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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #433B4D it is the complementary color #BCC4B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #433B4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #433B4D shade: #483B48, #594D5B, #6A5F6E, #7B7181 and #8C8394

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #433B4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #433B4D shade: #433B4D, #32293A, #211727, #100514 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #433B4D shade: #433B4D, #483B4D, #4D3B4D, #4D3B49 and #4D3B44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #433B4D shade: #433B4D, #3F3B4D and #3B3B4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #433B4D shade matches the following richer shades: #433B4D, #423058, #412564, #401A6F and #3E0F7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #433B4D shade: #433B4D, #454742, #465237, #475D2C and #486821

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #433B4D shade: #3B3D4D, #3E3B4D, #433B4D, #483B4D and #4D3B4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #433B4D shade: #1B181F, #2F2936, #433B4D, #584D65 and #6C5F7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #433B4D shade: #433B4D, #4D3B42 and #3B4D3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #433B4D shade: #433B4D, #4D433B and #3B4D43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #433B4D shade: #433B4D, #4D3B42, #464D3B and #3B4D47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #433B4D shade: #433B4D, #4D3B3D, #464D3B and #3B4D4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

Complementary color

CMYK 4 / 0 / 9 / 23

HEX #BCC4B2

RGB 188 196 178

HSL 86.67, 0.13%, 0.73%

LAB 78.1, -6.02, 8.08

 

CMYK 0 / 18 / 0 / 72

HEX #483B48

RGB 72 59 72

HSL 300, 0.1%, 0.26%

LAB 26.66, 8.41, -5.82

 

CMYK 2 / 15 / 0 / 64

HEX #594D5B

RGB 89 77 91

HSL 291.43, 0.08%, 0.33%

LAB 34.37, 7.9, -6.36

 

CMYK 4 / 14 / 0 / 57

HEX #6A5F6E

RGB 106 95 110

HSL 284, 0.07%, 0.4%

LAB 41.81, 7.46, -6.88

 

CMYK 5 / 12 / 0 / 49

HEX #7B7181

RGB 123 113 129

HSL 277.5, 0.07%, 0.47%

LAB 49.01, 7.09, -7.39

 

CMYK 5 / 11 / 0 / 42

HEX #8C8394

RGB 140 131 148

HSL 271.76, 0.07%, 0.55%

LAB 56.03, 6.75, -7.88

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 14 / 29 / 0 / 77

HEX #32293A

RGB 50 41 58

HSL 271.76, 0.17%, 0.19%

LAB 18.23, 8.19, -9.34

 

CMYK 15 / 41 / 0 / 85

HEX #211727

RGB 33 23 39

HSL 277.5, 0.26%, 0.12%

LAB 9.66, 8.96, -9.05

 

CMYK 20 / 75 / 0 / 92

HEX #100514

RGB 16 5 20

HSL 284, 0.6%, 0.05%

LAB 2.43, 5.67, -5.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 6 / 23 / 0 / 70

HEX #483B4D

RGB 72 59 77

HSL 283.33, 0.13%, 0.27%

LAB 26.85, 9.57, -8.82

 

CMYK 0 / 23 / 0 / 70

HEX #4D3B4D

RGB 77 59 77

HSL 300, 0.13%, 0.27%

LAB 27.41, 11.57, -7.92

 

CMYK 0 / 23 / 5 / 70

HEX #4D3B49

RGB 77 59 73

HSL 313.33, 0.13%, 0.27%

LAB 27.26, 10.69, -5.52

 

CMYK 0 / 23 / 12 / 70

HEX #4D3B44

RGB 77 59 68

HSL 330, 0.13%, 0.27%

LAB 27.08, 9.64, -2.49

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 18 / 23 / 0 / 70

HEX #3F3B4D

RGB 63 59 77

HSL 253.33, 0.13%, 0.27%

LAB 25.92, 6.06, -10.32

 

CMYK 23 / 23 / 0 / 70

HEX #3B3B4D

RGB 59 59 77

HSL 240, 0.13%, 0.27%

LAB 25.54, 4.55, -10.93

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 25 / 45 / 0 / 65

HEX #423058

RGB 66 48 88

HSL 267, 0.29%, 0.27%

LAB 23.59, 17.49, -21.16

 

CMYK 35 / 63 / 0 / 61

HEX #412564

RGB 65 37 100

HSL 266.67, 0.46%, 0.27%

LAB 21.46, 27.65, -32.45

 

CMYK 42 / 77 / 0 / 56

HEX #401A6F

RGB 64 26 111

HSL 266.82, 0.62%, 0.27%

LAB 19.95, 36.7, -42.07

 

