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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42E669 it is the complementary color #BD1996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42E669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42E669 shade: #47E664, #58F877, #69FF8A, #7AFF9D and #8BFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42E669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42E669 shade: #42E669, #31D456, #20C243, #0FB030 and #009E1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42E669 shade: #41E668, #46E641, #73E641, #9FE641 and #CCE641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42E669 shade: #41E668, #41E695, #41E6C1, #41DEE6 and #41B2E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42E669 shade matches the following richer shades: #41E668 and #30F75F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42E669 shade: #41E668, #52D571, #64C37A, #75B283 and #86A18D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42E669 shade: #72E641, #46E641, #41E667, #41E693 and #41E6BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42E669 shade: #18BC3F, #1DE14B, #41E668, #65EB85 and #8AEFA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42E669 shade: #42E669, #419EE6 and #E6415C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42E669 shade: #42E669, #6741E6 and #E66741

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42E669 shade: #42E669, #419EE6, #E641BF and #E68841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42E669 shade: #42E669, #416DE6, #E641BF and #E6BA41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 54 / 10

HEX #42E669

RGB 66 230 105

HSL 134.27, 0.77%, 0.58%

LAB 81.17, -67.07, 48.48

 

Complementary color

CMYK 0 / 87 / 21 / 26

HEX #BD1996

RGB 189 25 150

HSL 314.27, 0.77%, 0.42%

LAB 43.82, 70.17, -27.12

 

CMYK 69 / 0 / 57 / 10

HEX #47E664

RGB 71 230 100

HSL 130.94, 0.76%, 0.59%

LAB 81.21, -66.9, 50.84

 

CMYK 65 / 0 / 52 / 3

HEX #58F877

RGB 88 248 119

HSL 131.63, 0.92%, 0.66%

LAB 87.26, -67.54, 49.49

 

CMYK 59 / 0 / 46 / 0

HEX #69FF8A

RGB 105 255 138

HSL 133.2, 1%, 0.71%

LAB 90.03, -63.95, 44.06

 

CMYK 52 / 0 / 38 / 0

HEX #7AFF9D

RGB 122 255 157

HSL 135.79, 1%, 0.74%

LAB 90.82, -57.16, 35.93

 

CMYK 45 / 0 / 31 / 0

HEX #8BFFB0

RGB 139 255 176

HSL 139.14, 1%, 0.77%

LAB 91.75, -49.7, 27.77

 

CMYK 71 / 0 / 54 / 10

HEX #42E669

RGB 66 230 105

HSL 134.27, 0.77%, 0.58%

LAB 81.17, -67.07, 48.48

 

CMYK 77 / 0 / 59 / 17

HEX #31D456

RGB 49 212 86

HSL 133.62, 0.65%, 0.51%

LAB 75.08, -66, 49.87

 

CMYK 84 / 0 / 65 / 24

HEX #20C243

RGB 32 194 67

HSL 132.96, 0.72%, 0.44%

LAB 68.97, -64.44, 51.16

 

CMYK 91 / 0 / 73 / 31

HEX #0FB030

RGB 15 176 48

HSL 132.3, 0.84%, 0.37%

LAB 62.82, -62.18, 52.14

 

CMYK 100 / 0 / 82 / 38

HEX #009E1D

RGB 0 158 29

HSL 131.01, 1%, 0.31%

LAB 56.63, -59.13, 52.45

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 70 / 0 / 72 / 10

HEX #46E641

RGB 70 230 65

HSL 118.18, 0.77%, 0.58%

LAB 80.89, -70.62, 64.75

 

CMYK 50 / 0 / 72 / 10

HEX #73E641

RGB 115 230 65

HSL 101.82, 0.77%, 0.58%

LAB 82.17, -60.33, 66.46

 

CMYK 31 / 0 / 72 / 10

HEX #9FE641

RGB 159 230 65

HSL 85.82, 0.77%, 0.58%

LAB 84.15, -46.2, 69.08

 

CMYK 11 / 0 / 72 / 10

HEX #CCE641

RGB 204 230 65

HSL 69.45, 0.77%, 0.58%

LAB 86.9, -29.05, 72.72

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 72 / 0 / 35 / 10

HEX #41E695

RGB 65 230 149

HSL 150.55, 0.77%, 0.58%

LAB 81.78, -60.02, 27.64

 

CMYK 72 / 0 / 16 / 10

HEX #41E6C1

RGB 65 230 193

HSL 166.55, 0.77%, 0.58%

LAB 82.68, -50.34, 5.97

 

CMYK 72 / 3 / 0 / 10

HEX #41DEE6

RGB 65 222 230

HSL 182.91, 0.77%, 0.58%

LAB 81.34, -36.95, -15.63

 

