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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47AD41 it is the complementary color #B852BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47AD41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47AD41 shade: #4CAD3C, #5DBF4F, #6ED162, #7FE375 and #90F588

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47AD41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47AD41 shade: #47AD41, #369B2E, #25891B, #147708 and #036500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47AD41 shade: #47AD41, #64AD41, #82AD41, #9FAD41 and #AD9F41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47AD41 shade: #47AD41, #41AD59, #41AD76, #41AD93 and #41ABAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47AD41 shade matches the following richer shades: #47AD41, #36C12E, #25D41B and #14E707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47AD41 shade: #47AD41, #599A55, #6A8668, #7B737C and #8C608F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47AD41 shade: #82AD41, #65AD41, #49AD41, #41AD57 and #41AD74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47AD41 shade: #2F712B, #3B8F36, #47AD41, #5EC058 and #7BCB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47AD41 shade: #47AD41, #419FAD and #AD4174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47AD41 shade: #47AD41, #4149AD and #AD4149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47AD41 shade: #47AD41, #419FAD, #A641AD and #AD5041

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47AD41 shade: #47AD41, #417FAD, #A641AD and #AD7041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

Complementary color

CMYK 3 / 57 / 0 / 25

HEX #B852BE

RGB 184 82 190

HSL 296.67, 0.45%, 0.53%

LAB 51.77, 56, -38.35

 

CMYK 56 / 0 / 65 / 32

HEX #4CAD3C

RGB 76 173 60

HSL 111.5, 0.48%, 0.46%

LAB 63.14, -50.09, 48

 

CMYK 51 / 0 / 59 / 25

HEX #5DBF4F

RGB 93 191 79

HSL 112.5, 0.47%, 0.53%

LAB 69.58, -50.42, 46.96

 

CMYK 47 / 0 / 53 / 18

HEX #6ED162

RGB 110 209 98

HSL 113.51, 0.55%, 0.6%

LAB 75.94, -50.54, 45.77

 

CMYK 44 / 0 / 48 / 11

HEX #7FE375

RGB 127 227 117

HSL 114.55, 0.66%, 0.67%

LAB 82.24, -50.52, 44.54

 

CMYK 41 / 0 / 44 / 4

HEX #90F588

RGB 144 245 136

HSL 115.6, 0.84%, 0.75%

LAB 88.45, -50.41, 43.32

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 65 / 0 / 70 / 39

HEX #369B2E

RGB 54 155 46

HSL 115.6, 0.54%, 0.39%

LAB 56.51, -50.16, 46.55

 

CMYK 73 / 0 / 80 / 46

HEX #25891B

RGB 37 137 27

HSL 114.55, 0.67%, 0.32%

LAB 49.93, -48.9, 46.87

 

CMYK 83 / 0 / 93 / 53

HEX #147708

RGB 20 119 8

HSL 113.51, 0.87%, 0.25%

LAB 43.3, -46.73, 45.83

 

CMYK 97 / 0 / 100 / 60

HEX #036500

RGB 3 101 0

HSL 118.22, 1%, 0.2%

LAB 36.61, -43.34, 42.2

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 42 / 0 / 62 / 32

HEX #64AD41

RGB 100 173 65

HSL 100.56, 0.45%, 0.47%

LAB 64.14, -42.44, 47.19

 

CMYK 25 / 0 / 62 / 32

HEX #82AD41

RGB 130 173 65

HSL 83.89, 0.45%, 0.47%

LAB 65.76, -31.61, 49.44

 

CMYK 8 / 0 / 62 / 32

HEX #9FAD41

RGB 159 173 65

HSL 67.78, 0.45%, 0.47%

LAB 67.75, -19.84, 52.18

 

CMYK 0 / 8 / 62 / 32

HEX #AD9F41

RGB 173 159 65

HSL 52.22, 0.45%, 0.47%

LAB 65.01, -6.55, 49.55

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 62 / 0 / 49 / 32

HEX #41AD59

RGB 65 173 89

HSL 133.33, 0.45%, 0.47%

LAB 63.12, -49.06, 34.1

 

CMYK 62 / 0 / 32 / 32

HEX #41AD76

RGB 65 173 118

HSL 149.44, 0.45%, 0.47%

LAB 63.61, -43.79, 19.36

 

CMYK 62 / 0 / 15 / 32

HEX #41AD93

RGB 65 173 147

HSL 165.56, 0.45%, 0.47%

LAB 64.26, -37.13, 4.28

 

CMYK 62 / 1 / 0 / 32

HEX #41ABAD

RGB 65 171 173

HSL 181.11, 0.45%, 0.47%

LAB 64.38, -29.17, -10.04

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 72 / 0 / 76 / 24

HEX #36C12E

RGB 54 193 46

HSL 116.73, 0.62%, 0.47%

LAB 68.84, -63.01, 59.07

 

CMYK 83 / 0 / 87 / 17

HEX #25D41B

RGB 37 212 27

HSL 116.76, 0.77%, 0.47%

LAB 74.55, -72.06, 69.23

 

