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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #439BD5 it is the complementary color #BC642A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #439BD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #439BD5 shade: #489BD0, #59ADE3, #6ABFF6, #7BD1FF and #8CE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #439BD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #439BD5 shade: #439BD5, #3289C2, #2177AF, #10659C and #005389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #439BD5 shade: #439BD4, #4374D4, #434DD4, #6143D4 and #8843D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #439BD5 shade: #439BD4, #4374D4, #434DD4 and #4343D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #439BD5 shade matches the following richer shades: #439BD4, #319EE7 and #1EA2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #439BD5 shade: #439BD4, #5697C1, #6993AF, #7B8F9C and #8E8B8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #439BD5 shade: #43D4BE, #43C3D4, #439DD4, #4376D4 and #4350D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #439BD5 shade: #246FA1, #2C87C2, #439BD4, #65ADDC and #87BFE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #439BD5 shade: #439BD5, #9843D4 and #D4D243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #439BD5 shade: #439BD5, #D4439D and #9DD443

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #439BD5 shade: #439BD5, #9843D4, #D47B43 and #80D443

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #439BD5 shade: #439BD5, #C343D4, #D47B43 and #54D443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 27 / 0 / 16

HEX #439BD5

RGB 67 155 213

HSL 203.84, 0.63%, 0.55%

LAB 61.17, -7.85, -37.28

 

Complementary color

CMYK 0 / 47 / 78 / 26

HEX #BC642A

RGB 188 100 42

HSL 23.84, 0.63%, 0.45%

LAB 51.81, 31.11, 46.8

 

CMYK 65 / 25 / 0 / 18

HEX #489BD0

RGB 72 155 208

HSL 203.38, 0.59%, 0.55%

LAB 61.11, -8.72, -34.57

 

CMYK 61 / 24 / 0 / 11

HEX #59ADE3

RGB 89 173 227

HSL 203.48, 0.71%, 0.62%

LAB 67.69, -9.58, -34.8

 

CMYK 57 / 22 / 0 / 4

HEX #6ABFF6

RGB 106 191 246

HSL 203.57, 0.89%, 0.69%

LAB 74.18, -10.26, -35.02

 

CMYK 52 / 18 / 0 / 0

HEX #7BD1FF

RGB 123 209 255

HSL 200.91, 1%, 0.74%

LAB 80.2, -13.67, -30.49

 

CMYK 45 / 11 / 0 / 0

HEX #8CE3FF

RGB 140 227 255

HSL 194.61, 1%, 0.77%

LAB 85.87, -19.11, -21.77

 

CMYK 69 / 27 / 0 / 16

HEX #439BD5

RGB 67 155 213

HSL 203.84, 0.63%, 0.55%

LAB 61.17, -7.85, -37.28

 

CMYK 74 / 29 / 0 / 24

HEX #3289C2

RGB 50 137 194

HSL 203.75, 0.59%, 0.48%

LAB 54.52, -6.56, -37.04

 

CMYK 81 / 32 / 0 / 31

HEX #2177AF

RGB 33 119 175

HSL 203.66, 0.68%, 0.41%

LAB 47.77, -4.89, -36.76

 

CMYK 90 / 35 / 0 / 39

HEX #10659C

RGB 16 101 156

HSL 203.57, 0.81%, 0.34%

LAB 40.93, -2.68, -36.41

 

CMYK 100 / 39 / 0 / 46

HEX #005389

RGB 0 83 137

HSL 203.65, 1%, 0.27%

LAB 33.97, 0.11, -36

 

CMYK 68 / 27 / 0 / 17

HEX #439BD4

RGB 67 155 212

HSL 203.59, 0.63%, 0.55%

LAB 61.12, -8.19, -36.8

 

CMYK 68 / 45 / 0 / 17

HEX #4374D4

RGB 67 116 212

HSL 219.72, 0.63%, 0.55%

LAB 50.02, 15, -54.37

 

