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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47A0C8 it is the complementary color #B85F37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47A0C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47A0C8 shade: #4CA0C3, #5DB2D6, #6EC4E9, #7FD6FC and #90E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47A0C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47A0C8 shade: #47A0C8, #368EB5, #257CA2, #146A8F and #03587C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47A0C8 shade: #469FC7, #467CC7, #4659C7, #5546C7 and #7846C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47A0C8 shade: #469FC7, #467CC7, #4659C7 and #4646C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47A0C8 shade matches the following richer shades: #469FC7, #33A7DB and #1FAEEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47A0C8 shade: #469FC7, #5998B4, #6D91A1, #80898D and #93827A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47A0C8 shade: #46C7A9, #46C3C7, #46A1C7, #467EC7 and #465CC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47A0C8 shade: #2B7190, #348AB0, #469FC7, #66B0D1 and #85C0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47A0C8 shade: #47A0C8, #8746C7 and #C7BA46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47A0C8 shade: #47A0C8, #C746A1 and #A1C746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47A0C8 shade: #47A0C8, #8746C7, #C76D46 and #87C746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47A0C8 shade: #47A0C8, #AD46C7, #C76D46 and #60C746

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 20 / 0 / 22

HEX #47A0C8

RGB 71 160 200

HSL 198.6, 0.54%, 0.53%

LAB 62.21, -14.24, -28.4

 

Complementary color

CMYK 0 / 48 / 70 / 28

HEX #B85F37

RGB 184 95 55

HSL 18.6, 0.54%, 0.47%

LAB 50.28, 32.75, 38.5

 

CMYK 61 / 18 / 0 / 24

HEX #4CA0C3

RGB 76 160 195

HSL 197.65, 0.5%, 0.53%

LAB 62.18, -14.93, -25.63

 

CMYK 57 / 17 / 0 / 16

HEX #5DB2D6

RGB 93 178 214

HSL 197.85, 0.6%, 0.6%

LAB 68.77, -15.48, -26

 

CMYK 53 / 16 / 0 / 9

HEX #6EC4E9

RGB 110 196 233

HSL 198.05, 0.74%, 0.67%

LAB 75.25, -15.9, -26.34

 

CMYK 50 / 15 / 0 / 1

HEX #7FD6FC

RGB 127 214 252

HSL 198.24, 0.95%, 0.74%

LAB 81.64, -16.24, -26.68

 

CMYK 44 / 9 / 0 / 0

HEX #90E8FF

RGB 144 232 255

HSL 192.43, 1%, 0.78%

LAB 87.42, -20.68, -19.42

 

CMYK 65 / 20 / 0 / 22

HEX #47A0C8

RGB 71 160 200

HSL 198.6, 0.54%, 0.53%

LAB 62.21, -14.24, -28.4

 

CMYK 70 / 22 / 0 / 29

HEX #368EB5

RGB 54 142 181

HSL 198.43, 0.54%, 0.46%

LAB 55.55, -13.33, -28.02

 

CMYK 77 / 23 / 0 / 36

HEX #257CA2

RGB 37 124 162

HSL 198.24, 0.63%, 0.39%

LAB 48.78, -12.11, -27.6

 

CMYK 86 / 26 / 0 / 44

HEX #146A8F

RGB 20 106 143

HSL 198.05, 0.75%, 0.32%

LAB 41.91, -10.45, -27.1

 

CMYK 98 / 29 / 0 / 51

HEX #03587C

RGB 3 88 124

HSL 197.85, 0.95%, 0.25%

LAB 34.91, -8.22, -26.52

 

CMYK 65 / 20 / 0 / 22

HEX #469FC7

RGB 70 159 199

HSL 198.6, 0.54%, 0.53%

LAB 61.85, -14.19, -28.41

 

CMYK 65 / 38 / 0 / 22

HEX #467CC7

RGB 70 124 199

HSL 214.88, 0.54%, 0.53%

LAB 51.66, 5.98, -44.36

 

