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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47B9FF it is the complementary color #B84600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47B9FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47B9FF shade: #4CB9FA, #5DCBFF, #6EDDFF, #7FEFFF and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47B9FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47B9FF shade: #47B9FF, #36A7EC, #2595D9, #1483C6 and #0371B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47B9FF shade: #47B9FF, #4787FF, #4756FF, #6A47FF and #9B47FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47B9FF shade: #47B9FF, #4787FF, #4756FF and #4747FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47B9FF shade matches the following richer shades: #47B9FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47B9FF shade: #47B9FF, #56B5F0, #65B2E1, #73AED2 and #82AAC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47B9FF shade: #47FFE0, #47ECFF, #47BBFF, #478AFF and #4759FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47B9FF shade: #0097F3, #1EA9FF, #47B9FF, #70C8FF and #99D8FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47B9FF shade: #47B9FF, #AF47FF and #FFF847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47B9FF shade: #47B9FF, #FF47BB and #BBFF47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47B9FF shade: #47B9FF, #AF47FF, #FF8A47 and #96FF47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47B9FF shade: #47B9FF, #E647FF, #FF8A47 and #5FFF47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

Complementary color

CMYK 0 / 62 / 100 / 28

HEX #B84600

RGB 184 70 0

HSL 22.83, 1%, 0.36%

LAB 45.04, 43.69, 55.7

 

CMYK 70 / 26 / 0 / 2

HEX #4CB9FA

RGB 76 185 250

HSL 202.41, 0.95%, 0.64%

LAB 71.65, -10.8, -41.19

 

CMYK 64 / 20 / 0 / 0

HEX #5DCBFF

RGB 93 203 255

HSL 199.26, 1%, 0.68%

LAB 77.44, -16.18, -34.84

 

CMYK 57 / 13 / 0 / 0

HEX #6EDDFF

RGB 110 221 255

HSL 194.07, 1%, 0.72%

LAB 83.05, -22.39, -26.18

 

CMYK 50 / 6 / 0 / 0

HEX #7FEFFF

RGB 127 239 255

HSL 187.5, 1%, 0.75%

LAB 88.67, -27.87, -17.6

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 77 / 29 / 0 / 7

HEX #36A7EC

RGB 54 167 236

HSL 202.75, 0.83%, 0.57%

LAB 65.34, -8.36, -43.48

 

CMYK 83 / 31 / 0 / 15

HEX #2595D9

RGB 37 149 217

HSL 202.67, 0.71%, 0.5%

LAB 58.88, -6.58, -43.16

 

CMYK 90 / 34 / 0 / 22

HEX #1483C6

RGB 20 131 198

HSL 202.58, 0.82%, 0.43%

LAB 52.35, -4.34, -42.77

 

CMYK 98 / 37 / 0 / 30

HEX #0371B3

RGB 3 113 179

HSL 202.5, 0.97%, 0.36%

LAB 45.75, -1.6, -42.31

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 72 / 47 / 0 / 0

HEX #4787FF

RGB 71 135 255

HSL 219.13, 1%, 0.64%

LAB 57.93, 19.15, -65.67

 

CMYK 72 / 66 / 0 / 0

HEX #4756FF

RGB 71 86 255

HSL 235.11, 1%, 0.64%

LAB 45.93, 49, -85.19

 

CMYK 58 / 72 / 0 / 0

HEX #6A47FF

RGB 106 71 255

HSL 251.41, 1%, 0.64%

LAB 45.35, 61.18, -86.06

 

CMYK 39 / 72 / 0 / 0

HEX #9B47FF

RGB 155 71 255

HSL 267.39, 1%, 0.64%

LAB 50.33, 68.41, -77.71

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 72 / 47 / 0 / 0

HEX #4787FF

RGB 71 135 255

HSL 219.13, 1%, 0.64%

LAB 57.93, 19.15, -65.67

 

CMYK 72 / 66 / 0 / 0

HEX #4756FF

RGB 71 86 255

HSL 235.11, 1%, 0.64%

LAB 45.93, 49, -85.19

 

CMYK 72 / 72 / 0 / 0

HEX #4747FF

RGB 71 71 255

HSL 240, 1%, 0.64%

LAB 42.86, 57.42, -90.24

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 64 / 25 / 0 / 6

HEX #56B5F0

RGB 86 181 240

HSL 202.99, 0.84%, 0.64%

LAB 70.4, -10.34, -37.69

 

