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Color name
HEX #435D1A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #435D1A it is the complementary color #BCA2E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #435D1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #435D1A shade: #485D15, #596F28, #6A813B, #7B934E and #8CA561

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #435D1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #435D1A shade: #435D1A, #324B07, #213900, #102700 and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #435D1A shade: #425B19, #535B19, #5B5119, #5B3F19 and #5B2E19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #435D1A shade: #425B19, #305B19, #1E5B19, #195B26 and #195B38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #435D1A shade matches the following richer shades: #425B19, #446410 and #466E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #435D1A shade: #425B19, #3F5223, #3D482C, #3B3F36 and #39353F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #435D1A shade: #5B5119, #535B19, #425B19, #305B19 and #1F5B19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #435D1A shade: #131B07, #2A3B10, #425B19, #597B22 and #709B2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #435D1A shade: #435D1A, #195B40 and #5A195B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #435D1A shade: #435D1A, #19425B and #5B1942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #435D1A shade: #435D1A, #195B40, #32195B and #5B1935

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #435D1A shade: #435D1A, #195B53, #32195B and #5B1921

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 72 / 64

HEX #435D1A

RGB 67 93 26

HSL 83.28, 0.56%, 0.23%

LAB 36.17, -21.29, 33.91

 

Complementary color

CMYK 18 / 29 / 0 / 10

HEX #BCA2E5

RGB 188 162 229

HSL 263.28, 0.56%, 0.77%

LAB 71, 22.62, -30.28

 

CMYK 23 / 0 / 77 / 64

HEX #485D15

RGB 72 93 21

HSL 77.5, 0.63%, 0.22%

LAB 36.48, -19.44, 36.49

 

CMYK 20 / 0 / 64 / 56

HEX #596F28

RGB 89 111 40

HSL 78.59, 0.47%, 0.3%

LAB 43.72, -19.91, 35.91

 

CMYK 18 / 0 / 54 / 49

HEX #6A813B

RGB 106 129 59

HSL 79.71, 0.37%, 0.37%

LAB 50.78, -20.17, 34.82

 

CMYK 16 / 0 / 47 / 42

HEX #7B934E

RGB 123 147 78

HSL 80.87, 0.31%, 0.44%

LAB 57.68, -20.32, 33.61

 

CMYK 15 / 0 / 41 / 35

HEX #8CA561

RGB 140 165 97

HSL 82.06, 0.27%, 0.51%

LAB 64.44, -20.39, 32.38

 

CMYK 28 / 0 / 72 / 64

HEX #435D1A

RGB 67 93 26

HSL 83.28, 0.56%, 0.23%

LAB 36.17, -21.29, 33.91

 

CMYK 33 / 0 / 91 / 71

HEX #324B07

RGB 50 75 7

HSL 82.06, 0.83%, 0.16%

LAB 28.71, -20.7, 33.82

 

CMYK 42 / 0 / 100 / 78

HEX #213900

RGB 33 57 0

HSL 85.26, 1%, 0.11%

LAB 21.02, -19.47, 28.84

 

CMYK 59 / 0 / 100 / 85

HEX #102700

RGB 16 39 0

HSL 95.38, 1%, 0.08%

LAB 12.99, -17.67, 18.8

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 27 / 0 / 73 / 64

HEX #425B19

RGB 66 91 25

HSL 82.73, 0.57%, 0.23%

LAB 35.42, -20.77, 33.56

 

CMYK 9 / 0 / 73 / 64

HEX #535B19

RGB 83 91 25

HSL 67.27, 0.57%, 0.23%

LAB 36.73, -12.97, 35.32

 

CMYK 0 / 11 / 73 / 64

HEX #5B5119

RGB 91 81 25

HSL 50.91, 0.57%, 0.23%

LAB 34.35, -3.23, 33.12

 

CMYK 0 / 31 / 73 / 64

HEX #5B3F19

RGB 91 63 25

HSL 34.55, 0.57%, 0.23%

LAB 29.03, 7.91, 27.47

 

CMYK 0 / 49 / 73 / 64

HEX #5B2E19

RGB 91 46 25

HSL 19.09, 0.57%, 0.23%

LAB 24.48, 18.54, 22.36

 

CMYK 27 / 0 / 73 / 64

HEX #425B19

RGB 66 91 25

HSL 82.73, 0.57%, 0.23%

LAB 35.42, -20.77, 33.56

 

CMYK 47 / 0 / 73 / 64

HEX #305B19

RGB 48 91 25

HSL 99.09, 0.57%, 0.23%

LAB 34.36, -28.03, 32.12

 

CMYK 67 / 0 / 73 / 64

HEX #1E5B19

RGB 30 91 25

HSL 115.45, 0.57%, 0.23%

LAB 33.62, -33.66, 31.12

 

CMYK 73 / 0 / 58 / 64

HEX #195B26

RGB 25 91 38

HSL 131.82, 0.57%, 0.23%

LAB 33.62, -33.12, 24.43

 

CMYK 73 / 0 / 38 / 64

HEX #195B38

RGB 25 91 56

HSL 148.18, 0.57%, 0.23%

LAB 33.93, -29.68, 14.35

 

CMYK 27 / 0 / 73 / 64

HEX #425B19

RGB 66 91 25

HSL 82.73, 0.57%, 0.23%

LAB 35.42, -20.77, 33.56

 

CMYK 32 / 0 / 84 / 61

HEX #446410

RGB 68 100 16

HSL 82.86, 0.72%, 0.23%

LAB 38.52, -25.06, 40.16

 

CMYK 36 / 0 / 95 / 57

HEX #466E06

RGB 70 110 6

HSL 83.08, 0.9%, 0.23%

LAB 41.95, -29.44, 45.86

 