CMYK 49 / 88 / 0 / 52

HEX #3E0F7A

RGB 62 15 122

HSL 266.36, 0.78%, 0.27%

LAB 19.1, 44.07, -50.55

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 3 / 0 / 7 / 72

HEX #454742

RGB 69 71 66

HSL 84, 0.04%, 0.27%

LAB 29.83, -1.92, 2.71

 

CMYK 15 / 0 / 33 / 68

HEX #465237

RGB 70 82 55

HSL 86.67, 0.2%, 0.27%

LAB 33.16, -10.28, 14.33

 

CMYK 24 / 0 / 53 / 64

HEX #475D2C

RGB 71 93 44

HSL 86.94, 0.36%, 0.27%

LAB 36.65, -17.68, 25.3

 

CMYK 31 / 0 / 68 / 59

HEX #486821

RGB 72 104 33

HSL 87.04, 0.52%, 0.27%

LAB 40.23, -24.18, 35.09

 

CMYK 23 / 21 / 0 / 70

HEX #3B3D4D

RGB 59 61 77

HSL 233.33, 0.13%, 0.27%

LAB 26.17, 3.22, -9.99

 

CMYK 19 / 23 / 0 / 70

HEX #3E3B4D

RGB 62 59 77

HSL 250, 0.13%, 0.27%

LAB 25.83, 5.68, -10.48

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 6 / 23 / 0 / 70

HEX #483B4D

RGB 72 59 77

HSL 283.33, 0.13%, 0.27%

LAB 26.85, 9.57, -8.82

 

CMYK 0 / 23 / 0 / 70

HEX #4D3B4D

RGB 77 59 77

HSL 300, 0.13%, 0.27%

LAB 27.41, 11.57, -7.92

 

CMYK 13 / 23 / 0 / 88

HEX #1B181F

RGB 27 24 31

HSL 265.71, 0.13%, 0.11%

LAB 8.87, 3.31, -4.34

 

CMYK 13 / 24 / 0 / 79

HEX #2F2936

RGB 47 41 54

HSL 267.69, 0.14%, 0.19%

LAB 17.72, 5.9, -7.37

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 13 / 24 / 0 / 60

HEX #584D65

RGB 88 77 101

HSL 267.5, 0.13%, 0.35%

LAB 34.64, 9.83, -12.27

 

CMYK 13 / 23 / 0 / 51

HEX #6C5F7C

RGB 108 95 124

HSL 266.9, 0.13%, 0.43%

LAB 42.5, 11.35, -14.34

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 0 / 23 / 14 / 70

HEX #4D3B42

RGB 77 59 66

HSL 336.67, 0.13%, 0.27%

LAB 27.02, 9.24, -1.27

 

CMYK 23 / 0 / 22 / 70

HEX #3B4D3C

RGB 59 77 60

HSL 123.33, 0.13%, 0.27%

LAB 30.79, -10.99, 7.82

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 0 / 13 / 23 / 70

HEX #4D433B

RGB 77 67 59

HSL 26.67, 0.13%, 0.27%

LAB 29.18, 2.76, 6.42

 

CMYK 23 / 0 / 13 / 70

HEX #3B4D43

RGB 59 77 67

HSL 146.67, 0.13%, 0.27%

LAB 30.98, -9.45, 3.63

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 0 / 23 / 14 / 70

HEX #4D3B42

RGB 77 59 66

HSL 336.67, 0.13%, 0.27%

LAB 27.02, 9.24, -1.27

 

CMYK 9 / 0 / 23 / 70

HEX #464D3B

RGB 70 77 59

HSL 83.33, 0.13%, 0.27%

LAB 31.64, -6.59, 9.76

 

CMYK 23 / 0 / 8 / 70

HEX #3B4D47

RGB 59 77 71

HSL 160, 0.13%, 0.27%

LAB 31.1, -8.5, 1.24

 

CMYK 13 / 23 / 0 / 70

HEX #433B4D

RGB 67 59 77

HSL 266.67, 0.13%, 0.27%

LAB 26.32, 7.61, -9.68

 

CMYK 0 / 23 / 21 / 70

HEX #4D3B3D

RGB 77 59 61

HSL 353.33, 0.13%, 0.27%

LAB 26.86, 8.28, 1.79

 

CMYK 9 / 0 / 23 / 70

HEX #464D3B

RGB 70 77 59

HSL 83.33, 0.13%, 0.27%

LAB 31.64, -6.59, 9.76

 

CMYK 23 / 0 / 1 / 70

HEX #3B4D4C

RGB 59 77 76

HSL 176.67, 0.13%, 0.27%

LAB 31.25, -7.26, -1.73

 

Description

Color code: HEX #433B4D | qconv.com Color code: HEX #433B4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 59 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 59 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 23 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 23% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Purple Sue | Profess...
Link: http://www.purplesue.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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