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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44C417 it is the complementary color #BB3BE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44C417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44C417 shade: #49C412, #5AD625, #6BE838, #7CFA4B and #8DFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44C417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44C417 shade: #44C417, #33B204, #22A000, #118E00 and #007C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44C417 shade: #44C417, #72C417, #A1C417, #C4B817 and #C48917

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44C417 shade: #44C417, #17C418, #17C447, #17C476 and #17C4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44C417 shade matches the following richer shades: #44C417 and #3BD605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44C417 shade: #44C417, #4CB228, #55A03A, #5D8F4C and #667D5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44C417 shade: #A1C417, #73C417, #45C417, #17C417 and #17C445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44C417 shade: #2A7A0E, #379F12, #44C417, #53E41F and #6FE944

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44C417 shade: #44C417, #17C4B8 and #C4178A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44C417 shade: #44C417, #1745C4 and #C41745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44C417 shade: #44C417, #17C4B8, #9617C4 and #C41722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44C417 shade: #44C417, #179BC4, #9617C4 and #C43F17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

Complementary color

CMYK 19 / 75 / 0 / 9

HEX #BB3BE8

RGB 187 59 232

HSL 284.39, 0.79%, 0.57%

LAB 51.29, 73.8, -63.08

 

CMYK 63 / 0 / 91 / 23

HEX #49C412

RGB 73 196 18

HSL 101.46, 0.83%, 0.42%

LAB 70.13, -61.52, 67.32

 

CMYK 58 / 0 / 83 / 16

HEX #5AD625

RGB 90 214 37

HSL 102.03, 0.71%, 0.49%

LAB 76.31, -62.87, 69.01

 

CMYK 54 / 0 / 76 / 9

HEX #6BE838

RGB 107 232 56

HSL 102.61, 0.79%, 0.56%

LAB 82.45, -63.8, 69.61

 

CMYK 50 / 0 / 70 / 2

HEX #7CFA4B

RGB 124 250 75

HSL 103.2, 0.95%, 0.64%

LAB 88.53, -64.44, 69.5

 

CMYK 45 / 0 / 63 / 0

HEX #8DFF5E

RGB 141 255 94

HSL 102.48, 1%, 0.68%

LAB 90.78, -59.96, 64.86

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 71 / 0 / 98 / 30

HEX #33B204

RGB 51 178 4

HSL 103.79, 0.96%, 0.36%

LAB 63.8, -60.55, 63.71

 

CMYK 79 / 0 / 100 / 37

HEX #22A000

RGB 34 160 0

HSL 107.25, 1%, 0.31%

LAB 57.54, -57.86, 59.11

 

CMYK 88 / 0 / 100 / 44

HEX #118E00

RGB 17 142 0

HSL 112.82, 1%, 0.28%

LAB 51.23, -54.49, 53.96

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 42 / 0 / 88 / 23

HEX #72C417

RGB 114 196 23

HSL 88.44, 0.79%, 0.43%

LAB 71.64, -49.73, 68.32

 

CMYK 18 / 0 / 88 / 23

HEX #A1C417

RGB 161 196 23

HSL 72.14, 0.79%, 0.43%

LAB 74.27, -32.09, 71.58

 

CMYK 0 / 6 / 88 / 23

HEX #C4B817

RGB 196 184 23

HSL 55.84, 0.79%, 0.43%

LAB 73.6, -11.31, 72.15

 

CMYK 0 / 30 / 88 / 23

HEX #C48917

RGB 196 137 23

HSL 39.54, 0.79%, 0.43%

LAB 61.38, 13.79, 62.47

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 88 / 0 / 88 / 23

HEX #17C418

RGB 23 196 24

HSL 120.35, 0.79%, 0.43%

LAB 69.28, -68.9, 65.17

 

CMYK 88 / 0 / 64 / 23

HEX #17C447

RGB 23 196 71

HSL 136.65, 0.79%, 0.43%

LAB 69.55, -65.39, 50.08

 

CMYK 88 / 0 / 40 / 23

HEX #17C476

RGB 23 196 118

HSL 152.95, 0.79%, 0.43%

LAB 70.15, -58.15, 28.04

 

CMYK 88 / 0 / 16 / 23

HEX #17C4A4

RGB 23 196 164

HSL 168.9, 0.79%, 0.43%

LAB 71.11, -47.61, 4.73

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 72 / 0 / 98 / 16

HEX #3BD605

RGB 59 214 5

HSL 104.5, 0.95%, 0.43%

LAB 75.47, -70.21, 73.1

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 57 / 0 / 78 / 30

HEX #4CB228

RGB 76 178 40

HSL 104.35, 0.63%, 0.43%

LAB 64.59, -53.56, 57.1

 

