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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47D7CE it is the complementary color #B82831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47D7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47D7CE shade: #4CD7C9, #5DE9DC, #6EFBEF, #7FFFFF and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47D7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47D7CE shade: #47D7CE, #36C5BB, #25B3A8, #14A195 and #038F82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47D7CE shade: #46D6CD, #46D6A6, #46D680, #46D659 and #5BD646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47D7CE shade: #46D6CD, #46B8D6, #4692D6, #466BD6 and #4646D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47D7CE shade matches the following richer shades: #46D6CD, #34E8DD and #22FAED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47D7CE shade: #46D6CD, #59C4BD, #6BB2AD, #7DA09D and #8F8D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47D7CE shade: #46D680, #46D6A6, #46D6CD, #46B9D6 and #4693D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47D7CE shade: #24A69E, #2BC8BE, #46D6CD, #68DED6 and #8AE5DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47D7CE shade: #47D7CE, #5A46D6 and #D69346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47D7CE shade: #47D7CE, #CD46D6 and #D6CD46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47D7CE shade: #47D7CE, #5A46D6, #D64650 and #C3D646

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47D7CE shade: #47D7CE, #8546D6, #D64650 and #98D646

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 4 / 16

HEX #47D7CE

RGB 71 215 206

HSL 176.25, 0.64%, 0.56%

LAB 78.69, -39.69, -6.75

 

Complementary color

CMYK 0 / 78 / 73 / 28

HEX #B82831

RGB 184 40 49

HSL 356.25, 0.64%, 0.44%

LAB 41.1, 56.52, 31.43

 

CMYK 65 / 0 / 7 / 16

HEX #4CD7C9

RGB 76 215 201

HSL 173.96, 0.63%, 0.57%

LAB 78.67, -40.28, -4.1

 

CMYK 60 / 0 / 6 / 9

HEX #5DE9DC

RGB 93 233 220

HSL 174.43, 0.76%, 0.64%

LAB 84.88, -40.65, -4.99

 

CMYK 56 / 0 / 5 / 2

HEX #6EFBEF

RGB 110 251 239

HSL 174.89, 0.95%, 0.71%

LAB 91.03, -40.89, -5.8

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 67 / 0 / 4 / 16

HEX #47D7CE

RGB 71 215 206

HSL 176.25, 0.64%, 0.56%

LAB 78.69, -39.69, -6.75

 

CMYK 73 / 0 / 5 / 23

HEX #36C5BB

RGB 54 197 187

HSL 175.8, 0.57%, 0.49%

LAB 72.43, -39.02, -5.8

 

CMYK 79 / 0 / 6 / 30

HEX #25B3A8

RGB 37 179 168

HSL 175.35, 0.66%, 0.42%

LAB 66.11, -38.09, -4.75

 

CMYK 88 / 0 / 7 / 37

HEX #14A195

RGB 20 161 149

HSL 174.89, 0.78%, 0.35%

LAB 59.72, -36.81, -3.57

 

CMYK 98 / 0 / 9 / 44

HEX #038F82

RGB 3 143 130

HSL 174.43, 0.96%, 0.29%

LAB 53.25, -35.13, -2.24

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 67 / 0 / 22 / 16

HEX #46D6A6

RGB 70 214 166

HSL 160, 0.64%, 0.56%

LAB 77.37, -49.42, 12.7

 

CMYK 67 / 0 / 40 / 16

HEX #46D680

RGB 70 214 128

HSL 144.17, 0.64%, 0.56%

LAB 76.65, -57.16, 31.58

 

CMYK 67 / 0 / 58 / 16

HEX #46D659

RGB 70 214 89

HSL 127.92, 0.64%, 0.56%

LAB 76.14, -62.98, 49.86

 

CMYK 57 / 0 / 67 / 16

HEX #5BD646

RGB 91 214 70

HSL 111.25, 0.64%, 0.56%

LAB 76.53, -60.45, 58.5

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 67 / 14 / 0 / 16

HEX #46B8D6

RGB 70 184 214

HSL 192.5, 0.64%, 0.56%

LAB 69.78, -22.62, -24.51

 

CMYK 67 / 32 / 0 / 16

HEX #4692D6

RGB 70 146 214

HSL 208.33, 0.64%, 0.56%

LAB 58.71, -1.91, -41.69

 

CMYK 67 / 50 / 0 / 16

HEX #466BD6

RGB 70 107 214

HSL 224.58, 0.64%, 0.56%

LAB 47.84, 21.81, -59

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 78 / 0 / 5 / 9

HEX #34E8DD

RGB 52 232 221

HSL 176.33, 0.8%, 0.56%

LAB 83.79, -45.33, -7.22

 

CMYK 86 / 0 / 5 / 2

HEX #22FAED

RGB 34 250 237

HSL 176.39, 0.96%, 0.56%

LAB 89.31, -49.95, -7.45

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 55 / 0 / 4 / 23

HEX #59C4BD

RGB 89 196 189

HSL 176.07, 0.48%, 0.56%

LAB 73.07, -32.36, -5.84

 

