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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47B0AC it is the complementary color #B84F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47B0AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47B0AC shade: #4CB0A7, #5DC2BA, #6ED4CD, #7FE6E0 and #90F8F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47B0AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47B0AC shade: #47B0AC, #369E99, #258C86, #147A73 and #036860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47B0AC shade: #45AFAB, #45AF8E, #45AF72, #45AF55 and #52AF45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47B0AC shade: #45AFAB, #4596AF, #457AAF, #455DAF and #4545AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47B0AC shade matches the following richer shades: #45AFAB, #31C2BD, #1ED6CF and #0AEAE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47B0AC shade: #45AFAB, #599B98, #6D8786, #817374 and #945F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47B0AC shade: #45AF71, #45AF8D, #45AFA9, #4598AF and #457CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47B0AC shade: #2E7471, #3A918E, #45AFAB, #5EBFBB and #7CCAC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47B0AC shade: #47B0AC, #5545AF and #AF7F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47B0AC shade: #47B0AC, #A945AF and #AFA945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47B0AC shade: #47B0AC, #5545AF, #AF454B and #9FAF45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47B0AC shade: #47B0AC, #7545AF, #AF454B and #7FAF45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 2 / 31

HEX #47B0AC

RGB 71 176 172

HSL 177.71, 0.43%, 0.48%

LAB 66.03, -30.82, -6.99

 

Complementary color

CMYK 0 / 57 / 55 / 28

HEX #B84F53

RGB 184 79 83

HSL 357.71, 0.43%, 0.52%

LAB 47.5, 42.85, 19.02

 

CMYK 57 / 0 / 5 / 31

HEX #4CB0A7

RGB 76 176 167

HSL 174.6, 0.4%, 0.49%

LAB 66.04, -31.23, -4.19

 

CMYK 52 / 0 / 4 / 24

HEX #5DC2BA

RGB 93 194 186

HSL 175.25, 0.45%, 0.56%

LAB 72.53, -31.36, -4.99

 

CMYK 48 / 0 / 3 / 17

HEX #6ED4CD

RGB 110 212 205

HSL 175.88, 0.54%, 0.63%

LAB 78.93, -31.42, -5.74

 

CMYK 45 / 0 / 3 / 10

HEX #7FE6E0

RGB 127 230 224

HSL 176.5, 0.67%, 0.7%

LAB 85.24, -31.42, -6.43

 

CMYK 42 / 0 / 2 / 3

HEX #90F8F3

RGB 144 248 243

HSL 177.12, 0.88%, 0.77%

LAB 91.48, -31.39, -7.08

 

CMYK 60 / 0 / 2 / 31

HEX #47B0AC

RGB 71 176 172

HSL 177.71, 0.43%, 0.48%

LAB 66.03, -30.82, -6.99

 

CMYK 66 / 0 / 3 / 38

HEX #369E99

RGB 54 158 153

HSL 177.12, 0.49%, 0.42%

LAB 59.47, -30.41, -6.13

 

CMYK 74 / 0 / 4 / 45

HEX #258C86

RGB 37 140 134

HSL 176.5, 0.58%, 0.35%

LAB 52.81, -29.76, -5.16

 

CMYK 84 / 0 / 6 / 52

HEX #147A73

RGB 20 122 115

HSL 175.88, 0.72%, 0.28%

LAB 46.05, -28.75, -4.05

 

CMYK 97 / 0 / 8 / 59

HEX #036860

RGB 3 104 96

HSL 175.25, 0.94%, 0.21%

LAB 39.18, -27.28, -2.76

 

CMYK 61 / 0 / 2 / 31

HEX #45AFAB

RGB 69 175 171

HSL 177.74, 0.43%, 0.48%

LAB 65.64, -30.98, -7.02

 

CMYK 61 / 0 / 19 / 31

HEX #45AF8E

RGB 69 175 142

HSL 161.32, 0.43%, 0.48%

LAB 64.87, -38.49, 7.94

 

