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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47CA57 it is the complementary color #B835A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47CA57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47CA57 shade: #4CCA52, #5DDC65, #6EEE78, #7FFF8B and #90FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47CA57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47CA57 shade: #47CA57, #36B844, #25A631, #14941E and #03820B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47CA57 shade: #49CA58, #5CCA49, #7FCA49, #A1CA49 and #C4CA49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47CA57 shade: #49CA58, #49CA7B, #49CA9E, #49CAC1 and #49B0CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47CA57 shade matches the following richer shades: #49CA58, #36DD4A and #23F03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47CA57 shade: #49CA58, #5CB767, #6FA475, #829183 and #957E92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47CA57 shade: #7ECA49, #5CCA49, #49CA58, #49CA7A and #49CA9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47CA57 shade: #2B9538, #34B544, #49CA58, #69D376 and #89DC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47CA57 shade: #47CA57, #49A1CA and #CA496D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47CA57 shade: #47CA57, #5849CA and #CA5849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47CA57 shade: #47CA57, #49A1CA, #CA49BB and #CA7249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47CA57 shade: #47CA57, #497ACA, #CA49BB and #CA9849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 57 / 21

HEX #47CA57

RGB 71 202 87

HSL 127.33, 0.55%, 0.54%

LAB 72.41, -58.84, 46.4

 

Complementary color

CMYK 0 / 71 / 9 / 28

HEX #B835A8

RGB 184 53 168

HSL 307.33, 0.55%, 0.46%

LAB 46.4, 64.17, -33.93

 

CMYK 62 / 0 / 59 / 21

HEX #4CCA52

RGB 76 202 82

HSL 122.86, 0.54%, 0.55%

LAB 72.49, -58.4, 48.81

 

CMYK 58 / 0 / 54 / 14

HEX #5DDC65

RGB 93 220 101

HSL 123.78, 0.64%, 0.61%

LAB 78.73, -58.82, 47.56

 

CMYK 54 / 0 / 50 / 7

HEX #6EEE78

RGB 110 238 120

HSL 124.69, 0.79%, 0.68%

LAB 84.9, -59.01, 46.27

 

CMYK 50 / 0 / 45 / 0

HEX #7FFF8B

RGB 127 255 139

HSL 125.63, 1%, 0.75%

LAB 90.73, -58.67, 44.62

 

CMYK 44 / 0 / 38 / 0

HEX #90FF9E

RGB 144 255 158

HSL 127.57, 1%, 0.78%

LAB 91.65, -51.34, 36.67

 

CMYK 65 / 0 / 57 / 21

HEX #47CA57

RGB 71 202 87

HSL 127.33, 0.55%, 0.54%

LAB 72.41, -58.84, 46.4

 

CMYK 71 / 0 / 63 / 28

HEX #36B844

RGB 54 184 68

HSL 126.46, 0.55%, 0.47%

LAB 66.12, -58.05, 47.66

 

CMYK 78 / 0 / 70 / 35

HEX #25A631

RGB 37 166 49

HSL 125.58, 0.64%, 0.4%

LAB 59.79, -56.75, 48.68

 

CMYK 86 / 0 / 80 / 42

HEX #14941E

RGB 20 148 30

HSL 124.69, 0.76%, 0.33%

LAB 53.41, -54.68, 49.13

 

CMYK 98 / 0 / 92 / 49

HEX #03820B

RGB 3 130 11

HSL 123.78, 0.95%, 0.26%

LAB 46.99, -51.64, 48.32

 

CMYK 64 / 0 / 56 / 21

HEX #49CA58

RGB 73 202 88

HSL 126.98, 0.55%, 0.54%

LAB 72.47, -58.31, 46.03

 

CMYK 54 / 0 / 64 / 21

HEX #5CCA49

RGB 92 202 73

HSL 111.16, 0.55%, 0.54%

LAB 72.89, -55.54, 53.33

 

CMYK 37 / 0 / 64 / 21

HEX #7FCA49

RGB 127 202 73

HSL 94.88, 0.55%, 0.54%

LAB 74.34, -44.94, 55.34

 

CMYK 20 / 0 / 64 / 21

HEX #A1CA49

RGB 161 202 73

HSL 79.07, 0.55%, 0.54%

LAB 76.25, -32.49, 57.96

 

CMYK 3 / 0 / 64 / 21

HEX #C4CA49

RGB 196 202 73

HSL 62.79, 0.55%, 0.54%

LAB 78.73, -18.36, 61.34

 

CMYK 64 / 0 / 56 / 21

HEX #49CA58

RGB 73 202 88

HSL 126.98, 0.55%, 0.54%

LAB 72.47, -58.31, 46.03

 

CMYK 64 / 0 / 39 / 21

HEX #49CA7B

RGB 73 202 123

HSL 143.26, 0.55%, 0.54%

LAB 72.95, -52.93, 29.29

 

CMYK 64 / 0 / 22 / 21

HEX #49CA9E

RGB 73 202 158

HSL 159.53, 0.55%, 0.54%

LAB 73.63, -45.74, 11.69

 

CMYK 64 / 0 / 4 / 21

HEX #49CAC1

RGB 73 202 193

HSL 175.81, 0.55%, 0.54%

LAB 74.51, -36.98, -5.93

 

CMYK 64 / 13 / 0 / 21

HEX #49B0CA

RGB 73 176 202

HSL 192.09, 0.55%, 0.54%

LAB 67.08, -21.73, -22.04

 

CMYK 64 / 0 / 56 / 21

HEX #49CA58

RGB 73 202 88

HSL 126.98, 0.55%, 0.54%

LAB 72.47, -58.31, 46.03

 

