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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44AB58 it is the complementary color #BB54A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44AB58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44AB58 shade: #49AB53, #5ABD66, #6BCF79, #7CE18C and #8DF39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44AB58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44AB58 shade: #44AB58, #339945, #228732, #11751F and #00630C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44AB58 shade: #44AB58, #4CAB44, #67AB44, #83AB44 and #9FAB44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44AB58 shade: #44AB58, #44AB74, #44AB8F, #44ABAB and #448FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44AB58 shade matches the following richer shades: #44AB58, #30BE4C, #1DD240 and #0AE534

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44AB58 shade: #44AB58, #579764, #6B8470, #7E717B and #915D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44AB58 shade: #68AB44, #4CAB44, #44AB57, #44AB72 and #44AB8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44AB58 shade: #2C7039, #388D49, #44AB58, #5BBD6E and #78C988

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44AB58 shade: #44AB58, #4483AB and #AB445A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44AB58 shade: #44AB58, #5744AB and #AB5744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44AB58 shade: #44AB58, #4483AB, #AB4498 and #AB6B44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44AB58 shade: #44AB58, #4464AB, #AB4498 and #AB8A44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

Complementary color

CMYK 0 / 55 / 11 / 27

HEX #BB54A7

RGB 187 84 167

HSL 311.65, 0.43%, 0.53%

LAB 51.49, 51.92, -25.36

 

CMYK 57 / 0 / 51 / 33

HEX #49AB53

RGB 73 171 83

HSL 126.12, 0.4%, 0.48%

LAB 62.65, -47.31, 36.6

 

CMYK 52 / 0 / 46 / 26

HEX #5ABD66

RGB 90 189 102

HSL 127.27, 0.43%, 0.55%

LAB 69.13, -47.39, 35.23

 

CMYK 48 / 0 / 42 / 19

HEX #6BCF79

RGB 107 207 121

HSL 128.4, 0.51%, 0.62%

LAB 75.53, -47.33, 33.9

 

CMYK 45 / 0 / 38 / 12

HEX #7CE18C

RGB 124 225 140

HSL 129.5, 0.63%, 0.68%

LAB 81.85, -47.18, 32.64

 

CMYK 42 / 0 / 35 / 5

HEX #8DF39F

RGB 141 243 159

HSL 130.59, 0.81%, 0.75%

LAB 88.1, -46.98, 31.44

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 67 / 0 / 55 / 40

HEX #339945

RGB 51 153 69

HSL 130.59, 0.5%, 0.4%

LAB 56, -47.37, 35.38

 

CMYK 75 / 0 / 63 / 47

HEX #228732

RGB 34 135 50

HSL 129.5, 0.6%, 0.33%

LAB 49.37, -46.53, 36.81

 

CMYK 85 / 0 / 74 / 54

HEX #11751F

RGB 17 117 31

HSL 128.4, 0.75%, 0.26%

LAB 42.67, -44.93, 37.97

 

CMYK 100 / 0 / 88 / 61

HEX #00630C

RGB 0 99 12

HSL 127.27, 1%, 0.19%

LAB 35.89, -42.4, 38.17

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 56 / 0 / 60 / 33

HEX #4CAB44

RGB 76 171 68

HSL 115.34, 0.43%, 0.47%

LAB 62.57, -48.47, 43.79

 

CMYK 40 / 0 / 60 / 33

HEX #67AB44

RGB 103 171 68

HSL 99.61, 0.43%, 0.47%

LAB 63.69, -40.28, 45.37

 

CMYK 23 / 0 / 60 / 33

HEX #83AB44

RGB 131 171 68

HSL 83.3, 0.43%, 0.47%

LAB 65.25, -30.02, 47.55

 

CMYK 7 / 0 / 60 / 33

HEX #9FAB44

RGB 159 171 68

HSL 66.99, 0.43%, 0.47%

LAB 67.21, -18.6, 50.27

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 60 / 0 / 32 / 33

HEX #44AB74

RGB 68 171 116

HSL 147.96, 0.43%, 0.47%

LAB 63.02, -42.73, 19.67

 

CMYK 60 / 0 / 16 / 33

HEX #44AB8F

RGB 68 171 143

HSL 163.69, 0.43%, 0.47%

LAB 63.62, -36.64, 5.6

 

CMYK 60 / 0 / 0 / 33

HEX #44ABAB

RGB 68 171 171

HSL 180, 0.43%, 0.47%

LAB 64.4, -29.22, -8.88

 

CMYK 60 / 16 / 0 / 33

HEX #448FAB

RGB 68 143 171

HSL 196.31, 0.43%, 0.47%

LAB 55.9, -14.74, -21.73

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 75 / 0 / 60 / 25

HEX #30BE4C

RGB 48 190 76

HSL 131.83, 0.6%, 0.47%

LAB 68, -60.12, 46.19

 

CMYK 86 / 0 / 70 / 18

HEX #1DD240

RGB 29 210 64

HSL 131.6, 0.76%, 0.47%

LAB 74.01, -69.87, 57.79

 

