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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #437BD0 it is the complementary color #BC842F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #437BD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #437BD0 shade: #487BCB, #598DDE, #6A9FF1, #7BB1FF and #8CC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #437BD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #437BD0 shade: #437BD0, #3269BD, #2157AA, #104597 and #003384

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #437BD0 shade: #437BD0, #4355D0, #5743D0, #7D43D0 and #A343D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #437BD0 shade: #437BD0, #4355D0 and #4343D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #437BD0 shade matches the following richer shades: #437BD0, #3077E3 and #1D73F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #437BD0 shade: #437BD0, #567FBD, #6983AA, #7C8697 and #8F8A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #437BD0 shade: #43C6D0, #43A1D0, #437BD0, #4356D0 and #5643D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #437BD0 shade: #26549A, #2E66BB, #437BD0, #6492D8 and #85A9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #437BD0 shade: #437BD0, #B343D0 and #B3D043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #437BD0 shade: #437BD0, #D0437B and #7BD043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #437BD0 shade: #437BD0, #B343D0, #D09743 and #5FD043

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #437BD0 shade: #437BD0, #D043C2, #D09743 and #43D051

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

Complementary color

CMYK 0 / 30 / 75 / 26

HEX #BC842F

RGB 188 132 47

HSL 36.17, 0.6%, 0.46%

LAB 59.34, 13.79, 52.04

 

CMYK 65 / 39 / 0 / 20

HEX #487BCB

RGB 72 123 203

HSL 216.64, 0.56%, 0.54%

LAB 51.67, 8.33, -46.6

 

CMYK 60 / 36 / 0 / 13

HEX #598DDE

RGB 89 141 222

HSL 216.54, 0.67%, 0.61%

LAB 58.46, 7.04, -46.51

 

CMYK 56 / 34 / 0 / 5

HEX #6A9FF1

RGB 106 159 241

HSL 216.44, 0.83%, 0.68%

LAB 65.13, 6, -46.43

 

CMYK 52 / 31 / 0 / 0

HEX #7BB1FF

RGB 123 177 255

HSL 215.45, 1%, 0.74%

LAB 71.47, 3.63, -44.03

 

CMYK 45 / 24 / 0 / 0

HEX #8CC3FF

RGB 140 195 255

HSL 211.3, 1%, 0.77%

LAB 77.18, -2.4, -35.08

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 74 / 44 / 0 / 26

HEX #3269BD

RGB 50 105 189

HSL 216.26, 0.58%, 0.47%

LAB 44.88, 11.07, -49.45

 

CMYK 81 / 49 / 0 / 33

HEX #2157AA

RGB 33 87 170

HSL 216.35, 0.67%, 0.4%

LAB 37.92, 13.39, -49.53

 

CMYK 89 / 54 / 0 / 41

HEX #104597

RGB 16 69 151

HSL 216.44, 0.81%, 0.33%

LAB 30.88, 16.39, -49.51

 

CMYK 100 / 61 / 0 / 48

HEX #003384

RGB 0 51 132

HSL 216.82, 1%, 0.26%

LAB 23.78, 20.13, -49.35

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 68 / 59 / 0 / 18

HEX #4355D0

RGB 67 85 208

HSL 232.34, 0.6%, 0.54%

LAB 41.6, 33.14, -65.69

 

CMYK 58 / 68 / 0 / 18

HEX #5743D0

RGB 87 67 208

HSL 248.51, 0.6%, 0.54%

LAB 38.89, 46.89, -70.06

 

CMYK 40 / 68 / 0 / 18

HEX #7D43D0

RGB 125 67 208

HSL 264.68, 0.6%, 0.54%

LAB 42.66, 53.47, -63.76

 

CMYK 22 / 68 / 0 / 18

HEX #A343D0

RGB 163 67 208

HSL 280.85, 0.6%, 0.54%

LAB 47.44, 61.21, -55.8

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 68 / 59 / 0 / 18

HEX #4355D0

RGB 67 85 208

HSL 232.34, 0.6%, 0.54%

LAB 41.6, 33.14, -65.69

 

CMYK 68 / 68 / 0 / 18

HEX #4343D0

RGB 67 67 208

HSL 240, 0.6%, 0.54%

LAB 37.41, 44.16, -72.54

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 79 / 48 / 0 / 11

HEX #3077E3

RGB 48 119 227

HSL 216.2, 0.76%, 0.54%

LAB 51.12, 16.21, -61.12

 