CMYK 47 / 0 / 64 / 37

HEX #55A03A

RGB 85 160 58

HSL 104.12, 0.47%, 0.43%

LAB 59.32, -42.51, 44.77

 

CMYK 35 / 0 / 47 / 44

HEX #5D8F4C

RGB 93 143 76

HSL 104.78, 0.31%, 0.43%

LAB 54.55, -30.08, 30.34

 

CMYK 18 / 0 / 26 / 51

HEX #667D5D

RGB 102 125 93

HSL 103.13, 0.15%, 0.43%

LAB 49.84, -14.85, 14.76

 

CMYK 18 / 0 / 88 / 23

HEX #A1C417

RGB 161 196 23

HSL 72.14, 0.79%, 0.43%

LAB 74.27, -32.09, 71.58

 

CMYK 41 / 0 / 88 / 23

HEX #73C417

RGB 115 196 23

HSL 88.09, 0.79%, 0.43%

LAB 71.68, -49.4, 68.38

 

CMYK 65 / 0 / 88 / 23

HEX #45C417

RGB 69 196 23

HSL 104.05, 0.79%, 0.43%

LAB 70.04, -62.25, 66.33

 

CMYK 88 / 0 / 88 / 23

HEX #17C417

RGB 23 196 23

HSL 120, 0.79%, 0.43%

LAB 69.27, -68.93, 65.36

 

CMYK 88 / 0 / 65 / 23

HEX #17C445

RGB 23 196 69

HSL 135.95, 0.79%, 0.43%

LAB 69.53, -65.61, 50.92

 

CMYK 66 / 0 / 89 / 52

HEX #2A7A0E

RGB 42 122 14

HSL 104.44, 0.79%, 0.27%

LAB 44.86, -43.27, 46.03

 

CMYK 65 / 0 / 89 / 38

HEX #379F12

RGB 55 159 18

HSL 104.26, 0.8%, 0.35%

LAB 57.71, -53.12, 56.52

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 64 / 0 / 86 / 11

HEX #53E41F

RGB 83 228 31

HSL 104.16, 0.78%, 0.51%

LAB 80.42, -69.37, 73.9

 

CMYK 52 / 0 / 71 / 9

HEX #6FE944

RGB 111 233 68

HSL 104.36, 0.79%, 0.59%

LAB 82.95, -62.3, 66.15

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 88 / 0 / 6 / 23

HEX #17C4B8

RGB 23 196 184

HSL 175.84, 0.79%, 0.43%

LAB 71.64, -42.13, -5.39

 

CMYK 0 / 88 / 30 / 23

HEX #C4178A

RGB 196 23 138

HSL 320.12, 0.79%, 0.43%

LAB 44.49, 70.58, -18.69

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 88 / 65 / 0 / 23

HEX #1745C4

RGB 23 69 196

HSL 224.05, 0.79%, 0.43%

LAB 34.85, 34.71, -69.85

 

CMYK 0 / 88 / 65 / 23

HEX #C41745

RGB 196 23 69

HSL 344.05, 0.79%, 0.43%

LAB 42.43, 64.83, 21.29

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 88 / 0 / 6 / 23

HEX #17C4B8

RGB 23 196 184

HSL 175.84, 0.79%, 0.43%

LAB 71.64, -42.13, -5.39

 

CMYK 23 / 88 / 0 / 23

HEX #9617C4

RGB 150 23 196

HSL 284.05, 0.79%, 0.43%

LAB 39.72, 70.72, -61.42

 

CMYK 0 / 88 / 83 / 23

HEX #C41722

RGB 196 23 34

HSL 356.18, 0.79%, 0.43%

LAB 41.94, 63.44, 41.67

 

CMYK 65 / 0 / 88 / 23

HEX #44C417

RGB 68 196 23

HSL 104.39, 0.79%, 0.43%

LAB 70.01, -62.47, 66.3

 

CMYK 88 / 21 / 0 / 23

HEX #179BC4

RGB 23 155 196

HSL 194.22, 0.79%, 0.43%

LAB 59.54, -18.41, -30.38

 

CMYK 23 / 88 / 0 / 23

HEX #9617C4

RGB 150 23 196

HSL 284.05, 0.79%, 0.43%

LAB 39.72, 70.72, -61.42

 

CMYK 0 / 68 / 88 / 23

HEX #C43F17

RGB 196 63 23

HSL 13.87, 0.79%, 0.43%

LAB 46.11, 51.33, 50.46

 

Description

Color code: HEX #44C417 | qconv.com Color code: HEX #44C417 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 196 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 196 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 88 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 88% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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