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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47FBB1 it is the complementary color #B8044E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47FBB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47FBB1 shade: #4CFBAC, #5DFFBF, #6EFFD2, #7FFFE5 and #90FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47FBB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47FBB1 shade: #47FBB1, #36E99E, #25D78B, #14C578 and #03B365

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47FBB1 shade: #46FBB0, #46FB7F, #46FB4F, #6DFB46 and #9EFB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47FBB1 shade: #46FBB0, #46FBE1, #46E4FB, #46B3FB and #4682FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47FBB1 shade matches the following richer shades: #46FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47FBB1 shade: #46FBB0, #55EBAE, #64DCAB, #73CDA8 and #83BEA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47FBB1 shade: #46FB4F, #46FB7F, #46FBAF, #46FBE0 and #46E6FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47FBB1 shade: #04EA8B, #1DFA9F, #46FBB0, #6EFCC1 and #96FCD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47FBB1 shade: #47FBB1, #466DFB and #FB6746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47FBB1 shade: #47FBB1, #AF46FB and #FBAF46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47FBB1 shade: #47FBB1, #466DFB, #FB4691 and #FBD346

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47FBB1 shade: #47FBB1, #5546FB, #FB4691 and #ECFB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 29 / 2

HEX #47FBB1

RGB 71 251 177

HSL 155.33, 0.96%, 0.63%

LAB 88.69, -61.46, 22.77

 

Complementary color

CMYK 0 / 98 / 58 / 28

HEX #B8044E

RGB 184 4 78

HSL 335.33, 0.96%, 0.37%

LAB 39.29, 64.85, 10.93

 

CMYK 70 / 0 / 31 / 2

HEX #4CFBAC

RGB 76 251 172

HSL 152.91, 0.96%, 0.64%

LAB 88.69, -61.77, 25.33

 

CMYK 64 / 0 / 25 / 0

HEX #5DFFBF

RGB 93 255 191

HSL 156.3, 1%, 0.68%

LAB 90.6, -56.73, 18.34

 

CMYK 57 / 0 / 18 / 0

HEX #6EFFD2

RGB 110 255 210

HSL 161.38, 1%, 0.72%

LAB 91.45, -49.5, 9.84

 

CMYK 50 / 0 / 10 / 0

HEX #7FFFE5

RGB 127 255 229

HSL 167.81, 1%, 0.75%

LAB 92.44, -41.71, 1.51

 

CMYK 44 / 0 / 3 / 0

HEX #90FFF8

RGB 144 255 248

HSL 176.22, 1%, 0.78%

LAB 93.55, -33.48, -6.61

 

CMYK 72 / 0 / 29 / 2

HEX #47FBB1

RGB 71 251 177

HSL 155.33, 0.96%, 0.63%

LAB 88.69, -61.46, 22.77

 

CMYK 77 / 0 / 32 / 9

HEX #36E99E

RGB 54 233 158

HSL 154.86, 0.8%, 0.56%

LAB 82.66, -60.74, 24.19

 

CMYK 83 / 0 / 35 / 16

HEX #25D78B

RGB 37 215 139

HSL 154.38, 0.71%, 0.49%

LAB 76.59, -59.72, 25.74

 

CMYK 90 / 0 / 39 / 23

HEX #14C578

RGB 20 197 120

HSL 153.9, 0.82%, 0.43%

LAB 70.48, -58.3, 27.42

 

CMYK 98 / 0 / 44 / 30

HEX #03B365

RGB 3 179 101

HSL 153.41, 0.97%, 0.36%

LAB 64.32, -56.41, 29.24

 

CMYK 72 / 0 / 30 / 2

HEX #46FBB0

RGB 70 251 176

HSL 155.14, 0.96%, 0.63%

LAB 88.65, -61.8, 23.22

 

CMYK 72 / 0 / 49 / 2

HEX #46FB7F

RGB 70 251 127

HSL 138.9, 0.96%, 0.63%

LAB 87.89, -70.44, 46.43

 