CMYK 76 / 0 / 67 / 13

HEX #36DD4A

RGB 54 221 74

HSL 127.19, 0.71%, 0.54%

LAB 77.87, -69.51, 58.1

 

CMYK 85 / 0 / 75 / 6

HEX #23F03C

RGB 35 240 60

HSL 127.32, 0.87%, 0.54%

LAB 83.44, -78.4, 68.82

 

CMYK 64 / 0 / 56 / 21

HEX #49CA58

RGB 73 202 88

HSL 126.98, 0.55%, 0.54%

LAB 72.47, -58.31, 46.03

 

CMYK 50 / 0 / 44 / 28

HEX #5CB767

RGB 92 183 103

HSL 127.25, 0.39%, 0.54%

LAB 67.37, -44.22, 32.48

 

CMYK 32 / 0 / 29 / 36

HEX #6FA475

RGB 111 164 117

HSL 126.79, 0.23%, 0.54%

LAB 62.69, -27.41, 18.95

 

CMYK 10 / 0 / 10 / 43

HEX #829183

RGB 130 145 131

HSL 124, 0.06%, 0.54%

LAB 58.64, -8.2, 5.6

 

CMYK 0 / 15 / 2 / 42

HEX #957E92

RGB 149 126 146

HSL 307.83, 0.1%, 0.54%

LAB 55.47, 12.49, -7.48

 

CMYK 38 / 0 / 64 / 21

HEX #7ECA49

RGB 126 202 73

HSL 95.35, 0.55%, 0.54%

LAB 74.29, -45.28, 55.27

 

CMYK 54 / 0 / 64 / 21

HEX #5CCA49

RGB 92 202 73

HSL 111.16, 0.55%, 0.54%

LAB 72.89, -55.54, 53.33

 

CMYK 64 / 0 / 56 / 21

HEX #49CA58

RGB 73 202 88

HSL 126.98, 0.55%, 0.54%

LAB 72.47, -58.31, 46.03

 

CMYK 64 / 0 / 40 / 21

HEX #49CA7A

RGB 73 202 122

HSL 142.79, 0.55%, 0.54%

LAB 72.93, -53.11, 29.78

 

CMYK 64 / 0 / 22 / 21

HEX #49CA9D

RGB 73 202 157

HSL 159.07, 0.55%, 0.54%

LAB 73.61, -45.97, 12.19

 

CMYK 71 / 0 / 62 / 42

HEX #2B9538

RGB 43 149 56

HSL 127.36, 0.55%, 0.38%

LAB 54.34, -49.2, 39.7

 

CMYK 71 / 0 / 62 / 29

HEX #34B544

RGB 52 181 68

HSL 127.44, 0.55%, 0.46%

LAB 65.12, -57.37, 46.52

 

CMYK 64 / 0 / 56 / 21

HEX #49CA58

RGB 73 202 88

HSL 126.98, 0.55%, 0.54%

LAB 72.47, -58.31, 46.03

 

CMYK 50 / 0 / 44 / 17

HEX #69D376

RGB 105 211 118

HSL 127.36, 0.55%, 0.62%

LAB 76.62, -49.97, 36.8

 

CMYK 38 / 0 / 33 / 14

HEX #89DC93

RGB 137 220 147

HSL 127.23, 0.54%, 0.7%

LAB 81.08, -40.11, 28.13

 

CMYK 65 / 0 / 57 / 21

HEX #47CA57

RGB 71 202 87

HSL 127.33, 0.55%, 0.54%

LAB 72.41, -58.84, 46.4

 

CMYK 64 / 20 / 0 / 21

HEX #49A1CA

RGB 73 161 202

HSL 199.07, 0.55%, 0.54%

LAB 62.65, -13.8, -28.83

 

CMYK 0 / 64 / 46 / 21

HEX #CA496D

RGB 202 73 109

HSL 343.26, 0.55%, 0.54%

LAB 50.01, 54.01, 7.25

 

CMYK 65 / 0 / 57 / 21

HEX #47CA57

RGB 71 202 87

HSL 127.33, 0.55%, 0.54%

LAB 72.41, -58.84, 46.4

 

CMYK 56 / 64 / 0 / 21

HEX #5849CA

RGB 88 73 202

HSL 246.98, 0.55%, 0.54%

LAB 39.76, 41.76, -65.17

 

CMYK 0 / 56 / 64 / 21

HEX #CA5849

RGB 202 88 73

HSL 6.98, 0.55%, 0.54%

LAB 51.86, 44.31, 31.06

 

CMYK 65 / 0 / 57 / 21

HEX #47CA57

RGB 71 202 87

HSL 127.33, 0.55%, 0.54%

LAB 72.41, -58.84, 46.4

 

CMYK 64 / 20 / 0 / 21

HEX #49A1CA

RGB 73 161 202

HSL 199.07, 0.55%, 0.54%

LAB 62.65, -13.8, -28.83

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 0 / 44 / 64 / 21

HEX #CA7249

RGB 202 114 73

HSL 19.07, 0.55%, 0.54%

LAB 57.15, 31.01, 37.47

 

CMYK 65 / 0 / 57 / 21

HEX #47CA57

RGB 71 202 87

HSL 127.33, 0.55%, 0.54%

LAB 72.41, -58.84, 46.4

 

CMYK 64 / 40 / 0 / 21

HEX #497ACA

RGB 73 122 202

HSL 217.21, 0.55%, 0.54%

LAB 51.38, 8.77, -46.5

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 0 / 25 / 64 / 21

HEX #CA9849

RGB 202 152 73

HSL 36.74, 0.55%, 0.54%

LAB 66.13, 10.37, 47.85

 

Description

Color code: HEX #47CA57 | qconv.com Color code: HEX #47CA57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 202 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 202 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 57 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 57% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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