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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #447C0C it is the complementary color #BB83F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #447C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #447C0C shade: #497C07, #5A8E1A, #6BA02D, #7CB240 and #8DC453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #447C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #447C0C shade: #447C0C, #336A00, #225800, #114600 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #447C0C shade: #447D0C, #637D0C, #7D780C, #7D5A0C and #7D3B0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #447C0C shade: #447D0C, #267D0C, #0C7D10, #0C7D2F and #0C7D4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #447C0C shade matches the following richer shades: #447D0C and #448801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #447C0C shade: #447D0C, #447217, #446722, #445B2D and #445038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #447C0C shade: #7D790C, #627D0C, #447D0C, #267D0C and #0C7D10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #447C0C shade: #1B3204, #305708, #447D0C, #59A210 and #6EC813

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #447C0C shade: #447C0C, #0C7D5B and #7D0C72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #447C0C shade: #447C0C, #0C447D and #7D0C44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #447C0C shade: #447C0C, #0C7D5B, #440C7D and #7D0C2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #447C0C shade: #447C0C, #0C7D7D, #440C7D and #7D0C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 90 / 51

HEX #447C0C

RGB 68 124 12

HSL 90, 0.82%, 0.27%

LAB 46.54, -36.25, 48.35

 

Complementary color

CMYK 23 / 46 / 0 / 5

HEX #BB83F3

RGB 187 131 243

HSL 270, 0.82%, 0.73%

LAB 64.38, 42.63, -48.32

 

CMYK 41 / 0 / 94 / 51

HEX #497C07

RGB 73 124 7

HSL 86.15, 0.89%, 0.26%

LAB 46.77, -34.58, 49.67

 

CMYK 37 / 0 / 82 / 44

HEX #5A8E1A

RGB 90 142 26

HSL 86.9, 0.69%, 0.33%

LAB 53.59, -35.44, 51.34

 

CMYK 33 / 0 / 72 / 37

HEX #6BA02D

RGB 107 160 45

HSL 87.65, 0.56%, 0.4%

LAB 60.3, -35.97, 51.55

 

CMYK 30 / 0 / 64 / 30

HEX #7CB240

RGB 124 178 64

HSL 88.42, 0.47%, 0.47%

LAB 66.9, -36.28, 51.01

 

CMYK 28 / 0 / 58 / 23

HEX #8DC453

RGB 141 196 83

HSL 89.2, 0.49%, 0.55%

LAB 73.39, -36.45, 50.11

 

CMYK 45 / 0 / 90 / 51

HEX #447C0C

RGB 68 124 12

HSL 90, 0.82%, 0.27%

LAB 46.54, -36.25, 48.35

 

CMYK 52 / 0 / 100 / 58

HEX #336A00

RGB 51 106 0

HSL 91.13, 1%, 0.21%

LAB 39.6, -34.99, 45.09

 

CMYK 61 / 0 / 100 / 65

HEX #225800

RGB 34 88 0

HSL 96.82, 1%, 0.17%

LAB 32.52, -33.1, 39.23

 

CMYK 76 / 0 / 100 / 73

HEX #114600

RGB 17 70 0

HSL 105.43, 1%, 0.14%

LAB 25.26, -30.72, 32.95

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 46 / 0 / 90 / 51

HEX #447D0C

RGB 68 125 12

HSL 90.27, 0.82%, 0.27%

LAB 46.87, -36.67, 48.64

 

CMYK 21 / 0 / 90 / 51

HEX #637D0C

RGB 99 125 12

HSL 73.81, 0.82%, 0.27%

LAB 48.69, -24.27, 50.9

 

CMYK 0 / 4 / 90 / 51

HEX #7D780C

RGB 125 120 12

HSL 57.35, 0.82%, 0.27%

LAB 49.28, -9.73, 52.25

 

CMYK 0 / 28 / 90 / 51

HEX #7D5A0C

RGB 125 90 12

HSL 41.42, 0.82%, 0.27%

LAB 40.73, 7.54, 45.37

 

CMYK 0 / 53 / 90 / 51

HEX #7D3B0C

RGB 125 59 12

HSL 24.96, 0.82%, 0.27%

LAB 32.95, 25.74, 39.08

 

CMYK 46 / 0 / 90 / 51

HEX #447D0C

RGB 68 125 12

HSL 90.27, 0.82%, 0.27%

LAB 46.87, -36.67, 48.64

 

CMYK 70 / 0 / 90 / 51

HEX #267D0C

RGB 38 125 12

HSL 106.19, 0.82%, 0.27%

LAB 45.78, -45.36, 47.26

 

CMYK 90 / 0 / 87 / 51

HEX #0C7D10

RGB 12 125 16

HSL 122.12, 0.82%, 0.27%

LAB 45.34, -49.17, 45.72

 

CMYK 90 / 0 / 62 / 51

HEX #0C7D2F

RGB 12 125 47

HSL 138.58, 0.82%, 0.27%

LAB 45.57, -46.27, 33.8

 

CMYK 90 / 0 / 38 / 51

HEX #0C7D4D

RGB 12 125 77

HSL 154.51, 0.82%, 0.27%

LAB 46.02, -40.91, 18.2

 

CMYK 46 / 0 / 90 / 51

HEX #447D0C

RGB 68 125 12

HSL 90.27, 0.82%, 0.27%

LAB 46.87, -36.67, 48.64

 

CMYK 50 / 0 / 99 / 47

HEX #448801

RGB 68 136 1

HSL 90.22, 0.99%, 0.27%

LAB 50.5, -41.55, 53.75

 

CMYK 46 / 0 / 90 / 51

HEX #447D0C

RGB 68 125 12

HSL 90.27, 0.82%, 0.27%

LAB 46.87, -36.67, 48.64

 