CMYK 68 / 64 / 0 / 17

HEX #434DD4

RGB 67 77 212

HSL 235.86, 0.63%, 0.55%

LAB 40.01, 39.49, -70.6

 

CMYK 54 / 68 / 0 / 17

HEX #6143D4

RGB 97 67 212

HSL 252.41, 0.63%, 0.55%

LAB 40.1, 49.64, -70.36

 

CMYK 36 / 68 / 0 / 17

HEX #8843D4

RGB 136 67 212

HSL 268.55, 0.63%, 0.55%

LAB 44.24, 56.59, -63.44

 

CMYK 68 / 27 / 0 / 17

HEX #439BD4

RGB 67 155 212

HSL 203.59, 0.63%, 0.55%

LAB 61.12, -8.19, -36.8

 

CMYK 68 / 45 / 0 / 17

HEX #4374D4

RGB 67 116 212

HSL 219.72, 0.63%, 0.55%

LAB 50.02, 15, -54.37

 

CMYK 68 / 64 / 0 / 17

HEX #434DD4

RGB 67 77 212

HSL 235.86, 0.63%, 0.55%

LAB 40.01, 39.49, -70.6

 

CMYK 68 / 68 / 0 / 17

HEX #4343D4

RGB 67 67 212

HSL 240, 0.63%, 0.55%

LAB 37.77, 45.48, -74.26

 

CMYK 68 / 27 / 0 / 17

HEX #439BD4

RGB 67 155 212

HSL 203.59, 0.63%, 0.55%

LAB 61.12, -8.19, -36.8

 

CMYK 79 / 32 / 0 / 9

HEX #319EE7

RGB 49 158 231

HSL 204.07, 0.79%, 0.55%

LAB 62.4, -5.58, -45.36

 

CMYK 88 / 35 / 0 / 2

HEX #1EA2F9

RGB 30 162 249

HSL 203.84, 0.95%, 0.55%

LAB 64.13, -2.85, -52.54

 

CMYK 68 / 27 / 0 / 17

HEX #439BD4

RGB 67 155 212

HSL 203.59, 0.63%, 0.55%

LAB 61.12, -8.19, -36.8

 

CMYK 55 / 22 / 0 / 24

HEX #5697C1

RGB 86 151 193

HSL 203.55, 0.46%, 0.55%

LAB 59.85, -8.62, -28.07

 

CMYK 40 / 16 / 0 / 31

HEX #6993AF

RGB 105 147 175

HSL 204, 0.3%, 0.55%

LAB 58.94, -7.01, -19.21

 

CMYK 21 / 8 / 0 / 39

HEX #7B8F9C

RGB 123 143 156

HSL 203.64, 0.14%, 0.55%

LAB 58.28, -4.18, -9.27

 

CMYK 0 / 2 / 3 / 44

HEX #8E8B8A

RGB 142 139 138

HSL 15, 0.02%, 0.55%

LAB 58.09, 0.92, 0.92

 

CMYK 68 / 0 / 10 / 17

HEX #43D4BE

RGB 67 212 190

HSL 170.9, 0.63%, 0.55%

LAB 77.28, -43.17, -0.27

 

CMYK 68 / 8 / 0 / 17

HEX #43C3D4

RGB 67 195 212

HSL 187.03, 0.63%, 0.55%

LAB 72.88, -29.15, -18.71

 

CMYK 68 / 26 / 0 / 17

HEX #439DD4

RGB 67 157 212

HSL 202.76, 0.63%, 0.55%

LAB 61.71, -9.31, -35.89

 

CMYK 68 / 44 / 0 / 17

HEX #4376D4

RGB 67 118 212

HSL 218.9, 0.63%, 0.55%

LAB 50.57, 13.75, -53.49

 

CMYK 68 / 62 / 0 / 17

HEX #4350D4

RGB 67 80 212

HSL 234.62, 0.63%, 0.55%

LAB 40.71, 37.65, -69.45

 

