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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #435197 it is the complementary color #BCAE68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #435197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #435197 shade: #485192, #5963A5, #6A75B8, #7B87CB and #8C99DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #435197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #435197 shade: #435197, #323F84, #212D71, #101B5E and #00094B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #435197 shade: #425198, #4B4298, #624298, #794298 and #904298

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #435197 shade: #425198 and #424298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #435197 shade matches the following richer shades: #425198, #3145AA, #1F39BB and #0D2DCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #435197 shade: #425198, #545C86, #666874, #787463 and #898051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #435197 shade: #427E98, #426798, #425198, #4B4298 and #624298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #435197 shade: #29325F, #36417B, #425198, #5161B2 and #6E7BBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #435197 shade: #435197, #984295 and #739842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #435197 shade: #435197, #984251 and #519842

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #435197 shade: #435197, #984295, #988A42 and #429845

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #435197 shade: #435197, #98427B, #988A42 and #42985F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

Complementary color

CMYK 0 / 7 / 45 / 26

HEX #BCAE68

RGB 188 174 104

HSL 50, 0.39%, 0.57%

LAB 70.85, -4.79, 37.63

 

CMYK 51 / 45 / 0 / 43

HEX #485192

RGB 72 81 146

HSL 232.7, 0.34%, 0.43%

LAB 36.63, 15.36, -37.09

 

CMYK 46 / 40 / 0 / 35

HEX #5963A5

RGB 89 99 165

HSL 232.11, 0.3%, 0.5%

LAB 43.89, 14.27, -36.86

 

CMYK 42 / 36 / 0 / 28

HEX #6A75B8

RGB 106 117 184

HSL 231.54, 0.35%, 0.57%

LAB 50.98, 13.38, -36.7

 

CMYK 39 / 33 / 0 / 20

HEX #7B87CB

RGB 123 135 203

HSL 231, 0.43%, 0.64%

LAB 57.9, 12.63, -36.59

 

CMYK 37 / 31 / 0 / 13

HEX #8C99DE

RGB 140 153 222

HSL 230.49, 0.55%, 0.71%

LAB 64.67, 12, -36.54

 

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

CMYK 62 / 52 / 0 / 48

HEX #323F84

RGB 50 63 132

HSL 230.49, 0.45%, 0.36%

LAB 29.16, 17.49, -40.54

 

CMYK 71 / 60 / 0 / 56

HEX #212D71

RGB 33 45 113

HSL 231, 0.55%, 0.29%

LAB 21.55, 19.64, -40.88

 

CMYK 83 / 71 / 0 / 63

HEX #101B5E

RGB 16 27 94

HSL 231.54, 0.71%, 0.22%

LAB 13.84, 22.54, -41.07

 

CMYK 100 / 88 / 0 / 71

HEX #00094B

RGB 0 9 75

HSL 232.8, 1%, 0.15%

LAB 6.35, 25.26, -40.5

 

CMYK 57 / 47 / 0 / 40

HEX #425198

RGB 66 81 152

HSL 229.53, 0.39%, 0.43%

LAB 36.57, 15.98, -40.83

 

CMYK 51 / 57 / 0 / 40

HEX #4B4298

RGB 75 66 152

HSL 246.28, 0.39%, 0.43%

LAB 33.26, 27.7, -46.11

 

CMYK 36 / 57 / 0 / 40

HEX #624298

RGB 98 66 152

HSL 262.33, 0.39%, 0.43%

LAB 35.52, 33.24, -42.36

 

CMYK 20 / 57 / 0 / 40

HEX #794298

RGB 121 66 152

HSL 278.37, 0.39%, 0.43%

LAB 38.25, 39.34, -37.84

 

CMYK 5 / 57 / 0 / 40

HEX #904298

RGB 144 66 152

HSL 294.42, 0.39%, 0.43%

LAB 41.36, 45.7, -32.72

 

CMYK 57 / 47 / 0 / 40

HEX #425198

RGB 66 81 152

HSL 229.53, 0.39%, 0.43%

LAB 36.57, 15.98, -40.83

 

CMYK 57 / 57 / 0 / 40

HEX #424298

RGB 66 66 152

HSL 240, 0.39%, 0.43%

LAB 32.53, 25.78, -47.33

 

CMYK 57 / 47 / 0 / 40

HEX #425198

RGB 66 81 152

HSL 229.53, 0.39%, 0.43%

LAB 36.57, 15.98, -40.83

 

CMYK 71 / 59 / 0 / 33

HEX #3145AA

RGB 49 69 170

HSL 230.08, 0.55%, 0.43%

LAB 33.59, 27.32, -56.51

 

CMYK 83 / 70 / 0 / 27

HEX #1F39BB

RGB 31 57 187

HSL 230, 0.72%, 0.43%

LAB 31.36, 39.51, -70.29

 

CMYK 94 / 78 / 0 / 20

HEX #0D2DCD

RGB 13 45 205

HSL 230, 0.88%, 0.43%

LAB 30.33, 52, -82.57

 

