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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47AA4A it is the complementary color #B855B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47AA4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47AA4A shade: #4CAA45, #5DBC58, #6ECE6B, #7FE07E and #90F291

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47AA4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47AA4A shade: #47AA4A, #369837, #258624, #147411 and #036200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47AA4A shade: #46A849, #5EA846, #78A846, #93A846 and #A8A446

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47AA4A shade: #46A849, #46A864, #46A87E, #46A899 and #469EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47AA4A shade matches the following richer shades: #46A849, #33BC37, #1FCF25 and #0CE313

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47AA4A shade: #46A849, #5A955B, #6D826E, #806E80 and #945B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47AA4A shade: #79A846, #5FA846, #46A848, #46A862 and #46A87C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47AA4A shade: #2E6E30, #3A8B3D, #46A849, #5DBB60 and #7AC77C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47AA4A shade: #47AA4A, #4693A8 and #A8466C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47AA4A shade: #47AA4A, #4846A8 and #A84846

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47AA4A shade: #47AA4A, #4693A8, #A846A7 and #A85C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47AA4A shade: #47AA4A, #4676A8, #A846A7 and #A87946

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 56 / 33

HEX #47AA4A

RGB 71 170 74

HSL 121.82, 0.41%, 0.47%

LAB 62.15, -48.63, 40.42

 

Complementary color

CMYK 0 / 54 / 2 / 28

HEX #B855B5

RGB 184 85 181

HSL 301.82, 0.41%, 0.53%

LAB 51.86, 52.97, -32.99

 

CMYK 55 / 0 / 59 / 33

HEX #4CAA45

RGB 76 170 69

HSL 115.84, 0.42%, 0.47%

LAB 62.27, -47.96, 42.97

 

CMYK 51 / 0 / 53 / 26

HEX #5DBC58

RGB 93 188 88

HSL 117, 0.43%, 0.54%

LAB 68.75, -48.14, 41.73

 

CMYK 47 / 0 / 48 / 19

HEX #6ECE6B

RGB 110 206 107

HSL 118.18, 0.5%, 0.61%

LAB 75.15, -48.14, 40.45

 

CMYK 43 / 0 / 44 / 12

HEX #7FE07E

RGB 127 224 126

HSL 119.39, 0.61%, 0.69%

LAB 81.47, -48.04, 39.19

 

CMYK 40 / 0 / 40 / 5

HEX #90F291

RGB 144 242 145

HSL 120.61, 0.79%, 0.76%

LAB 87.72, -47.88, 37.97

 

CMYK 58 / 0 / 56 / 33

HEX #47AA4A

RGB 71 170 74

HSL 121.82, 0.41%, 0.47%

LAB 62.15, -48.63, 40.42

 

CMYK 64 / 0 / 64 / 40

HEX #369837

RGB 54 152 55

HSL 120.61, 0.48%, 0.4%

LAB 55.6, -48.14, 41.66

 

CMYK 72 / 0 / 73 / 47

HEX #258624

RGB 37 134 36

HSL 119.39, 0.58%, 0.33%

LAB 48.97, -47.14, 42.59

 

CMYK 83 / 0 / 85 / 55

HEX #147411

RGB 20 116 17

HSL 118.18, 0.74%, 0.26%

LAB 42.28, -45.32, 42.68

 

CMYK 97 / 0 / 100 / 62

HEX #036200

RGB 3 98 0

HSL 118.16, 1%, 0.19%

LAB 35.51, -42.41, 41.32

 

CMYK 58 / 0 / 57 / 34

HEX #46A849

RGB 70 168 73

HSL 121.84, 0.41%, 0.47%

LAB 61.47, -48.23, 40.09

 

CMYK 44 / 0 / 58 / 34

HEX #5EA846

RGB 94 168 70

HSL 105.31, 0.41%, 0.47%

LAB 62.36, -41.74, 42.8

 

CMYK 29 / 0 / 58 / 34

HEX #78A846

RGB 120 168 70

HSL 89.39, 0.41%, 0.47%

LAB 63.71, -32.64, 44.7

 

