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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47B10A it is the complementary color #B84EF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47B10A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47B10A shade: #4CB105, #5DC318, #6ED52B, #7FE73E and #90F951

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47B10A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47B10A shade: #47B10A, #369F00, #258D00, #147B00 and #036900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47B10A shade: #47B20A, #75B20A, #A2B20A, #B2950A and #B2670A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47B10A shade: #47B20A, #1AB20A, #0AB227, #0AB254 and #0AB282

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47B10A shade matches the following richer shades: #47B20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47B10A shade: #47B20A, #4BA319, #4F9328, #548438 and #587547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47B10A shade: #A1B20A, #74B20A, #47B20A, #1BB20A and #0AB226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47B10A shade: #286405, #388B08, #47B20A, #57D90C and #6AF11D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47B10A shade: #47B10A, #0AB296 and #B20A8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47B10A shade: #47B10A, #0A47B2 and #B20A47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47B10A shade: #47B10A, #0AB296, #740AB2 and #B20A26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47B10A shade: #47B10A, #0A9BB2, #740AB2 and #B2200A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 94 / 31

HEX #47B10A

RGB 71 177 10

HSL 98.08, 0.89%, 0.37%

LAB 64, -55.73, 63.34

 

Complementary color

CMYK 25 / 68 / 0 / 4

HEX #B84EF5

RGB 184 78 245

HSL 278.08, 0.89%, 0.63%

LAB 54.27, 68.56, -65.58

 

CMYK 57 / 0 / 97 / 31

HEX #4CB105

RGB 76 177 5

HSL 95.23, 0.95%, 0.36%

LAB 64.15, -54.53, 64.16

 

CMYK 52 / 0 / 88 / 24

HEX #5DC318

RGB 93 195 24

HSL 95.79, 0.78%, 0.43%

LAB 70.47, -55.84, 66.8

 

CMYK 48 / 0 / 80 / 16

HEX #6ED52B

RGB 110 213 43

HSL 96.35, 0.67%, 0.5%

LAB 76.73, -56.77, 68.07

 

CMYK 45 / 0 / 73 / 9

HEX #7FE73E

RGB 127 231 62

HSL 96.92, 0.78%, 0.57%

LAB 82.92, -57.4, 68.39

 

CMYK 42 / 0 / 67 / 2

HEX #90F951

RGB 144 249 81

HSL 97.5, 0.93%, 0.65%

LAB 89.05, -57.81, 68.1

 

CMYK 60 / 0 / 94 / 31

HEX #47B10A

RGB 71 177 10

HSL 98.08, 0.89%, 0.37%

LAB 64, -55.73, 63.34

 

CMYK 66 / 0 / 100 / 38

HEX #369F00

RGB 54 159 0

HSL 99.62, 1%, 0.31%

LAB 57.64, -53.85, 59.36

 

CMYK 74 / 0 / 100 / 45

HEX #258D00

RGB 37 141 0

HSL 104.26, 1%, 0.28%

LAB 51.2, -51.38, 54.08

 

CMYK 84 / 0 / 100 / 52

HEX #147B00

RGB 20 123 0

HSL 110.24, 1%, 0.24%

LAB 44.68, -48.33, 48.75

 

CMYK 97 / 0 / 100 / 59

HEX #036900

RGB 3 105 0

HSL 118.29, 1%, 0.21%

LAB 38.06, -44.57, 43.36

 

CMYK 60 / 0 / 94 / 30

HEX #47B20A

RGB 71 178 10

HSL 98.21, 0.89%, 0.37%

LAB 64.32, -56.08, 63.6

 

CMYK 34 / 0 / 94 / 30

HEX #75B20A

RGB 117 178 10

HSL 81.79, 0.89%, 0.37%

LAB 66.25, -41.54, 65.96

 

CMYK 9 / 0 / 94 / 30

HEX #A2B20A

RGB 162 178 10

HSL 65.71, 0.89%, 0.37%

LAB 69.14, -23.29, 69.47

 

CMYK 0 / 16 / 94 / 30

HEX #B2950A

RGB 178 149 10

HSL 49.64, 0.89%, 0.37%

LAB 62.49, -1.09, 65.02

 

CMYK 0 / 42 / 94 / 30

HEX #B2670A

RGB 178 103 10

HSL 33.21, 0.89%, 0.37%

LAB 50.91, 24.38, 56.57

 

CMYK 60 / 0 / 94 / 30

HEX #47B20A

RGB 71 178 10

HSL 98.21, 0.89%, 0.37%

LAB 64.32, -56.08, 63.6

 

CMYK 85 / 0 / 94 / 30

HEX #1AB20A

RGB 26 178 10

HSL 114.29, 0.89%, 0.37%

LAB 63.41, -63.92, 62.47

 

CMYK 94 / 0 / 78 / 30

HEX #0AB227

RGB 10 178 39

HSL 130.36, 0.89%, 0.37%

LAB 63.39, -63.75, 55.84

 

CMYK 94 / 0 / 53 / 30

HEX #0AB254

RGB 10 178 84

HSL 146.43, 0.89%, 0.37%

LAB 63.79, -58.69, 37.26

 

CMYK 94 / 0 / 27 / 30

HEX #0AB282

RGB 10 178 130

HSL 162.86, 0.89%, 0.37%

LAB 64.58, -49.55, 14.01

 

CMYK 60 / 0 / 94 / 30

HEX #47B20A

RGB 71 178 10

HSL 98.21, 0.89%, 0.37%

LAB 64.32, -56.08, 63.6

 

CMYK 60 / 0 / 94 / 30

HEX #47B20A

RGB 71 178 10

HSL 98.21, 0.89%, 0.37%

LAB 64.32, -56.08, 63.6

 

