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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #442BBA it is the complementary color #BBD445. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #442BBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #442BBA shade: #492BB5, #5A3DC8, #6B4FDB, #7C61EE and #8D73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #442BBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #442BBA shade: #442BBA, #3319A7, #220794, #110081 and #00006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #442BBA shade: #442BB9, #6A2BB9, #912BB9, #B72BB9 and #B92B95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #442BBA shade: #442BB9 and #2B2BB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #442BBA shade matches the following richer shades: #442BB9, #3819CC and #2C06DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #442BBA shade: #442BB9, #503EA7, #5C5094, #686382 and #74756F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #442BBA shade: #2B5FB9, #2B39B9, #432BB9, #692BB9 and #8F2BB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #442BBA shade: #2B1B77, #382398, #442BB9, #573DD1 and #745ED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #442BBA shade: #442BBA, #B92B85 and #4CB92B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #442BBA shade: #442BBA, #B9432B and #2BB943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #442BBA shade: #442BBA, #B92B85, #A2B92B and #2BB95F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #442BBA shade: #442BBA, #B92B5B, #A2B92B and #2BB98A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 77 / 0 / 27

HEX #442BBA

RGB 68 43 186

HSL 250.49, 0.62%, 0.45%

LAB 30.64, 50.55, -70.8

 

Complementary color

CMYK 12 / 0 / 67 / 17

HEX #BBD445

RGB 187 212 69

HSL 70.49, 0.62%, 0.55%

LAB 80.78, -27.15, 64.82

 

CMYK 60 / 76 / 0 / 29

HEX #492BB5

RGB 73 43 181

HSL 253.04, 0.62%, 0.44%

LAB 30.59, 49.66, -67.91

 

CMYK 55 / 70 / 0 / 22

HEX #5A3DC8

RGB 90 61 200

HSL 252.52, 0.56%, 0.51%

LAB 37.26, 48.26, -68.07

 

CMYK 51 / 64 / 0 / 14

HEX #6B4FDB

RGB 107 79 219

HSL 252, 0.66%, 0.58%

LAB 43.99, 46.75, -67.98

 

CMYK 48 / 59 / 0 / 7

HEX #7C61EE

RGB 124 97 238

HSL 251.49, 0.81%, 0.66%

LAB 50.7, 45.29, -67.77

 

CMYK 45 / 55 / 0 / 0

HEX #8D73FF

RGB 141 115 255

HSL 251.14, 1%, 0.73%

LAB 57.22, 43.36, -66.61

 

CMYK 63 / 77 / 0 / 27

HEX #442BBA

RGB 68 43 186

HSL 250.49, 0.62%, 0.45%

LAB 30.64, 50.55, -70.8

 

CMYK 69 / 85 / 0 / 35

HEX #3319A7

RGB 51 25 167

HSL 250.99, 0.74%, 0.38%

LAB 24.29, 51.58, -69.99

 

CMYK 77 / 95 / 0 / 42

HEX #220794

RGB 34 7 148

HSL 251.49, 0.91%, 0.3%

LAB 18.5, 51.28, -68.01

 

CMYK 87 / 100 / 0 / 49

HEX #110081

RGB 17 0 129

HSL 247.91, 1%, 0.25%

LAB 13.85, 48.01, -63.86

 

CMYK 100 / 100 / 0 / 57

HEX #00006E

RGB 0 0 110

HSL 240, 1%, 0.22%

LAB 10, 42.63, -58.06

 

CMYK 63 / 77 / 0 / 27

HEX #442BB9

RGB 68 43 185

HSL 250.56, 0.62%, 0.45%

LAB 30.54, 50.25, -70.38

 

CMYK 43 / 77 / 0 / 27

HEX #6A2BB9

RGB 106 43 185

HSL 266.62, 0.62%, 0.45%

LAB 34.59, 55.49, -63.58

 

CMYK 22 / 77 / 0 / 27

HEX #912BB9

RGB 145 43 185

HSL 283.1, 0.62%, 0.45%

LAB 40, 62.32, -54.54

 

CMYK 1 / 77 / 0 / 27

HEX #B72BB9

RGB 183 43 185

HSL 299.15, 0.62%, 0.45%

LAB 46.04, 69.77, -44.52

 

CMYK 0 / 77 / 19 / 27

HEX #B92B95

RGB 185 43 149

HSL 315.21, 0.62%, 0.45%

LAB 44.54, 64.87, -25.47

 

CMYK 63 / 77 / 0 / 27

HEX #442BB9

RGB 68 43 185

HSL 250.56, 0.62%, 0.45%

LAB 30.54, 50.25, -70.38

 

CMYK 77 / 77 / 0 / 27

HEX #2B2BB9

RGB 43 43 185

HSL 240, 0.62%, 0.45%

LAB 28.76, 47.88, -73.39

 

CMYK 63 / 77 / 0 / 27

HEX #442BB9

RGB 68 43 185

HSL 250.56, 0.62%, 0.45%

LAB 30.54, 50.25, -70.38

 

CMYK 73 / 88 / 0 / 20

HEX #3819CC

RGB 56 25 204

HSL 250.39, 0.78%, 0.45%

LAB 29.15, 62.2, -83.9

 

CMYK 80 / 97 / 0 / 13

HEX #2C06DF

RGB 44 6 223

HSL 250.51, 0.95%, 0.45%

LAB 29.4, 71.02, -94.52

 

CMYK 63 / 77 / 0 / 27

HEX #442BB9

RGB 68 43 185

HSL 250.56, 0.62%, 0.45%

LAB 30.54, 50.25, -70.38

 