CMYK 61 / 0 / 35 / 31

HEX #45AF72

RGB 69 175 114

HSL 145.47, 0.43%, 0.48%

LAB 64.27, -44.6, 22.45

 

CMYK 61 / 0 / 51 / 31

HEX #45AF55

RGB 69 175 85

HSL 129.06, 0.43%, 0.48%

LAB 63.82, -49.54, 37.01

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 61 / 0 / 2 / 31

HEX #45AFAB

RGB 69 175 171

HSL 177.74, 0.43%, 0.48%

LAB 65.64, -30.98, -7.02

 

CMYK 61 / 14 / 0 / 31

HEX #4596AF

RGB 69 150 175

HSL 194.15, 0.43%, 0.48%

LAB 58.2, -17.09, -20.49

 

CMYK 61 / 30 / 0 / 31

HEX #457AAF

RGB 69 122 175

HSL 210, 0.43%, 0.48%

LAB 49.83, -1.22, -33.44

 

CMYK 61 / 47 / 0 / 31

HEX #455DAF

RGB 69 93 175

HSL 226.42, 0.43%, 0.48%

LAB 41.52, 16.82, -46.62

 

CMYK 61 / 61 / 0 / 31

HEX #4545AF

RGB 69 69 175

HSL 240, 0.43%, 0.48%

LAB 35.24, 32.2, -56.75

 

CMYK 61 / 0 / 2 / 31

HEX #45AFAB

RGB 69 175 171

HSL 177.74, 0.43%, 0.48%

LAB 65.64, -30.98, -7.02

 

CMYK 75 / 0 / 3 / 24

HEX #31C2BD

RGB 49 194 189

HSL 177.93, 0.6%, 0.48%

LAB 71.49, -37.67, -8.29

 

CMYK 86 / 0 / 3 / 16

HEX #1ED6CF

RGB 30 214 207

HSL 177.72, 0.75%, 0.48%

LAB 77.8, -43.07, -8.68

 

CMYK 96 / 0 / 4 / 8

HEX #0AEAE1

RGB 10 234 225

HSL 177.59, 0.92%, 0.48%

LAB 84.15, -47.41, -8.84

 

CMYK 61 / 0 / 2 / 31

HEX #45AFAB

RGB 69 175 171

HSL 177.74, 0.43%, 0.48%

LAB 65.64, -30.98, -7.02

 

CMYK 43 / 0 / 2 / 39

HEX #599B98

RGB 89 155 152

HSL 177.27, 0.27%, 0.48%

LAB 59.74, -21.76, -5.03

 

CMYK 19 / 0 / 1 / 47

HEX #6D8786

RGB 109 135 134

HSL 177.69, 0.11%, 0.48%

LAB 54.34, -9.46, -2.55

 

CMYK 0 / 11 / 10 / 49

HEX #817374

RGB 129 115 116

HSL 355.71, 0.06%, 0.48%

LAB 49.73, 5.61, 1.43

 

CMYK 0 / 36 / 34 / 42

HEX #945F61

RGB 148 95 97

HSL 357.74, 0.22%, 0.48%

LAB 46.1, 21.89, 7.84

 

CMYK 61 / 0 / 35 / 31

HEX #45AF71

RGB 69 175 113

HSL 144.91, 0.43%, 0.48%

LAB 64.26, -44.79, 22.96

 

CMYK 61 / 0 / 19 / 31

HEX #45AF8D

RGB 69 175 141

HSL 160.75, 0.43%, 0.48%

LAB 64.84, -38.73, 8.46

 

CMYK 61 / 0 / 3 / 31

HEX #45AFA9

RGB 69 175 169

HSL 176.6, 0.43%, 0.48%

LAB 65.58, -31.53, -6

 

CMYK 61 / 13 / 0 / 31

HEX #4598AF

RGB 69 152 175

HSL 193.02, 0.43%, 0.48%

LAB 58.8, -18.16, -19.56

 

CMYK 61 / 29 / 0 / 31

HEX #457CAF

RGB 69 124 175

HSL 208.87, 0.43%, 0.48%

LAB 50.42, -2.4, -32.51

 