CMYK 13 / 0 / 58 / 34

HEX #93A846

RGB 147 168 70

HSL 72.86, 0.41%, 0.47%

LAB 65.48, -21.93, 47.18

 

CMYK 0 / 2 / 58 / 34

HEX #A8A446

RGB 168 164 70

HSL 57.55, 0.41%, 0.47%

LAB 66, -11.01, 48.22

 

CMYK 58 / 0 / 57 / 34

HEX #46A849

RGB 70 168 73

HSL 121.84, 0.41%, 0.47%

LAB 61.47, -48.23, 40.09

 

CMYK 58 / 0 / 40 / 34

HEX #46A864

RGB 70 168 100

HSL 138.37, 0.41%, 0.47%

LAB 61.85, -44.09, 26.74

 

CMYK 58 / 0 / 25 / 34

HEX #46A87E

RGB 70 168 126

HSL 154.29, 0.41%, 0.47%

LAB 62.35, -38.87, 13.25

 

CMYK 58 / 0 / 9 / 34

HEX #46A899

RGB 70 168 153

HSL 170.82, 0.41%, 0.47%

LAB 63.02, -32.31, -0.85

 

CMYK 58 / 6 / 0 / 34

HEX #469EA8

RGB 70 158 168

HSL 186.12, 0.41%, 0.47%

LAB 60.41, -23.2, -13.16

 

CMYK 58 / 0 / 57 / 34

HEX #46A849

RGB 70 168 73

HSL 121.84, 0.41%, 0.47%

LAB 61.47, -48.23, 40.09

 

CMYK 73 / 0 / 71 / 26

HEX #33BC37

RGB 51 188 55

HSL 121.75, 0.57%, 0.47%

LAB 67.24, -61.19, 54.22

 

CMYK 85 / 0 / 82 / 19

HEX #1FCF25

RGB 31 207 37

HSL 122.05, 0.74%, 0.47%

LAB 72.93, -70.77, 65.49

 

CMYK 95 / 0 / 92 / 11

HEX #0CE313

RGB 12 227 19

HSL 121.95, 0.9%, 0.47%

LAB 79.08, -78.17, 74.35

 

CMYK 58 / 0 / 57 / 34

HEX #46A849

RGB 70 168 73

HSL 121.84, 0.41%, 0.47%

LAB 61.47, -48.23, 40.09

 

CMYK 40 / 0 / 39 / 42

HEX #5A955B

RGB 90 149 91

HSL 121.02, 0.25%, 0.47%

LAB 56.51, -31.65, 24.74

 

CMYK 16 / 0 / 15 / 49

HEX #6D826E

RGB 109 130 110

HSL 122.86, 0.09%, 0.47%

LAB 52.22, -11.78, 8.31

 

CMYK 0 / 14 / 0 / 50

HEX #806E80

RGB 128 110 128

HSL 300, 0.08%, 0.47%

LAB 48.64, 10.51, -7.31

 

CMYK 0 / 39 / 1 / 42

HEX #945B92

RGB 148 91 146

HSL 302.11, 0.24%, 0.47%

LAB 46.78, 32.34, -20.64

 

CMYK 28 / 0 / 58 / 34

HEX #79A846

RGB 121 168 70

HSL 88.78, 0.41%, 0.47%

LAB 63.76, -32.26, 44.78

 

CMYK 43 / 0 / 58 / 34

HEX #5FA846

RGB 95 168 70

HSL 104.69, 0.41%, 0.47%

LAB 62.41, -41.42, 42.86

 

CMYK 58 / 0 / 57 / 34

HEX #46A848

RGB 70 168 72

HSL 121.22, 0.41%, 0.47%

LAB 61.46, -48.36, 40.56

 

CMYK 58 / 0 / 42 / 34

HEX #46A862

RGB 70 168 98

HSL 137.14, 0.41%, 0.47%

LAB 61.82, -44.44, 27.77

 

