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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42E2E5 it is the complementary color #BD1D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42E2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42E2E5 shade: #47E2E0, #58F4F3, #69FFFF, #7AFFFF and #8BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42E2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42E2E5 shade: #42E2E5, #31D0D2, #20BEBF, #0FACAC and #009A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42E2E5 shade: #42E2E5, #42B6E5, #428AE5, #425EE5 and #5242E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42E2E5 shade: #42E2E5, #42B6E5, #428AE5, #425EE5 and #4242E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42E2E5 shade matches the following richer shades: #42E2E5 and #31F3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42E2E5 shade: #42E2E5, #53D1D3, #65C0C2, #76B0B1 and #879F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42E2E5 shade: #42E591, #42E5BC, #42E2E5, #42B7E5 and #428BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42E2E5 shade: #19B8BB, #1EDCDF, #42E2E5, #66E7EA and #8BEDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42E2E5 shade: #42E2E5, #6542E5 and #E5A642

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42E2E5 shade: #42E2E5, #E542E2 and #E2E542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42E2E5 shade: #42E2E5, #6542E5, #E54542 and #C2E542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42E2E5 shade: #42E2E5, #9642E5, #E54542 and #91E542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

Complementary color

CMYK 0 / 85 / 86 / 26

HEX #BD1D1A

RGB 189 29 26

HSL 1.1, 0.76%, 0.42%

LAB 40.85, 60.13, 44.3

 

CMYK 69 / 0 / 1 / 11

HEX #47E2E0

RGB 71 226 224

HSL 179.23, 0.73%, 0.58%

LAB 82.44, -39.73, -10.77

 

CMYK 64 / 0 / 0 / 4

HEX #58F4F3

RGB 88 244 243

HSL 179.62, 0.88%, 0.65%

LAB 88.57, -40.33, -11.6

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 77 / 1 / 0 / 18

HEX #31D0D2

RGB 49 208 210

HSL 180.75, 0.64%, 0.51%

LAB 76.33, -38.02, -12.47

 

CMYK 83 / 1 / 0 / 25

HEX #20BEBF

RGB 32 190 191

HSL 180.38, 0.71%, 0.44%

LAB 70.1, -36.81, -11.49

 

CMYK 91 / 0 / 0 / 33

HEX #0FACAC

RGB 15 172 172

HSL 180, 0.84%, 0.37%

LAB 63.82, -35.24, -10.39

 

CMYK 100 / 0 / 1 / 40

HEX #009A99

RGB 0 154 153

HSL 179.61, 1%, 0.3%

LAB 57.47, -33.31, -9.18

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 71 / 21 / 0 / 10

HEX #42B6E5

RGB 66 182 229

HSL 197.3, 0.76%, 0.58%

LAB 69.66, -17.4, -32.89

 

CMYK 71 / 40 / 0 / 10

HEX #428AE5

RGB 66 138 229

HSL 213.5, 0.76%, 0.58%

LAB 57.07, 7.44, -52.68

 

CMYK 71 / 59 / 0 / 10

HEX #425EE5

RGB 66 94 229

HSL 229.69, 0.76%, 0.58%

LAB 45.39, 34.72, -71.5

 

CMYK 64 / 71 / 0 / 10

HEX #5242E5

RGB 82 66 229

HSL 245.89, 0.76%, 0.58%

LAB 40.16, 53.19, -80.03

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 71 / 21 / 0 / 10

HEX #42B6E5

RGB 66 182 229

HSL 197.3, 0.76%, 0.58%

LAB 69.66, -17.4, -32.89

 

CMYK 71 / 40 / 0 / 10

HEX #428AE5

RGB 66 138 229

HSL 213.5, 0.76%, 0.58%

LAB 57.07, 7.44, -52.68

 

CMYK 71 / 59 / 0 / 10

HEX #425EE5

RGB 66 94 229

HSL 229.69, 0.76%, 0.58%

LAB 45.39, 34.72, -71.5

 

CMYK 71 / 71 / 0 / 10

HEX #4242E5

RGB 66 66 229

HSL 240, 0.76%, 0.58%

LAB 39.09, 51.46, -81.83

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 80 / 1 / 0 / 4

HEX #31F3F6

RGB 49 243 246

HSL 180.91, 0.92%, 0.58%

LAB 87.68, -43.41, -14.56

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 61 / 1 / 0 / 17

HEX #53D1D3

RGB 83 209 211

HSL 180.94, 0.59%, 0.58%

LAB 77.37, -33.69, -11.38

 

