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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44CCFA it is the complementary color #BB3305. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44CCFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44CCFA shade: #49CCF5, #5ADEFF, #6BF0FF, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44CCFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44CCFA shade: #44CCFA, #33BAE7, #22A8D4, #1196C1 and #0084AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44CCFA shade: #42CBFA, #4299FA, #4268FA, #4D42FA and #7F42FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44CCFA shade: #42CBFA, #4299FA, #4268FA and #4242FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44CCFA shade matches the following richer shades: #42CBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44CCFA shade: #42CBFA, #51C3EA, #61BCDA, #71B4CB and #80ACBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44CCFA shade: #42FAC5, #42FAF7, #42CCFA, #429BFA and #4269FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44CCFA shade: #05ABE3, #19C0F9, #42CBFA, #6AD6FB and #92E1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44CCFA shade: #44CCFA, #9442FA and #FADE42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44CCFA shade: #44CCFA, #FA42CC and #CCFA42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44CCFA shade: #44CCFA, #9442FA, #FA7042 and #A7FA42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44CCFA shade: #44CCFA, #CC42FA, #FA7042 and #70FA42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 18 / 0 / 2

HEX #44CCFA

RGB 68 204 250

HSL 195.16, 0.95%, 0.62%

LAB 76.87, -21.8, -33.09

 

Complementary color

CMYK 0 / 73 / 97 / 27

HEX #BB3305

RGB 187 51 5

HSL 15.16, 0.95%, 0.38%

LAB 42.68, 52.69, 53.25

 

CMYK 70 / 17 / 0 / 4

HEX #49CCF5

RGB 73 204 245

HSL 194.3, 0.9%, 0.62%

LAB 76.8, -22.74, -30.52

 

CMYK 65 / 13 / 0 / 0

HEX #5ADEFF

RGB 90 222 255

HSL 192, 1%, 0.68%

LAB 82.72, -26.27, -26.73

 

CMYK 58 / 6 / 0 / 0

HEX #6BF0FF

RGB 107 240 255

HSL 186.08, 1%, 0.71%

LAB 88.29, -32.17, -18.24

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 73 / 18 / 0 / 2

HEX #44CCFA

RGB 68 204 250

HSL 195.16, 0.95%, 0.62%

LAB 76.87, -21.8, -33.09

 

CMYK 78 / 19 / 0 / 9

HEX #33BAE7

RGB 51 186 231

HSL 195, 0.79%, 0.55%

LAB 70.59, -20.57, -32.58

 

CMYK 84 / 21 / 0 / 17

HEX #22A8D4

RGB 34 168 212

HSL 194.83, 0.72%, 0.48%

LAB 64.24, -19.03, -32

 

CMYK 91 / 22 / 0 / 24

HEX #1196C1

RGB 17 150 193

HSL 194.66, 0.84%, 0.41%

LAB 57.83, -17.1, -31.34

 

CMYK 100 / 24 / 0 / 32

HEX #0084AE

RGB 0 132 174

HSL 194.48, 1%, 0.34%

LAB 51.33, -14.78, -30.62

 

CMYK 74 / 19 / 0 / 2

HEX #42CBFA

RGB 66 203 250

HSL 195.33, 0.95%, 0.62%

LAB 76.54, -21.53, -33.61

 

CMYK 74 / 39 / 0 / 2

HEX #4299FA

RGB 66 153 250

HSL 211.63, 0.95%, 0.62%

LAB 62.37, 5.96, -55.83

 

CMYK 74 / 58 / 0 / 2

HEX #4268FA

RGB 66 104 250

HSL 227.61, 0.95%, 0.62%

LAB 49.45, 35.9, -76.66

 

CMYK 69 / 74 / 0 / 2

HEX #4D42FA

RGB 77 66 250

HSL 243.59, 0.95%, 0.62%

LAB 41.81, 59.05, -89.17

 

CMYK 49 / 74 / 0 / 2

HEX #7F42FA

RGB 127 66 250

HSL 259.89, 0.95%, 0.62%

LAB 46.06, 65.03, -82.03

 

CMYK 74 / 19 / 0 / 2

HEX #42CBFA

RGB 66 203 250

HSL 195.33, 0.95%, 0.62%

LAB 76.54, -21.53, -33.61

 

CMYK 74 / 39 / 0 / 2

HEX #4299FA

RGB 66 153 250

HSL 211.63, 0.95%, 0.62%

LAB 62.37, 5.96, -55.83

 

CMYK 74 / 58 / 0 / 2

HEX #4268FA

RGB 66 104 250

HSL 227.61, 0.95%, 0.62%

LAB 49.45, 35.9, -76.66

 

CMYK 74 / 74 / 0 / 2

HEX #4242FA

RGB 66 66 250

HSL 240, 0.95%, 0.62%

LAB 41.15, 58.09, -90.29

 

CMYK 74 / 19 / 0 / 2

HEX #42CBFA

RGB 66 203 250

HSL 195.33, 0.95%, 0.62%

LAB 76.54, -21.53, -33.61

 

CMYK 74 / 19 / 0 / 2

HEX #42CBFA

RGB 66 203 250

HSL 195.33, 0.95%, 0.62%

LAB 76.54, -21.53, -33.61

 

CMYK 65 / 17 / 0 / 8

HEX #51C3EA

RGB 81 195 234

HSL 195.29, 0.78%, 0.62%

LAB 74.01, -20.41, -28.87

 