CMYK 78 / 31 / 0 / 37

HEX #246FA1

RGB 36 111 161

HSL 204, 0.63%, 0.39%

LAB 44.68, -4.98, -33.42

 

CMYK 77 / 30 / 0 / 24

HEX #2C87C2

RGB 44 135 194

HSL 203.6, 0.63%, 0.47%

LAB 53.77, -6.14, -38.23

 

CMYK 68 / 27 / 0 / 17

HEX #439BD4

RGB 67 155 212

HSL 203.59, 0.63%, 0.55%

LAB 61.12, -8.19, -36.8

 

CMYK 54 / 21 / 0 / 14

HEX #65ADDC

RGB 101 173 220

HSL 203.7, 0.63%, 0.63%

LAB 67.89, -9.36, -30.62

 

CMYK 41 / 16 / 0 / 11

HEX #87BFE3

RGB 135 191 227

HSL 203.48, 0.62%, 0.71%

LAB 74.8, -9.07, -23.69

 

CMYK 69 / 27 / 0 / 16

HEX #439BD5

RGB 67 155 213

HSL 203.84, 0.63%, 0.55%

LAB 61.17, -7.85, -37.28

 

CMYK 28 / 68 / 0 / 17

HEX #9843D4

RGB 152 67 212

HSL 275.17, 0.63%, 0.55%

LAB 46.24, 59.78, -60.1

 

CMYK 0 / 1 / 68 / 17

HEX #D4D243

RGB 212 210 67

HSL 59.17, 0.63%, 0.55%

LAB 82.11, -16.01, 67.52

 

CMYK 69 / 27 / 0 / 16

HEX #439BD5

RGB 67 155 213

HSL 203.84, 0.63%, 0.55%

LAB 61.17, -7.85, -37.28

 

CMYK 0 / 68 / 26 / 17

HEX #D4439D

RGB 212 67 157

HSL 322.76, 0.63%, 0.55%

LAB 52.34, 64.66, -17.85

 

CMYK 26 / 0 / 68 / 17

HEX #9DD443

RGB 157 212 67

HSL 82.76, 0.63%, 0.55%

LAB 78.85, -38.99, 62.98

 

CMYK 69 / 27 / 0 / 16

HEX #439BD5

RGB 67 155 213

HSL 203.84, 0.63%, 0.55%

LAB 61.17, -7.85, -37.28

 

CMYK 28 / 68 / 0 / 17

HEX #9843D4

RGB 152 67 212

HSL 275.17, 0.63%, 0.55%

LAB 46.24, 59.78, -60.1

 

CMYK 0 / 42 / 68 / 17

HEX #D47B43

RGB 212 123 67

HSL 23.17, 0.63%, 0.55%

LAB 60.4, 29.92, 44.71

 

CMYK 40 / 0 / 68 / 17

HEX #80D443

RGB 128 212 67

HSL 94.76, 0.63%, 0.55%

LAB 77.33, -49.24, 60.94

 

CMYK 69 / 27 / 0 / 16

HEX #439BD5

RGB 67 155 213

HSL 203.84, 0.63%, 0.55%

LAB 61.17, -7.85, -37.28

 

CMYK 8 / 68 / 0 / 17

HEX #C343D4

RGB 195 67 212

HSL 292.97, 0.63%, 0.55%

LAB 52.25, 68.89, -50.12

 

CMYK 0 / 42 / 68 / 17

HEX #D47B43

RGB 212 123 67

HSL 23.17, 0.63%, 0.55%

LAB 60.4, 29.92, 44.71

 

CMYK 60 / 0 / 68 / 17

HEX #54D443

RGB 84 212 67

HSL 112.97, 0.63%, 0.55%

LAB 75.69, -61.66, 58.71

 

Description

Color code: HEX #439BD5 | qconv.com Color code: HEX #439BD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 155 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 155 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 27 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 27% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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