CMYK 91 / 0 / 97 / 9

HEX #14E707

RGB 20 231 7

HSL 116.52, 0.94%, 0.47%

LAB 80.36, -79.1, 76.68

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 42 / 0 / 45 / 40

HEX #599A55

RGB 89 154 85

HSL 116.52, 0.29%, 0.47%

LAB 57.93, -35.24, 29.81

 

CMYK 21 / 0 / 22 / 47

HEX #6A8668

RGB 106 134 104

HSL 116, 0.13%, 0.47%

LAB 53.07, -16.2, 12.95

 

CMYK 1 / 7 / 0 / 51

HEX #7B737C

RGB 123 115 124

HSL 293.33, 0.04%, 0.47%

LAB 49.41, 4.87, -3.84

 

CMYK 2 / 33 / 0 / 44

HEX #8C608F

RGB 140 96 143

HSL 296.17, 0.2%, 0.47%

LAB 46.88, 26.16, -18.79

 

CMYK 25 / 0 / 62 / 32

HEX #82AD41

RGB 130 173 65

HSL 83.89, 0.45%, 0.47%

LAB 65.76, -31.61, 49.44

 

CMYK 42 / 0 / 62 / 32

HEX #65AD41

RGB 101 173 65

HSL 100, 0.45%, 0.47%

LAB 64.19, -42.11, 47.26

 

CMYK 58 / 0 / 62 / 32

HEX #49AD41

RGB 73 173 65

HSL 115.56, 0.45%, 0.47%

LAB 63.08, -50.35, 45.71

 

CMYK 62 / 0 / 50 / 32

HEX #41AD57

RGB 65 173 87

HSL 132.22, 0.45%, 0.47%

LAB 63.09, -49.37, 35.08

 

CMYK 62 / 0 / 33 / 32

HEX #41AD74

RGB 65 173 116

HSL 148.33, 0.45%, 0.47%

LAB 63.57, -44.2, 20.39

 

CMYK 58 / 0 / 62 / 56

HEX #2F712B

RGB 47 113 43

HSL 116.57, 0.45%, 0.31%

LAB 42.14, -36, 32.03

 

CMYK 59 / 0 / 62 / 44

HEX #3B8F36

RGB 59 143 54

HSL 116.63, 0.45%, 0.39%

LAB 52.78, -43.59, 38.98

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 51 / 0 / 54 / 25

HEX #5EC058

RGB 94 192 88

HSL 116.54, 0.45%, 0.55%

LAB 70.02, -49.47, 43.27

 

CMYK 39 / 0 / 42 / 20

HEX #7BCB76

RGB 123 203 118

HSL 116.47, 0.45%, 0.63%

LAB 74.97, -41.42, 34.84

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 62 / 8 / 0 / 32

HEX #419FAD

RGB 65 159 173

HSL 187.78, 0.45%, 0.47%

LAB 60.73, -23.16, -15.53

 

CMYK 0 / 62 / 33 / 32

HEX #AD4174

RGB 173 65 116

HSL 331.67, 0.45%, 0.47%

LAB 44.13, 49.11, -6.17

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 62 / 58 / 0 / 32

HEX #4149AD

RGB 65 73 173

HSL 235.56, 0.45%, 0.47%

LAB 35.8, 28.28, -54.66

 

CMYK 0 / 62 / 58 / 32

HEX #AD4149

RGB 173 65 73

HSL 355.56, 0.45%, 0.47%

LAB 42.98, 44.77, 18.74

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 62 / 8 / 0 / 32

HEX #419FAD

RGB 65 159 173

HSL 187.78, 0.45%, 0.47%

LAB 60.73, -23.16, -15.53

 

CMYK 4 / 62 / 0 / 32

HEX #A641AD

RGB 166 65 173

HSL 296.11, 0.45%, 0.47%

LAB 45.5, 55.94, -38.48

 

CMYK 0 / 54 / 62 / 32

HEX #AD5041

RGB 173 80 65

HSL 8.33, 0.45%, 0.47%

LAB 45.64, 36.86, 26.97

 

CMYK 59 / 0 / 62 / 32

HEX #47AD41

RGB 71 173 65

HSL 116.67, 0.45%, 0.47%

LAB 63.02, -50.85, 45.62

 

CMYK 62 / 27 / 0 / 32

HEX #417FAD

RGB 65 127 173

HSL 205.56, 0.45%, 0.47%

LAB 51.06, -5.62, -30.37

 

CMYK 4 / 62 / 0 / 32

HEX #A641AD

RGB 166 65 173

HSL 296.11, 0.45%, 0.47%

LAB 45.5, 55.94, -38.48

 

CMYK 0 / 35 / 62 / 32

HEX #AD7041

RGB 173 112 65

HSL 26.11, 0.45%, 0.47%

LAB 52.79, 19.44, 35.67

 

Description

Color code: HEX #47AD41 | qconv.com Color code: HEX #47AD41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 173 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 173 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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