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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44A196 it is the complementary color #BB5E69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44A196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44A196 shade: #49A191, #5AB3A4, #6BC5B7, #7CD7CA and #8DE9DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44A196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44A196 shade: #44A196, #338F83, #227D70, #116B5D and #00594A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44A196 shade: #43A196, #43A17D, #43A163, #43A14A and #56A143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44A196 shade: #43A196, #4393A1, #437AA1, #4360A1 and #4347A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44A196 shade matches the following richer shades: #43A196, #31B4A4, #1EC6B3 and #0CD9C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44A196 shade: #43A196, #568F88, #687C7A, #7B6A6C and #8D575D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44A196 shade: #43A163, #43A17C, #43A195, #4395A1 and #437CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44A196 shade: #2B6760, #37847B, #43A196, #56B8AC and #73C4BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44A196 shade: #44A196, #4943A1 and #A16F43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44A196 shade: #44A196, #9543A1 and #A19543

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44A196 shade: #44A196, #4943A1, #A14350 and #9BA143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44A196 shade: #44A196, #6643A1, #A14350 and #7FA143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 7 / 37

HEX #44A196

RGB 68 161 150

HSL 172.9, 0.41%, 0.45%

LAB 60.71, -30.15, -2.55

 

Complementary color

CMYK 0 / 50 / 44 / 27

HEX #BB5E69

RGB 187 94 105

HSL 352.9, 0.41%, 0.55%

LAB 51.37, 38.48, 11.23

 

CMYK 55 / 0 / 10 / 37

HEX #49A191

RGB 73 161 145

HSL 169.09, 0.38%, 0.46%

LAB 60.74, -30.41, 0.33

 

CMYK 50 / 0 / 8 / 30

HEX #5AB3A4

RGB 90 179 164

HSL 169.89, 0.37%, 0.53%

LAB 67.35, -30.42, -0.55

 

CMYK 46 / 0 / 7 / 23

HEX #6BC5B7

RGB 107 197 183

HSL 170.67, 0.44%, 0.6%

LAB 73.85, -30.37, -1.36

 

CMYK 42 / 0 / 6 / 16

HEX #7CD7CA

RGB 124 215 202

HSL 171.43, 0.53%, 0.66%

LAB 80.26, -30.28, -2.11

 

CMYK 39 / 0 / 5 / 9

HEX #8DE9DD

RGB 141 233 221

HSL 172.17, 0.68%, 0.73%

LAB 86.58, -30.18, -2.81

 

CMYK 58 / 0 / 7 / 37

HEX #44A196

RGB 68 161 150

HSL 172.9, 0.41%, 0.45%

LAB 60.71, -30.15, -2.55

 

CMYK 64 / 0 / 8 / 44

HEX #338F83

RGB 51 143 131

HSL 172.17, 0.47%, 0.38%

LAB 54.01, -29.88, -1.61

 

CMYK 73 / 0 / 10 / 51

HEX #227D70

RGB 34 125 112

HSL 171.43, 0.57%, 0.31%

LAB 47.21, -29.39, -0.54

 

CMYK 84 / 0 / 13 / 58

HEX #116B5D

RGB 17 107 93

HSL 170.67, 0.73%, 0.24%

LAB 40.29, -28.5, 0.71

 

CMYK 100 / 0 / 17 / 65

HEX #00594A

RGB 0 89 74

HSL 169.89, 1%, 0.17%

LAB 33.22, -27.23, 2.16

 

CMYK 58 / 0 / 7 / 37

HEX #43A196

RGB 67 161 150

HSL 172.98, 0.41%, 0.45%

LAB 60.68, -30.35, -2.6

 

CMYK 58 / 0 / 22 / 37

HEX #43A17D

RGB 67 161 125

HSL 157.02, 0.41%, 0.45%

LAB 60.04, -36.62, 10.54

 

CMYK 58 / 0 / 39 / 37

HEX #43A163

RGB 67 161 99

HSL 140.43, 0.41%, 0.45%

LAB 59.51, -42.05, 24.18

 

