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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #438810 it is the complementary color #BC77EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #438810. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #438810 shade: #48880B, #599A1E, #6AAC31, #7BBE44 and #8CD057

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #438810. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #438810 shade: #438810, #327600, #216400, #105200 and #004000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #438810 shade: #438810, #648810, #848810, #886C10 and #884C10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #438810 shade: #438810, #228810, #10881D, #10883E and #10885F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #438810 shade matches the following richer shades: #438810 and #419503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #438810 shade: #438810, #457C1C, #477028, #496335 and #4A5741

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #438810 shade: #848810, #648810, #448810, #248810 and #10881C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #438810 shade: #1F3F07, #31640B, #438810, #55AD14 and #67D218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #438810 shade: #438810, #10886C and #881074

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #438810 shade: #438810, #104488 and #881044

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #438810 shade: #438810, #10886C, #541088 and #88102C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #438810 shade: #438810, #108088, #541088 and #881810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

Complementary color

CMYK 21 / 50 / 0 / 6

HEX #BC77EF

RGB 188 119 239

HSL 274.5, 0.79%, 0.7%

LAB 61.76, 48.44, -50.25

 

CMYK 47 / 0 / 92 / 47

HEX #48880B

RGB 72 136 11

HSL 90.72, 0.85%, 0.29%

LAB 50.7, -39.93, 52.16

 

CMYK 42 / 0 / 81 / 40

HEX #599A1E

RGB 89 154 30

HSL 91.45, 0.67%, 0.36%

LAB 57.39, -40.8, 53.62

 

CMYK 38 / 0 / 72 / 33

HEX #6AAC31

RGB 106 172 49

HSL 92.2, 0.56%, 0.43%

LAB 63.99, -41.32, 53.75

 

CMYK 35 / 0 / 64 / 25

HEX #7BBE44

RGB 123 190 68

HSL 92.95, 0.48%, 0.51%

LAB 70.49, -41.62, 53.2

 

CMYK 33 / 0 / 58 / 18

HEX #8CD057

RGB 140 208 87

HSL 93.72, 0.56%, 0.58%

LAB 76.91, -41.76, 52.31

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 58 / 0 / 100 / 54

HEX #327600

RGB 50 118 0

HSL 94.58, 1%, 0.23%

LAB 43.7, -40.12, 48.29

 

CMYK 67 / 0 / 100 / 61

HEX #216400

RGB 33 100 0

HSL 100.2, 1%, 0.2%

LAB 36.81, -38.02, 42.6

 

CMYK 80 / 0 / 100 / 68

HEX #105200

RGB 16 82 0

HSL 108.29, 1%, 0.16%

LAB 29.77, -35.33, 36.82

 

CMYK 100 / 0 / 100 / 75

HEX #004000

RGB 0 64 0

HSL 120, 1%, 0.13%

LAB 22.54, -32.02, 30.12

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 26 / 0 / 88 / 47

HEX #648810

RGB 100 136 16

HSL 78, 0.79%, 0.3%

LAB 52.24, -29.1, 53.03

 

CMYK 3 / 0 / 88 / 47

HEX #848810

RGB 132 136 16

HSL 62, 0.79%, 0.3%

LAB 54.61, -15.03, 55.96

 

CMYK 0 / 21 / 88 / 47

HEX #886C10

RGB 136 108 16

HSL 46, 0.79%, 0.3%

LAB 46.97, 2.39, 49.85

 

CMYK 0 / 44 / 88 / 47

HEX #884C10

RGB 136 76 16

HSL 30, 0.79%, 0.3%

LAB 38.62, 21.06, 42.95

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 75 / 0 / 88 / 47

HEX #228810

RGB 34 136 16

HSL 111, 0.79%, 0.3%

LAB 49.48, -49.73, 49.56

 

CMYK 88 / 0 / 79 / 47

HEX #10881D

RGB 16 136 29

HSL 126.5, 0.79%, 0.3%

LAB 49.26, -51.4, 45.42

 

CMYK 88 / 0 / 54 / 47

HEX #10883E

RGB 16 136 62

HSL 143, 0.79%, 0.3%

LAB 49.58, -47.5, 30.99

 

CMYK 88 / 0 / 30 / 47

HEX #10885F

RGB 16 136 95

HSL 159.5, 0.79%, 0.3%

LAB 50.15, -40.85, 13.54

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 56 / 0 / 98 / 42

HEX #419503

RGB 65 149 3

HSL 94.52, 0.96%, 0.3%

LAB 54.68, -47.43, 56.68

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 44 / 0 / 77 / 51

HEX #457C1C

RGB 69 124 28

HSL 94.38, 0.63%, 0.3%

LAB 46.66, -35.08, 43.72

 

