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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47E23A it is the complementary color #B81DC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47E23A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47E23A shade: #4CE235, #5DF448, #6EFF5B, #7FFF6E and #90FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47E23A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47E23A shade: #47E23A, #36D027, #25BE14, #14AC01 and #039A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47E23A shade: #48E13B, #75E13B, #A2E13B, #CEE13B and #E1C73B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47E23A shade: #48E13B, #3BE15B, #3BE188, #3BE1B5 and #3BE1E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47E23A shade matches the following richer shades: #48E13B and #39F329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47E23A shade: #48E13B, #57CF4D, #67BD60, #76AB72 and #859984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47E23A shade: #A2E13B, #75E13B, #49E13B, #3BE15A and #3BE186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47E23A shade: #26B01A, #2DD41F, #48E13B, #6AE75F and #8BEC83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47E23A shade: #47E23A, #3BCEE1 and #E13B8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47E23A shade: #47E23A, #3B49E1 and #E13B49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47E23A shade: #47E23A, #3BCEE1, #D33BE1 and #E14F3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47E23A shade: #47E23A, #3B9CE1, #D33BE1 and #E1803B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 74 / 11

HEX #47E23A

RGB 71 226 58

HSL 115.36, 0.74%, 0.56%

LAB 79.64, -69.69, 65.88

 

Complementary color

CMYK 7 / 85 / 0 / 23

HEX #B81DC5

RGB 184 29 197

HSL 295.36, 0.74%, 0.44%

LAB 45.77, 75.25, -51.95

 

CMYK 66 / 0 / 77 / 11

HEX #4CE235

RGB 76 226 53

HSL 112.02, 0.75%, 0.55%

LAB 79.72, -69.08, 67.6

 

CMYK 62 / 0 / 70 / 4

HEX #5DF448

RGB 93 244 72

HSL 112.67, 0.89%, 0.62%

LAB 85.75, -70.14, 67.42

 

CMYK 57 / 0 / 64 / 0

HEX #6EFF5B

RGB 110 255 91

HSL 113.05, 1%, 0.68%

LAB 89.67, -68.45, 64.54

 

CMYK 50 / 0 / 57 / 0

HEX #7FFF6E

RGB 127 255 110

HSL 112.97, 1%, 0.72%

LAB 90.39, -62.29, 57.55

 

CMYK 44 / 0 / 49 / 0

HEX #90FF81

RGB 144 255 129

HSL 112.86, 1%, 0.75%

LAB 91.25, -55.39, 50.13

 

CMYK 69 / 0 / 74 / 11

HEX #47E23A

RGB 71 226 58

HSL 115.36, 0.74%, 0.56%

LAB 79.64, -69.69, 65.88

 

CMYK 74 / 0 / 81 / 18

HEX #36D027

RGB 54 208 39

HSL 114.67, 0.68%, 0.48%

LAB 73.57, -68.13, 65.67

 

CMYK 81 / 0 / 89 / 25

HEX #25BE14

RGB 37 190 20

HSL 114, 0.81%, 0.41%

LAB 67.48, -65.93, 64.43

 

CMYK 88 / 0 / 99 / 33

HEX #14AC01

RGB 20 172 1

HSL 113.33, 0.99%, 0.34%

LAB 61.36, -62.95, 61.95

 

CMYK 98 / 0 / 100 / 40

HEX #039A00

RGB 3 154 0

HSL 118.83, 1%, 0.3%

LAB 55.21, -58.96, 57.11

 

CMYK 68 / 0 / 74 / 12

HEX #48E13B

RGB 72 225 59

HSL 115.3, 0.73%, 0.56%

LAB 79.35, -69.12, 65.28

 

CMYK 48 / 0 / 74 / 12

HEX #75E13B

RGB 117 225 59

HSL 99.04, 0.73%, 0.56%

LAB 80.71, -58.3, 67.07

 

