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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47BFD6 it is the complementary color #B84029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47BFD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47BFD6 shade: #4CBFD1, #5DD1E4, #6EE3F7, #7FF5FF and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47BFD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47BFD6 shade: #47BFD6, #36ADC3, #259BB0, #14899D and #03778A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47BFD6 shade: #46BFD6, #4698D6, #4672D6, #464BD6 and #6946D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47BFD6 shade: #46BFD6, #4698D6, #4672D6, #464BD6 and #4646D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47BFD6 shade matches the following richer shades: #46BFD6, #34CBE8 and #22D8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47BFD6 shade: #46BFD6, #59B3C4, #6BA6B2, #7D9AA0 and #8F8E8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47BFD6 shade: #46D69F, #46D6C5, #46C1D6, #469AD6 and #4674D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47BFD6 shade: #2491A6, #2BAFC8, #46BFD6, #68CBDE and #8AD6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47BFD6 shade: #47BFD6, #7946D6 and #D6B246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47BFD6 shade: #47BFD6, #D646C1 and #C1D646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47BFD6 shade: #47BFD6, #7946D6, #D65C46 and #A4D646

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47BFD6 shade: #47BFD6, #A446D6, #D65C46 and #79D646

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 11 / 0 / 16

HEX #47BFD6

RGB 71 191 214

HSL 189.65, 0.64%, 0.56%

LAB 71.86, -26, -21.33

 

Complementary color

CMYK 0 / 65 / 78 / 28

HEX #B84029

RGB 184 64 41

HSL 9.65, 0.64%, 0.44%

LAB 44.26, 47.27, 39.44

 

CMYK 64 / 9 / 0 / 18

HEX #4CBFD1

RGB 76 191 209

HSL 188.12, 0.59%, 0.56%

LAB 71.83, -26.72, -18.65

 

CMYK 59 / 8 / 0 / 11

HEX #5DD1E4

RGB 93 209 228

HSL 188.44, 0.71%, 0.63%

LAB 78.19, -27.21, -19.24

 

CMYK 55 / 8 / 0 / 3

HEX #6EE3F7

RGB 110 227 247

HSL 188.76, 0.9%, 0.7%

LAB 84.47, -27.58, -19.79

 

CMYK 50 / 4 / 0 / 0

HEX #7FF5FF

RGB 127 245 255

HSL 184.69, 1%, 0.75%

LAB 90.34, -30.74, -15.09

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 67 / 11 / 0 / 16

HEX #47BFD6

RGB 71 191 214

HSL 189.65, 0.64%, 0.56%

LAB 71.86, -26, -21.33

 

CMYK 72 / 11 / 0 / 24

HEX #36ADC3

RGB 54 173 195

HSL 189.36, 0.57%, 0.49%

LAB 65.45, -25.18, -20.69

 

CMYK 79 / 12 / 0 / 31

HEX #259BB0

RGB 37 155 176

HSL 189.06, 0.65%, 0.42%

LAB 58.95, -24.07, -19.99

 

CMYK 87 / 13 / 0 / 38

HEX #14899D

RGB 20 137 157

HSL 188.76, 0.77%, 0.35%

LAB 52.37, -22.59, -19.18

 

CMYK 98 / 14 / 0 / 46

HEX #03778A

RGB 3 119 138

HSL 188.44, 0.96%, 0.28%

LAB 45.7, -20.66, -18.27

 

CMYK 67 / 11 / 0 / 16

HEX #46BFD6

RGB 70 191 214

HSL 189.58, 0.64%, 0.56%

LAB 71.84, -26.15, -21.37

 

CMYK 67 / 29 / 0 / 16

HEX #4698D6

RGB 70 152 214

HSL 205.83, 0.64%, 0.56%

LAB 60.44, -5.36, -38.98

 

CMYK 67 / 47 / 0 / 16

HEX #4672D6

RGB 70 114 214

HSL 221.67, 0.64%, 0.56%

LAB 49.73, 17.42, -55.97

 

CMYK 67 / 65 / 0 / 16

HEX #464BD6

RGB 70 75 214

HSL 237.92, 0.64%, 0.56%

LAB 39.9, 41.76, -71.92

 

CMYK 51 / 67 / 0 / 16

HEX #6946D6

RGB 105 70 214

HSL 254.58, 0.64%, 0.56%

LAB 41.59, 49.91, -69.03

 

CMYK 67 / 11 / 0 / 16

HEX #46BFD6

RGB 70 191 214

HSL 189.58, 0.64%, 0.56%

LAB 71.84, -26.15, -21.37

 

CMYK 67 / 29 / 0 / 16

HEX #4698D6

RGB 70 152 214

HSL 205.83, 0.64%, 0.56%

LAB 60.44, -5.36, -38.98

 

CMYK 67 / 47 / 0 / 16

HEX #4672D6

RGB 70 114 214

HSL 221.67, 0.64%, 0.56%

LAB 49.73, 17.42, -55.97

 

CMYK 67 / 65 / 0 / 16

HEX #464BD6

RGB 70 75 214

HSL 237.92, 0.64%, 0.56%

LAB 39.9, 41.76, -71.92

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 67 / 11 / 0 / 16

HEX #46BFD6

RGB 70 191 214

HSL 189.58, 0.64%, 0.56%

LAB 71.84, -26.15, -21.37

 

CMYK 78 / 13 / 0 / 9

HEX #34CBE8

RGB 52 203 232

HSL 189.67, 0.8%, 0.56%

LAB 75.62, -28.71, -25.38

 

CMYK 86 / 14 / 0 / 2

HEX #22D8FA

RGB 34 216 250

HSL 189.44, 0.96%, 0.56%

LAB 79.81, -30.74, -28.61

 

