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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4435A0 it is the complementary color #BBCA5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4435A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4435A0 shade: #49359B, #5A47AE, #6B59C1, #7C6BD4 and #8D7DE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4435A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4435A0 shade: #4435A0, #33238D, #22117A, #110067 and #000054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4435A0 shade: #4435A0, #6135A0, #7E35A0, #9B35A0 and #A03589

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4435A0 shade: #4435A0 and #3535A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4435A0 shade matches the following richer shades: #4435A0, #3824B1, #2B12C3 and #1F01D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4435A0 shade: #4435A0, #51468F, #5D587D, #69696C and #767A5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4435A0 shade: #3560A0, #3543A0, #4335A0, #6035A0 and #7C35A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4435A0 shade: #2A2062, #372B81, #4435A0, #5140BF and #6D5FC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4435A0 shade: #4435A0, #A0357C and #52A035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4435A0 shade: #4435A0, #A04335 and #35A043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4435A0 shade: #4435A0, #A0357C, #92A035 and #35A059

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4435A0 shade: #4435A0, #A0355C, #92A035 and #35A079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

Complementary color

CMYK 7 / 0 / 53 / 21

HEX #BBCA5F

RGB 187 202 95

HSL 68.41, 0.5%, 0.58%

LAB 78.25, -20.39, 50.98

 

CMYK 53 / 66 / 0 / 39

HEX #49359B

RGB 73 53 155

HSL 251.76, 0.49%, 0.41%

LAB 30.23, 36.29, -52.86

 

CMYK 48 / 59 / 0 / 32

HEX #5A47AE

RGB 90 71 174

HSL 251.07, 0.42%, 0.48%

LAB 37.36, 34.73, -52.63

 

CMYK 45 / 54 / 0 / 24

HEX #6B59C1

RGB 107 89 193

HSL 250.38, 0.46%, 0.55%

LAB 44.41, 33.32, -52.35

 

CMYK 42 / 50 / 0 / 17

HEX #7C6BD4

RGB 124 107 212

HSL 249.71, 0.55%, 0.63%

LAB 51.33, 32.07, -52.08

 

CMYK 39 / 46 / 0 / 9

HEX #8D7DE7

RGB 141 125 231

HSL 249.06, 0.69%, 0.7%

LAB 58.13, 30.97, -51.84

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 64 / 75 / 0 / 45

HEX #33238D

RGB 51 35 141

HSL 249.06, 0.6%, 0.35%

LAB 23.1, 38.78, -56

 

CMYK 72 / 86 / 0 / 52

HEX #22117A

RGB 34 17 122

HSL 249.71, 0.76%, 0.27%

LAB 16.24, 40.21, -55.38

 

CMYK 83 / 100 / 0 / 60

HEX #110067

RGB 17 0 103

HSL 249.9, 1%, 0.2%

LAB 9.79, 41.03, -53.78

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 39 / 67 / 0 / 37

HEX #6135A0

RGB 97 53 160

HSL 264.67, 0.5%, 0.42%

LAB 33.19, 42.57, -50.97

 

CMYK 21 / 67 / 0 / 37

HEX #7E35A0

RGB 126 53 160

HSL 280.93, 0.5%, 0.42%

LAB 36.97, 49.05, -44.68

 

CMYK 3 / 67 / 0 / 37

HEX #9B35A0

RGB 155 53 160

HSL 297.2, 0.5%, 0.42%

LAB 41.3, 55.94, -37.52

 

CMYK 0 / 67 / 14 / 37

HEX #A03589

RGB 160 53 137

HSL 312.9, 0.5%, 0.42%

LAB 40.94, 53.38, -24.1

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 67 / 67 / 0 / 37

HEX #3535A0

RGB 53 53 160

HSL 240, 0.5%, 0.42%

LAB 29.01, 34.62, -57.96

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 68 / 80 / 0 / 31

HEX #3824B1

RGB 56 36 177

HSL 248.51, 0.66%, 0.42%

LAB 27.51, 50.05, -70.66

 

CMYK 78 / 91 / 0 / 24

HEX #2B12C3

RGB 43 18 195

HSL 248.47, 0.83%, 0.42%

LAB 26.41, 61.33, -83.2

 

CMYK 85 / 100 / 0 / 17

HEX #1F01D4

RGB 31 1 212

HSL 248.53, 0.99%, 0.42%

LAB 26.92, 68.98, -92.31

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 43 / 51 / 0 / 44

HEX #51468F

RGB 81 70 143

HSL 249.04, 0.34%, 0.42%

LAB 34.22, 23.78, -39.07

 