CMYK 40 / 0 / 3 / 30

HEX #6BB2AD

RGB 107 178 173

HSL 175.77, 0.32%, 0.56%

LAB 68.01, -23.47, -4.47

 

CMYK 22 / 0 / 2 / 37

HEX #7DA09D

RGB 125 160 157

HSL 174.86, 0.16%, 0.56%

LAB 63.29, -12.62, -2.4

 

CMYK 0 / 1 / 1 / 44

HEX #8F8D8E

RGB 143 141 142

HSL 330, 0.01%, 0.56%

LAB 58.83, 0.93, -0.28

 

CMYK 67 / 0 / 40 / 16

HEX #46D680

RGB 70 214 128

HSL 144.17, 0.64%, 0.56%

LAB 76.65, -57.16, 31.58

 

CMYK 67 / 0 / 22 / 16

HEX #46D6A6

RGB 70 214 166

HSL 160, 0.64%, 0.56%

LAB 77.37, -49.42, 12.7

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 67 / 14 / 0 / 16

HEX #46B9D6

RGB 70 185 214

HSL 192.08, 0.64%, 0.56%

LAB 70.07, -23.13, -24.06

 

CMYK 67 / 31 / 0 / 16

HEX #4693D6

RGB 70 147 214

HSL 207.92, 0.64%, 0.56%

LAB 59, -2.49, -41.24

 

CMYK 78 / 0 / 5 / 35

HEX #24A69E

RGB 36 166 158

HSL 176.31, 0.64%, 0.4%

LAB 61.75, -35.12, -5.6

 

CMYK 79 / 0 / 5 / 22

HEX #2BC8BE

RGB 43 200 190

HSL 176.18, 0.65%, 0.48%

LAB 73.25, -40.71, -6.25

 

CMYK 67 / 0 / 4 / 16

HEX #46D6CD

RGB 70 214 205

HSL 176.25, 0.64%, 0.56%

LAB 78.35, -39.65, -6.73

 

CMYK 53 / 0 / 4 / 13

HEX #68DED6

RGB 104 222 214

HSL 175.93, 0.64%, 0.64%

LAB 81.86, -35.12, -6.23

 

CMYK 40 / 0 / 3 / 10

HEX #8AE5DF

RGB 138 229 223

HSL 176.04, 0.64%, 0.72%

LAB 85.39, -28.55, -5.64

 

CMYK 67 / 0 / 4 / 16

HEX #47D7CE

RGB 71 215 206

HSL 176.25, 0.64%, 0.56%

LAB 78.69, -39.69, -6.75

 

CMYK 58 / 67 / 0 / 16

HEX #5A46D6

RGB 90 70 214

HSL 248.33, 0.64%, 0.56%

LAB 40.26, 47.49, -71.26

 

CMYK 0 / 31 / 67 / 16

HEX #D69346

RGB 214 147 70

HSL 32.08, 0.64%, 0.56%

LAB 66.22, 18.02, 49.76

 

CMYK 67 / 0 / 4 / 16

HEX #47D7CE

RGB 71 215 206

HSL 176.25, 0.64%, 0.56%

LAB 78.69, -39.69, -6.75

 

CMYK 4 / 67 / 0 / 16

HEX #CD46D6

RGB 205 70 214

HSL 296.25, 0.64%, 0.56%

LAB 54.25, 70.32, -47.98

 

CMYK 0 / 4 / 67 / 16

HEX #D6CD46

RGB 214 205 70

HSL 56.25, 0.64%, 0.56%

LAB 80.96, -12.52, 65.29

 

CMYK 67 / 0 / 4 / 16

HEX #47D7CE

RGB 71 215 206

HSL 176.25, 0.64%, 0.56%

LAB 78.69, -39.69, -6.75

 

CMYK 58 / 67 / 0 / 16

HEX #5A46D6

RGB 90 70 214

HSL 248.33, 0.64%, 0.56%

LAB 40.26, 47.49, -71.26

 

CMYK 0 / 67 / 63 / 16

HEX #D64650

RGB 214 70 80

HSL 355.83, 0.64%, 0.56%

LAB 50.98, 56.81, 26.31

 

CMYK 9 / 0 / 67 / 16

HEX #C3D646

RGB 195 214 70

HSL 67.92, 0.64%, 0.56%

LAB 81.91, -24.81, 65.77

 

CMYK 67 / 0 / 4 / 16

HEX #47D7CE

RGB 71 215 206

HSL 176.25, 0.64%, 0.56%

LAB 78.69, -39.69, -6.75

 

CMYK 38 / 67 / 0 / 16

HEX #8546D6

RGB 133 70 214

HSL 266.25, 0.64%, 0.56%

LAB 44.55, 55.04, -64.09

 

CMYK 0 / 67 / 63 / 16

HEX #D64650

RGB 214 70 80

HSL 355.83, 0.64%, 0.56%

LAB 50.98, 56.81, 26.31

 

CMYK 29 / 0 / 67 / 16

HEX #98D646

RGB 152 214 70

HSL 85.83, 0.64%, 0.56%

LAB 79.16, -41.51, 62.07

 

Description

Color code: HEX #47D7CE | qconv.com Color code: HEX #47D7CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 215 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 215 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 4 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 4% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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