CMYK 67 / 11 / 0 / 16

HEX #46BFD6

RGB 70 191 214

HSL 189.58, 0.64%, 0.56%

LAB 71.84, -26.15, -21.37

 

CMYK 55 / 9 / 0 / 23

HEX #59B3C4

RGB 89 179 196

HSL 189.53, 0.48%, 0.56%

LAB 68.28, -22.06, -16.85

 

CMYK 40 / 7 / 0 / 30

HEX #6BA6B2

RGB 107 166 178

HSL 190.14, 0.32%, 0.56%

LAB 64.65, -16, -12.25

 

CMYK 22 / 4 / 0 / 37

HEX #7D9AA0

RGB 125 154 160

HSL 190.29, 0.16%, 0.56%

LAB 61.66, -8.69, -6.49

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8D

RGB 143 142 141

HSL 30, 0.01%, 0.56%

LAB 59.07, 0.18, 0.65

 

CMYK 67 / 0 / 26 / 16

HEX #46D69F

RGB 70 214 159

HSL 157.08, 0.64%, 0.56%

LAB 77.22, -50.99, 16.2

 

CMYK 67 / 0 / 8 / 16

HEX #46D6C5

RGB 70 214 197

HSL 172.92, 0.64%, 0.56%

LAB 78.13, -41.79, -2.77

 

CMYK 67 / 10 / 0 / 16

HEX #46C1D6

RGB 70 193 214

HSL 188.75, 0.64%, 0.56%

LAB 72.43, -27.14, -20.47

 

CMYK 67 / 28 / 0 / 16

HEX #469AD6

RGB 70 154 214

HSL 205, 0.64%, 0.56%

LAB 61.02, -6.49, -38.07

 

CMYK 67 / 46 / 0 / 16

HEX #4674D6

RGB 70 116 214

HSL 220.83, 0.64%, 0.56%

LAB 50.27, 16.17, -55.1

 

CMYK 78 / 13 / 0 / 35

HEX #2491A6

RGB 36 145 166

HSL 189.69, 0.64%, 0.4%

LAB 55.46, -22.3, -19.62

 

CMYK 79 / 13 / 0 / 22

HEX #2BAFC8

RGB 43 175 200

HSL 189.55, 0.65%, 0.48%

LAB 66.02, -25.84, -22.61

 

CMYK 67 / 11 / 0 / 16

HEX #46BFD6

RGB 70 191 214

HSL 189.58, 0.64%, 0.56%

LAB 71.84, -26.15, -21.37

 

CMYK 53 / 9 / 0 / 13

HEX #68CBDE

RGB 104 203 222

HSL 189.66, 0.64%, 0.64%

LAB 76.64, -23.82, -18.33

 

CMYK 40 / 7 / 0 / 10

HEX #8AD6E5

RGB 138 214 229

HSL 189.89, 0.64%, 0.72%

LAB 81.38, -19.71, -14.8

 

CMYK 67 / 11 / 0 / 16

HEX #47BFD6

RGB 71 191 214

HSL 189.65, 0.64%, 0.56%

LAB 71.86, -26, -21.33

 

CMYK 43 / 67 / 0 / 16

HEX #7946D6

RGB 121 70 214

HSL 261.25, 0.64%, 0.56%

LAB 43.21, 52.76, -66.32

 

CMYK 0 / 17 / 67 / 16

HEX #D6B246

RGB 214 178 70

HSL 45, 0.64%, 0.56%

LAB 73.92, 1.41, 58.02

 

CMYK 67 / 11 / 0 / 16

HEX #47BFD6

RGB 71 191 214

HSL 189.65, 0.64%, 0.56%

LAB 71.86, -26, -21.33

 

CMYK 0 / 67 / 10 / 16

HEX #D646C1

RGB 214 70 193

HSL 308.75, 0.64%, 0.56%

LAB 54.58, 69.05, -35.35

 

CMYK 10 / 0 / 67 / 16

HEX #C1D646

RGB 193 214 70

HSL 68.75, 0.64%, 0.56%

LAB 81.77, -25.63, 65.58

 

CMYK 67 / 11 / 0 / 16

HEX #47BFD6

RGB 71 191 214

HSL 189.65, 0.64%, 0.56%

LAB 71.86, -26, -21.33

 

CMYK 43 / 67 / 0 / 16

HEX #7946D6

RGB 121 70 214

HSL 261.25, 0.64%, 0.56%

LAB 43.21, 52.76, -66.32

 

CMYK 0 / 57 / 67 / 16

HEX #D65C46

RGB 214 92 70

HSL 9.17, 0.64%, 0.56%

LAB 54.44, 46.6, 36.33

 

CMYK 23 / 0 / 67 / 16

HEX #A4D646

RGB 164 214 70

HSL 80.83, 0.64%, 0.56%

LAB 79.86, -37.04, 63.01

 

CMYK 67 / 11 / 0 / 16

HEX #47BFD6

RGB 71 191 214

HSL 189.65, 0.64%, 0.56%

LAB 71.86, -26, -21.33

 

CMYK 23 / 67 / 0 / 16

HEX #A446D6

RGB 164 70 214

HSL 279.17, 0.64%, 0.56%

LAB 48.42, 61.38, -57.64

 

CMYK 0 / 57 / 67 / 16

HEX #D65C46

RGB 214 92 70

HSL 9.17, 0.64%, 0.56%

LAB 54.44, 46.6, 36.33

 

CMYK 43 / 0 / 67 / 16

HEX #79D646

RGB 121 214 70

HSL 98.75, 0.64%, 0.56%

LAB 77.64, -52.06, 60.01

 

Description

Color code: HEX #47BFD6 | qconv.com Color code: HEX #47BFD6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 191 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 191 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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