CMYK 55 / 21 / 0 / 12

HEX #65B2E1

RGB 101 178 225

HSL 202.74, 0.67%, 0.64%

LAB 69.5, -10.57, -30.87

 

CMYK 45 / 17 / 0 / 18

HEX #73AED2

RGB 115 174 210

HSL 202.74, 0.51%, 0.64%

LAB 68.44, -9.58, -24.22

 

CMYK 33 / 13 / 0 / 24

HEX #82AAC3

RGB 130 170 195

HSL 203.08, 0.35%, 0.64%

LAB 67.6, -7.41, -17.13

 

CMYK 72 / 0 / 12 / 0

HEX #47FFE0

RGB 71 255 224

HSL 169.89, 1%, 0.64%

LAB 90.89, -52.28, 1.67

 

CMYK 72 / 7 / 0 / 0

HEX #47ECFF

RGB 71 236 255

HSL 186.2, 1%, 0.64%

LAB 86.28, -35.51, -21.35

 

CMYK 72 / 27 / 0 / 0

HEX #47BBFF

RGB 71 187 255

HSL 202.17, 1%, 0.64%

LAB 72.3, -10.89, -42.88

 

CMYK 72 / 46 / 0 / 0

HEX #478AFF

RGB 71 138 255

HSL 218.15, 1%, 0.64%

LAB 58.73, 17.32, -64.39

 

CMYK 72 / 65 / 0 / 0

HEX #4759FF

RGB 71 89 255

HSL 234.13, 1%, 0.64%

LAB 46.58, 47.24, -84.12

 

CMYK 100 / 38 / 0 / 5

HEX #0097F3

RGB 0 151 243

HSL 202.72, 1%, 0.48%

LAB 60.43, 0.23, -55.14

 

CMYK 88 / 34 / 0 / 0

HEX #1EA9FF

RGB 30 169 255

HSL 202.93, 1%, 0.56%

LAB 66.42, -4.65, -52.17

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 56 / 22 / 0 / 0

HEX #70C8FF

RGB 112 200 255

HSL 203.08, 1%, 0.72%

LAB 77.26, -11.19, -35.05

 

CMYK 40 / 15 / 0 / 0

HEX #99D8FF

RGB 153 216 255

HSL 202.94, 1%, 0.8%

LAB 83.5, -10.34, -25.32

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 31 / 72 / 0 / 0

HEX #AF47FF

RGB 175 71 255

HSL 273.91, 1%, 0.64%

LAB 52.77, 71.84, -73.62

 

CMYK 0 / 3 / 72 / 0

HEX #FFF847

RGB 255 248 71

HSL 57.72, 1%, 0.64%

LAB 95.52, -16.71, 80.3

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 0 / 72 / 27 / 0

HEX #FF47BB

RGB 255 71 187

HSL 322.17, 1%, 0.64%

LAB 61.09, 77.85, -21.29

 

CMYK 27 / 0 / 72 / 0

HEX #BBFF47

RGB 187 255 71

HSL 82.17, 1%, 0.64%

LAB 92.81, -46.41, 76.1

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 31 / 72 / 0 / 0

HEX #AF47FF

RGB 175 71 255

HSL 273.91, 1%, 0.64%

LAB 52.77, 71.84, -73.62

 

CMYK 0 / 46 / 72 / 0

HEX #FF8A47

RGB 255 138 71

HSL 21.85, 1%, 0.64%

LAB 69.39, 39.46, 54.23

 

CMYK 41 / 0 / 72 / 0

HEX #96FF47

RGB 150 255 71

HSL 94.24, 1%, 0.64%

LAB 90.99, -58.95, 73.7

 

CMYK 72 / 27 / 0 / 0

HEX #47B9FF

RGB 71 185 255

HSL 202.83, 1%, 0.64%

LAB 71.73, -9.81, -43.77

 

CMYK 10 / 72 / 0 / 0

HEX #E647FF

RGB 230 71 255

HSL 291.85, 1%, 0.64%

LAB 60.38, 82.15, -60.97

 

CMYK 0 / 46 / 72 / 0

HEX #FF8A47

RGB 255 138 71

HSL 21.85, 1%, 0.64%

LAB 69.39, 39.46, 54.23

 

CMYK 63 / 0 / 72 / 0

HEX #5FFF47

RGB 95 255 71

HSL 112.17, 1%, 0.64%

LAB 89.11, -73.41, 71.2

 

Description

Color code: HEX #47B9FF | qconv.com Color code: HEX #47B9FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 185 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 185 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 27 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 27% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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