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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4439A1 it is the complementary color #BBC65E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4439A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4439A1 shade: #49399C, #5A4BAF, #6B5DC2, #7C6FD5 and #8D81E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4439A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4439A1 shade: #4439A1, #33278E, #22157B, #110368 and #000055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4439A1 shade: #4439A2, #6039A2, #7C39A2, #9939A2 and #A2398E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4439A1 shade: #4439A2 and #3939A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4439A1 shade matches the following richer shades: #4439A2, #3627B4, #2815C5 and #1A03D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4439A1 shade: #4439A2, #524A90, #605C7E, #6E6E6D and #7C7F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4439A1 shade: #3966A2, #394AA2, #4339A2, #5F39A2 and #7B39A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4439A1 shade: #2A2365, #372E83, #4439A2, #5346BE and #6F64C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4439A1 shade: #4439A1, #A23982 and #58A239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4439A1 shade: #4439A1, #A24339 and #39A243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4439A1 shade: #4439A1, #A23982, #97A239 and #39A258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4439A1 shade: #4439A1, #A23963, #97A239 and #39A278

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 65 / 0 / 37

HEX #4439A1

RGB 68 57 161

HSL 246.35, 0.48%, 0.43%

LAB 31.18, 34.86, -54.97

 

Complementary color

CMYK 6 / 0 / 53 / 22

HEX #BBC65E

RGB 187 198 94

HSL 66.35, 0.48%, 0.57%

LAB 77.14, -18.49, 50.15

 

CMYK 53 / 63 / 0 / 39

HEX #49399C

RGB 73 57 156

HSL 249.7, 0.46%, 0.42%

LAB 31.21, 34.18, -51.87

 

CMYK 49 / 57 / 0 / 31

HEX #5A4BAF

RGB 90 75 175

HSL 249, 0.4%, 0.49%

LAB 38.38, 32.6, -51.58

 

CMYK 45 / 52 / 0 / 24

HEX #6B5DC2

RGB 107 93 194

HSL 248.32, 0.45%, 0.56%

LAB 45.43, 31.2, -51.28

 

CMYK 42 / 48 / 0 / 16

HEX #7C6FD5

RGB 124 111 213

HSL 247.65, 0.55%, 0.64%

LAB 52.35, 29.99, -51.01

 

CMYK 39 / 44 / 0 / 9

HEX #8D81E8

RGB 141 129 232

HSL 246.99, 0.69%, 0.71%

LAB 59.15, 28.92, -50.78

 

CMYK 58 / 65 / 0 / 37

HEX #4439A1

RGB 68 57 161

HSL 246.35, 0.48%, 0.43%

LAB 31.18, 34.86, -54.97

 

CMYK 64 / 73 / 0 / 44

HEX #33278E

RGB 51 39 142

HSL 246.99, 0.57%, 0.35%

LAB 24.02, 36.8, -55.1

 

CMYK 72 / 83 / 0 / 52

HEX #22157B

RGB 34 21 123

HSL 247.65, 0.71%, 0.28%

LAB 17.02, 38.6, -54.73

 

CMYK 84 / 97 / 0 / 59

HEX #110368

RGB 17 3 104

HSL 248.32, 0.94%, 0.21%

LAB 10.44, 39.78, -53.35

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 58 / 65 / 0 / 36

HEX #4439A2

RGB 68 57 162

HSL 246.29, 0.48%, 0.43%

LAB 31.26, 35.19, -55.44

 

CMYK 41 / 65 / 0 / 36

HEX #6039A2

RGB 96 57 162

HSL 262.29, 0.48%, 0.43%

LAB 34.03, 40.71, -50.82

 

CMYK 23 / 65 / 0 / 36

HEX #7C39A2

RGB 124 57 162

HSL 278.29, 0.48%, 0.43%

LAB 37.52, 47.1, -45.02

 

CMYK 6 / 65 / 0 / 36

HEX #9939A2

RGB 153 57 162

HSL 294.86, 0.48%, 0.43%

LAB 41.7, 54.15, -38.1

 

CMYK 0 / 65 / 12 / 36

HEX #A2398E

RGB 162 57 142

HSL 311.43, 0.48%, 0.43%

LAB 42.09, 53.04, -25.33

 

CMYK 58 / 65 / 0 / 36

HEX #4439A2

RGB 68 57 162

HSL 246.29, 0.48%, 0.43%

LAB 31.26, 35.19, -55.44

 

CMYK 65 / 65 / 0 / 36

HEX #3939A2

RGB 57 57 162

HSL 240, 0.48%, 0.43%

LAB 30.41, 33.38, -56.87

 

CMYK 58 / 65 / 0 / 36

HEX #4439A2

RGB 68 57 162

HSL 246.29, 0.48%, 0.43%

LAB 31.26, 35.19, -55.44

 

CMYK 70 / 78 / 0 / 29

HEX #3627B4

RGB 54 39 180

HSL 246.38, 0.64%, 0.43%

LAB 28.2, 49.3, -71.32

 

CMYK 80 / 89 / 0 / 23

HEX #2815C5

RGB 40 21 197

HSL 246.48, 0.81%, 0.43%

LAB 26.79, 60.85, -83.75

 

CMYK 88 / 99 / 0 / 16

HEX #1A03D7

RGB 26 3 215

HSL 246.51, 0.97%, 0.43%

LAB 27.27, 69.26, -93.47

 

CMYK 58 / 65 / 0 / 36

HEX #4439A2

RGB 68 57 162

HSL 246.29, 0.48%, 0.43%

LAB 31.26, 35.19, -55.44

 