CMYK 56 / 14 / 0 / 15

HEX #61BCDA

RGB 97 188 218

HSL 194.88, 0.62%, 0.62%

LAB 71.94, -18.74, -23.32

 

CMYK 44 / 11 / 0 / 20

HEX #71B4CB

RGB 113 180 203

HSL 195.33, 0.46%, 0.62%

LAB 69.8, -15.2, -18.31

 

CMYK 32 / 8 / 0 / 27

HEX #80ACBB

RGB 128 172 187

HSL 195.25, 0.3%, 0.62%

LAB 67.79, -11.06, -12.44

 

CMYK 74 / 0 / 21 / 2

HEX #42FAC5

RGB 66 250 197

HSL 162.72, 0.95%, 0.62%

LAB 88.71, -57.35, 12.51

 

CMYK 74 / 0 / 1 / 2

HEX #42FAF7

RGB 66 250 247

HSL 179.02, 0.95%, 0.62%

LAB 89.97, -44.67, -11.63

 

CMYK 74 / 18 / 0 / 2

HEX #42CCFA

RGB 66 204 250

HSL 195, 0.95%, 0.62%

LAB 76.83, -22.04, -33.16

 

CMYK 74 / 38 / 0 / 2

HEX #429BFA

RGB 66 155 250

HSL 210.98, 0.95%, 0.62%

LAB 62.93, 4.78, -54.94

 

CMYK 74 / 58 / 0 / 2

HEX #4269FA

RGB 66 105 250

HSL 227.28, 0.95%, 0.62%

LAB 49.69, 35.28, -76.26

 

CMYK 98 / 25 / 0 / 11

HEX #05ABE3

RGB 5 171 227

HSL 195.14, 0.96%, 0.45%

LAB 65.52, -16.74, -38.31

 

CMYK 90 / 23 / 0 / 2

HEX #19C0F9

RGB 25 192 249

HSL 195.27, 0.95%, 0.54%

LAB 72.72, -19.5, -39.03

 

CMYK 74 / 19 / 0 / 2

HEX #42CBFA

RGB 66 203 250

HSL 195.33, 0.95%, 0.62%

LAB 76.54, -21.53, -33.61

 

CMYK 58 / 15 / 0 / 2

HEX #6AD6FB

RGB 106 214 251

HSL 195.31, 0.95%, 0.7%

LAB 80.81, -20.76, -27.49

 

CMYK 42 / 11 / 0 / 1

HEX #92E1FC

RGB 146 225 252

HSL 195.28, 0.95%, 0.78%

LAB 85.5, -17.46, -20.73

 

CMYK 73 / 18 / 0 / 2

HEX #44CCFA

RGB 68 204 250

HSL 195.16, 0.95%, 0.62%

LAB 76.87, -21.8, -33.09

 

CMYK 41 / 74 / 0 / 2

HEX #9442FA

RGB 148 66 250

HSL 266.74, 0.95%, 0.62%

LAB 48.38, 68.21, -78.14

 

CMYK 0 / 11 / 74 / 2

HEX #FADE42

RGB 250 222 66

HSL 50.87, 0.95%, 0.62%

LAB 88.43, -6.18, 75.11

 

CMYK 73 / 18 / 0 / 2

HEX #44CCFA

RGB 68 204 250

HSL 195.16, 0.95%, 0.62%

LAB 76.87, -21.8, -33.09

 

CMYK 0 / 74 / 18 / 2

HEX #FA42CC

RGB 250 66 204

HSL 315, 0.95%, 0.62%

LAB 60.41, 80.3, -32.13

 

CMYK 18 / 0 / 74 / 2

HEX #CCFA42

RGB 204 250 66

HSL 75, 0.95%, 0.62%

LAB 92.4, -38.15, 77.66

 

CMYK 73 / 18 / 0 / 2

HEX #44CCFA

RGB 68 204 250

HSL 195.16, 0.95%, 0.62%

LAB 76.87, -21.8, -33.09

 

CMYK 41 / 74 / 0 / 2

HEX #9442FA

RGB 148 66 250

HSL 266.74, 0.95%, 0.62%

LAB 48.38, 68.21, -78.14

 

CMYK 0 / 55 / 74 / 2

HEX #FA7042

RGB 250 112 66

HSL 15, 0.95%, 0.62%

LAB 63.59, 50.06, 50.26

 

CMYK 33 / 0 / 74 / 2

HEX #A7FA42

RGB 167 250 66

HSL 87.07, 0.95%, 0.62%

LAB 90.31, -51.66, 74.93

 

CMYK 73 / 18 / 0 / 2

HEX #44CCFA

RGB 68 204 250

HSL 195.16, 0.95%, 0.62%

LAB 76.87, -21.8, -33.09

 

CMYK 18 / 74 / 0 / 2

HEX #CC42FA

RGB 204 66 250

HSL 285, 0.95%, 0.62%

LAB 55.72, 77.95, -65.88

 

CMYK 0 / 55 / 74 / 2

HEX #FA7042

RGB 250 112 66

HSL 15, 0.95%, 0.62%

LAB 63.59, 50.06, 50.26

 

CMYK 55 / 0 / 74 / 2

HEX #70FA42

RGB 112 250 66

HSL 105, 0.95%, 0.62%

LAB 88.07, -68.19, 71.98

 

Description

Color code: HEX #44CCFA | qconv.com Color code: HEX #44CCFA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 204 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 204 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 18 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 18% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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