CMYK 27 / 0 / 73 / 64

HEX #425B19

RGB 66 91 25

HSL 82.73, 0.57%, 0.23%

LAB 35.42, -20.77, 33.56

 

CMYK 23 / 0 / 57 / 68

HEX #3F5223

RGB 63 82 35

HSL 84.26, 0.4%, 0.23%

LAB 32.29, -16.26, 24.94

 

CMYK 15 / 0 / 39 / 72

HEX #3D482C

RGB 61 72 44

HSL 83.57, 0.24%, 0.23%

LAB 28.92, -10.16, 15.37

 

CMYK 6 / 0 / 14 / 75

HEX #3B3F36

RGB 59 63 54

HSL 86.67, 0.08%, 0.23%

LAB 26.01, -3.67, 4.95

 

CMYK 10 / 16 / 0 / 75

HEX #39353F

RGB 57 53 63

HSL 264, 0.09%, 0.23%

LAB 22.91, 4.1, -5.6

 

CMYK 0 / 11 / 73 / 64

HEX #5B5119

RGB 91 81 25

HSL 50.91, 0.57%, 0.23%

LAB 34.35, -3.23, 33.12

 

CMYK 9 / 0 / 73 / 64

HEX #535B19

RGB 83 91 25

HSL 67.27, 0.57%, 0.23%

LAB 36.73, -12.97, 35.32

 

CMYK 27 / 0 / 73 / 64

HEX #425B19

RGB 66 91 25

HSL 82.73, 0.57%, 0.23%

LAB 35.42, -20.77, 33.56

 

CMYK 47 / 0 / 73 / 64

HEX #305B19

RGB 48 91 25

HSL 99.09, 0.57%, 0.23%

LAB 34.36, -28.03, 32.12

 

CMYK 66 / 0 / 73 / 64

HEX #1F5B19

RGB 31 91 25

HSL 114.55, 0.57%, 0.23%

LAB 33.66, -33.4, 31.16

 

CMYK 30 / 0 / 74 / 89

HEX #131B07

RGB 19 27 7

HSL 84, 0.59%, 0.07%

LAB 8.46, -7.84, 9.65

 

CMYK 29 / 0 / 73 / 77

HEX #2A3B10

RGB 42 59 16

HSL 83.72, 0.57%, 0.15%

LAB 22.51, -15.08, 23.7

 

CMYK 27 / 0 / 73 / 64

HEX #425B19

RGB 66 91 25

HSL 82.73, 0.57%, 0.23%

LAB 35.42, -20.77, 33.56

 

CMYK 28 / 0 / 72 / 52

HEX #597B22

RGB 89 123 34

HSL 82.92, 0.57%, 0.31%

LAB 47.5, -26.48, 42.59

 

CMYK 28 / 0 / 72 / 39

HEX #709B2B

RGB 112 155 43

HSL 83.04, 0.57%, 0.39%

LAB 59.03, -31.88, 51.14

 

CMYK 28 / 0 / 72 / 64

HEX #435D1A

RGB 67 93 26

HSL 83.28, 0.56%, 0.23%

LAB 36.17, -21.29, 33.91

 

CMYK 73 / 0 / 30 / 64

HEX #195B40

RGB 25 91 64

HSL 155.45, 0.57%, 0.23%

LAB 34.11, -27.79, 9.7

 

CMYK 1 / 73 / 0 / 64

HEX #5A195B

RGB 90 25 91

HSL 299.09, 0.57%, 0.23%

LAB 22.39, 38.5, -24.82

 

CMYK 28 / 0 / 72 / 64

HEX #435D1A

RGB 67 93 26

HSL 83.28, 0.56%, 0.23%

LAB 36.17, -21.29, 33.91

 

CMYK 73 / 27 / 0 / 64

HEX #19425B

RGB 25 66 91

HSL 202.73, 0.57%, 0.23%

LAB 26.33, -5.15, -19.06

 

CMYK 0 / 73 / 27 / 64

HEX #5B1942

RGB 91 25 66

HSL 322.73, 0.57%, 0.23%

LAB 21.26, 34.5, -9.68

 

CMYK 28 / 0 / 72 / 64

HEX #435D1A

RGB 67 93 26

HSL 83.28, 0.56%, 0.23%

LAB 36.17, -21.29, 33.91

 

CMYK 73 / 0 / 30 / 64

HEX #195B40

RGB 25 91 64

HSL 155.45, 0.57%, 0.23%

LAB 34.11, -27.79, 9.7

 

CMYK 45 / 73 / 0 / 64

HEX #32195B

RGB 50 25 91

HSL 262.73, 0.57%, 0.23%

LAB 16.15, 28.58, -35.17

 

CMYK 0 / 73 / 42 / 64

HEX #5B1935

RGB 91 25 53

HSL 334.55, 0.57%, 0.23%

LAB 20.74, 32.73, -1.45

 

CMYK 28 / 0 / 72 / 64

HEX #435D1A

RGB 67 93 26

HSL 83.28, 0.56%, 0.23%

LAB 36.17, -21.29, 33.91

 

CMYK 73 / 0 / 9 / 64

HEX #195B53

RGB 25 91 83

HSL 172.73, 0.57%, 0.23%

LAB 34.63, -22.47, -1.38

 

CMYK 45 / 73 / 0 / 64

HEX #32195B

RGB 50 25 91

HSL 262.73, 0.57%, 0.23%

LAB 16.15, 28.58, -35.17

 

CMYK 0 / 73 / 64 / 64

HEX #5B1921

RGB 91 25 33

HSL 352.73, 0.57%, 0.23%

LAB 20.16, 30.69, 11.75

 

Description

Color code: HEX #435D1A | qconv.com Color code: HEX #435D1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 93 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 93 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 72 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 72% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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