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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #443A0C it is the complementary color #BBC5F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #443A0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #443A0C shade: #493A07, #5A4C1A, #6B5E2D, #7C7040 and #8D8253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #443A0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #443A0C shade: #443A0C, #332800, #221600, #110400 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #443A0C shade: #453B0C, #452B0C, #451C0C, #450C0C and #450C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #443A0C shade: #453B0C, #40450C, #30450C, #21450C and #11450C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #443A0C shade matches the following richer shades: #453B0C and #4B3F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #443A0C shade: #453B0C, #3E3612, #383219, #312E20 and #2A2A26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #443A0C shade: #451C0C, #452B0C, #453A0C, #40450C and #31450C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #443A0C shade: #443A0C, #0C450D and #240C45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #443A0C shade: #443A0C, #0C453A and #3A0C45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #443A0C shade: #443A0C, #0C450D, #0C1645 and #450C44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #443A0C shade: #443A0C, #0C451E, #0C1645 and #450C33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 82 / 73

HEX #443A0C

RGB 68 58 12

HSL 49.29, 0.7%, 0.16%

LAB 24.58, -1.54, 28.57

 

Complementary color

CMYK 23 / 19 / 0 / 5

HEX #BBC5F3

RGB 187 197 243

HSL 229.29, 0.7%, 0.84%

LAB 80.16, 6.26, -23.83

 

CMYK 0 / 21 / 90 / 71

HEX #493A07

RGB 73 58 7

HSL 46.36, 0.83%, 0.16%

LAB 25.13, 0.86, 31.39

 

CMYK 0 / 16 / 71 / 65

HEX #5A4C1A

RGB 90 76 26

HSL 46.88, 0.55%, 0.23%

LAB 32.74, -0.62, 30.91

 

CMYK 0 / 12 / 58 / 58

HEX #6B5E2D

RGB 107 94 45

HSL 47.42, 0.41%, 0.3%

LAB 40.12, -1.66, 29.65

 

CMYK 0 / 10 / 48 / 51

HEX #7C7040

RGB 124 112 64

HSL 48, 0.32%, 0.37%

LAB 47.29, -2.42, 28.27

 

CMYK 0 / 8 / 41 / 45

HEX #8D8253

RGB 141 130 83

HSL 48.62, 0.26%, 0.44%

LAB 54.29, -3, 26.94

 

CMYK 0 / 15 / 82 / 73

HEX #443A0C

RGB 68 58 12

HSL 49.29, 0.7%, 0.16%

LAB 24.58, -1.54, 28.57

 

CMYK 0 / 22 / 100 / 80

HEX #332800

RGB 51 40 0

HSL 47.06, 1%, 0.1%

LAB 16.61, 0.28, 24.1

 

CMYK 0 / 35 / 100 / 87

HEX #221600

RGB 34 22 0

HSL 38.82, 1%, 0.07%

LAB 8.25, 3.04, 12.42

 

CMYK 0 / 76 / 100 / 93

HEX #110400

RGB 17 4 0

HSL 14.12, 1%, 0.03%

LAB 1.86, 3.23, 2.85

 

CMYK 0 / 14 / 83 / 73

HEX #453B0C

RGB 69 59 12

HSL 49.47, 0.7%, 0.16%

LAB 25.01, -1.65, 29.03

 

CMYK 0 / 38 / 83 / 73

HEX #452B0C

RGB 69 43 12

HSL 32.63, 0.7%, 0.16%

LAB 20.12, 8.8, 23.93

 

CMYK 0 / 59 / 83 / 73

HEX #451C0C

RGB 69 28 12

HSL 16.84, 0.7%, 0.16%

LAB 16.12, 18.45, 19.17

 

CMYK 0 / 83 / 83 / 73

HEX #450C0C

RGB 69 12 12

HSL 0, 0.7%, 0.16%

LAB 12.95, 26.86, 15.06

 

CMYK 0 / 83 / 83 / 73

HEX #450C0C

RGB 69 12 12

HSL 0, 0.7%, 0.16%

LAB 12.95, 26.86, 15.06

 

CMYK 0 / 14 / 83 / 73

HEX #453B0C

RGB 69 59 12

HSL 49.47, 0.7%, 0.16%

LAB 25.01, -1.65, 29.03

 

CMYK 7 / 0 / 83 / 73

HEX #40450C

RGB 64 69 12

HSL 65.26, 0.7%, 0.16%

LAB 27.77, -10.39, 31.49

 

CMYK 30 / 0 / 83 / 73

HEX #30450C

RGB 48 69 12

HSL 82.11, 0.7%, 0.16%

LAB 26.48, -18.14, 29.8

 

CMYK 52 / 0 / 83 / 73

HEX #21450C

RGB 33 69 12

HSL 97.89, 0.7%, 0.16%

LAB 25.58, -24.41, 28.61

 

CMYK 75 / 0 / 83 / 73

HEX #11450C

RGB 17 69 12

HSL 114.74, 0.7%, 0.16%

LAB 24.96, -29.34, 27.78

 