CMYK 54 / 0 / 85 / 36

HEX #4BA319

RGB 75 163 25

HSL 98.26, 0.73%, 0.37%

LAB 59.67, -49.09, 56.87

 

CMYK 46 / 0 / 73 / 42

HEX #4F9328

RGB 79 147 40

HSL 98.13, 0.57%, 0.37%

LAB 54.74, -40.61, 47.39

 

CMYK 36 / 0 / 58 / 48

HEX #548438

RGB 84 132 56

HSL 97.89, 0.4%, 0.37%

LAB 50.3, -30.7, 35.43

 

CMYK 25 / 0 / 39 / 54

HEX #587547

RGB 88 117 71

HSL 97.83, 0.24%, 0.37%

LAB 45.98, -19.68, 22.06

 

CMYK 10 / 0 / 94 / 30

HEX #A1B20A

RGB 161 178 10

HSL 66.07, 0.89%, 0.37%

LAB 69.07, -23.72, 69.38

 

CMYK 35 / 0 / 94 / 30

HEX #74B20A

RGB 116 178 10

HSL 82.14, 0.89%, 0.37%

LAB 66.19, -41.91, 65.89

 

CMYK 60 / 0 / 94 / 30

HEX #47B20A

RGB 71 178 10

HSL 98.21, 0.89%, 0.37%

LAB 64.32, -56.08, 63.6

 

CMYK 85 / 0 / 94 / 30

HEX #1BB20A

RGB 27 178 10

HSL 113.93, 0.89%, 0.37%

LAB 63.42, -63.82, 62.48

 

CMYK 94 / 0 / 79 / 30

HEX #0AB226

RGB 10 178 38

HSL 130, 0.89%, 0.37%

LAB 63.38, -63.82, 56.16

 

CMYK 60 / 0 / 95 / 61

HEX #286405

RGB 40 100 5

HSL 97.89, 0.9%, 0.21%

LAB 37.07, -35.83, 41.47

 

CMYK 60 / 0 / 94 / 45

HEX #388B08

RGB 56 139 8

HSL 98.02, 0.89%, 0.29%

LAB 51.06, -46.09, 52.74

 

CMYK 60 / 0 / 94 / 30

HEX #47B20A

RGB 71 178 10

HSL 98.21, 0.89%, 0.37%

LAB 64.32, -56.08, 63.6

 

CMYK 60 / 0 / 94 / 15

HEX #57D90C

RGB 87 217 12

HSL 98.05, 0.9%, 0.45%

LAB 77.09, -65.37, 74.01

 

CMYK 56 / 0 / 88 / 5

HEX #6AF11D

RGB 106 241 29

HSL 98.21, 0.88%, 0.53%

LAB 85.03, -68.36, 78.48

 

CMYK 60 / 0 / 94 / 31

HEX #47B10A

RGB 71 177 10

HSL 98.08, 0.89%, 0.37%

LAB 64, -55.73, 63.34

 

CMYK 94 / 0 / 16 / 30

HEX #0AB296

RGB 10 178 150

HSL 170, 0.89%, 0.37%

LAB 65.05, -44.45, 3.65

 

CMYK 0 / 94 / 22 / 30

HEX #B20A8B

RGB 178 10 139

HSL 313.93, 0.89%, 0.37%

LAB 40.49, 68.69, -25.79

 

CMYK 60 / 0 / 94 / 31

HEX #47B10A

RGB 71 177 10

HSL 98.08, 0.89%, 0.37%

LAB 64, -55.73, 63.34

 

CMYK 94 / 60 / 0 / 30

HEX #0A47B2

RGB 10 71 178

HSL 218.21, 0.89%, 0.37%

LAB 33.53, 25.76, -61.42

 

CMYK 0 / 94 / 60 / 30

HEX #B20A47

RGB 178 10 71

HSL 338.21, 0.89%, 0.37%

LAB 38.09, 62.29, 13.58

 

CMYK 60 / 0 / 94 / 31

HEX #47B10A

RGB 71 177 10

HSL 98.08, 0.89%, 0.37%

LAB 64, -55.73, 63.34

 

CMYK 94 / 0 / 16 / 30

HEX #0AB296

RGB 10 178 150

HSL 170, 0.89%, 0.37%

LAB 65.05, -44.45, 3.65

 

CMYK 35 / 94 / 0 / 30

HEX #740AB2

RGB 116 10 178

HSL 277.86, 0.89%, 0.37%

LAB 32.13, 64.8, -63.39

 

CMYK 0 / 94 / 79 / 30

HEX #B20A26

RGB 178 10 38

HSL 350, 0.89%, 0.37%

LAB 37.52, 60.73, 33.69

 

CMYK 60 / 0 / 94 / 31

HEX #47B10A

RGB 71 177 10

HSL 98.08, 0.89%, 0.37%

LAB 64, -55.73, 63.34

 

CMYK 94 / 13 / 0 / 30

HEX #0A9BB2

RGB 10 155 178

HSL 188.21, 0.89%, 0.37%

LAB 58.72, -25.24, -21.5

 

CMYK 35 / 94 / 0 / 30

HEX #740AB2

RGB 116 10 178

HSL 277.86, 0.89%, 0.37%

LAB 32.13, 64.8, -63.39

 

CMYK 0 / 82 / 94 / 30

HEX #B2200A

RGB 178 32 10

HSL 7.86, 0.89%, 0.37%

LAB 38.76, 55.97, 48.47

 

Description

Color code: HEX #47B10A | qconv.com Color code: HEX #47B10A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 177 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 177 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 94 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 94% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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