CMYK 43 / 49 / 0 / 44

HEX #524A90

RGB 82 74 144

HSL 246.86, 0.32%, 0.43%

LAB 35.41, 21.79, -37.77

 

CMYK 24 / 27 / 0 / 51

HEX #605C7E

RGB 96 92 126

HSL 247.06, 0.16%, 0.43%

LAB 40.65, 9.52, -18.49

 

CMYK 0 / 0 / 1 / 57

HEX #6E6E6D

RGB 110 110 109

HSL 60, 0%, 0.43%

LAB 46.41, -0.2, 0.55

 

CMYK 2 / 0 / 28 / 50

HEX #7C7F5B

RGB 124 127 91

HSL 65, 0.17%, 0.43%

LAB 52.08, -7.46, 19.25

 

CMYK 65 / 37 / 0 / 36

HEX #3966A2

RGB 57 102 162

HSL 214.29, 0.48%, 0.43%

LAB 42.73, 4.18, -37.04

 

CMYK 65 / 54 / 0 / 36

HEX #394AA2

RGB 57 74 162

HSL 230.29, 0.48%, 0.43%

LAB 34.75, 22.34, -49.81

 

CMYK 59 / 65 / 0 / 36

HEX #4339A2

RGB 67 57 162

HSL 245.71, 0.48%, 0.43%

LAB 31.18, 35.01, -55.58

 

CMYK 41 / 65 / 0 / 36

HEX #5F39A2

RGB 95 57 162

HSL 261.71, 0.48%, 0.43%

LAB 33.92, 40.49, -51.01

 

CMYK 24 / 65 / 0 / 36

HEX #7B39A2

RGB 123 57 162

HSL 277.71, 0.48%, 0.43%

LAB 37.38, 46.86, -45.24

 

CMYK 58 / 65 / 0 / 60

HEX #2A2365

RGB 42 35 101

HSL 246.36, 0.49%, 0.27%

LAB 18.51, 23.76, -37.99

 

CMYK 58 / 65 / 0 / 49

HEX #372E83

RGB 55 46 131

HSL 246.35, 0.48%, 0.35%

LAB 24.97, 29.44, -46.68

 

CMYK 58 / 65 / 0 / 36

HEX #4439A2

RGB 68 57 162

HSL 246.29, 0.48%, 0.43%

LAB 31.26, 35.19, -55.44

 

CMYK 56 / 63 / 0 / 25

HEX #5346BE

RGB 83 70 190

HSL 246.5, 0.48%, 0.51%

LAB 37.73, 38.92, -61.5

 

CMYK 45 / 50 / 0 / 22

HEX #6F64C8

RGB 111 100 200

HSL 246.6, 0.48%, 0.59%

LAB 47.83, 29.69, -50.87

 

CMYK 58 / 65 / 0 / 37

HEX #4439A1

RGB 68 57 161

HSL 246.35, 0.48%, 0.43%

LAB 31.18, 34.86, -54.97

 

CMYK 0 / 65 / 20 / 36

HEX #A23982

RGB 162 57 130

HSL 318.29, 0.48%, 0.43%

LAB 41.56, 51.21, -18.83

 

CMYK 46 / 0 / 65 / 36

HEX #58A239

RGB 88 162 57

HSL 102.29, 0.48%, 0.43%

LAB 60.08, -42.49, 46.08

 

CMYK 58 / 65 / 0 / 37

HEX #4439A1

RGB 68 57 161

HSL 246.35, 0.48%, 0.43%

LAB 31.18, 34.86, -54.97

 

CMYK 0 / 59 / 65 / 36

HEX #A24339

RGB 162 67 57

HSL 5.71, 0.48%, 0.43%

LAB 41.2, 38.68, 25.81

 

CMYK 65 / 0 / 59 / 36

HEX #39A243

RGB 57 162 67

HSL 125.71, 0.48%, 0.43%

LAB 59.08, -49.75, 40.06

 

CMYK 58 / 65 / 0 / 37

HEX #4439A1

RGB 68 57 161

HSL 246.35, 0.48%, 0.43%

LAB 31.18, 34.86, -54.97

 

CMYK 0 / 65 / 20 / 36

HEX #A23982

RGB 162 57 130

HSL 318.29, 0.48%, 0.43%

LAB 41.56, 51.21, -18.83

 

CMYK 7 / 0 / 65 / 36

HEX #97A239

RGB 151 162 57

HSL 66.29, 0.48%, 0.43%

LAB 63.93, -18.21, 51.36

 

CMYK 65 / 0 / 46 / 36

HEX #39A258

RGB 57 162 88

HSL 137.71, 0.48%, 0.43%

LAB 59.36, -46.63, 29.8

 

CMYK 58 / 65 / 0 / 37

HEX #4439A1

RGB 68 57 161

HSL 246.35, 0.48%, 0.43%

LAB 31.18, 34.86, -54.97

 

CMYK 0 / 65 / 39 / 36

HEX #A23963

RGB 162 57 99

HSL 336, 0.48%, 0.43%

LAB 40.42, 47.16, -1.31

 

CMYK 7 / 0 / 65 / 36

HEX #97A239

RGB 151 162 57

HSL 66.29, 0.48%, 0.43%

LAB 63.93, -18.21, 51.36

 

CMYK 65 / 0 / 26 / 36

HEX #39A278

RGB 57 162 120

HSL 156, 0.48%, 0.43%

LAB 59.95, -40.25, 13.17

 

Description

Color code: HEX #4439A1 | qconv.com Color code: HEX #4439A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 57 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 57 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 65 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 65% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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