CMYK 28 / 0 / 74 / 12

HEX #A2E13B

RGB 162 225 59

HSL 82.77, 0.73%, 0.56%

LAB 82.83, -43.31, 69.87

 

CMYK 8 / 0 / 74 / 12

HEX #CEE13B

RGB 206 225 59

HSL 66.87, 0.73%, 0.56%

LAB 85.65, -26.16, 73.54

 

CMYK 0 / 12 / 74 / 12

HEX #E1C73B

RGB 225 199 59

HSL 50.6, 0.73%, 0.56%

LAB 80.28, -5.35, 69

 

CMYK 68 / 0 / 74 / 12

HEX #48E13B

RGB 72 225 59

HSL 115.3, 0.73%, 0.56%

LAB 79.35, -69.12, 65.28

 

CMYK 74 / 0 / 60 / 12

HEX #3BE15B

RGB 59 225 91

HSL 131.57, 0.73%, 0.56%

LAB 79.35, -68.23, 52.63

 

CMYK 74 / 0 / 40 / 12

HEX #3BE188

RGB 59 225 136

HSL 147.83, 0.73%, 0.56%

LAB 79.93, -61.46, 31.79

 

CMYK 74 / 0 / 20 / 12

HEX #3BE1B5

RGB 59 225 181

HSL 164.1, 0.73%, 0.56%

LAB 80.8, -51.95, 9.6

 

CMYK 74 / 0 / 0 / 12

HEX #3BE1E1

RGB 59 225 225

HSL 180, 0.73%, 0.56%

LAB 81.96, -40.42, -12.05

 

CMYK 68 / 0 / 74 / 12

HEX #48E13B

RGB 72 225 59

HSL 115.3, 0.73%, 0.56%

LAB 79.35, -69.12, 65.28

 

CMYK 77 / 0 / 83 / 5

HEX #39F329

RGB 57 243 41

HSL 115.25, 0.89%, 0.56%

LAB 84.55, -77.99, 75.21

 

CMYK 68 / 0 / 74 / 12

HEX #48E13B

RGB 72 225 59

HSL 115.3, 0.73%, 0.56%

LAB 79.35, -69.12, 65.28

 

CMYK 58 / 0 / 63 / 19

HEX #57CF4D

RGB 87 207 77

HSL 115.38, 0.58%, 0.56%

LAB 74.31, -58.23, 53.16

 

CMYK 46 / 0 / 49 / 26

HEX #67BD60

RGB 103 189 96

HSL 115.48, 0.41%, 0.56%

LAB 69.56, -44.61, 38.89

 

CMYK 31 / 0 / 33 / 33

HEX #76AB72

RGB 118 171 114

HSL 115.79, 0.25%, 0.56%

LAB 65.11, -28.97, 23.94

 

CMYK 13 / 0 / 14 / 40

HEX #859984

RGB 133 153 132

HSL 117.14, 0.09%, 0.56%

LAB 61.16, -11.27, 8.67

 

CMYK 28 / 0 / 74 / 12

HEX #A2E13B

RGB 162 225 59

HSL 82.77, 0.73%, 0.56%

LAB 82.83, -43.31, 69.87

 

CMYK 48 / 0 / 74 / 12

HEX #75E13B

RGB 117 225 59

HSL 99.04, 0.73%, 0.56%

LAB 80.71, -58.3, 67.07

 

CMYK 68 / 0 / 74 / 12

HEX #49E13B

RGB 73 225 59

HSL 114.94, 0.73%, 0.56%

LAB 79.38, -68.93, 65.3

 

CMYK 74 / 0 / 60 / 12

HEX #3BE15A

RGB 59 225 90

HSL 131.2, 0.73%, 0.56%

LAB 79.34, -68.35, 53.05

 

CMYK 74 / 0 / 40 / 12

HEX #3BE186

RGB 59 225 134

HSL 147.11, 0.73%, 0.56%

LAB 79.9, -61.82, 32.76

 

