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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D4A5 it is the complementary color #BB2B5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D4A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D4A5 shade: #49D4A0, #5AE6B3, #6BF8C6, #7CFFD9 and #8DFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D4A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D4A5 shade: #44D4A5, #33C292, #22B07F, #119E6C and #008C59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D4A5 shade: #43D4A5, #43D47E, #43D457, #57D443 and #7ED443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D4A5 shade: #43D4A5, #43D4CC, #43B5D4, #438ED4 and #4367D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D4A5 shade matches the following richer shades: #43D4A5, #31E7AB and #1EF9B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D4A5 shade: #43D4A5, #56C19E, #69AF98, #7B9C92 and #8E8A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D4A5 shade: #43D457, #43D47D, #43D4A4, #43D4CA and #43B7D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D4A5 shade: #24A178, #2CC291, #43D4A5, #65DCB5 and #87E3C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D4A5 shade: #44D4A5, #4357D4 and #D46A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D4A5 shade: #44D4A5, #A443D4 and #D4A443

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D4A5 shade: #44D4A5, #4357D4, #D44374 and #D4C143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D4A5 shade: #44D4A5, #5C43D4, #D44374 and #BCD443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 22 / 17

HEX #44D4A5

RGB 68 212 165

HSL 160.42, 0.63%, 0.55%

LAB 76.7, -49.14, 12.27

 

Complementary color

CMYK 0 / 77 / 52 / 27

HEX #BB2B5A

RGB 187 43 90

HSL 340.42, 0.63%, 0.45%

LAB 42.81, 59, 8.35

 

CMYK 66 / 0 / 25 / 17

HEX #49D4A0

RGB 73 212 160

HSL 157.55, 0.62%, 0.56%

LAB 76.7, -49.46, 14.96

 

CMYK 61 / 0 / 22 / 10

HEX #5AE6B3

RGB 90 230 179

HSL 158.14, 0.74%, 0.63%

LAB 82.93, -49.69, 13.75

 

CMYK 57 / 0 / 20 / 3

HEX #6BF8C6

RGB 107 248 198

HSL 158.72, 0.91%, 0.7%

LAB 89.08, -49.79, 12.65

 

CMYK 51 / 0 / 15 / 0

HEX #7CFFD9

RGB 124 255 217

HSL 162.6, 1%, 0.74%

LAB 92.05, -45.08, 7.14

 

CMYK 45 / 0 / 7 / 0

HEX #8DFFEC

RGB 141 255 236

HSL 170, 1%, 0.78%

LAB 93.12, -36.98, -1.05

 

CMYK 68 / 0 / 22 / 17

HEX #44D4A5

RGB 68 212 165

HSL 160.42, 0.63%, 0.55%

LAB 76.7, -49.14, 12.27

 

CMYK 74 / 0 / 25 / 24

HEX #33C292

RGB 51 194 146

HSL 159.86, 0.58%, 0.48%

LAB 70.43, -48.61, 13.58

 

CMYK 81 / 0 / 28 / 31

HEX #22B07F

RGB 34 176 127

HSL 159.3, 0.68%, 0.41%

LAB 64.1, -47.78, 15.02

 

CMYK 89 / 0 / 32 / 38

HEX #119E6C

RGB 17 158 108

HSL 158.72, 0.81%, 0.34%

LAB 57.71, -46.52, 16.63

 

CMYK 100 / 0 / 36 / 45

HEX #008C59

RGB 0 140 89

HSL 158.14, 1%, 0.27%

LAB 51.24, -44.84, 18.42

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A5

RGB 67 212 165

HSL 160.55, 0.63%, 0.55%

LAB 76.68, -49.3, 12.24

 

CMYK 68 / 0 / 41 / 17

HEX #43D47E

RGB 67 212 126

HSL 144.41, 0.63%, 0.55%

LAB 75.94, -57.28, 31.65

 

CMYK 68 / 0 / 59 / 17

HEX #43D457

RGB 67 212 87

HSL 128.28, 0.63%, 0.55%

LAB 75.43, -63.09, 49.91

 

CMYK 59 / 0 / 68 / 17

HEX #57D443

RGB 87 212 67

HSL 111.72, 0.63%, 0.55%

LAB 75.77, -60.96, 58.83

 

CMYK 41 / 0 / 68 / 17

HEX #7ED443

RGB 126 212 67

HSL 95.59, 0.63%, 0.55%

LAB 77.24, -49.9, 60.82

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A5

RGB 67 212 165

HSL 160.55, 0.63%, 0.55%

LAB 76.68, -49.3, 12.24

 

CMYK 68 / 0 / 4 / 17

HEX #43D4CC

RGB 67 212 204

HSL 176.69, 0.63%, 0.55%

LAB 77.66, -39.43, -7.22

 

CMYK 68 / 15 / 0 / 17

HEX #43B5D4

RGB 67 181 212

HSL 192.83, 0.63%, 0.55%

LAB 68.75, -22.15, -25

 

CMYK 68 / 33 / 0 / 17

HEX #438ED4

RGB 67 142 212

HSL 208.97, 0.63%, 0.55%

LAB 57.36, -0.74, -42.7

 

CMYK 68 / 51 / 0 / 17

HEX #4367D4

RGB 67 103 212

HSL 225.1, 0.63%, 0.55%

LAB 46.51, 23.17, -60.03

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A5

RGB 67 212 165

HSL 160.55, 0.63%, 0.55%

LAB 76.68, -49.3, 12.24

 

CMYK 79 / 0 / 26 / 9

HEX #31E7AB

RGB 49 231 171

HSL 160.22, 0.79%, 0.55%

LAB 82.24, -57.74, 16.86

 