CMYK 48 / 1 / 0 / 24

HEX #65C0C2

RGB 101 192 194

HSL 181.29, 0.43%, 0.58%

LAB 72.47, -26.56, -9.42

 

CMYK 33 / 1 / 0 / 31

HEX #76B0B1

RGB 118 176 177

HSL 181.02, 0.27%, 0.58%

LAB 68.08, -18.48, -6.53

 

CMYK 15 / 0 / 0 / 38

HEX #879F9F

RGB 135 159 159

HSL 180, 0.11%, 0.58%

LAB 63.71, -8.35, -2.82

 

CMYK 71 / 0 / 37 / 10

HEX #42E591

RGB 66 229 145

HSL 149.08, 0.76%, 0.58%

LAB 81.42, -60.27, 29.22

 

CMYK 71 / 0 / 18 / 10

HEX #42E5BC

RGB 66 229 188

HSL 164.91, 0.76%, 0.58%

LAB 82.29, -51.01, 8.04

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 71 / 20 / 0 / 10

HEX #42B7E5

RGB 66 183 229

HSL 196.93, 0.76%, 0.58%

LAB 69.95, -17.92, -32.45

 

CMYK 71 / 39 / 0 / 10

HEX #428BE5

RGB 66 139 229

HSL 213.13, 0.76%, 0.58%

LAB 57.35, 6.84, -52.23

 

CMYK 87 / 2 / 0 / 27

HEX #19B8BB

RGB 25 184 187

HSL 181.11, 0.76%, 0.42%

LAB 68.08, -35.71, -12.33

 

CMYK 87 / 1 / 0 / 13

HEX #1EDCDF

RGB 30 220 223

HSL 180.93, 0.76%, 0.5%

LAB 80.06, -41.1, -13.86

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 56 / 1 / 0 / 8

HEX #66E7EA

RGB 102 231 234

HSL 181.36, 0.76%, 0.66%

LAB 84.95, -34.48, -12.23

 

CMYK 42 / 1 / 0 / 6

HEX #8BEDEF

RGB 139 237 239

HSL 181.2, 0.76%, 0.74%

LAB 88.11, -28.3, -10.02

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 56 / 71 / 0 / 10

HEX #6542E5

RGB 101 66 229

HSL 252.88, 0.76%, 0.58%

LAB 41.72, 55.66, -77.41

 

CMYK 0 / 28 / 71 / 10

HEX #E5A642

RGB 229 166 66

HSL 36.81, 0.76%, 0.58%

LAB 72.44, 13.97, 58.68

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 0 / 71 / 1 / 10

HEX #E542E2

RGB 229 66 226

HSL 301.1, 0.76%, 0.58%

LAB 58.08, 78.83, -48.47

 

CMYK 1 / 0 / 71 / 10

HEX #E2E542

RGB 226 229 66

HSL 61.1, 0.76%, 0.58%

LAB 88.26, -19.59, 74.24

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 56 / 71 / 0 / 10

HEX #6542E5

RGB 101 66 229

HSL 252.88, 0.76%, 0.58%

LAB 41.72, 55.66, -77.41

 

CMYK 0 / 70 / 71 / 10

HEX #E54542

RGB 229 69 66

HSL 1.1, 0.76%, 0.58%

LAB 53.28, 61.19, 37.84

 

CMYK 15 / 0 / 71 / 10

HEX #C2E542

RGB 194 229 66

HSL 72.88, 0.76%, 0.58%

LAB 85.96, -32.5, 71.23

 

CMYK 71 / 1 / 0 / 10

HEX #42E2E5

RGB 66 226 229

HSL 181.1, 0.76%, 0.58%

LAB 82.49, -38.96, -13.36

 

CMYK 34 / 71 / 0 / 10

HEX #9642E5

RGB 150 66 229

HSL 270.92, 0.76%, 0.58%

LAB 47.02, 63.67, -68.53

 

CMYK 0 / 70 / 71 / 10

HEX #E54542

RGB 229 69 66

HSL 1.1, 0.76%, 0.58%

LAB 53.28, 61.19, 37.84

 

CMYK 37 / 0 / 71 / 10

HEX #91E542

RGB 145 229 66

HSL 90.92, 0.76%, 0.58%

LAB 83.15, -50.58, 67.51

 

Description

Color code: HEX #42E2E5 | qconv.com Color code: HEX #42E2E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 226 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 226 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 1 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 1% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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