CMYK 0 / 14 / 83 / 73

HEX #453B0C

RGB 69 59 12

HSL 49.47, 0.7%, 0.16%

LAB 25.01, -1.65, 29.03

 

CMYK 0 / 16 / 93 / 71

HEX #4B3F05

RGB 75 63 5

HSL 49.71, 0.88%, 0.16%

LAB 26.91, -1.35, 33.92

 

CMYK 0 / 14 / 83 / 73

HEX #453B0C

RGB 69 59 12

HSL 49.47, 0.7%, 0.16%

LAB 25.01, -1.65, 29.03

 

CMYK 0 / 13 / 71 / 76

HEX #3E3612

RGB 62 54 18

HSL 49.09, 0.55%, 0.16%

LAB 22.68, -1.72, 23.35

 

CMYK 0 / 11 / 55 / 78

HEX #383219

RGB 56 50 25

HSL 48.39, 0.38%, 0.16%

LAB 20.8, -1.53, 16.81

 

CMYK 0 / 6 / 35 / 81

HEX #312E20

RGB 49 46 32

HSL 49.41, 0.21%, 0.16%

LAB 18.85, -1.42, 9.54

 

CMYK 0 / 0 / 10 / 84

HEX #2A2A26

RGB 42 42 38

HSL 60, 0.05%, 0.16%

LAB 16.93, -0.92, 2.61

 

CMYK 0 / 59 / 83 / 73

HEX #451C0C

RGB 69 28 12

HSL 16.84, 0.7%, 0.16%

LAB 16.12, 18.45, 19.17

 

CMYK 0 / 38 / 83 / 73

HEX #452B0C

RGB 69 43 12

HSL 32.63, 0.7%, 0.16%

LAB 20.12, 8.8, 23.93

 

CMYK 0 / 16 / 83 / 73

HEX #453A0C

RGB 69 58 12

HSL 48.42, 0.7%, 0.16%

LAB 24.7, -1.01, 28.72

 

CMYK 7 / 0 / 83 / 73

HEX #40450C

RGB 64 69 12

HSL 65.26, 0.7%, 0.16%

LAB 27.77, -10.39, 31.49

 

CMYK 29 / 0 / 83 / 73

HEX #31450C

RGB 49 69 12

HSL 81.05, 0.7%, 0.16%

LAB 26.55, -17.68, 29.89

 

CMYK 0 / 15 / 82 / 73

HEX #443A0C

RGB 68 58 12

HSL 49.29, 0.7%, 0.16%

LAB 24.58, -1.54, 28.57

 

CMYK 83 / 0 / 81 / 73

HEX #0C450D

RGB 12 69 13

HSL 121.05, 0.7%, 0.16%

LAB 24.84, -30.32, 27.19

 

CMYK 48 / 83 / 0 / 73

HEX #240C45

RGB 36 12 69

HSL 265.26, 0.7%, 0.16%

LAB 9.54, 26.39, -30.93

 

CMYK 0 / 15 / 82 / 73

HEX #443A0C

RGB 68 58 12

HSL 49.29, 0.7%, 0.16%

LAB 24.58, -1.54, 28.57

 

CMYK 83 / 0 / 16 / 73

HEX #0C453A

RGB 12 69 58

HSL 168.42, 0.7%, 0.16%

LAB 25.68, -20.89, 1.52

 

CMYK 16 / 83 / 0 / 73

HEX #3A0C45

RGB 58 12 69

HSL 288.42, 0.7%, 0.16%

LAB 13.18, 31.36, -24.86

 

CMYK 0 / 15 / 82 / 73

HEX #443A0C

RGB 68 58 12

HSL 49.29, 0.7%, 0.16%

LAB 24.58, -1.54, 28.57

 

CMYK 83 / 0 / 81 / 73

HEX #0C450D

RGB 12 69 13

HSL 121.05, 0.7%, 0.16%

LAB 24.84, -30.32, 27.19

 

CMYK 83 / 68 / 0 / 73

HEX #0C1645

RGB 12 22 69

HSL 229.47, 0.7%, 0.16%

LAB 9.65, 15.19, -30.84

 

CMYK 0 / 83 / 1 / 73

HEX #450C44

RGB 69 12 68

HSL 301.05, 0.7%, 0.16%

LAB 15.2, 33.89, -20.82

 

CMYK 0 / 15 / 82 / 73

HEX #443A0C

RGB 68 58 12

HSL 49.29, 0.7%, 0.16%

LAB 24.58, -1.54, 28.57

 

CMYK 83 / 0 / 57 / 73

HEX #0C451E

RGB 12 69 30

HSL 138.95, 0.7%, 0.16%

LAB 25.04, -27.92, 18.43

 

CMYK 83 / 68 / 0 / 73

HEX #0C1645

RGB 12 22 69

HSL 229.47, 0.7%, 0.16%

LAB 9.65, 15.19, -30.84

 

CMYK 0 / 83 / 26 / 73

HEX #450C33

RGB 69 12 51

HSL 318.95, 0.7%, 0.16%

LAB 14.21, 30.93, -10.3

 

Description

Color code: HEX #443A0C | qconv.com Color code: HEX #443A0C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 58 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 58 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 82 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 82% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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