CMYK 58 / 0 / 54 / 37

HEX #43A14A

RGB 67 161 74

HSL 124.47, 0.41%, 0.45%

LAB 59.14, -46.1, 36.78

 

CMYK 47 / 0 / 58 / 37

HEX #56A143

RGB 86 161 67

HSL 107.87, 0.41%, 0.45%

LAB 59.77, -41.65, 41.13

 

CMYK 58 / 0 / 7 / 37

HEX #43A196

RGB 67 161 150

HSL 172.98, 0.41%, 0.45%

LAB 60.68, -30.35, -2.6

 

CMYK 58 / 9 / 0 / 37

HEX #4393A1

RGB 67 147 161

HSL 188.94, 0.41%, 0.45%

LAB 56.72, -20.15, -14.77

 

CMYK 58 / 24 / 0 / 37

HEX #437AA1

RGB 67 122 161

HSL 204.89, 0.41%, 0.45%

LAB 49.11, -6.27, -26.42

 

CMYK 58 / 40 / 0 / 37

HEX #4360A1

RGB 67 96 161

HSL 221.49, 0.41%, 0.45%

LAB 41.43, 9.63, -38.49

 

CMYK 58 / 56 / 0 / 37

HEX #4347A1

RGB 67 71 161

HSL 237.45, 0.41%, 0.45%

LAB 34.55, 25.8, -49.51

 

CMYK 58 / 0 / 7 / 37

HEX #43A196

RGB 67 161 150

HSL 172.98, 0.41%, 0.45%

LAB 60.68, -30.35, -2.6

 

CMYK 73 / 0 / 9 / 29

HEX #31B4A4

RGB 49 180 164

HSL 172.67, 0.57%, 0.45%

LAB 66.5, -38.32, -1.93

 

CMYK 85 / 0 / 10 / 22

HEX #1EC6B3

RGB 30 198 179

HSL 173.21, 0.74%, 0.45%

LAB 72.17, -43.97, -1.87

 

CMYK 94 / 0 / 11 / 15

HEX #0CD9C1

RGB 12 217 193

HSL 172.98, 0.9%, 0.45%

LAB 78.2, -49.06, -0.61

 

CMYK 58 / 0 / 7 / 37

HEX #43A196

RGB 67 161 150

HSL 172.98, 0.41%, 0.45%

LAB 60.68, -30.35, -2.6

 

CMYK 40 / 0 / 5 / 44

HEX #568F88

RGB 86 143 136

HSL 172.63, 0.25%, 0.45%

LAB 55.48, -20.43, -2.18

 

CMYK 16 / 0 / 2 / 51

HEX #687C7A

RGB 104 124 122

HSL 174, 0.09%, 0.45%

LAB 50.41, -7.72, -1.36

 

CMYK 0 / 14 / 12 / 52

HEX #7B6A6C

RGB 123 106 108

HSL 352.94, 0.07%, 0.45%

LAB 46.45, 7.07, 1.36

 

CMYK 0 / 38 / 34 / 45

HEX #8D575D

RGB 141 87 93

HSL 353.33, 0.24%, 0.45%

LAB 43.17, 23.15, 5.98

 

CMYK 58 / 0 / 39 / 37

HEX #43A163

RGB 67 161 99

HSL 140.43, 0.41%, 0.45%

LAB 59.51, -42.05, 24.18

 

CMYK 58 / 0 / 23 / 37

HEX #43A17C

RGB 67 161 124

HSL 156.38, 0.41%, 0.45%

LAB 60.01, -36.85, 11.06

 

CMYK 58 / 0 / 7 / 37

HEX #43A195

RGB 67 161 149

HSL 172.34, 0.41%, 0.45%

LAB 60.65, -30.62, -2.08

 

CMYK 58 / 7 / 0 / 37

HEX #4395A1

RGB 67 149 161

HSL 187.66, 0.41%, 0.45%

LAB 57.33, -21.2, -13.84

 