CMYK 60 / 0 / 3 / 55

HEX #2E7471

RGB 46 116 113

HSL 177.43, 0.43%, 0.32%

LAB 44.61, -22.46, -4.92

 

CMYK 60 / 0 / 2 / 43

HEX #3A918E

RGB 58 145 142

HSL 177.93, 0.43%, 0.4%

LAB 55.18, -26.46, -6.21

 

CMYK 61 / 0 / 2 / 31

HEX #45AFAB

RGB 69 175 171

HSL 177.74, 0.43%, 0.48%

LAB 65.64, -30.98, -7.02

 

CMYK 51 / 0 / 2 / 25

HEX #5EBFBB

RGB 94 191 187

HSL 177.53, 0.43%, 0.56%

LAB 71.71, -29.44, -6.75

 

CMYK 39 / 0 / 1 / 21

HEX #7CCAC7

RGB 124 202 199

HSL 177.69, 0.42%, 0.64%

LAB 76.47, -24.68, -6.09

 

CMYK 60 / 0 / 2 / 31

HEX #47B0AC

RGB 71 176 172

HSL 177.71, 0.43%, 0.48%

LAB 66.03, -30.82, -6.99

 

CMYK 51 / 61 / 0 / 31

HEX #5545AF

RGB 85 69 175

HSL 249.06, 0.43%, 0.48%

LAB 36.52, 35.21, -54.6

 

CMYK 0 / 27 / 61 / 31

HEX #AF7F45

RGB 175 127 69

HSL 32.83, 0.43%, 0.48%

LAB 56.8, 12.18, 38.36

 

CMYK 60 / 0 / 2 / 31

HEX #47B0AC

RGB 71 176 172

HSL 177.71, 0.43%, 0.48%

LAB 66.03, -30.82, -6.99

 

CMYK 3 / 61 / 0 / 31

HEX #A945AF

RGB 169 69 175

HSL 296.6, 0.43%, 0.48%

LAB 46.69, 55.29, -37.75

 

CMYK 0 / 3 / 61 / 31

HEX #AFA945

RGB 175 169 69

HSL 56.6, 0.43%, 0.48%

LAB 67.96, -10.69, 51.01

 

CMYK 60 / 0 / 2 / 31

HEX #47B0AC

RGB 71 176 172

HSL 177.71, 0.43%, 0.48%

LAB 66.03, -30.82, -6.99

 

CMYK 51 / 61 / 0 / 31

HEX #5545AF

RGB 85 69 175

HSL 249.06, 0.43%, 0.48%

LAB 36.52, 35.21, -54.6

 

CMYK 0 / 61 / 57 / 31

HEX #AF454B

RGB 175 69 75

HSL 356.6, 0.43%, 0.48%

LAB 44.06, 43.77, 19

 

CMYK 9 / 0 / 61 / 31

HEX #9FAF45

RGB 159 175 69

HSL 69.06, 0.43%, 0.48%

LAB 68.36, -20.55, 51.08

 

CMYK 60 / 0 / 2 / 31

HEX #47B0AC

RGB 71 176 172

HSL 177.71, 0.43%, 0.48%

LAB 66.03, -30.82, -6.99

 

CMYK 33 / 61 / 0 / 31

HEX #7545AF

RGB 117 69 175

HSL 267.17, 0.43%, 0.48%

LAB 39.8, 42.29, -49.14

 

CMYK 0 / 61 / 57 / 31

HEX #AF454B

RGB 175 69 75

HSL 356.6, 0.43%, 0.48%

LAB 44.06, 43.77, 19

 

CMYK 27 / 0 / 61 / 31

HEX #7FAF45

RGB 127 175 69

HSL 87.17, 0.43%, 0.48%

LAB 66.21, -33.35, 48.11

 

Description

Color code: HEX #47B0AC | qconv.com Color code: HEX #47B0AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 176 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 176 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 2 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 2% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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