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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4379FF it is the complementary color #BC8600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4379FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4379FF shade: #4879FA, #598BFF, #6A9DFF, #7BAFFF and #8CC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4379FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4379FF shade: #4379FF, #3267EC, #2155D9, #1043C6 and #0031B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4379FF shade: #4278FF, #4245FF, #7142FF, #A442FF and #D742FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4379FF shade: #4278FF, #4245FF and #4242FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4379FF shade matches the following richer shades: #4278FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4379FF shade: #4278FF, #517EEF, #6085E0, #708BD1 and #7F92C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4379FF shade: #42DFFF, #42ADFF, #427AFF, #4248FF and #6E42FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4379FF shade: #0044EE, #195BFF, #4278FF, #6B95FF and #94B3FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4379FF shade: #4379FF, #EC42FF and #C6FF42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4379FF shade: #4379FF, #FF427A and #7AFF42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4379FF shade: #4379FF, #EC42FF, #FFC642 and #55FF42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4379FF shade: #4379FF, #FF42D9, #FFC642 and #42FF68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 53 / 0 / 0

HEX #4379FF

RGB 67 121 255

HSL 222.77, 1%, 0.63%

LAB 54.12, 27.26, -71.83

 

Complementary color

CMYK 0 / 29 / 100 / 26

HEX #BC8600

RGB 188 134 0

HSL 42.77, 1%, 0.37%

LAB 59.65, 11.53, 65.01

 

CMYK 71 / 52 / 0 / 2

HEX #4879FA

RGB 72 121 250

HSL 223.48, 0.95%, 0.63%

LAB 53.98, 26.1, -69.29

 

CMYK 65 / 45 / 0 / 0

HEX #598BFF

RGB 89 139 255

HSL 221.93, 1%, 0.67%

LAB 59.72, 19.3, -62.77

 

CMYK 58 / 38 / 0 / 0

HEX #6A9DFF

RGB 106 157 255

HSL 219.46, 1%, 0.71%

LAB 65.28, 11.6, -53.85

 

CMYK 52 / 31 / 0 / 0

HEX #7BAFFF

RGB 123 175 255

HSL 216.36, 1%, 0.74%

LAB 70.93, 4.75, -44.87

 

CMYK 45 / 24 / 0 / 0

HEX #8CC1FF

RGB 140 193 255

HSL 212.35, 1%, 0.77%

LAB 76.64, -1.32, -35.91

 

CMYK 74 / 53 / 0 / 0

HEX #4379FF

RGB 67 121 255

HSL 222.77, 1%, 0.63%

LAB 54.12, 27.26, -71.83

 

CMYK 79 / 56 / 0 / 7

HEX #3267EC

RGB 50 103 236

HSL 222.9, 0.83%, 0.56%

LAB 47.54, 29.85, -71.97

 

CMYK 85 / 61 / 0 / 15

HEX #2155D9

RGB 33 85 217

HSL 223.04, 0.74%, 0.49%

LAB 40.94, 32.91, -71.99

 

CMYK 92 / 66 / 0 / 22

HEX #1043C6

RGB 16 67 198

HSL 223.19, 0.85%, 0.42%

LAB 34.4, 36.45, -71.76

 

CMYK 100 / 73 / 0 / 30

HEX #0031B3

RGB 0 49 179

HSL 223.58, 1%, 0.35%

LAB 27.98, 40.28, -71.14

 

CMYK 74 / 53 / 0 / 0

HEX #4278FF

RGB 66 120 255

HSL 222.86, 1%, 0.63%

LAB 53.83, 27.76, -72.31

 

CMYK 74 / 73 / 0 / 0

HEX #4245FF

RGB 66 69 255

HSL 239.05, 1%, 0.63%

LAB 42.21, 58.07, -91.33

 

CMYK 56 / 74 / 0 / 0

HEX #7142FF

RGB 113 66 255

HSL 254.92, 1%, 0.63%

LAB 45.12, 64.46, -86.41

 

CMYK 36 / 74 / 0 / 0

HEX #A442FF

RGB 164 66 255

HSL 271.11, 1%, 0.63%

LAB 50.7, 71.94, -77.06

 

CMYK 16 / 74 / 0 / 0

HEX #D742FF

RGB 215 66 255

HSL 287.3, 1%, 0.63%

LAB 57.62, 80.91, -65.52

 

CMYK 74 / 53 / 0 / 0

HEX #4278FF

RGB 66 120 255

HSL 222.86, 1%, 0.63%

LAB 53.83, 27.76, -72.31

 

CMYK 74 / 73 / 0 / 0

HEX #4245FF

RGB 66 69 255

HSL 239.05, 1%, 0.63%

LAB 42.21, 58.07, -91.33

 

CMYK 74 / 74 / 0 / 0

HEX #4242FF

RGB 66 66 255

HSL 240, 1%, 0.63%

LAB 41.65, 59.64, -92.25

 

CMYK 74 / 53 / 0 / 0

HEX #4278FF

RGB 66 120 255

HSL 222.86, 1%, 0.63%

LAB 53.83, 27.76, -72.31

 

CMYK 74 / 53 / 0 / 0

HEX #4278FF

RGB 66 120 255

HSL 222.86, 1%, 0.63%

LAB 53.83, 27.76, -72.31

 

CMYK 66 / 47 / 0 / 6

HEX #517EEF

RGB 81 126 239

HSL 222.91, 0.83%, 0.63%

LAB 54.97, 20.46, -61.56

 

