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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44D4CD it is the complementary color #BB2B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44D4CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44D4CD shade: #49D4C8, #5AE6DB, #6BF8EE, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44D4CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44D4CD shade: #44D4CD, #33C2BA, #22B0A7, #119E94 and #008C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44D4CD shade: #43D4CD, #43D4A6, #43D47F, #43D458 and #56D443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44D4CD shade: #43D4CD, #43B4D4, #438DD4, #4366D4 and #4343D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44D4CD shade matches the following richer shades: #43D4CD, #31E7DE and #1EF9EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44D4CD shade: #43D4CD, #56C1BC, #69AFAB, #7B9C9B and #8E8A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44D4CD shade: #43D480, #43D4A6, #43D4CD, #43B5D4 and #438ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44D4CD shade: #24A19B, #2CC2BB, #43D4CD, #65DCD6 and #87E3DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44D4CD shade: #44D4CD, #5943D4 and #D49343

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44D4CD shade: #44D4CD, #CD43D4 and #D4CD43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44D4CD shade: #44D4CD, #5943D4, #D4434B and #BED443

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44D4CD shade: #44D4CD, #8543D4, #D4434B and #93D443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 3 / 17

HEX #44D4CD

RGB 68 212 205

HSL 177.08, 0.63%, 0.55%

LAB 77.71, -39.02, -7.68

 

Complementary color

CMYK 0 / 77 / 73 / 27

HEX #BB2B32

RGB 187 43 50

HSL 357.08, 0.63%, 0.45%

LAB 42.04, 56.53, 32.06

 

CMYK 66 / 0 / 6 / 17

HEX #49D4C8

RGB 73 212 200

HSL 174.82, 0.62%, 0.56%

LAB 77.68, -39.65, -5.03

 

CMYK 61 / 0 / 5 / 10

HEX #5AE6DB

RGB 90 230 219

HSL 175.29, 0.74%, 0.63%

LAB 83.9, -40.06, -5.91

 

CMYK 57 / 0 / 4 / 3

HEX #6BF8EE

RGB 107 248 238

HSL 175.74, 0.91%, 0.7%

LAB 90.06, -40.34, -6.72

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 68 / 0 / 3 / 17

HEX #44D4CD

RGB 68 212 205

HSL 177.08, 0.63%, 0.55%

LAB 77.71, -39.02, -7.68

 

CMYK 74 / 0 / 4 / 24

HEX #33C2BA

RGB 51 194 186

HSL 176.64, 0.58%, 0.48%

LAB 71.44, -38.29, -6.73

 

CMYK 81 / 0 / 5 / 31

HEX #22B0A7

RGB 34 176 167

HSL 176.2, 0.68%, 0.41%

LAB 65.11, -37.3, -5.68

 

CMYK 89 / 0 / 6 / 38

HEX #119E94

RGB 17 158 148

HSL 175.74, 0.81%, 0.34%

LAB 58.71, -35.93, -4.49

 

CMYK 100 / 0 / 8 / 45

HEX #008C81

RGB 0 140 129

HSL 175.29, 1%, 0.27%

LAB 52.22, -34.21, -3.18

 

CMYK 68 / 0 / 3 / 17

HEX #43D4CD

RGB 67 212 205

HSL 177.1, 0.63%, 0.55%

LAB 77.69, -39.16, -7.71

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A6

RGB 67 212 166

HSL 160.97, 0.63%, 0.55%

LAB 76.7, -49.07, 11.74

 

CMYK 68 / 0 / 40 / 17

HEX #43D47F

RGB 67 212 127

HSL 144.83, 0.63%, 0.55%

LAB 75.95, -57.1, 31.16

 

CMYK 68 / 0 / 58 / 17

HEX #43D458

RGB 67 212 88

HSL 128.69, 0.63%, 0.55%

LAB 75.44, -62.97, 49.48

 

CMYK 59 / 0 / 68 / 17

HEX #56D443

RGB 86 212 67

HSL 112.14, 0.63%, 0.55%

LAB 75.74, -61.2, 58.79

 

CMYK 68 / 0 / 3 / 17

HEX #43D4CD

RGB 67 212 205

HSL 177.1, 0.63%, 0.55%

LAB 77.69, -39.16, -7.71

 

CMYK 68 / 15 / 0 / 17

HEX #43B4D4

RGB 67 180 212

HSL 193.24, 0.63%, 0.55%

LAB 68.45, -21.63, -25.45

 

CMYK 68 / 33 / 0 / 17

HEX #438DD4

RGB 67 141 212

HSL 209.38, 0.63%, 0.55%

LAB 57.07, -0.16, -43.16

 

CMYK 68 / 52 / 0 / 17

HEX #4366D4

RGB 67 102 212

HSL 225.52, 0.63%, 0.55%

LAB 46.24, 23.8, -60.45

 

CMYK 68 / 68 / 0 / 17

HEX #4343D4

RGB 67 67 212

HSL 240, 0.63%, 0.55%

LAB 37.77, 45.48, -74.26

 

CMYK 68 / 0 / 3 / 17

HEX #43D4CD

RGB 67 212 205

HSL 177.1, 0.63%, 0.55%

LAB 77.69, -39.16, -7.71

 

CMYK 79 / 0 / 4 / 9

HEX #31E7DE

RGB 49 231 222

HSL 177.03, 0.79%, 0.55%

LAB 83.48, -44.89, -8.2

 

CMYK 88 / 0 / 4 / 2

HEX #1EF9EF

RGB 30 249 239

HSL 177.26, 0.95%, 0.55%

LAB 89.04, -49.18, -8.89

 

CMYK 68 / 0 / 3 / 17

HEX #43D4CD

RGB 67 212 205

HSL 177.1, 0.63%, 0.55%

LAB 77.69, -39.16, -7.71

 

