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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47C129 it is the complementary color #B83ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47C129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47C129 shade: #4CC124, #5DD337, #6EE54A, #7FF75D and #90FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47C129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47C129 shade: #47C129, #36AF16, #259D03, #148B00 and #037900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47C129 shade: #47C129, #70C129, #99C129, #C1C029 and #C19729

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47C129 shade: #47C129, #29C134, #29C15D, #29C186 and #29C1AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47C129 shade matches the following richer shades: #47C129, #3BD416 and #30E703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47C129 shade: #47C129, #52AE3C, #5E9B4F, #698861 and #757574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47C129 shade: #98C129, #70C129, #47C129, #29C133 and #29C15B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47C129 shade: #2E7D1A, #3A9F21, #47C129, #5BD63D and #78DD5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47C129 shade: #47C129, #29C1C1 and #C12984

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47C129 shade: #47C129, #2947C1 and #C12947

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47C129 shade: #47C129, #29C1C1, #A329C1 and #C12929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47C129 shade: #47C129, #2993C1, #A329C1 and #C15629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

Complementary color

CMYK 14 / 71 / 0 / 16

HEX #B83ED6

RGB 184 62 214

HSL 288.16, 0.65%, 0.54%

LAB 50.09, 68.78, -54.82

 

CMYK 61 / 0 / 81 / 24

HEX #4CC124

RGB 76 193 36

HSL 104.71, 0.69%, 0.45%

LAB 69.33, -59.1, 62.75

 

CMYK 56 / 0 / 74 / 17

HEX #5DD337

RGB 93 211 55

HSL 105.38, 0.64%, 0.52%

LAB 75.57, -60.05, 63.05

 

CMYK 52 / 0 / 68 / 10

HEX #6EE54A

RGB 110 229 74

HSL 106.06, 0.75%, 0.59%

LAB 81.76, -60.65, 62.68

 

CMYK 49 / 0 / 62 / 3

HEX #7FF75D

RGB 127 247 93

HSL 106.75, 0.91%, 0.67%

LAB 87.88, -61.02, 61.93

 

CMYK 44 / 0 / 56 / 0

HEX #90FF70

RGB 144 255 112

HSL 106.57, 1%, 0.72%

LAB 91.06, -57.35, 57.62

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 69 / 0 / 87 / 31

HEX #36AF16

RGB 54 175 22

HSL 107.45, 0.78%, 0.39%

LAB 62.93, -58.52, 60.22

 

CMYK 76 / 0 / 98 / 38

HEX #259D03

RGB 37 157 3

HSL 106.75, 0.96%, 0.31%

LAB 56.6, -56.4, 57.91

 

CMYK 86 / 0 / 100 / 45

HEX #148B00

RGB 20 139 0

HSL 111.37, 1%, 0.27%

LAB 50.23, -53.27, 53.18

 

CMYK 98 / 0 / 100 / 53

HEX #037900

RGB 3 121 0

HSL 118.51, 1%, 0.24%

LAB 43.79, -49.39, 47.96

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 42 / 0 / 79 / 24

HEX #70C129

RGB 112 193 41

HSL 91.97, 0.65%, 0.46%

LAB 70.69, -48.48, 63.08

 

CMYK 21 / 0 / 79 / 24

HEX #99C129

RGB 153 193 41

HSL 75.79, 0.65%, 0.46%

LAB 72.94, -33.34, 65.97

 

CMYK 0 / 1 / 79 / 24

HEX #C1C029

RGB 193 192 41

HSL 59.61, 0.65%, 0.46%

LAB 75.57, -16.18, 69.43

 

CMYK 0 / 22 / 79 / 24

HEX #C19729

RGB 193 151 41

HSL 43.42, 0.65%, 0.46%

LAB 64.67, 5.34, 59.63

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 79 / 0 / 73 / 24

HEX #29C134

RGB 41 193 52

HSL 124.34, 0.65%, 0.46%

LAB 68.65, -64.51, 56.74

 

CMYK 79 / 0 / 52 / 24

HEX #29C15D

RGB 41 193 93

HSL 140.53, 0.65%, 0.46%

LAB 69.04, -59.75, 39.34

 

CMYK 79 / 0 / 31 / 24

HEX #29C186

RGB 41 193 134

HSL 156.71, 0.65%, 0.46%

LAB 69.71, -52.13, 19

 