CMYK 96 / 0 / 77 / 10

HEX #0AE534

RGB 10 229 52

HSL 131.51, 0.92%, 0.47%

LAB 79.81, -77.3, 67.71

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 42 / 0 / 34 / 41

HEX #579764

RGB 87 151 100

HSL 132.19, 0.27%, 0.47%

LAB 57.15, -31.97, 20.62

 

CMYK 19 / 0 / 15 / 48

HEX #6B8470

RGB 107 132 112

HSL 132, 0.1%, 0.47%

LAB 52.73, -13.21, 7.85

 

CMYK 0 / 10 / 2 / 51

HEX #7E717B

RGB 126 113 123

HSL 313.85, 0.05%, 0.47%

LAB 49.1, 6.97, -3.67

 

CMYK 0 / 36 / 7 / 43

HEX #915D87

RGB 145 93 135

HSL 311.54, 0.22%, 0.47%

LAB 46.44, 28.07, -14.61

 

CMYK 39 / 0 / 60 / 33

HEX #68AB44

RGB 104 171 68

HSL 99.03, 0.43%, 0.47%

LAB 63.74, -39.94, 45.44

 

CMYK 56 / 0 / 60 / 33

HEX #4CAB44

RGB 76 171 68

HSL 115.34, 0.43%, 0.47%

LAB 62.57, -48.47, 43.79

 

CMYK 60 / 0 / 49 / 33

HEX #44AB57

RGB 68 171 87

HSL 131.07, 0.43%, 0.47%

LAB 62.54, -47.91, 34.42

 

CMYK 60 / 0 / 33 / 33

HEX #44AB72

RGB 68 171 114

HSL 146.8, 0.43%, 0.47%

LAB 62.99, -43.14, 20.7

 

CMYK 60 / 0 / 17 / 33

HEX #44AB8E

RGB 68 171 142

HSL 163.11, 0.43%, 0.47%

LAB 63.6, -36.89, 6.12

 

CMYK 61 / 0 / 49 / 56

HEX #2C7039

RGB 44 112 57

HSL 131.47, 0.44%, 0.31%

LAB 41.87, -34.32, 24.23

 

CMYK 60 / 0 / 48 / 45

HEX #388D49

RGB 56 141 73

HSL 132, 0.43%, 0.39%

LAB 52.25, -40.9, 28.71

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 52 / 0 / 42 / 26

HEX #5BBD6E

RGB 91 189 110

HSL 131.63, 0.43%, 0.55%

LAB 69.29, -45.87, 31.33

 

CMYK 40 / 0 / 32 / 21

HEX #78C988

RGB 120 201 136

HSL 131.85, 0.43%, 0.63%

LAB 74.54, -38.55, 24.91

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 60 / 23 / 0 / 33

HEX #4483AB

RGB 68 131 171

HSL 203.3, 0.43%, 0.47%

LAB 52.29, -8.01, -27.3

 

CMYK 0 / 60 / 47 / 33

HEX #AB445A

RGB 171 68 90

HSL 347.18, 0.43%, 0.47%

LAB 43.55, 44.17, 8.99

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 49 / 60 / 0 / 33

HEX #5744AB

RGB 87 68 171

HSL 251.07, 0.43%, 0.47%

LAB 36.18, 34.99, -52.78

 

CMYK 0 / 49 / 60 / 33

HEX #AB5744

RGB 171 87 68

HSL 11.07, 0.43%, 0.47%

LAB 46.83, 32.62, 26.65

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 60 / 23 / 0 / 33

HEX #4483AB

RGB 68 131 171

HSL 203.3, 0.43%, 0.47%

LAB 52.29, -8.01, -27.3

 

CMYK 0 / 60 / 11 / 33

HEX #AB4498

RGB 171 68 152

HSL 311.07, 0.43%, 0.47%

LAB 45.72, 52.32, -25.62

 

CMYK 0 / 37 / 60 / 33

HEX #AB6B44

RGB 171 107 68

HSL 22.72, 0.43%, 0.47%

LAB 51.37, 21.62, 32.28

 

CMYK 60 / 0 / 49 / 33

HEX #44AB58

RGB 68 171 88

HSL 131.65, 0.43%, 0.47%

LAB 62.56, -47.76, 33.92

 

CMYK 60 / 42 / 0 / 33

HEX #4464AB

RGB 68 100 171

HSL 221.36, 0.43%, 0.47%

LAB 43.19, 10.76, -41.6

 

CMYK 0 / 60 / 11 / 33

HEX #AB4498

RGB 171 68 152

HSL 311.07, 0.43%, 0.47%

LAB 45.72, 52.32, -25.62

 

CMYK 0 / 19 / 60 / 33

HEX #AB8A44

RGB 171 138 68

HSL 40.78, 0.43%, 0.47%

LAB 59.21, 4.22, 41.56

 

Description

Color code: HEX #44AB58 | qconv.com Color code: HEX #44AB58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 171 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 171 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 49 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 49% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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