CMYK 88 / 53 / 0 / 4

HEX #1D73F6

RGB 29 115 246

HSL 216.22, 0.92%, 0.54%

LAB 50.89, 24.47, -72.13

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 54 / 33 / 0 / 26

HEX #567FBD

RGB 86 127 189

HSL 216.12, 0.44%, 0.54%

LAB 52.76, 4, -36.84

 

CMYK 38 / 23 / 0 / 33

HEX #6983AA

RGB 105 131 170

HSL 216, 0.28%, 0.54%

LAB 54.17, 0.75, -23.65

 

CMYK 18 / 11 / 0 / 41

HEX #7C8697

RGB 124 134 151

HSL 217.78, 0.11%, 0.54%

LAB 55.65, 0.1, -10.32

 

CMYK 0 / 3 / 8 / 44

HEX #8F8A84

RGB 143 138 132

HSL 32.73, 0.05%, 0.54%

LAB 57.73, 0.74, 3.86

 

CMYK 68 / 5 / 0 / 18

HEX #43C6D0

RGB 67 198 208

HSL 184.26, 0.6%, 0.54%

LAB 73.63, -31.78, -15.4

 

CMYK 68 / 23 / 0 / 18

HEX #43A1D0

RGB 67 161 208

HSL 200, 0.6%, 0.54%

LAB 62.71, -12.84, -32.1

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 68 / 59 / 0 / 18

HEX #4356D0

RGB 67 86 208

HSL 231.91, 0.6%, 0.54%

LAB 41.85, 32.51, -65.29

 

CMYK 59 / 68 / 0 / 18

HEX #5643D0

RGB 86 67 208

HSL 248.09, 0.6%, 0.54%

LAB 38.81, 46.74, -70.2

 

CMYK 75 / 45 / 0 / 40

HEX #26549A

RGB 38 84 154

HSL 216.21, 0.6%, 0.38%

LAB 36.15, 9.7, -42.79

 

CMYK 75 / 45 / 0 / 27

HEX #2E66BB

RGB 46 102 187

HSL 216.17, 0.61%, 0.46%

LAB 43.76, 11.71, -50.1

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 54 / 32 / 0 / 15

HEX #6492D8

RGB 100 146 216

HSL 216.21, 0.6%, 0.62%

LAB 60.09, 4.43, -40.55

 

CMYK 41 / 25 / 0 / 12

HEX #85A9E0

RGB 133 169 224

HSL 216.26, 0.59%, 0.7%

LAB 68.57, 1.61, -31.63

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 14 / 68 / 0 / 18

HEX #B343D0

RGB 179 67 208

HSL 287.66, 0.6%, 0.54%

LAB 49.68, 64.67, -52.08

 

CMYK 14 / 0 / 68 / 18

HEX #B3D043

RGB 179 208 67

HSL 72.34, 0.6%, 0.54%

LAB 79.1, -28.59, 63.69

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 0 / 68 / 41 / 18

HEX #D0437B

RGB 208 67 123

HSL 336.17, 0.6%, 0.54%

LAB 50.52, 59.65, -0.34

 

CMYK 41 / 0 / 68 / 18

HEX #7BD043

RGB 123 208 67

HSL 96.17, 0.6%, 0.54%

LAB 75.9, -49.25, 59.38

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 14 / 68 / 0 / 18

HEX #B343D0

RGB 179 67 208

HSL 287.66, 0.6%, 0.54%

LAB 49.68, 64.67, -52.08

 

CMYK 0 / 27 / 68 / 18

HEX #D09743

RGB 208 151 67

HSL 35.74, 0.6%, 0.54%

LAB 66.48, 13.12, 51.25

 

CMYK 54 / 0 / 68 / 18

HEX #5FD043

RGB 95 208 67

HSL 108.09, 0.6%, 0.54%

LAB 74.79, -57.52, 57.87

 

CMYK 68 / 41 / 0 / 18

HEX #437BD0

RGB 67 123 208

HSL 216.17, 0.6%, 0.54%

LAB 51.74, 9.25, -49.36

 

CMYK 0 / 68 / 7 / 18

HEX #D043C2

RGB 208 67 194

HSL 305.96, 0.6%, 0.54%

LAB 53.3, 68.86, -38.01

 

CMYK 0 / 27 / 68 / 18

HEX #D09743

RGB 208 151 67

HSL 35.74, 0.6%, 0.54%

LAB 66.48, 13.12, 51.25

 

CMYK 68 / 0 / 61 / 18

HEX #43D051

RGB 67 208 81

HSL 125.96, 0.6%, 0.54%

LAB 74.13, -62.42, 51.08

 

Description

Color code: HEX #437BD0 | qconv.com Color code: HEX #437BD0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 123 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 123 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 41 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 41% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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