CMYK 52 / 63 / 0 / 35

HEX #503EA7

RGB 80 62 167

HSL 250.29, 0.46%, 0.45%

LAB 33.86, 35.96, -54.18

 

CMYK 38 / 46 / 0 / 42

HEX #5C5094

RGB 92 80 148

HSL 250.59, 0.3%, 0.45%

LAB 38.11, 21.89, -35.84

 

CMYK 20 / 24 / 0 / 49

HEX #686382

RGB 104 99 130

HSL 249.68, 0.14%, 0.45%

LAB 43.48, 8.95, -16.52

 

CMYK 1 / 0 / 5 / 54

HEX #74756F

RGB 116 117 111

HSL 70, 0.03%, 0.45%

LAB 48.99, -1.57, 3.17

 

CMYK 77 / 49 / 0 / 27

HEX #2B5FB9

RGB 43 95 185

HSL 218.03, 0.62%, 0.45%

LAB 41.53, 15.09, -52.51

 

CMYK 77 / 69 / 0 / 27

HEX #2B39B9

RGB 43 57 185

HSL 234.08, 0.62%, 0.45%

LAB 31.68, 39.75, -68.57

 

CMYK 64 / 77 / 0 / 27

HEX #432BB9

RGB 67 43 185

HSL 250.14, 0.62%, 0.45%

LAB 30.46, 50.14, -70.52

 

CMYK 43 / 77 / 0 / 27

HEX #692BB9

RGB 105 43 185

HSL 266.2, 0.62%, 0.45%

LAB 34.47, 55.33, -63.79

 

CMYK 23 / 77 / 0 / 27

HEX #8F2BB9

RGB 143 43 185

HSL 282.25, 0.62%, 0.45%

LAB 39.7, 61.94, -55.05

 

CMYK 64 / 77 / 0 / 53

HEX #2B1B77

RGB 43 27 119

HSL 250.43, 0.63%, 0.29%

LAB 18.49, 35.08, -49.7

 

CMYK 63 / 77 / 0 / 40

HEX #382398

RGB 56 35 152

HSL 250.77, 0.63%, 0.37%

LAB 24.67, 42.9, -60.2

 

CMYK 63 / 77 / 0 / 27

HEX #442BB9

RGB 68 43 185

HSL 250.56, 0.62%, 0.45%

LAB 30.54, 50.25, -70.38

 

CMYK 58 / 71 / 0 / 18

HEX #573DD1

RGB 87 61 209

HSL 250.54, 0.62%, 0.53%

LAB 37.78, 50.48, -72.45

 

CMYK 47 / 57 / 0 / 15

HEX #745ED9

RGB 116 94 217

HSL 250.73, 0.62%, 0.61%

LAB 47.92, 39.34, -60.44

 

CMYK 63 / 77 / 0 / 27

HEX #442BBA

RGB 68 43 186

HSL 250.49, 0.62%, 0.45%

LAB 30.64, 50.55, -70.8

 

CMYK 0 / 77 / 28 / 27

HEX #B92B85

RGB 185 43 133

HSL 321.97, 0.62%, 0.45%

LAB 43.85, 62.83, -16.81

 

CMYK 59 / 0 / 77 / 27

HEX #4CB92B

RGB 76 185 43

HSL 106.06, 0.62%, 0.45%

LAB 66.83, -55.89, 58.29

 

CMYK 63 / 77 / 0 / 27

HEX #442BBA

RGB 68 43 186

HSL 250.49, 0.62%, 0.45%

LAB 30.64, 50.55, -70.8

 

CMYK 0 / 64 / 77 / 27

HEX #B9432B

RGB 185 67 43

HSL 10.14, 0.62%, 0.45%

LAB 44.95, 46.38, 39.14

 

CMYK 77 / 0 / 64 / 27

HEX #2BB943

RGB 43 185 67

HSL 130.14, 0.62%, 0.45%

LAB 66.23, -60.24, 48.16

 

CMYK 63 / 77 / 0 / 27

HEX #442BBA

RGB 68 43 186

HSL 250.49, 0.62%, 0.45%

LAB 30.64, 50.55, -70.8

 

CMYK 0 / 77 / 28 / 27

HEX #B92B85

RGB 185 43 133

HSL 321.97, 0.62%, 0.45%

LAB 43.85, 62.83, -16.81

 

CMYK 12 / 0 / 77 / 27

HEX #A2B92B

RGB 162 185 43

HSL 69.72, 0.62%, 0.45%

LAB 71.25, -25.78, 64.04

 

CMYK 77 / 0 / 49 / 27

HEX #2BB95F

RGB 43 185 95

HSL 141.97, 0.62%, 0.45%

LAB 66.55, -56.4, 35.25

 

CMYK 63 / 77 / 0 / 27

HEX #442BBA

RGB 68 43 186

HSL 250.49, 0.62%, 0.45%

LAB 30.64, 50.55, -70.8

 

CMYK 0 / 77 / 51 / 27

HEX #B92B5B

RGB 185 43 91

HSL 339.72, 0.62%, 0.45%

LAB 42.46, 58.52, 7.17

 

CMYK 12 / 0 / 77 / 27

HEX #A2B92B

RGB 162 185 43

HSL 69.72, 0.62%, 0.45%

LAB 71.25, -25.78, 64.04

 

CMYK 77 / 0 / 25 / 27

HEX #2BB98A

RGB 43 185 138

HSL 160.14, 0.62%, 0.45%

LAB 67.31, -47.83, 13.52

 

Description

Color code: HEX #442BBA | qconv.com Color code: HEX #442BBA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 43 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 43 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 77 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 77% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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