CMYK 65 / 55 / 0 / 22

HEX #4659C7

RGB 70 89 199

HSL 231.16, 0.54%, 0.53%

LAB 42.11, 27.93, -59.67

 

CMYK 57 / 65 / 0 / 22

HEX #5546C7

RGB 85 70 199

HSL 246.98, 0.54%, 0.53%

LAB 38.61, 42.08, -65.31

 

CMYK 40 / 65 / 0 / 22

HEX #7846C7

RGB 120 70 199

HSL 263.26, 0.54%, 0.53%

LAB 42, 48.62, -59.65

 

CMYK 65 / 20 / 0 / 22

HEX #469FC7

RGB 70 159 199

HSL 198.6, 0.54%, 0.53%

LAB 61.85, -14.19, -28.41

 

CMYK 65 / 38 / 0 / 22

HEX #467CC7

RGB 70 124 199

HSL 214.88, 0.54%, 0.53%

LAB 51.66, 5.98, -44.36

 

CMYK 65 / 55 / 0 / 22

HEX #4659C7

RGB 70 89 199

HSL 231.16, 0.54%, 0.53%

LAB 42.11, 27.93, -59.67

 

CMYK 65 / 65 / 0 / 22

HEX #4646C7

RGB 70 70 199

HSL 240, 0.54%, 0.53%

LAB 37.49, 39.78, -67.18

 

CMYK 65 / 20 / 0 / 22

HEX #469FC7

RGB 70 159 199

HSL 198.6, 0.54%, 0.53%

LAB 61.85, -14.19, -28.41

 

CMYK 77 / 24 / 0 / 14

HEX #33A7DB

RGB 51 167 219

HSL 198.57, 0.7%, 0.53%

LAB 64.53, -14.53, -35.4

 

CMYK 87 / 27 / 0 / 7

HEX #1FAEEE

RGB 31 174 238

HSL 198.55, 0.86%, 0.53%

LAB 67.08, -13.43, -41.88

 

CMYK 65 / 20 / 0 / 22

HEX #469FC7

RGB 70 159 199

HSL 198.6, 0.54%, 0.53%

LAB 61.85, -14.19, -28.41

 

CMYK 51 / 16 / 0 / 29

HEX #5998B4

RGB 89 152 180

HSL 198.46, 0.38%, 0.53%

LAB 59.78, -12.42, -20.84

 

CMYK 32 / 10 / 0 / 37

HEX #6D91A1

RGB 109 145 161

HSL 198.46, 0.22%, 0.53%

LAB 58.11, -8.47, -12.48

 

CMYK 9 / 3 / 0 / 45

HEX #80898D

RGB 128 137 141

HSL 198.46, 0.05%, 0.53%

LAB 56.49, -2.44, -3.28

 

CMYK 0 / 12 / 17 / 42

HEX #93827A

RGB 147 130 122

HSL 19.2, 0.1%, 0.53%

LAB 55.66, 5.07, 6.68

 

CMYK 65 / 0 / 15 / 22

HEX #46C7A9

RGB 70 199 169

HSL 166.05, 0.54%, 0.53%

LAB 72.9, -42.34, 4.7

 

CMYK 65 / 2 / 0 / 22

HEX #46C3C7

RGB 70 195 199

HSL 181.86, 0.54%, 0.53%

LAB 72.53, -32.51, -12.15

 

CMYK 65 / 19 / 0 / 22

HEX #46A1C7

RGB 70 161 199

HSL 197.67, 0.54%, 0.53%

LAB 62.44, -15.27, -27.5

 

CMYK 65 / 37 / 0 / 22

HEX #467EC7

RGB 70 126 199

HSL 213.95, 0.54%, 0.53%

LAB 52.23, 4.77, -43.45

 

CMYK 65 / 54 / 0 / 22

HEX #465CC7

RGB 70 92 199

HSL 229.77, 0.54%, 0.53%

LAB 42.88, 26.02, -58.41

 