CMYK 40 / 0 / 80 / 55

HEX #447217

RGB 68 114 23

HSL 90.33, 0.66%, 0.27%

LAB 43.25, -31.3, 42.21

 

CMYK 34 / 0 / 67 / 60

HEX #446722

RGB 68 103 34

HSL 90.43, 0.5%, 0.27%

LAB 39.66, -25.22, 33.93

 

CMYK 25 / 0 / 51 / 64

HEX #445B2D

RGB 68 91 45

HSL 90, 0.34%, 0.27%

LAB 35.79, -17.74, 23.64

 

CMYK 15 / 0 / 30 / 69

HEX #445038

RGB 68 80 56

HSL 90, 0.18%, 0.27%

LAB 32.37, -9.79, 12.62

 

CMYK 0 / 3 / 90 / 51

HEX #7D790C

RGB 125 121 12

HSL 57.88, 0.82%, 0.27%

LAB 49.57, -10.28, 52.48

 

CMYK 22 / 0 / 90 / 51

HEX #627D0C

RGB 98 125 12

HSL 74.34, 0.82%, 0.27%

LAB 48.62, -24.71, 50.82

 

CMYK 46 / 0 / 90 / 51

HEX #447D0C

RGB 68 125 12

HSL 90.27, 0.82%, 0.27%

LAB 46.87, -36.67, 48.64

 

CMYK 70 / 0 / 90 / 51

HEX #267D0C

RGB 38 125 12

HSL 106.19, 0.82%, 0.27%

LAB 45.78, -45.36, 47.26

 

CMYK 90 / 0 / 87 / 51

HEX #0C7D10

RGB 12 125 16

HSL 122.12, 0.82%, 0.27%

LAB 45.34, -49.17, 45.72

 

CMYK 46 / 0 / 92 / 80

HEX #1B3204

RGB 27 50 4

HSL 90, 0.85%, 0.11%

LAB 18.02, -18.12, 23.68

 

CMYK 45 / 0 / 91 / 66

HEX #305708

RGB 48 87 8

HSL 89.62, 0.83%, 0.19%

LAB 32.84, -27.36, 37.08

 

CMYK 46 / 0 / 90 / 51

HEX #447D0C

RGB 68 125 12

HSL 90.27, 0.82%, 0.27%

LAB 46.87, -36.67, 48.64

 

CMYK 45 / 0 / 90 / 36

HEX #59A210

RGB 89 162 16

HSL 90, 0.82%, 0.35%

LAB 59.89, -44.66, 59.26

 

CMYK 45 / 0 / 91 / 22

HEX #6EC813

RGB 110 200 19

HSL 89.83, 0.83%, 0.43%

LAB 72.67, -52.71, 69.81

 

CMYK 45 / 0 / 90 / 51

HEX #447C0C

RGB 68 124 12

HSL 90, 0.82%, 0.27%

LAB 46.54, -36.25, 48.35

 

CMYK 90 / 0 / 27 / 51

HEX #0C7D5B

RGB 12 125 91

HSL 161.95, 0.82%, 0.27%

LAB 46.31, -37.58, 10.5

 

CMYK 0 / 90 / 9 / 51

HEX #7D0C72

RGB 125 12 114

HSL 305.84, 0.82%, 0.27%

LAB 29, 54.24, -28.9

 

CMYK 45 / 0 / 90 / 51

HEX #447C0C

RGB 68 124 12

HSL 90, 0.82%, 0.27%

LAB 46.54, -36.25, 48.35

 

CMYK 90 / 46 / 0 / 51

HEX #0C447D

RGB 12 68 125

HSL 210.27, 0.82%, 0.27%

LAB 28.62, 5.85, -37.11

 

CMYK 0 / 90 / 46 / 51

HEX #7D0C44

RGB 125 12 68

HSL 330.27, 0.82%, 0.27%

LAB 26.85, 48.42, -1.95

 

CMYK 45 / 0 / 90 / 51

HEX #447C0C

RGB 68 124 12

HSL 90, 0.82%, 0.27%

LAB 46.54, -36.25, 48.35

 

CMYK 90 / 0 / 27 / 51

HEX #0C7D5B

RGB 12 125 91

HSL 161.95, 0.82%, 0.27%

LAB 46.31, -37.58, 10.5

 

CMYK 46 / 90 / 0 / 51

HEX #440C7D

RGB 68 12 125

HSL 269.73, 0.82%, 0.27%

LAB 19.93, 46.57, -51.06

 

CMYK 0 / 90 / 63 / 51

HEX #7D0C2E

RGB 125 12 46

HSL 341.95, 0.82%, 0.27%

LAB 26.22, 46.62, 12.14

 

CMYK 45 / 0 / 90 / 51

HEX #447C0C

RGB 68 124 12

HSL 90, 0.82%, 0.27%

LAB 46.54, -36.25, 48.35

 

CMYK 90 / 0 / 0 / 51

HEX #0C7D7D

RGB 12 125 125

HSL 180, 0.82%, 0.27%

LAB 47.27, -27.68, -8.17

 

CMYK 46 / 90 / 0 / 51

HEX #440C7D

RGB 68 12 125

HSL 269.73, 0.82%, 0.27%

LAB 19.93, 46.57, -51.06

 

CMYK 0 / 90 / 90 / 51

HEX #7D0C0C

RGB 125 12 12

HSL 0, 0.82%, 0.27%

LAB 25.71, 45.16, 33.04

 

Description

Color code: HEX #447C0C | qconv.com Color code: HEX #447C0C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 124 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 124 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 90 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 90% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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