

HEX #4265D5

RGB 66 101 213

HSL 225.71, 0.64%, 0.55%

LAB 46, 24.65, -61.42

 

CMYK 69 / 0 / 22 / 16

HEX #42D5A7

RGB 66 213 167

HSL 161.22, 0.64%, 0.55%

LAB 77, -49.4, 11.63

 

CMYK 79 / 0 / 25 / 9

HEX #30E8AE

RGB 48 232 174

HSL 161.09, 0.8%, 0.55%

LAB 82.59, -57.54, 15.78

 

CMYK 88 / 0 / 28 / 2

HEX #1DFAB5

RGB 29 250 181

HSL 161.27, 0.96%, 0.55%

LAB 87.95, -64.14, 19.62

 

CMYK 69 / 0 / 22 / 16

HEX #42D5A7

RGB 66 213 167

HSL 161.22, 0.64%, 0.55%

LAB 77, -49.4, 11.63

 

CMYK 56 / 0 / 18 / 24

HEX #55C3A0

RGB 85 195 160

HSL 160.91, 0.48%, 0.55%

LAB 71.89, -39.91, 8.19

 

CMYK 41 / 0 / 13 / 31

HEX #67B099

RGB 103 176 153

HSL 161.1, 0.32%, 0.55%

LAB 66.7, -28.31, 4.65

 

CMYK 22 / 0 / 7 / 38

HEX #7A9D92

RGB 122 157 146

HSL 161.14, 0.15%, 0.55%

LAB 61.94, -14.41, 1.79

 

CMYK 0 / 1 / 1 / 45

HEX #8D8B8B

RGB 141 139 139

HSL 0, 0.01%, 0.55%

LAB 58.03, 0.74, 0.25

 

CMYK 69 / 0 / 59 / 16

HEX #42D558

RGB 66 213 88

HSL 128.98, 0.64%, 0.55%

LAB 75.73, -63.48, 49.81

 

CMYK 69 / 0 / 40 / 16

HEX #42D580

RGB 66 213 128

HSL 145.31, 0.64%, 0.55%

LAB 76.26, -57.46, 31.05

 

CMYK 69 / 0 / 22 / 16

HEX #42D5A7

RGB 66 213 167

HSL 161.22, 0.64%, 0.55%

LAB 77, -49.4, 11.63

 

CMYK 69 / 0 / 3 / 16

HEX #42D5CE

RGB 66 213 206

HSL 177.14, 0.64%, 0.55%

LAB 77.99, -39.47, -7.8

 

CMYK 69 / 15 / 0 / 16

HEX #42B5D5

RGB 66 181 213

HSL 193.06, 0.64%, 0.55%

LAB 68.76, -21.98, -25.53

 

CMYK 78 / 0 / 25 / 36

HEX #23A27A

RGB 35 162 122

HSL 161.1, 0.64%, 0.39%

LAB 59.53, -43.14, 11.39

 

CMYK 78 / 0 / 25 / 23

HEX #2BC493

RGB 43 196 147

HSL 160.78, 0.64%, 0.47%

LAB 70.94, -50.15, 13.73

 

CMYK 69 / 0 / 22 / 16

HEX #42D5A7

RGB 66 213 167

HSL 161.22, 0.64%, 0.55%

LAB 77, -49.4, 11.63

 

CMYK 55 / 0 / 17 / 13

HEX #64DDB7

RGB 100 221 183

HSL 161.16, 0.64%, 0.63%

LAB 80.65, -42.97, 8.45

 

CMYK 41 / 0 / 13 / 11

HEX #86E4C6

RGB 134 228 198

HSL 160.85, 0.64%, 0.71%

LAB 84.29, -34.77, 5.93

 

CMYK 68 / 0 / 21 / 16

HEX #44D6A8

RGB 68 214 168

HSL 161.1, 0.64%, 0.55%

LAB 77.37, -49.28, 11.63

 

CMYK 69 / 61 / 0 / 16

HEX #4253D5

RGB 66 83 213

HSL 233.06, 0.64%, 0.55%

LAB 41.45, 36, -68.81

 

CMYK 0 / 49 / 69 / 16

HEX #D56C42

RGB 213 108 66

HSL 17.14, 0.64%, 0.55%

LAB 57.33, 38.1, 41.8

 

CMYK 68 / 0 / 21 / 16

HEX #44D6A8

RGB 68 214 168

HSL 161.1, 0.64%, 0.55%

LAB 77.37, -49.28, 11.63

 

CMYK 22 / 69 / 0 / 16

HEX #A742D5

RGB 167 66 213

HSL 281.22, 0.64%, 0.55%

LAB 48.15, 63.51, -57.48

 

CMYK 0 / 22 / 69 / 16

HEX #D5A742

RGB 213 167 66

HSL 41.22, 0.64%, 0.55%

LAB 70.99, 6.6, 56.65

 

CMYK 68 / 0 / 21 / 16

HEX #44D6A8

RGB 68 214 168

HSL 161.1, 0.64%, 0.55%

LAB 77.37, -49.28, 11.63

 

CMYK 69 / 61 / 0 / 16

HEX #4253D5

RGB 66 83 213

HSL 233.06, 0.64%, 0.55%

LAB 41.45, 36, -68.81

 

CMYK 0 / 69 / 47 / 16

HEX #D54271

RGB 213 66 113

HSL 340.82, 0.64%, 0.55%

LAB 50.96, 60.54, 6.44

 

CMYK 0 / 8 / 69 / 16

HEX #D5C442

RGB 213 196 66

HSL 53.06, 0.64%, 0.55%

LAB 78.47, -8.59, 64.3

 

CMYK 68 / 0 / 21 / 16

HEX #44D6A8

RGB 68 214 168

HSL 161.1, 0.64%, 0.55%

LAB 77.37, -49.28, 11.63

 

CMYK 56 / 69 / 0 / 16

HEX #5D42D5

RGB 93 66 213

HSL 251.02, 0.64%, 0.55%

LAB 39.63, 49.85, -71.72

 

CMYK 0 / 69 / 47 / 16

HEX #D54271

RGB 213 66 113

HSL 340.82, 0.64%, 0.55%

LAB 50.96, 60.54, 6.44

 

CMYK 13 / 0 / 69 / 16

HEX #BAD542

RGB 186 213 66

HSL 71.02, 0.64%, 0.55%

LAB 80.97, -28.21, 66.11

 

Description

Color code: HEX #44D6A8 | qconv.com Color code: HEX #44D6A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 214 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 214 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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