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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44BF54 it is the complementary color #BB40AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44BF54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44BF54 shade: #49BF4F, #5AD162, #6BE375, #7CF588 and #8DFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44BF54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44BF54 shade: #44BF54, #33AD41, #229B2E, #11891B and #007708

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44BF54 shade: #44BF54, #55BF44, #76BF44, #97BF44 and #B8BF44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44BF54 shade: #44BF54, #44BF75, #44BF96, #44BFB7 and #44A5BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44BF54 shade matches the following richer shades: #44BF54, #30D345, #1CE736 and #08FB27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44BF54 shade: #44BF54, #59AB63, #6D9672, #818281 and #956E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44BF54 shade: #77BF44, #57BF44, #44BF53, #44BF73 and #44BF94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44BF54 shade: #2D8438, #37A345, #44BF54, #63C970 and #82D48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44BF54 shade: #44BF54, #4498BF and #BF4467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44BF54 shade: #44BF54, #5344BF and #BF5344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44BF54 shade: #44BF54, #4498BF, #BF44B0 and #BF6B44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44BF54 shade: #44BF54, #4473BF, #BF44B0 and #BF9044

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

Complementary color

CMYK 0 / 66 / 9 / 27

HEX #BB40AB

RGB 187 64 171

HSL 307.8, 0.49%, 0.49%

LAB 48.48, 61.3, -32.41

 

CMYK 62 / 0 / 59 / 25

HEX #49BF4F

RGB 73 191 79

HSL 123.05, 0.48%, 0.52%

LAB 68.93, -55.44, 46.03

 

CMYK 57 / 0 / 53 / 18

HEX #5AD162

RGB 90 209 98

HSL 124.03, 0.56%, 0.59%

LAB 75.24, -55.8, 44.75

 

CMYK 53 / 0 / 48 / 11

HEX #6BE375

RGB 107 227 117

HSL 125, 0.68%, 0.65%

LAB 81.48, -55.95, 43.44

 

CMYK 49 / 0 / 44 / 4

HEX #7CF588

RGB 124 245 136

HSL 125.95, 0.86%, 0.72%

LAB 87.66, -55.95, 42.15

 

CMYK 45 / 0 / 39 / 0

HEX #8DFF9B

RGB 141 255 155

HSL 127.37, 1%, 0.78%

LAB 91.48, -52.62, 37.91

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 71 / 0 / 62 / 32

HEX #33AD41

RGB 51 173 65

HSL 126.89, 0.54%, 0.44%

LAB 62.48, -55.14, 44.87

 

CMYK 78 / 0 / 70 / 39

HEX #229B2E

RGB 34 155 46

HSL 125.95, 0.64%, 0.37%

LAB 56.07, -53.86, 45.95

 

CMYK 88 / 0 / 80 / 46

HEX #11891B

RGB 17 137 27

HSL 125, 0.78%, 0.3%

LAB 49.6, -51.76, 46.44

 

CMYK 100 / 0 / 93 / 53

HEX #007708

RGB 0 119 8

HSL 124.03, 1%, 0.23%

LAB 43.08, -48.72, 45.55

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 55 / 0 / 64 / 25

HEX #55BF44

RGB 85 191 68

HSL 111.71, 0.49%, 0.51%

LAB 69.19, -53.74, 51.31

 

CMYK 38 / 0 / 64 / 25

HEX #76BF44

RGB 118 191 68

HSL 95.61, 0.49%, 0.51%

LAB 70.55, -43.77, 53.18

 

CMYK 21 / 0 / 64 / 25

HEX #97BF44

RGB 151 191 68

HSL 79.51, 0.49%, 0.51%

LAB 72.4, -31.63, 55.73

 

CMYK 4 / 0 / 64 / 25

HEX #B8BF44

RGB 184 191 68

HSL 63.41, 0.49%, 0.51%

LAB 74.74, -18.19, 58.91

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 64 / 0 / 39 / 25

HEX #44BF75

RGB 68 191 117

HSL 143.9, 0.49%, 0.51%

LAB 69.31, -50.69, 27.58

 

CMYK 64 / 0 / 21 / 25

HEX #44BF96

RGB 68 191 150

HSL 160, 0.49%, 0.51%

LAB 69.96, -43.79, 10.8

 

CMYK 64 / 0 / 4 / 25

HEX #44BFB7

RGB 68 191 183

HSL 176.1, 0.49%, 0.51%

LAB 70.81, -35.41, -5.99

 

CMYK 64 / 14 / 0 / 25

HEX #44A5BF

RGB 68 165 191

HSL 192.68, 0.49%, 0.51%

LAB 63.26, -20.25, -21.77

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 77 / 0 / 67 / 17

HEX #30D345

RGB 48 211 69

HSL 127.73, 0.65%, 0.51%

LAB 74.6, -67.67, 56.53

 

CMYK 88 / 0 / 77 / 9

HEX #1CE736

RGB 28 231 54

HSL 127.68, 0.81%, 0.51%

LAB 80.55, -76.8, 67.85

 

