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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #446DA0 it is the complementary color #BB925F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #446DA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #446DA0 shade: #496D9B, #5A7FAE, #6B91C1, #7CA3D4 and #8DB5E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #446DA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #446DA0 shade: #446DA0, #335B8D, #22497A, #113767 and #002554

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #446DA0 shade: #446DA0, #4455A0, #4D44A0, #6644A0 and #7E44A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #446DA0 shade: #446DA0, #4455A0 and #4444A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #446DA0 shade matches the following richer shades: #446DA0, #326BB3, #1F69C5 and #0D67D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #446DA0 shade: #446DA0, #576F8E, #69717B, #7C7368 and #8F7556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #446DA0 shade: #449FA0, #4486A0, #446EA0, #4455A0 and #4C44A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #446DA0 shade: #2C4666, #385A83, #446DA0, #5782B7 and #7497C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #446DA0 shade: #446DA0, #8944A0 and #92A044

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #446DA0 shade: #446DA0, #A0446E and #6EA044

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #446DA0 shade: #446DA0, #8944A0, #A07744 and #5BA044

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #446DA0 shade: #446DA0, #A0449C, #A07744 and #44A049

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

Complementary color

CMYK 0 / 22 / 49 / 27

HEX #BB925F

RGB 187 146 95

HSL 33.26, 0.4%, 0.55%

LAB 63.3, 9.03, 32.83

 

CMYK 53 / 30 / 0 / 39

HEX #496D9B

RGB 73 109 155

HSL 213.66, 0.36%, 0.45%

LAB 45.25, 0.89, -28.89

 

CMYK 48 / 27 / 0 / 32

HEX #5A7FAE

RGB 90 127 174

HSL 213.57, 0.34%, 0.52%

LAB 52.3, 0.24, -28.94

 

CMYK 45 / 25 / 0 / 24

HEX #6B91C1

RGB 107 145 193

HSL 213.49, 0.41%, 0.59%

LAB 59.18, -0.27, -29.02

 

CMYK 42 / 23 / 0 / 17

HEX #7CA3D4

RGB 124 163 212

HSL 213.41, 0.51%, 0.66%

LAB 65.93, -0.69, -29.14

 

CMYK 39 / 22 / 0 / 9

HEX #8DB5E7

RGB 141 181 231

HSL 213.33, 0.65%, 0.73%

LAB 72.55, -1.04, -29.28

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 64 / 35 / 0 / 45

HEX #335B8D

RGB 51 91 141

HSL 213.33, 0.47%, 0.38%

LAB 38.04, 2.44, -31.9

 

CMYK 72 / 40 / 0 / 52

HEX #22497A

RGB 34 73 122

HSL 213.41, 0.56%, 0.31%

LAB 30.67, 3.9, -31.94

 

CMYK 83 / 47 / 0 / 60

HEX #113767

RGB 17 55 103

HSL 213.49, 0.72%, 0.24%

LAB 23.1, 6.02, -31.96

 

CMYK 100 / 56 / 0 / 67

HEX #002554

RGB 0 37 84

HSL 213.57, 1%, 0.16%

LAB 15.29, 8.93, -32.01

HEX #002554

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 58 / 47 / 0 / 37

HEX #4455A0

RGB 68 85 160

HSL 228.91, 0.4%, 0.45%

LAB 38.31, 16.57, -42.85

 

CMYK 52 / 58 / 0 / 37

HEX #4D44A0

RGB 77 68 160

HSL 245.87, 0.4%, 0.45%

LAB 34.5, 29.44, -48.95

 

CMYK 36 / 58 / 0 / 37

HEX #6644A0

RGB 102 68 160

HSL 262.17, 0.4%, 0.45%

LAB 36.92, 35.25, -44.91

 

CMYK 21 / 58 / 0 / 37

HEX #7E44A0

RGB 126 68 160

HSL 277.83, 0.4%, 0.45%

LAB 39.76, 41.45, -40.21

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 58 / 47 / 0 / 37

HEX #4455A0

RGB 68 85 160

HSL 228.91, 0.4%, 0.45%

LAB 38.31, 16.57, -42.85

 

CMYK 58 / 58 / 0 / 37

HEX #4444A0

RGB 68 68 160

HSL 240, 0.4%, 0.45%

LAB 33.78, 27.59, -50.15

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 72 / 40 / 0 / 30

HEX #326BB3

RGB 50 107 179

HSL 213.49, 0.56%, 0.45%

LAB 44.87, 6.08, -43.65

 

CMYK 84 / 47 / 0 / 23

HEX #1F69C5

RGB 31 105 197

HSL 213.25, 0.73%, 0.45%

LAB 44.84, 12.08, -54.18

 