CMYK 57 / 47 / 0 / 40

HEX #425198

RGB 66 81 152

HSL 229.53, 0.39%, 0.43%

LAB 36.57, 15.98, -40.83

 

CMYK 37 / 31 / 0 / 47

HEX #545C86

RGB 84 92 134

HSL 230.4, 0.23%, 0.43%

LAB 40.02, 7.89, -24.41

 

CMYK 12 / 10 / 0 / 55

HEX #666874

RGB 102 104 116

HSL 231.43, 0.06%, 0.43%

LAB 44.21, 1.86, -6.97

 

CMYK 0 / 3 / 18 / 53

HEX #787463

RGB 120 116 99

HSL 48.57, 0.1%, 0.43%

LAB 48.74, -1.59, 9.95

 

CMYK 0 / 7 / 41 / 46

HEX #898051

RGB 137 128 81

HSL 50.36, 0.26%, 0.43%

LAB 53.33, -3.84, 26.74

 

CMYK 57 / 17 / 0 / 40

HEX #427E98

RGB 66 126 152

HSL 198.14, 0.39%, 0.43%

LAB 49.91, -11.68, -19.93

 

CMYK 57 / 32 / 0 / 40

HEX #426798

RGB 66 103 152

HSL 214.19, 0.39%, 0.43%

LAB 42.95, 1.95, -30.73

 

CMYK 57 / 47 / 0 / 40

HEX #425198

RGB 66 81 152

HSL 229.53, 0.39%, 0.43%

LAB 36.57, 15.98, -40.83

 

CMYK 51 / 57 / 0 / 40

HEX #4B4298

RGB 75 66 152

HSL 246.28, 0.39%, 0.43%

LAB 33.26, 27.7, -46.11

 

CMYK 36 / 57 / 0 / 40

HEX #624298

RGB 98 66 152

HSL 262.33, 0.39%, 0.43%

LAB 35.52, 33.24, -42.36

 

CMYK 57 / 47 / 0 / 63

HEX #29325F

RGB 41 50 95

HSL 230, 0.4%, 0.27%

LAB 22.23, 10.88, -28.08

 

CMYK 56 / 47 / 0 / 52

HEX #36417B

RGB 54 65 123

HSL 230.43, 0.39%, 0.35%

LAB 29.4, 13.76, -34.51

 

CMYK 57 / 47 / 0 / 40

HEX #425198

RGB 66 81 152

HSL 229.53, 0.39%, 0.43%

LAB 36.57, 15.98, -40.83

 

CMYK 54 / 46 / 0 / 30

HEX #5161B2

RGB 81 97 178

HSL 230.1, 0.39%, 0.51%

LAB 43.53, 17.78, -45.12

 

CMYK 42 / 36 / 0 / 25

HEX #6E7BBF

RGB 110 123 191

HSL 230.37, 0.39%, 0.59%

LAB 53.21, 12.87, -37.18

 

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

CMYK 0 / 57 / 2 / 40

HEX #984295

RGB 152 66 149

HSL 302.09, 0.39%, 0.43%

LAB 42.37, 47.38, -29.24

 

CMYK 24 / 0 / 57 / 40

HEX #739842

RGB 115 152 66

HSL 85.81, 0.39%, 0.43%

LAB 58.5, -27.34, 40.53

 

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

CMYK 0 / 57 / 47 / 40

HEX #984251

RGB 152 66 81

HSL 349.53, 0.39%, 0.43%

LAB 39.86, 37.49, 8.94

 

CMYK 47 / 0 / 57 / 40

HEX #519842

RGB 81 152 66

HSL 109.53, 0.39%, 0.43%

LAB 56.68, -39.5, 37.94

 

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

CMYK 0 / 57 / 2 / 40

HEX #984295

RGB 152 66 149

HSL 302.09, 0.39%, 0.43%

LAB 42.37, 47.38, -29.24

 

CMYK 0 / 9 / 57 / 40

HEX #988A42

RGB 152 138 66

HSL 50.23, 0.39%, 0.43%

LAB 57.31, -4.34, 39.89

 

CMYK 57 / 0 / 55 / 40

HEX #429845

RGB 66 152 69

HSL 122.09, 0.39%, 0.43%

LAB 56.13, -43.45, 35.65

 

CMYK 56 / 46 / 0 / 41

HEX #435197

RGB 67 81 151

HSL 230, 0.39%, 0.43%

LAB 36.58, 15.86, -40.21

 

CMYK 0 / 57 / 19 / 40

HEX #98427B

RGB 152 66 123

HSL 320.23, 0.39%, 0.43%

LAB 41.22, 42.99, -15.19

 

CMYK 0 / 9 / 57 / 40

HEX #988A42

RGB 152 138 66

HSL 50.23, 0.39%, 0.43%

LAB 57.31, -4.34, 39.89

 

CMYK 57 / 0 / 38 / 40

HEX #42985F

RGB 66 152 95

HSL 140.23, 0.39%, 0.43%

LAB 56.53, -39.21, 22.39

 

Description

Color code: HEX #435197 | qconv.com Color code: HEX #435197 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 81 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 81 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 46 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 46% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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