CMYK 88 / 0 / 29 / 2

HEX #1EF9B2

RGB 30 249 178

HSL 160.55, 0.95%, 0.55%

LAB 87.6, -64.38, 20.67

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A5

RGB 67 212 165

HSL 160.55, 0.63%, 0.55%

LAB 76.68, -49.3, 12.24

 

CMYK 55 / 0 / 18 / 24

HEX #56C19E

RGB 86 193 158

HSL 160.37, 0.46%, 0.55%

LAB 71.27, -39.27, 8.39

 

CMYK 40 / 0 / 13 / 31

HEX #69AF98

RGB 105 175 152

HSL 160.29, 0.3%, 0.55%

LAB 66.47, -27.49, 4.88

 

CMYK 21 / 0 / 6 / 39

HEX #7B9C92

RGB 123 156 146

HSL 161.82, 0.14%, 0.55%

LAB 61.71, -13.55, 1.47

 

CMYK 0 / 3 / 2 / 44

HEX #8E8A8B

RGB 142 138 139

HSL 345, 0.02%, 0.55%

LAB 57.84, 1.68, -0.01

 

CMYK 68 / 0 / 59 / 17

HEX #43D457

RGB 67 212 87

HSL 128.28, 0.63%, 0.55%

LAB 75.43, -63.09, 49.91

 

CMYK 68 / 0 / 41 / 17

HEX #43D47D

RGB 67 212 125

HSL 144, 0.63%, 0.55%

LAB 75.92, -57.46, 32.14

 

CMYK 68 / 0 / 23 / 17

HEX #43D4A4

RGB 67 212 164

HSL 160.14, 0.63%, 0.55%

LAB 76.66, -49.53, 12.74

 

CMYK 68 / 0 / 5 / 17

HEX #43D4CA

RGB 67 212 202

HSL 175.86, 0.63%, 0.55%

LAB 77.61, -39.98, -6.23

 

CMYK 68 / 14 / 0 / 17

HEX #43B7D4

RGB 67 183 212

HSL 192, 0.63%, 0.55%

LAB 69.34, -23.17, -24.1

 

CMYK 78 / 0 / 25 / 37

HEX #24A178

RGB 36 161 120

HSL 160.32, 0.63%, 0.39%

LAB 59.18, -43.09, 12.02

 

CMYK 77 / 0 / 25 / 24

HEX #2CC291

RGB 44 194 145

HSL 160.4, 0.63%, 0.47%

LAB 70.29, -49.71, 13.9

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A5

RGB 67 212 165

HSL 160.55, 0.63%, 0.55%

LAB 76.68, -49.3, 12.24

 

CMYK 54 / 0 / 18 / 14

HEX #65DCB5

RGB 101 220 181

HSL 160.34, 0.63%, 0.63%

LAB 80.34, -42.77, 9.08

 

CMYK 41 / 0 / 13 / 11

HEX #87E3C5

RGB 135 227 197

HSL 160.43, 0.62%, 0.71%

LAB 84.03, -34.26, 6.08

 

CMYK 68 / 0 / 22 / 17

HEX #44D4A5

RGB 68 212 165

HSL 160.42, 0.63%, 0.55%

LAB 76.7, -49.14, 12.27

 

CMYK 68 / 59 / 0 / 17

HEX #4357D4

RGB 67 87 212

HSL 231.72, 0.63%, 0.55%

LAB 42.4, 33.28, -66.68

 

CMYK 0 / 50 / 68 / 17

HEX #D46A43

RGB 212 106 67

HSL 16.14, 0.63%, 0.55%

LAB 56.79, 38.79, 40.62

 

CMYK 68 / 0 / 22 / 17

HEX #44D4A5

RGB 68 212 165

HSL 160.42, 0.63%, 0.55%

LAB 76.7, -49.14, 12.27

 

CMYK 23 / 68 / 0 / 17

HEX #A443D4

RGB 164 67 212

HSL 280.14, 0.63%, 0.55%

LAB 47.83, 62.26, -57.45

 

CMYK 0 / 23 / 68 / 17

HEX #D4A443

RGB 212 164 67

HSL 40.14, 0.63%, 0.55%

LAB 70.14, 7.83, 55.29

 

CMYK 68 / 0 / 22 / 17

HEX #44D4A5

RGB 68 212 165

HSL 160.42, 0.63%, 0.55%

LAB 76.7, -49.14, 12.27

 

CMYK 68 / 59 / 0 / 17

HEX #4357D4

RGB 67 87 212

HSL 231.72, 0.63%, 0.55%

LAB 42.4, 33.28, -66.68

 

CMYK 0 / 68 / 45 / 17

HEX #D44374

RGB 212 67 116

HSL 339.72, 0.63%, 0.55%

LAB 51, 60.15, 4.67

 

CMYK 0 / 9 / 68 / 17

HEX #D4C143

RGB 212 193 67

HSL 52.14, 0.63%, 0.55%

LAB 77.6, -7.42, 63

 

CMYK 68 / 0 / 22 / 17

HEX #44D4A5

RGB 68 212 165

HSL 160.42, 0.63%, 0.55%

LAB 76.7, -49.14, 12.27

 

CMYK 57 / 68 / 0 / 17

HEX #5C43D4

RGB 92 67 212

HSL 250.34, 0.63%, 0.55%

LAB 39.65, 48.86, -71.1

 

CMYK 0 / 68 / 45 / 17

HEX #D44374

RGB 212 67 116

HSL 339.72, 0.63%, 0.55%

LAB 51, 60.15, 4.67

 

CMYK 11 / 0 / 68 / 17

HEX #BCD443

RGB 188 212 67

HSL 69.93, 0.63%, 0.55%

LAB 80.84, -26.87, 65.65

 

Description

Color code: HEX #44D4A5 | qconv.com Color code: HEX #44D4A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 212 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 212 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 22 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 22% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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