CMYK 58 / 0 / 26 / 34

HEX #46A87C

RGB 70 168 124

HSL 153.06, 0.41%, 0.47%

LAB 62.31, -39.31, 14.29

 

CMYK 58 / 0 / 56 / 57

HEX #2E6E30

RGB 46 110 48

HSL 121.88, 0.41%, 0.31%

LAB 41.13, -34.34, 28.24

 

CMYK 58 / 0 / 56 / 45

HEX #3A8B3D

RGB 58 139 61

HSL 122.22, 0.41%, 0.39%

LAB 51.5, -41.37, 34.05

 

CMYK 58 / 0 / 57 / 34

HEX #46A849

RGB 70 168 73

HSL 121.84, 0.41%, 0.47%

LAB 61.47, -48.23, 40.09

 

CMYK 50 / 0 / 49 / 27

HEX #5DBB60

RGB 93 187 96

HSL 121.91, 0.41%, 0.55%

LAB 68.54, -46.65, 37.54

 

CMYK 39 / 0 / 38 / 22

HEX #7AC77C

RGB 122 199 124

HSL 121.56, 0.41%, 0.63%

LAB 73.83, -39.05, 30.26

 

CMYK 58 / 0 / 56 / 33

HEX #47AA4A

RGB 71 170 74

HSL 121.82, 0.41%, 0.47%

LAB 62.15, -48.63, 40.42

 

CMYK 58 / 13 / 0 / 34

HEX #4693A8

RGB 70 147 168

HSL 192.86, 0.41%, 0.47%

LAB 57.07, -17.44, -18.22

 

CMYK 0 / 58 / 36 / 34

HEX #A8466C

RGB 168 70 108

HSL 336.73, 0.41%, 0.47%

LAB 43.93, 44.18, -1.64

 

CMYK 58 / 0 / 56 / 33

HEX #47AA4A

RGB 71 170 74

HSL 121.82, 0.41%, 0.47%

LAB 62.15, -48.63, 40.42

 

CMYK 57 / 58 / 0 / 34

HEX #4846A8

RGB 72 70 168

HSL 241.22, 0.41%, 0.47%

LAB 35.17, 29.77, -52.67

 

CMYK 0 / 57 / 58 / 34

HEX #A84846

RGB 168 72 70

HSL 1.22, 0.41%, 0.47%

LAB 43.36, 39.38, 20.92

 

CMYK 58 / 0 / 56 / 33

HEX #47AA4A

RGB 71 170 74

HSL 121.82, 0.41%, 0.47%

LAB 62.15, -48.63, 40.42

 

CMYK 58 / 13 / 0 / 34

HEX #4693A8

RGB 70 147 168

HSL 192.86, 0.41%, 0.47%

LAB 57.07, -17.44, -18.22

 

CMYK 0 / 58 / 1 / 34

HEX #A846A7

RGB 168 70 167

HSL 300.61, 0.41%, 0.47%

LAB 46.31, 53.14, -33.66

 

CMYK 0 / 45 / 58 / 34

HEX #A85C46

RGB 168 92 70

HSL 13.47, 0.41%, 0.47%

LAB 47.52, 28.86, 26.27

 

CMYK 58 / 0 / 56 / 33

HEX #47AA4A

RGB 71 170 74

HSL 121.82, 0.41%, 0.47%

LAB 62.15, -48.63, 40.42

 

CMYK 58 / 30 / 0 / 34

HEX #4676A8

RGB 70 118 168

HSL 210.61, 0.41%, 0.47%

LAB 48.37, -0.96, -31.66

 

CMYK 0 / 58 / 1 / 34

HEX #A846A7

RGB 168 70 167

HSL 300.61, 0.41%, 0.47%

LAB 46.31, 53.14, -33.66

 

CMYK 0 / 28 / 58 / 34

HEX #A87946

RGB 168 121 70

HSL 31.22, 0.41%, 0.47%

LAB 54.49, 12.58, 34.88

 

Description

Color code: HEX #47AA4A | qconv.com Color code: HEX #47AA4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 170 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 170 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 56 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 56% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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