CMYK 72 / 0 / 69 / 2

HEX #46FB4F

RGB 70 251 79

HSL 122.98, 0.96%, 0.63%

LAB 87.42, -76.02, 66.45

 

CMYK 57 / 0 / 72 / 2

HEX #6DFB46

RGB 109 251 70

HSL 107.07, 0.96%, 0.63%

LAB 88.3, -69, 70.85

 

CMYK 37 / 0 / 72 / 2

HEX #9EFB46

RGB 158 251 70

HSL 90.83, 0.96%, 0.63%

LAB 90.19, -54.87, 73.35

 

CMYK 72 / 0 / 30 / 2

HEX #46FBB0

RGB 70 251 176

HSL 155.14, 0.96%, 0.63%

LAB 88.65, -61.8, 23.22

 

CMYK 72 / 0 / 10 / 2

HEX #46FBE1

RGB 70 251 225

HSL 171.38, 0.96%, 0.63%

LAB 89.74, -50.48, -0.53

 

CMYK 72 / 9 / 0 / 2

HEX #46E4FB

RGB 70 228 251

HSL 187.62, 0.96%, 0.63%

LAB 83.84, -33.04, -22.96

 

CMYK 72 / 29 / 0 / 2

HEX #46B3FB

RGB 70 179 251

HSL 203.87, 0.96%, 0.63%

LAB 69.83, -7.99, -44.58

 

CMYK 72 / 48 / 0 / 2

HEX #4682FB

RGB 70 130 251

HSL 220.11, 0.96%, 0.63%

LAB 56.32, 20.66, -66.07

 

CMYK 72 / 0 / 30 / 2

HEX #46FBB0

RGB 70 251 176

HSL 155.14, 0.96%, 0.63%

LAB 88.65, -61.8, 23.22

 

CMYK 72 / 0 / 30 / 2

HEX #46FBB0

RGB 70 251 176

HSL 155.14, 0.96%, 0.63%

LAB 88.65, -61.8, 23.22

 

CMYK 64 / 0 / 26 / 8

HEX #55EBAE

RGB 85 235 174

HSL 155.6, 0.79%, 0.63%

LAB 84.18, -53.71, 18.1

 

CMYK 55 / 0 / 22 / 14

HEX #64DCAB

RGB 100 220 171

HSL 155.5, 0.63%, 0.63%

LAB 80.09, -45.18, 14

 

CMYK 44 / 0 / 18 / 20

HEX #73CDA8

RGB 115 205 168

HSL 155.33, 0.47%, 0.63%

LAB 76.15, -35.55, 10.1

 

CMYK 31 / 0 / 13 / 25

HEX #83BEA5

RGB 131 190 165

HSL 154.58, 0.31%, 0.63%

LAB 72.47, -24.46, 6.56

 

CMYK 72 / 0 / 69 / 2

HEX #46FB4F

RGB 70 251 79

HSL 122.98, 0.96%, 0.63%

LAB 87.42, -76.02, 66.45

 

CMYK 72 / 0 / 49 / 2

HEX #46FB7F

RGB 70 251 127

HSL 138.9, 0.96%, 0.63%

LAB 87.89, -70.44, 46.43

 

CMYK 72 / 0 / 30 / 2

HEX #46FBAF

RGB 70 251 175

HSL 154.81, 0.96%, 0.63%

LAB 88.63, -62, 23.71

 

CMYK 72 / 0 / 11 / 2

HEX #46FBE0

RGB 70 251 224

HSL 171.05, 0.96%, 0.63%

LAB 89.71, -50.74, -0.05

 

CMYK 72 / 8 / 0 / 2

HEX #46E6FB

RGB 70 230 251

HSL 186.96, 0.96%, 0.63%

LAB 84.41, -33.99, -22.08

 