CMYK 37 / 0 / 64 / 56

HEX #477028

RGB 71 112 40

HSL 94.17, 0.47%, 0.3%

LAB 42.89, -27.83, 34.66

 

CMYK 26 / 0 / 46 / 61

HEX #496335

RGB 73 99 53

HSL 93.91, 0.3%, 0.3%

LAB 38.89, -18.85, 23.03

 

CMYK 15 / 0 / 25 / 66

HEX #4A5741

RGB 74 87 65

HSL 95.45, 0.14%, 0.3%

LAB 35.31, -9.73, 11.14

 

CMYK 3 / 0 / 88 / 47

HEX #848810

RGB 132 136 16

HSL 62, 0.79%, 0.3%

LAB 54.61, -15.03, 55.96

 

CMYK 26 / 0 / 88 / 47

HEX #648810

RGB 100 136 16

HSL 78, 0.79%, 0.3%

LAB 52.24, -29.1, 53.03

 

CMYK 50 / 0 / 88 / 47

HEX #448810

RGB 68 136 16

HSL 94, 0.79%, 0.3%

LAB 50.54, -41.09, 50.9

 

CMYK 74 / 0 / 88 / 47

HEX #248810

RGB 36 136 16

HSL 110, 0.79%, 0.3%

LAB 49.52, -49.36, 49.61

 

CMYK 88 / 0 / 79 / 47

HEX #10881C

RGB 16 136 28

HSL 126, 0.79%, 0.3%

LAB 49.26, -51.47, 45.76

 

CMYK 51 / 0 / 89 / 75

HEX #1F3F07

RGB 31 63 7

HSL 94.29, 0.8%, 0.14%

LAB 23.21, -22.7, 28.27

 

CMYK 51 / 0 / 89 / 61

HEX #31640B

RGB 49 100 11

HSL 94.38, 0.8%, 0.22%

LAB 37.47, -32.66, 40.34

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 51 / 0 / 88 / 32

HEX #55AD14

RGB 85 173 20

HSL 94.51, 0.79%, 0.38%

LAB 63.23, -50.12, 61.27

 

CMYK 51 / 0 / 89 / 18

HEX #67D218

RGB 103 210 24

HSL 94.52, 0.79%, 0.46%

LAB 75.48, -58.45, 71.21

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 88 / 0 / 21 / 47

HEX #10886C

RGB 16 136 108

HSL 166, 0.79%, 0.3%

LAB 50.45, -37.54, 6.46

 

CMYK 0 / 88 / 15 / 47

HEX #881074

RGB 136 16 116

HSL 310, 0.79%, 0.3%

LAB 31.5, 56.08, -26.09

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 88 / 50 / 0 / 47

HEX #104488

RGB 16 68 136

HSL 214, 0.79%, 0.3%

LAB 29.47, 10.82, -42.59

 

CMYK 0 / 88 / 50 / 47

HEX #881044

RGB 136 16 68

HSL 334, 0.79%, 0.3%

LAB 29.47, 50.47, 2.15

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 88 / 0 / 21 / 47

HEX #10886C

RGB 16 136 108

HSL 166, 0.79%, 0.3%

LAB 50.45, -37.54, 6.46

 

CMYK 38 / 88 / 0 / 47

HEX #541088

RGB 84 16 136

HSL 274, 0.79%, 0.3%

LAB 23.78, 50.23, -51.61

 

CMYK 0 / 88 / 68 / 47

HEX #88102C

RGB 136 16 44

HSL 346, 0.79%, 0.3%

LAB 28.87, 48.73, 17.42

 

CMYK 51 / 0 / 88 / 47

HEX #438810

RGB 67 136 16

HSL 94.5, 0.79%, 0.3%

LAB 50.5, -41.41, 50.85

 

CMYK 88 / 6 / 0 / 47

HEX #108088

RGB 16 128 136

HSL 184, 0.79%, 0.3%

LAB 48.67, -25.31, -12.56

 

CMYK 38 / 88 / 0 / 47

HEX #541088

RGB 84 16 136

HSL 274, 0.79%, 0.3%

LAB 23.78, 50.23, -51.61

 

CMYK 0 / 82 / 88 / 47

HEX #881810

RGB 136 24 16

HSL 4, 0.79%, 0.3%

LAB 29.22, 45.55, 35.04

 

Description

Color code: HEX #438810 | qconv.com Color code: HEX #438810 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 136 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 136 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 88 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 88% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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