CMYK 78 / 0 / 85 / 31

HEX #26B01A

RGB 38 176 26

HSL 115.2, 0.74%, 0.4%

LAB 62.96, -61.35, 59.22

 

CMYK 79 / 0 / 85 / 17

HEX #2DD41F

RGB 45 212 31

HSL 115.36, 0.74%, 0.48%

LAB 74.66, -70.97, 68.55

 

CMYK 68 / 0 / 74 / 12

HEX #48E13B

RGB 72 225 59

HSL 115.3, 0.73%, 0.56%

LAB 79.35, -69.12, 65.28

 

CMYK 54 / 0 / 59 / 9

HEX #6AE75F

RGB 106 231 95

HSL 115.15, 0.74%, 0.64%

LAB 82.4, -60.43, 54.69

 

CMYK 41 / 0 / 44 / 7

HEX #8BEC83

RGB 139 236 131

HSL 115.43, 0.73%, 0.72%

LAB 85.56, -48.83, 42.04

 

CMYK 69 / 0 / 74 / 11

HEX #47E23A

RGB 71 226 58

HSL 115.36, 0.74%, 0.56%

LAB 79.64, -69.69, 65.88

 

CMYK 74 / 8 / 0 / 12

HEX #3BCEE1

RGB 59 206 225

HSL 186.87, 0.73%, 0.56%

LAB 76.38, -31.58, -20.45

 

CMYK 0 / 74 / 38 / 12

HEX #E13B8C

RGB 225 59 140

HSL 330.72, 0.73%, 0.56%

LAB 52.98, 68.89, -6.56

 

CMYK 69 / 0 / 74 / 11

HEX #47E23A

RGB 71 226 58

HSL 115.36, 0.74%, 0.56%

LAB 79.64, -69.69, 65.88

 

CMYK 74 / 68 / 0 / 12

HEX #3B49E1

RGB 59 73 225

HSL 234.94, 0.73%, 0.56%

LAB 39.8, 45.42, -78.39

 

CMYK 0 / 74 / 68 / 12

HEX #E13B49

RGB 225 59 73

HSL 354.94, 0.73%, 0.56%

LAB 51.4, 63.78, 31.38

 

CMYK 69 / 0 / 74 / 11

HEX #47E23A

RGB 71 226 58

HSL 115.36, 0.74%, 0.56%

LAB 79.64, -69.69, 65.88

 

CMYK 74 / 8 / 0 / 12

HEX #3BCEE1

RGB 59 206 225

HSL 186.87, 0.73%, 0.56%

LAB 76.38, -31.58, -20.45

 

CMYK 6 / 74 / 0 / 12

HEX #D33BE1

RGB 211 59 225

HSL 294.94, 0.73%, 0.56%

LAB 54.46, 77.18, -53.83

 

CMYK 0 / 65 / 74 / 12

HEX #E14F3B

RGB 225 79 59

HSL 7.23, 0.73%, 0.56%

LAB 53.94, 55.69, 42.25

 

CMYK 69 / 0 / 74 / 11

HEX #47E23A

RGB 71 226 58

HSL 115.36, 0.74%, 0.56%

LAB 79.64, -69.69, 65.88

 

CMYK 74 / 31 / 0 / 12

HEX #3B9CE1

RGB 59 156 225

HSL 204.94, 0.73%, 0.56%

LAB 61.78, -5.42, -43.01

 

CMYK 6 / 74 / 0 / 12

HEX #D33BE1

RGB 211 59 225

HSL 294.94, 0.73%, 0.56%

LAB 54.46, 77.18, -53.83

 

CMYK 0 / 43 / 74 / 12

HEX #E1803B

RGB 225 128 59

HSL 24.94, 0.73%, 0.56%

LAB 63.15, 32.17, 52.06

 

Description

Color code: HEX #47E23A | qconv.com Color code: HEX #47E23A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 226 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 226 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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