CMYK 98 / 0 / 41 / 8

HEX #04EA8B

RGB 4 234 139

HSL 155.22, 0.97%, 0.47%

LAB 82.24, -68.03, 33.22

 

CMYK 88 / 0 / 36 / 2

HEX #1DFA9F

RGB 29 250 159

HSL 155.29, 0.96%, 0.55%

LAB 87.55, -68.7, 30.26

 

CMYK 72 / 0 / 30 / 2

HEX #46FBB0

RGB 70 251 176

HSL 155.14, 0.96%, 0.63%

LAB 88.65, -61.8, 23.22

 

CMYK 56 / 0 / 23 / 1

HEX #6EFCC1

RGB 110 252 193

HSL 155.07, 0.96%, 0.71%

LAB 90.22, -51.91, 16.85

 

CMYK 40 / 0 / 17 / 1

HEX #96FCD2

RGB 150 252 210

HSL 155.29, 0.94%, 0.79%

LAB 92.02, -39.05, 10.84

 

CMYK 72 / 0 / 29 / 2

HEX #47FBB1

RGB 71 251 177

HSL 155.33, 0.96%, 0.63%

LAB 88.69, -61.46, 22.77

 

CMYK 72 / 57 / 0 / 2

HEX #466DFB

RGB 70 109 251

HSL 227.07, 0.96%, 0.63%

LAB 50.93, 33.62, -74.8

 

CMYK 0 / 59 / 72 / 2

HEX #FB6746

RGB 251 103 70

HSL 10.94, 0.96%, 0.63%

LAB 62.21, 54.7, 46.77

 

CMYK 72 / 0 / 29 / 2

HEX #47FBB1

RGB 71 251 177

HSL 155.33, 0.96%, 0.63%

LAB 88.69, -61.46, 22.77

 

CMYK 30 / 72 / 0 / 2

HEX #AF46FB

RGB 175 70 251

HSL 274.81, 0.96%, 0.63%

LAB 52.35, 71.38, -72.08

 

CMYK 0 / 30 / 72 / 2

HEX #FBAF46

RGB 251 175 70

HSL 34.81, 0.96%, 0.63%

LAB 77.05, 18.64, 62.47

 

CMYK 72 / 0 / 29 / 2

HEX #47FBB1

RGB 71 251 177

HSL 155.33, 0.96%, 0.63%

LAB 88.69, -61.46, 22.77

 

CMYK 72 / 57 / 0 / 2

HEX #466DFB

RGB 70 109 251

HSL 227.07, 0.96%, 0.63%

LAB 50.93, 33.62, -74.8

 

CMYK 0 / 72 / 42 / 2

HEX #FB4691

RGB 251 70 145

HSL 335.14, 0.96%, 0.63%

LAB 58.91, 72.72, -0.26

 

CMYK 0 / 16 / 72 / 2

HEX #FBD346

RGB 251 211 70

HSL 46.74, 0.96%, 0.63%

LAB 85.78, -0.03, 71.16

 

CMYK 72 / 0 / 29 / 2

HEX #47FBB1

RGB 71 251 177

HSL 155.33, 0.96%, 0.63%

LAB 88.69, -61.46, 22.77

 

CMYK 66 / 72 / 0 / 2

HEX #5546FB

RGB 85 70 251

HSL 244.97, 0.96%, 0.63%

LAB 43.18, 58.07, -87.46

 

CMYK 0 / 72 / 42 / 2

HEX #FB4691

RGB 251 70 145

HSL 335.14, 0.96%, 0.63%

LAB 58.91, 72.72, -0.26

 

CMYK 6 / 0 / 72 / 2

HEX #ECFB46

RGB 236 251 70

HSL 64.97, 0.96%, 0.63%

LAB 94.85, -25.86, 79.48

 

Description

Color code: HEX #47FBB1 | qconv.com Color code: HEX #47FBB1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 251 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 251 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 29 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 29% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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