CMYK 79 / 0 / 9 / 24

HEX #29C1AF

RGB 41 193 175

HSL 172.89, 0.65%, 0.46%

LAB 70.67, -41.98, -1.88

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 72 / 0 / 90 / 17

HEX #3BD416

RGB 59 212 22

HSL 108.32, 0.81%, 0.46%

LAB 74.87, -69.24, 70.55

 

CMYK 79 / 0 / 99 / 9

HEX #30E703

RGB 48 231 3

HSL 108.16, 0.97%, 0.46%

LAB 80.62, -76.75, 77.36

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 53 / 0 / 66 / 32

HEX #52AE3C

RGB 82 174 60

HSL 108.42, 0.49%, 0.46%

LAB 63.67, -48.84, 48.64

 

CMYK 39 / 0 / 49 / 39

HEX #5E9B4F

RGB 94 155 79

HSL 108.16, 0.32%, 0.46%

LAB 58.4, -34.91, 33.59

 

CMYK 23 / 0 / 29 / 47

HEX #698861

RGB 105 136 97

HSL 107.69, 0.17%, 0.46%

LAB 53.47, -18.88, 17.47

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 21 / 0 / 79 / 24

HEX #98C129

RGB 152 193 41

HSL 76.18, 0.65%, 0.46%

LAB 72.88, -33.74, 65.89

 

CMYK 42 / 0 / 79 / 24

HEX #70C129

RGB 112 193 41

HSL 91.97, 0.65%, 0.46%

LAB 70.69, -48.48, 63.08

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 79 / 0 / 74 / 24

HEX #29C133

RGB 41 193 51

HSL 123.95, 0.65%, 0.46%

LAB 68.64, -64.59, 57.09

 

CMYK 79 / 0 / 53 / 24

HEX #29C15B

RGB 41 193 91

HSL 139.74, 0.65%, 0.46%

LAB 69.02, -60.05, 40.29

 

CMYK 63 / 0 / 79 / 51

HEX #2E7D1A

RGB 46 125 26

HSL 107.88, 0.66%, 0.3%

LAB 46.07, -42.68, 43.56

 

CMYK 64 / 0 / 79 / 38

HEX #3A9F21

RGB 58 159 33

HSL 108.1, 0.66%, 0.38%

LAB 57.85, -51.67, 52.69

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 57 / 0 / 71 / 16

HEX #5BD63D

RGB 91 214 61

HSL 108.24, 0.65%, 0.54%

LAB 76.47, -61.18, 61.83

 

CMYK 46 / 0 / 57 / 13

HEX #78DD5F

RGB 120 221 95

HSL 108.1, 0.65%, 0.62%

LAB 79.92, -52.78, 51.95

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 79 / 0 / 0 / 24

HEX #29C1C1

RGB 41 193 193

HSL 180, 0.65%, 0.46%

LAB 71.19, -36.86, -10.95

 

CMYK 0 / 79 / 32 / 24

HEX #C12984

RGB 193 41 132

HSL 324.08, 0.65%, 0.46%

LAB 45.07, 65.26, -14.21

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 79 / 63 / 0 / 24

HEX #2947C1

RGB 41 71 193

HSL 228.16, 0.65%, 0.46%

LAB 35.65, 33.61, -66.76

 

CMYK 0 / 79 / 63 / 24

HEX #C12947

RGB 193 41 71

HSL 348.16, 0.65%, 0.46%

LAB 43.33, 59.97, 21.1

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 79 / 0 / 0 / 24

HEX #29C1C1

RGB 41 193 193

HSL 180, 0.65%, 0.46%

LAB 71.19, -36.86, -10.95

 

CMYK 16 / 79 / 0 / 24

HEX #A329C1

RGB 163 41 193

HSL 288.16, 0.65%, 0.46%

LAB 43.1, 67.85, -54.1

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 63 / 0 / 79 / 24

HEX #47C129

RGB 71 193 41

HSL 108.16, 0.65%, 0.46%

LAB 69.21, -59.98, 61.15

 

CMYK 79 / 24 / 0 / 24

HEX #2993C1

RGB 41 147 193

HSL 198.16, 0.65%, 0.46%

LAB 57.26, -13.63, -32.2

 

CMYK 16 / 79 / 0 / 24

HEX #A329C1

RGB 163 41 193

HSL 288.16, 0.65%, 0.46%

LAB 43.1, 67.85, -54.1

 

CMYK 0 / 55 / 79 / 24

HEX #C15629

RGB 193 86 41

HSL 17.76, 0.65%, 0.46%

LAB 49.68, 40.3, 45.42

 

Description

Color code: HEX #47C129 | qconv.com Color code: HEX #47C129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 193 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 193 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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