CMYK 57 / 41 / 0 / 12

HEX #6085E0

RGB 96 133 224

HSL 222.66, 0.67%, 0.63%

LAB 56.73, 13.85, -50.35

 

CMYK 46 / 33 / 0 / 18

HEX #708BD1

RGB 112 139 209

HSL 223.3, 0.51%, 0.63%

LAB 58.52, 9.18, -39.04

 

CMYK 34 / 24 / 0 / 24

HEX #7F92C1

RGB 127 146 193

HSL 222.73, 0.35%, 0.63%

LAB 60.71, 4.62, -26.56

 

CMYK 74 / 13 / 0 / 0

HEX #42DFFF

RGB 66 223 255

HSL 190.16, 1%, 0.63%

LAB 82.46, -29.9, -27.17

 

CMYK 74 / 32 / 0 / 0

HEX #42ADFF

RGB 66 173 255

HSL 206.03, 1%, 0.63%

LAB 68.22, -3.8, -49.29

 

CMYK 74 / 52 / 0 / 0

HEX #427AFF

RGB 66 122 255

HSL 222.22, 1%, 0.63%

LAB 54.34, 26.53, -71.48

 

CMYK 74 / 72 / 0 / 0

HEX #4248FF

RGB 66 72 255

HSL 238.1, 1%, 0.63%

LAB 42.78, 56.45, -90.38

 

CMYK 57 / 74 / 0 / 0

HEX #6E42FF

RGB 110 66 255

HSL 253.97, 1%, 0.63%

LAB 44.85, 64.08, -86.87

 

CMYK 100 / 71 / 0 / 7

HEX #0044EE

RGB 0 68 238

HSL 222.86, 1%, 0.47%

LAB 38.39, 50.01, -88.16

 

CMYK 90 / 64 / 0 / 0

HEX #195BFF

RGB 25 91 255

HSL 222.78, 1%, 0.55%

LAB 45.51, 42.76, -85.94

 

CMYK 74 / 53 / 0 / 0

HEX #4278FF

RGB 66 120 255

HSL 222.86, 1%, 0.63%

LAB 53.83, 27.76, -72.31

 

CMYK 58 / 42 / 0 / 0

HEX #6B95FF

RGB 107 149 255

HSL 222.97, 1%, 0.71%

LAB 63.21, 16.48, -57.13

 

CMYK 42 / 30 / 0 / 0

HEX #94B3FF

RGB 148 179 255

HSL 222.62, 1%, 0.79%

LAB 73.39, 8.36, -40.93

 

CMYK 74 / 53 / 0 / 0

HEX #4379FF

RGB 67 121 255

HSL 222.77, 1%, 0.63%

LAB 54.12, 27.26, -71.83

 

CMYK 7 / 74 / 0 / 0

HEX #EC42FF

RGB 236 66 255

HSL 293.97, 1%, 0.63%

LAB 60.74, 84.86, -60.35

 

CMYK 22 / 0 / 74 / 0

HEX #C6FF42

RGB 198 255 66

HSL 78.1, 1%, 0.63%

LAB 93.42, -42.62, 78.5

 

CMYK 74 / 53 / 0 / 0

HEX #4379FF

RGB 67 121 255

HSL 222.77, 1%, 0.63%

LAB 54.12, 27.26, -71.83

 

CMYK 0 / 74 / 52 / 0

HEX #FF427A

RGB 255 66 122

HSL 342.22, 1%, 0.63%

LAB 58.57, 73.14, 12.87

 

CMYK 52 / 0 / 74 / 0

HEX #7AFF42

RGB 122 255 66

HSL 102.22, 1%, 0.63%

LAB 89.88, -67.36, 73.87

 

CMYK 74 / 53 / 0 / 0

HEX #4379FF

RGB 67 121 255

HSL 222.77, 1%, 0.63%

LAB 54.12, 27.26, -71.83

 

CMYK 7 / 74 / 0 / 0

HEX #EC42FF

RGB 236 66 255

HSL 293.97, 1%, 0.63%

LAB 60.74, 84.86, -60.35

 

CMYK 0 / 22 / 74 / 0

HEX #FFC642

RGB 255 198 66

HSL 41.9, 1%, 0.63%

LAB 82.94, 8.16, 70.02

 

CMYK 67 / 0 / 74 / 0

HEX #55FF42

RGB 85 255 66

HSL 113.97, 1%, 0.63%

LAB 88.85, -75.72, 72.5

 

CMYK 74 / 53 / 0 / 0

HEX #4379FF

RGB 67 121 255

HSL 222.77, 1%, 0.63%

LAB 54.12, 27.26, -71.83

 

CMYK 0 / 74 / 15 / 0

HEX #FF42D9

RGB 255 66 217

HSL 312.06, 1%, 0.63%

LAB 61.8, 83.11, -37.27

 

CMYK 0 / 22 / 74 / 0

HEX #FFC642

RGB 255 198 66

HSL 41.9, 1%, 0.63%

LAB 82.94, 8.16, 70.02

 

CMYK 74 / 0 / 59 / 0

HEX #42FF68

RGB 66 255 104

HSL 132.06, 1%, 0.63%

LAB 88.77, -75.33, 57.87

 

Description

Color code: HEX #4379FF | qconv.com Color code: HEX #4379FF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 121 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 121 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 53 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 53% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - ttl_logo.png (156x71...
Link: http://images.hangame.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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