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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47FABE it is the complementary color #B80541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47FABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47FABE shade: #4CFAB9, #5DFFCC, #6EFFDF, #7FFFF2 and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47FABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47FABE shade: #47FABE, #36E8AB, #25D698, #14C485 and #03B272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47FABE shade: #47FABE, #47FA8D, #47FA5D, #60FA47 and #91FA47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47FABE shade: #47FABE, #47FAEE, #47D5FA, #47A5FA and #4774FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47FABE shade matches the following richer shades: #47FABE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47FABE shade: #47FABE, #56EBB9, #65DBB4, #74CCAF and #84BDAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47FABE shade: #47FA5B, #47FA8B, #47FABB, #47FAEB and #47D9FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47FABE shade: #05E89C, #1EF9B0, #47FABE, #6FFBCC and #97FCDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47FABE shade: #47FABE, #4761FA and #FA7347

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47FABE shade: #47FABE, #BB47FA and #FABB47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47FABE shade: #47FABE, #4761FA, #FA4785 and #FADF47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47FABE shade: #47FABE, #6147FA, #FA4785 and #DFFA47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

Complementary color

CMYK 0 / 97 / 65 / 28

HEX #B80541

RGB 184 5 65

HSL 339.89, 0.95%, 0.37%

LAB 39.04, 63.96, 18.92

 

CMYK 70 / 0 / 26 / 2

HEX #4CFAB9

RGB 76 250 185

HSL 157.59, 0.95%, 0.64%

LAB 88.64, -58.7, 18.62

 

CMYK 64 / 0 / 20 / 0

HEX #5DFFCC

RGB 93 255 204

HSL 161.11, 1%, 0.68%

LAB 90.87, -53.9, 12.04

 

CMYK 57 / 0 / 13 / 0

HEX #6EFFDF

RGB 110 255 223

HSL 166.76, 1%, 0.72%

LAB 91.76, -46.53, 3.56

 

CMYK 50 / 0 / 5 / 0

HEX #7FFFF2

RGB 127 255 242

HSL 173.91, 1%, 0.75%

LAB 92.77, -38.64, -4.73

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 77 / 0 / 26 / 9

HEX #36E8AB

RGB 54 232 171

HSL 159.44, 0.79%, 0.56%

LAB 82.61, -57.59, 17.39

 

CMYK 83 / 0 / 29 / 16

HEX #25D698

RGB 37 214 152

HSL 158.98, 0.71%, 0.49%

LAB 76.53, -56.61, 18.85

 

CMYK 90 / 0 / 32 / 23

HEX #14C485

RGB 20 196 133

HSL 158.52, 0.81%, 0.42%

LAB 70.4, -55.24, 20.45

 

CMYK 98 / 0 / 36 / 30

HEX #03B272

RGB 3 178 114

HSL 158.06, 0.97%, 0.35%

LAB 64.22, -53.45, 22.21

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 72 / 0 / 44 / 2

HEX #47FA8D

RGB 71 250 141

HSL 143.46, 0.95%, 0.63%

LAB 87.79, -67.78, 39.6

 

CMYK 72 / 0 / 63 / 2

HEX #47FA5D

RGB 71 250 93

HSL 127.37, 0.95%, 0.63%

LAB 87.24, -74.23, 60.78

 

CMYK 62 / 0 / 72 / 2

HEX #60FA47

RGB 96 250 71

HSL 111.62, 0.95%, 0.63%

LAB 87.64, -71.56, 69.72

 

CMYK 42 / 0 / 72 / 2

HEX #91FA47

RGB 145 250 71

HSL 95.2, 0.95%, 0.63%

LAB 89.32, -58.58, 71.96

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 72 / 0 / 5 / 2

HEX #47FAEE

RGB 71 250 238

HSL 175.98, 0.95%, 0.63%

LAB 89.81, -46.55, -7.19

 

CMYK 72 / 15 / 0 / 2

HEX #47D5FA

RGB 71 213 250

HSL 192.4, 0.95%, 0.63%

LAB 79.52, -25.96, -29.02

 

CMYK 72 / 34 / 0 / 2

HEX #47A5FA

RGB 71 165 250

HSL 208.49, 0.95%, 0.63%

LAB 65.87, -0.36, -50.28

 

CMYK 72 / 54 / 0 / 2

HEX #4774FA

RGB 71 116 250

HSL 224.92, 0.95%, 0.63%

LAB 52.66, 29.06, -71.44

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 63 / 0 / 21 / 8

HEX #56EBB9

RGB 86 235 185

HSL 159.87, 0.79%, 0.63%

LAB 84.43, -51.14, 12.73

 