CMYK 58 / 23 / 0 / 37

HEX #437CA1

RGB 67 124 161

HSL 203.62, 0.41%, 0.45%

LAB 49.72, -7.44, -25.49

 

CMYK 58 / 0 / 7 / 60

HEX #2B6760

RGB 43 103 96

HSL 173, 0.41%, 0.29%

LAB 39.68, -21.26, -1.93

 

CMYK 58 / 0 / 7 / 48

HEX #37847B

RGB 55 132 123

HSL 172.99, 0.41%, 0.37%

LAB 50.39, -25.91, -2.27

 

CMYK 58 / 0 / 7 / 37

HEX #43A196

RGB 67 161 150

HSL 172.98, 0.41%, 0.45%

LAB 60.68, -30.35, -2.6

 

CMYK 53 / 0 / 7 / 28

HEX #56B8AC

RGB 86 184 172

HSL 172.65, 0.41%, 0.53%

LAB 68.92, -31.68, -2.67

 

CMYK 41 / 0 / 5 / 23

HEX #73C4BA

RGB 115 196 186

HSL 172.59, 0.41%, 0.61%

LAB 73.98, -27.17, -2.77

 

CMYK 58 / 0 / 7 / 37

HEX #44A196

RGB 68 161 150

HSL 172.9, 0.41%, 0.45%

LAB 60.71, -30.15, -2.55

 

CMYK 55 / 58 / 0 / 37

HEX #4943A1

RGB 73 67 161

HSL 243.83, 0.41%, 0.45%

LAB 33.99, 29.56, -50.38

 

CMYK 0 / 31 / 58 / 37

HEX #A16F43

RGB 161 111 67

HSL 28.09, 0.41%, 0.45%

LAB 51.1, 14.95, 32.2

 

CMYK 58 / 0 / 7 / 37

HEX #44A196

RGB 68 161 150

HSL 172.9, 0.41%, 0.45%

LAB 60.71, -30.15, -2.55

 

CMYK 7 / 58 / 0 / 37

HEX #9543A1

RGB 149 67 161

HSL 292.34, 0.41%, 0.45%

LAB 42.73, 48.33, -35.91

 

CMYK 0 / 7 / 58 / 37

HEX #A19543

RGB 161 149 67

HSL 52.34, 0.41%, 0.45%

LAB 61.2, -6.29, 44.07

 

CMYK 58 / 0 / 7 / 37

HEX #44A196

RGB 68 161 150

HSL 172.9, 0.41%, 0.45%

LAB 60.71, -30.15, -2.55

 

CMYK 55 / 58 / 0 / 37

HEX #4943A1

RGB 73 67 161

HSL 243.83, 0.41%, 0.45%

LAB 33.99, 29.56, -50.38

 

CMYK 0 / 58 / 50 / 37

HEX #A14350

RGB 161 67 80

HSL 351.7, 0.41%, 0.45%

LAB 41.49, 40.16, 12.05

 

CMYK 4 / 0 / 58 / 37

HEX #9BA143

RGB 155 161 67

HSL 63.83, 0.41%, 0.45%

LAB 64.05, -15.25, 47.14

 

CMYK 58 / 0 / 7 / 37

HEX #44A196

RGB 68 161 150

HSL 172.9, 0.41%, 0.45%

LAB 60.71, -30.15, -2.55

 

CMYK 37 / 58 / 0 / 37

HEX #6643A1

RGB 102 67 161

HSL 262.34, 0.41%, 0.45%

LAB 36.77, 36.11, -45.77

 

CMYK 0 / 58 / 50 / 37

HEX #A14350

RGB 161 67 80

HSL 351.7, 0.41%, 0.45%

LAB 41.49, 40.16, 12.05

 

CMYK 21 / 0 / 58 / 37

HEX #7FA143

RGB 127 161 67

HSL 81.7, 0.41%, 0.45%

LAB 62, -26.87, 44.28

 

Description

Color code: HEX #44A196 | qconv.com Color code: HEX #44A196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 161 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 161 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 7 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 7% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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