CMYK 94 / 52 / 0 / 15

HEX #0D67D8

RGB 13 103 216

HSL 213.4, 0.89%, 0.45%

LAB 45.28, 19.82, -64.36

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 39 / 22 / 0 / 44

HEX #576F8E

RGB 87 111 142

HSL 213.82, 0.24%, 0.45%

LAB 46.11, -0.55, -19.78

 

CMYK 15 / 8 / 0 / 52

HEX #69717B

RGB 105 113 123

HSL 213.33, 0.08%, 0.45%

LAB 47.29, -0.79, -6.55

 

CMYK 0 / 7 / 16 / 51

HEX #7C7368

RGB 124 115 104

HSL 33, 0.09%, 0.45%

LAB 48.94, 1.47, 7.34

 

CMYK 0 / 18 / 40 / 44

HEX #8F7556

RGB 143 117 86

HSL 32.63, 0.25%, 0.45%

LAB 50.96, 5.61, 20.92

 

CMYK 58 / 1 / 0 / 37

HEX #449FA0

RGB 68 159 160

HSL 180.65, 0.4%, 0.45%

LAB 60.39, -26.41, -8.67

 

CMYK 58 / 16 / 0 / 37

HEX #4486A0

RGB 68 134 160

HSL 196.96, 0.4%, 0.45%

LAB 52.75, -13.22, -20.23

 

CMYK 58 / 31 / 0 / 37

HEX #446EA0

RGB 68 110 160

HSL 212.61, 0.4%, 0.45%

LAB 45.52, 0.78, -31.43

 

CMYK 58 / 47 / 0 / 37

HEX #4455A0

RGB 68 85 160

HSL 228.91, 0.4%, 0.45%

LAB 38.31, 16.57, -42.85

 

CMYK 53 / 58 / 0 / 37

HEX #4C44A0

RGB 76 68 160

HSL 245.22, 0.4%, 0.45%

LAB 34.41, 29.23, -49.09

 

CMYK 57 / 31 / 0 / 60

HEX #2C4666

RGB 44 70 102

HSL 213.1, 0.4%, 0.29%

LAB 29.1, 0.5, -21.75

 

CMYK 57 / 31 / 0 / 49

HEX #385A83

RGB 56 90 131

HSL 212.8, 0.4%, 0.37%

LAB 37.47, 0.63, -26.7

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 41 / 23 / 0 / 24

HEX #7497C3

RGB 116 151 195

HSL 213.42, 0.4%, 0.61%

LAB 61.47, -0.76, -26.57

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 14 / 58 / 0 / 37

HEX #8944A0

RGB 137 68 160

HSL 285, 0.4%, 0.45%

LAB 41.2, 44.4, -37.84

 

CMYK 9 / 0 / 58 / 37

HEX #92A044

RGB 146 160 68

HSL 69.13, 0.4%, 0.45%

LAB 63.07, -18.47, 45.38

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 0 / 58 / 31 / 37

HEX #A0446E

RGB 160 68 110

HSL 332.61, 0.4%, 0.45%

LAB 42.36, 42.74, -5.33

 

CMYK 31 / 0 / 58 / 37

HEX #6EA044

RGB 110 160 68

HSL 92.61, 0.4%, 0.45%

LAB 60.67, -32.86, 42

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 14 / 58 / 0 / 37

HEX #8944A0

RGB 137 68 160

HSL 285, 0.4%, 0.45%

LAB 41.2, 44.4, -37.84

 

CMYK 0 / 26 / 58 / 37

HEX #A07744

RGB 160 119 68

HSL 33.26, 0.4%, 0.45%

LAB 53.04, 10.04, 33.99

 

CMYK 43 / 0 / 58 / 37

HEX #5BA044

RGB 91 160 68

HSL 105, 0.4%, 0.45%

LAB 59.69, -39.51, 40.61

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 0 / 58 / 2 / 37

HEX #A0449C

RGB 160 68 156

HSL 302.61, 0.4%, 0.45%

LAB 44.24, 49.93, -30.43

 

CMYK 0 / 26 / 58 / 37

HEX #A07744

RGB 160 119 68

HSL 33.26, 0.4%, 0.45%

LAB 53.04, 10.04, 33.99

 

CMYK 58 / 0 / 54 / 37

HEX #44A049

RGB 68 160 73

HSL 123.26, 0.4%, 0.45%

LAB 58.84, -45.59, 36.92

 

Description

Color code: HEX #446DA0 | qconv.com Color code: HEX #446DA0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 109 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 109 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 32 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 32% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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