CMYK 97 / 0 / 84 / 2

HEX #08FB27

RGB 8 251 39

HSL 127.65, 0.97%, 0.51%

LAB 86.6, -83.98, 77.33

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 48 / 0 / 42 / 33

HEX #59AB63

RGB 89 171 99

HSL 127.32, 0.33%, 0.51%

LAB 63.47, -40.57, 29.52

 

CMYK 27 / 0 / 24 / 41

HEX #6D9672

RGB 109 150 114

HSL 127.32, 0.16%, 0.51%

LAB 58.3, -21.63, 14.56

 

CMYK 1 / 0 / 1 / 49

HEX #818281

RGB 129 130 129

HSL 120, 0%, 0.51%

LAB 54.26, -0.57, 0.4

 

CMYK 0 / 26 / 3 / 42

HEX #956E90

RGB 149 110 144

HSL 307.69, 0.16%, 0.51%

LAB 51.33, 21.38, -12.52

 

CMYK 38 / 0 / 64 / 25

HEX #77BF44

RGB 119 191 68

HSL 95.12, 0.49%, 0.51%

LAB 70.59, -43.43, 53.25

 

CMYK 54 / 0 / 64 / 25

HEX #57BF44

RGB 87 191 68

HSL 110.73, 0.49%, 0.51%

LAB 69.26, -53.21, 51.41

 

CMYK 64 / 0 / 57 / 25

HEX #44BF53

RGB 68 191 83

HSL 127.32, 0.49%, 0.51%

LAB 68.83, -56.01, 44.03

 

CMYK 64 / 0 / 40 / 25

HEX #44BF73

RGB 68 191 115

HSL 142.93, 0.49%, 0.51%

LAB 69.28, -51.06, 28.58

 

CMYK 64 / 0 / 23 / 25

HEX #44BF94

RGB 68 191 148

HSL 159.02, 0.49%, 0.51%

LAB 69.91, -44.26, 11.82

 

CMYK 66 / 0 / 58 / 48

HEX #2D8438

RGB 45 132 56

HSL 127.59, 0.49%, 0.35%

LAB 48.69, -42.44, 33.13

 

CMYK 66 / 0 / 58 / 36

HEX #37A345

RGB 55 163 69

HSL 127.78, 0.5%, 0.43%

LAB 59.38, -50.28, 39.44

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 51 / 0 / 44 / 21

HEX #63C970

RGB 99 201 112

HSL 127.65, 0.49%, 0.59%

LAB 73.28, -48.4, 35.51

 

CMYK 39 / 0 / 34 / 17

HEX #82D48C

RGB 130 212 140

HSL 127.32, 0.49%, 0.67%

LAB 78.3, -39.81, 27.97

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 64 / 20 / 0 / 25

HEX #4498BF

RGB 68 152 191

HSL 199.02, 0.49%, 0.51%

LAB 59.39, -13.29, -27.72

 

CMYK 0 / 64 / 46 / 25

HEX #BF4467

RGB 191 68 103

HSL 342.93, 0.49%, 0.51%

LAB 47.22, 52.07, 6.67

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 57 / 64 / 0 / 25

HEX #5344BF

RGB 83 68 191

HSL 247.32, 0.49%, 0.51%

LAB 37.36, 40.42, -62.68

 

CMYK 0 / 57 / 64 / 25

HEX #BF5344

RGB 191 83 68

HSL 7.32, 0.49%, 0.51%

LAB 49.11, 42.37, 30.15

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 64 / 20 / 0 / 25

HEX #4498BF

RGB 68 152 191

HSL 199.02, 0.49%, 0.51%

LAB 59.39, -13.29, -27.72

 

CMYK 0 / 64 / 8 / 25

HEX #BF44B0

RGB 191 68 176

HSL 307.32, 0.49%, 0.51%

LAB 49.91, 61.5, -33.05

 

CMYK 0 / 44 / 64 / 25

HEX #BF6B44

RGB 191 107 68

HSL 19.02, 0.49%, 0.51%

LAB 54.04, 29.96, 36.11

 

CMYK 64 / 0 / 56 / 25

HEX #44BF54

RGB 68 191 84

HSL 127.8, 0.49%, 0.51%

LAB 68.85, -55.89, 43.57

 

CMYK 64 / 40 / 0 / 25

HEX #4473BF

RGB 68 115 191

HSL 217.07, 0.49%, 0.51%

LAB 48.58, 8.35, -44.67

 

CMYK 0 / 64 / 8 / 25

HEX #BF44B0

RGB 191 68 176

HSL 307.32, 0.49%, 0.51%

LAB 49.91, 61.5, -33.05

 

CMYK 0 / 25 / 64 / 25

HEX #BF9044

RGB 191 144 68

HSL 37.07, 0.49%, 0.51%

LAB 62.88, 9.66, 46.29

 

Description

Color code: HEX #44BF54 | qconv.com Color code: HEX #44BF54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 191 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 191 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 56 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 56% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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