CMYK 55 / 0 / 3 / 24

HEX #56C1BC

RGB 86 193 188

HSL 177.2, 0.46%, 0.55%

LAB 72.06, -31.79, -6.81

 

CMYK 40 / 0 / 2 / 31

HEX #69AFAB

RGB 105 175 171

HSL 176.57, 0.3%, 0.55%

LAB 66.98, -22.98, -4.9

 

CMYK 21 / 0 / 1 / 39

HEX #7B9C9B

RGB 123 156 155

HSL 178.18, 0.14%, 0.55%

LAB 61.96, -11.57, -3.24

 

CMYK 0 / 3 / 3 / 44

HEX #8E8A8A

RGB 142 138 138

HSL 0, 0.02%, 0.55%

LAB 57.81, 1.49, 0.52

 

CMYK 68 / 0 / 40 / 17

HEX #43D480

RGB 67 212 128

HSL 145.24, 0.63%, 0.55%

LAB 75.97, -56.92, 30.67

 

CMYK 68 / 0 / 22 / 17

HEX #43D4A6

RGB 67 212 166

HSL 160.97, 0.63%, 0.55%

LAB 76.7, -49.07, 11.74

 

CMYK 68 / 0 / 3 / 17

HEX #43D4CD

RGB 67 212 205

HSL 177.1, 0.63%, 0.55%

LAB 77.69, -39.16, -7.71

 

CMYK 68 / 15 / 0 / 17

HEX #43B5D4

RGB 67 181 212

HSL 192.83, 0.63%, 0.55%

LAB 68.75, -22.15, -25

 

CMYK 68 / 33 / 0 / 17

HEX #438ED4

RGB 67 142 212

HSL 208.97, 0.63%, 0.55%

LAB 57.36, -0.74, -42.7

 

CMYK 78 / 0 / 4 / 37

HEX #24A19B

RGB 36 161 155

HSL 177.12, 0.63%, 0.39%

LAB 60.1, -33.67, -6.37

 

CMYK 77 / 0 / 4 / 24

HEX #2CC2BB

RGB 44 194 187

HSL 177.2, 0.63%, 0.47%

LAB 71.36, -38.77, -7.42

 

CMYK 68 / 0 / 3 / 17

HEX #43D4CD

RGB 67 212 205

HSL 177.1, 0.63%, 0.55%

LAB 77.69, -39.16, -7.71

 

CMYK 54 / 0 / 3 / 14

HEX #65DCD6

RGB 101 220 214

HSL 176.97, 0.63%, 0.63%

LAB 81.19, -34.78, -7.24

 

CMYK 41 / 0 / 2 / 11

HEX #87E3DF

RGB 135 227 223

HSL 177.39, 0.62%, 0.71%

LAB 84.7, -28.33, -6.67

 

CMYK 68 / 0 / 3 / 17

HEX #44D4CD

RGB 68 212 205

HSL 177.08, 0.63%, 0.55%

LAB 77.71, -39.02, -7.68

 

CMYK 58 / 68 / 0 / 17

HEX #5943D4

RGB 89 67 212

HSL 249.1, 0.63%, 0.55%

LAB 39.4, 48.41, -71.53

 

CMYK 0 / 31 / 68 / 17

HEX #D49343

RGB 212 147 67

HSL 33.1, 0.63%, 0.55%

LAB 65.96, 17, 50.82

 

CMYK 68 / 0 / 3 / 17

HEX #44D4CD

RGB 68 212 205

HSL 177.08, 0.63%, 0.55%

LAB 77.71, -39.02, -7.68

 

CMYK 3 / 68 / 0 / 17

HEX #CD43D4

RGB 205 67 212

HSL 297.1, 0.63%, 0.55%

LAB 53.76, 71.08, -47.63

 

CMYK 0 / 3 / 68 / 17

HEX #D4CD43

RGB 212 205 67

HSL 57.1, 0.63%, 0.55%

LAB 80.77, -13.52, 66.19

 

CMYK 68 / 0 / 3 / 17

HEX #44D4CD

RGB 68 212 205

HSL 177.08, 0.63%, 0.55%

LAB 77.71, -39.02, -7.68

 

CMYK 58 / 68 / 0 / 17

HEX #5943D4

RGB 89 67 212

HSL 249.1, 0.63%, 0.55%

LAB 39.4, 48.41, -71.53

 

CMYK 0 / 68 / 65 / 17

HEX #D4434B

RGB 212 67 75

HSL 356.69, 0.63%, 0.55%

LAB 50.12, 57.05, 28.1

 

CMYK 10 / 0 / 68 / 17

HEX #BED443

RGB 190 212 67

HSL 69.1, 0.63%, 0.55%

LAB 80.98, -26.06, 65.84

 

CMYK 68 / 0 / 3 / 17

HEX #44D4CD

RGB 68 212 205

HSL 177.08, 0.63%, 0.55%

LAB 77.71, -39.02, -7.68

 

CMYK 37 / 68 / 0 / 17

HEX #8543D4

RGB 133 67 212

HSL 267.31, 0.63%, 0.55%

LAB 43.88, 56.01, -64.03

 

CMYK 0 / 68 / 65 / 17

HEX #D4434B

RGB 212 67 75

HSL 356.69, 0.63%, 0.55%

LAB 50.12, 57.05, 28.1

 

CMYK 31 / 0 / 68 / 17

HEX #93D443

RGB 147 212 67

HSL 86.9, 0.63%, 0.55%

LAB 78.28, -42.67, 62.23

 

Description

Color code: HEX #44D4CD | qconv.com Color code: HEX #44D4CD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 212 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 212 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 3 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 3% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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