CMYK 26 / 30 / 0 / 51

HEX #5D587D

RGB 93 88 125

HSL 248.11, 0.17%, 0.42%

LAB 39.22, 10.75, -20.1

 

CMYK 3 / 3 / 0 / 58

HEX #69696C

RGB 105 105 108

HSL 240, 0.01%, 0.42%

LAB 44.5, 0.63, -1.68

 

CMYK 3 / 0 / 25 / 52

HEX #767A5B

RGB 118 122 91

HSL 67.74, 0.15%, 0.42%

LAB 50.13, -7.13, 16.52

 

CMYK 67 / 40 / 0 / 37

HEX #3560A0

RGB 53 96 160

HSL 215.89, 0.5%, 0.42%

LAB 40.67, 6.53, -39.13

 

CMYK 67 / 58 / 0 / 37

HEX #3543A0

RGB 53 67 160

HSL 232.15, 0.5%, 0.42%

LAB 32.5, 25.57, -52.26

 

CMYK 58 / 67 / 0 / 37

HEX #4335A0

RGB 67 53 160

HSL 247.85, 0.5%, 0.42%

LAB 30.1, 36.8, -56.13

 

CMYK 40 / 67 / 0 / 37

HEX #6035A0

RGB 96 53 160

HSL 264.11, 0.5%, 0.42%

LAB 33.07, 42.35, -51.16

 

CMYK 23 / 67 / 0 / 37

HEX #7C35A0

RGB 124 53 160

HSL 279.81, 0.5%, 0.42%

LAB 36.69, 48.58, -45.15

 

CMYK 57 / 67 / 0 / 62

HEX #2A2062

RGB 42 32 98

HSL 249.09, 0.51%, 0.25%

LAB 17.49, 24.72, -37.68

 

CMYK 57 / 67 / 0 / 49

HEX #372B81

RGB 55 43 129

HSL 248.37, 0.5%, 0.34%

LAB 24.08, 30.68, -46.87

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 58 / 66 / 0 / 25

HEX #5140BF

RGB 81 64 191

HSL 248.03, 0.5%, 0.5%

LAB 36.32, 42.43, -64.38

 

CMYK 46 / 53 / 0 / 21

HEX #6D5FC9

RGB 109 95 201

HSL 247.92, 0.5%, 0.58%

LAB 46.52, 32.53, -53.57

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 0 / 67 / 23 / 37

HEX #A0357C

RGB 160 53 124

HSL 320.19, 0.5%, 0.42%

LAB 40.37, 51.46, -16.99

 

CMYK 49 / 0 / 67 / 37

HEX #52A035

RGB 82 160 53

HSL 103.74, 0.5%, 0.42%

LAB 59.15, -43.92, 46.73

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 0 / 58 / 67 / 37

HEX #A04335

RGB 160 67 53

HSL 7.85, 0.5%, 0.42%

LAB 40.81, 37.66, 27.63

 

CMYK 67 / 0 / 58 / 37

HEX #35A043

RGB 53 160 67

HSL 127.85, 0.5%, 0.42%

LAB 58.32, -49.85, 39.15

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 0 / 67 / 23 / 37

HEX #A0357C

RGB 160 53 124

HSL 320.19, 0.5%, 0.42%

LAB 40.37, 51.46, -16.99

 

CMYK 9 / 0 / 67 / 37

HEX #92A035

RGB 146 160 53

HSL 67.85, 0.5%, 0.42%

LAB 62.94, -19.59, 51.88

 

CMYK 67 / 0 / 44 / 37

HEX #35A059

RGB 53 160 89

HSL 140.19, 0.5%, 0.42%

LAB 58.62, -46.47, 28.31

 

CMYK 58 / 67 / 0 / 37

HEX #4435A0

RGB 68 53 160

HSL 248.41, 0.5%, 0.42%

LAB 30.19, 36.97, -55.98

 

CMYK 0 / 67 / 43 / 37

HEX #A0355C

RGB 160 53 92

HSL 338.13, 0.5%, 0.42%

LAB 39.23, 47.48, 1.3

 

CMYK 9 / 0 / 67 / 37

HEX #92A035

RGB 146 160 53

HSL 67.85, 0.5%, 0.42%

LAB 62.94, -19.59, 51.88

 

CMYK 67 / 0 / 24 / 37

HEX #35A079

RGB 53 160 121

HSL 158.13, 0.5%, 0.42%

LAB 59.23, -39.88, 11.59

 

Description

Color code: HEX #4435A0 | qconv.com Color code: HEX #4435A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 53 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 53 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 67 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 67% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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