CMYK 54 / 0 / 18 / 14

HEX #65DBB4

RGB 101 219 180

HSL 160.17, 0.62%, 0.63%

LAB 80.02, -42.56, 9.15

 

CMYK 43 / 0 / 14 / 20

HEX #74CCAF

RGB 116 204 175

HSL 160.23, 0.46%, 0.63%

LAB 76.07, -33.29, 6.22

 

CMYK 30 / 0 / 10 / 26

HEX #84BDAA

RGB 132 189 170

HSL 160, 0.3%, 0.63%

LAB 72.36, -22.6, 3.69

 

CMYK 72 / 0 / 64 / 2

HEX #47FA5B

RGB 71 250 91

HSL 126.7, 0.95%, 0.63%

LAB 87.22, -74.43, 61.58

 

CMYK 72 / 0 / 44 / 2

HEX #47FA8B

RGB 71 250 139

HSL 142.79, 0.95%, 0.63%

LAB 87.76, -68.11, 40.53

 

CMYK 72 / 0 / 25 / 2

HEX #47FABB

RGB 71 250 187

HSL 158.88, 0.95%, 0.63%

LAB 88.59, -58.96, 17.51

 

CMYK 72 / 0 / 6 / 2

HEX #47FAEB

RGB 71 250 235

HSL 174.97, 0.95%, 0.63%

LAB 89.72, -47.35, -5.75

 

CMYK 72 / 13 / 0 / 2

HEX #47D9FA

RGB 71 217 250

HSL 191.06, 0.95%, 0.63%

LAB 80.67, -27.93, -27.26

 

CMYK 98 / 0 / 33 / 9

HEX #05E89C

RGB 5 232 156

HSL 159.91, 0.96%, 0.46%

LAB 81.92, -63.95, 24.14

 

CMYK 88 / 0 / 29 / 2

HEX #1EF9B0

RGB 30 249 176

HSL 160, 0.95%, 0.55%

LAB 87.56, -64.81, 21.64

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 56 / 0 / 19 / 2

HEX #6FFBCC

RGB 111 251 204

HSL 159.86, 0.95%, 0.71%

LAB 90.2, -48.94, 11.15

 

CMYK 40 / 0 / 13 / 1

HEX #97FCDA

RGB 151 252 218

HSL 159.8, 0.94%, 0.79%

LAB 92.25, -37.13, 7.04

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 72 / 61 / 0 / 2

HEX #4761FA

RGB 71 97 250

HSL 231.28, 0.95%, 0.63%

LAB 48, 40.75, -79.02

 

CMYK 0 / 54 / 72 / 2

HEX #FA7347

RGB 250 115 71

HSL 14.75, 0.95%, 0.63%

LAB 64.19, 48.86, 48.4

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 25 / 72 / 0 / 2

HEX #BB47FA

RGB 187 71 250

HSL 278.88, 0.95%, 0.63%

LAB 54, 72.98, -68.78

 

CMYK 0 / 25 / 72 / 2

HEX #FABB47

RGB 250 187 71

HSL 38.88, 0.95%, 0.63%

LAB 79.8, 11.99, 64.81

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 72 / 61 / 0 / 2

HEX #4761FA

RGB 71 97 250

HSL 231.28, 0.95%, 0.63%

LAB 48, 40.75, -79.02

 

CMYK 0 / 72 / 47 / 2

HEX #FA4785

RGB 250 71 133

HSL 339.22, 0.95%, 0.63%

LAB 58.53, 71.06, 6.21

 

CMYK 0 / 11 / 72 / 2

HEX #FADF47

RGB 250 223 71

HSL 50.95, 0.95%, 0.63%

LAB 88.71, -6.47, 73.63

 

CMYK 72 / 0 / 24 / 2

HEX #47FABE

RGB 71 250 190

HSL 159.89, 0.95%, 0.63%

LAB 88.65, -58.3, 16.05

 

CMYK 61 / 72 / 0 / 2

HEX #6147FA

RGB 97 71 250

HSL 248.72, 0.95%, 0.63%

LAB 44.16, 58.63, -85.25

 

CMYK 0 / 72 / 47 / 2

HEX #FA4785

RGB 250 71 133

HSL 339.22, 0.95%, 0.63%

LAB 58.53, 71.06, 6.21

 

CMYK 11 / 0 / 72 / 2

HEX #DFFA47

RGB 223 250 71

HSL 69.05, 0.95%, 0.63%

LAB 93.67, -30.52, 77.71

 

Description

Color code: HEX #47FABE | qconv.com Color code: HEX #47FABE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 250 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 250 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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