CMYK 70 / 22 / 0 / 44

HEX #2B7190

RGB 43 113 144

HSL 198.42, 0.54%, 0.37%

LAB 44.71, -11.31, -23.29

 

CMYK 70 / 22 / 0 / 31

HEX #348AB0

RGB 52 138 176

HSL 198.39, 0.54%, 0.45%

LAB 54.07, -13.1, -27.46

 

CMYK 65 / 20 / 0 / 22

HEX #469FC7

RGB 70 159 199

HSL 198.6, 0.54%, 0.53%

LAB 61.85, -14.19, -28.41

 

CMYK 51 / 16 / 0 / 18

HEX #66B0D1

RGB 102 176 209

HSL 198.5, 0.54%, 0.61%

LAB 68.37, -13.99, -23.82

 

CMYK 39 / 12 / 0 / 15

HEX #85C0DA

RGB 133 192 218

HSL 198.35, 0.53%, 0.69%

LAB 74.67, -12.46, -19.03

 

CMYK 65 / 20 / 0 / 22

HEX #47A0C8

RGB 71 160 200

HSL 198.6, 0.54%, 0.53%

LAB 62.21, -14.24, -28.4

 

CMYK 32 / 65 / 0 / 22

HEX #8746C7

RGB 135 70 199

HSL 270.23, 0.54%, 0.53%

LAB 43.73, 51.79, -56.76

 

CMYK 0 / 7 / 65 / 22

HEX #C7BA46

RGB 199 186 70

HSL 53.95, 0.54%, 0.53%

LAB 74.64, -9.18, 58.36

 

CMYK 65 / 20 / 0 / 22

HEX #47A0C8

RGB 71 160 200

HSL 198.6, 0.54%, 0.53%

LAB 62.21, -14.24, -28.4

 

CMYK 0 / 65 / 19 / 22

HEX #C746A1

RGB 199 70 161

HSL 317.67, 0.54%, 0.53%

LAB 50.8, 60.55, -22.75

 

CMYK 19 / 0 / 65 / 22

HEX #A1C746

RGB 161 199 70

HSL 77.67, 0.54%, 0.53%

LAB 75.37, -31.31, 58.25

 

CMYK 65 / 20 / 0 / 22

HEX #47A0C8

RGB 71 160 200

HSL 198.6, 0.54%, 0.53%

LAB 62.21, -14.24, -28.4

 

CMYK 32 / 65 / 0 / 22

HEX #8746C7

RGB 135 70 199

HSL 270.23, 0.54%, 0.53%

LAB 43.73, 51.79, -56.76

 

CMYK 0 / 45 / 65 / 22

HEX #C76D46

RGB 199 109 70

HSL 18.14, 0.54%, 0.53%

LAB 55.61, 32.27, 37.16

 

CMYK 32 / 0 / 65 / 22

HEX #87C746

RGB 135 199 70

HSL 89.77, 0.54%, 0.53%

LAB 73.83, -41.11, 56.15

 

CMYK 65 / 20 / 0 / 22

HEX #47A0C8

RGB 71 160 200

HSL 198.6, 0.54%, 0.53%

LAB 62.21, -14.24, -28.4

 

CMYK 13 / 65 / 0 / 22

HEX #AD46C7

RGB 173 70 199

HSL 287.91, 0.54%, 0.53%

LAB 48.75, 60.34, -48.44

 

CMYK 0 / 45 / 65 / 22

HEX #C76D46

RGB 199 109 70

HSL 18.14, 0.54%, 0.53%

LAB 55.61, 32.27, 37.16

 

CMYK 52 / 0 / 65 / 22

HEX #60C746

RGB 96 199 70

HSL 107.91, 0.54%, 0.53%

LAB 72.08, -53.61, 53.74

 

Description

Color code: HEX #47A0C8 | qconv.com Color code: HEX #47A0C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 160 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 160 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 20 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 20% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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