CMYK 72 / 23 / 0 / 10

HEX #41B2E6

RGB 65 178 230

HSL 198.91, 0.77%, 0.58%

LAB 68.52, -15.08, -35.22

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 81 / 0 / 62 / 3

HEX #30F75F

RGB 48 247 95

HSL 134.17, 0.93%, 0.58%

LAB 85.99, -76.05, 58.46

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 62 / 0 / 47 / 16

HEX #52D571

RGB 82 213 113

HSL 134.2, 0.61%, 0.58%

LAB 76.42, -56.97, 38.89

 

CMYK 49 / 0 / 37 / 24

HEX #64C37A

RGB 100 195 122

HSL 133.89, 0.44%, 0.58%

LAB 71.65, -44, 28.25

 

CMYK 34 / 0 / 26 / 30

HEX #75B283

RGB 117 178 131

HSL 133.77, 0.28%, 0.58%

LAB 67.47, -29.68, 17.92

 

CMYK 17 / 0 / 12 / 37

HEX #86A18D

RGB 134 161 141

HSL 135.56, 0.13%, 0.58%

LAB 63.74, -13.47, 7.3

 

CMYK 50 / 0 / 72 / 10

HEX #72E641

RGB 114 230 65

HSL 102.18, 0.77%, 0.58%

LAB 82.14, -60.61, 66.41

 

CMYK 70 / 0 / 72 / 10

HEX #46E641

RGB 70 230 65

HSL 118.18, 0.77%, 0.58%

LAB 80.89, -70.62, 64.75

 

CMYK 72 / 0 / 55 / 10

HEX #41E667

RGB 65 230 103

HSL 133.82, 0.77%, 0.58%

LAB 81.12, -67.49, 49.34

 

CMYK 72 / 0 / 36 / 10

HEX #41E693

RGB 65 230 147

HSL 149.82, 0.77%, 0.58%

LAB 81.74, -60.4, 28.62

 

CMYK 72 / 0 / 17 / 10

HEX #41E6BF

RGB 65 230 191

HSL 165.82, 0.77%, 0.58%

LAB 82.64, -50.83, 6.96

 

CMYK 87 / 0 / 66 / 26

HEX #18BC3F

RGB 24 188 63

HSL 134.27, 0.77%, 0.42%

LAB 66.91, -63.73, 50.56

 

CMYK 87 / 0 / 67 / 12

HEX #1DE14B

RGB 29 225 75

HSL 134.08, 0.77%, 0.5%

LAB 78.82, -73.26, 58.64

 

CMYK 72 / 0 / 55 / 10

HEX #41E668

RGB 65 230 104

HSL 134.18, 0.77%, 0.58%

LAB 81.14, -67.35, 48.9

 

CMYK 57 / 0 / 43 / 8

HEX #65EB85

RGB 101 235 133

HSL 134.33, 0.77%, 0.66%

LAB 83.9, -58.09, 38.65

 

CMYK 42 / 0 / 32 / 6

HEX #8AEFA2

RGB 138 239 162

HSL 134.26, 0.76%, 0.74%

LAB 86.87, -45.6, 28.26

 

CMYK 71 / 0 / 54 / 10

HEX #42E669

RGB 66 230 105

HSL 134.27, 0.77%, 0.58%

LAB 81.17, -67.07, 48.48

 

CMYK 72 / 31 / 0 / 10

HEX #419EE6

RGB 65 158 230

HSL 206.18, 0.77%, 0.58%

LAB 62.75, -4.05, -44.23

 

CMYK 0 / 72 / 60 / 10

HEX #E6415C

RGB 230 65 92

HSL 350.18, 0.77%, 0.58%

LAB 53.36, 64.32, 22.82

 

CMYK 71 / 0 / 54 / 10

HEX #42E669

RGB 66 230 105

HSL 134.27, 0.77%, 0.58%

LAB 81.17, -67.07, 48.48

 

CMYK 55 / 72 / 0 / 10

HEX #6741E6

RGB 103 65 230

HSL 253.82, 0.77%, 0.58%

LAB 41.81, 56.73, -77.82

 

CMYK 0 / 55 / 72 / 10

HEX #E66741

RGB 230 103 65

HSL 13.82, 0.77%, 0.58%

LAB 58.89, 46.96, 44.76

 

CMYK 71 / 0 / 54 / 10

HEX #42E669

RGB 66 230 105

HSL 134.27, 0.77%, 0.58%

LAB 81.17, -67.07, 48.48

 

CMYK 72 / 31 / 0 / 10

HEX #419EE6

RGB 65 158 230

HSL 206.18, 0.77%, 0.58%

LAB 62.75, -4.05, -44.23

 

CMYK 0 / 72 / 17 / 10

HEX #E641BF

RGB 230 65 191

HSL 314.18, 0.77%, 0.58%

LAB 56.45, 74.29, -31.09

 

CMYK 0 / 41 / 72 / 10

HEX #E68841

RGB 230 136 65

HSL 25.82, 0.77%, 0.58%

LAB 65.6, 30.28, 52.03

 

CMYK 71 / 0 / 54 / 10

HEX #42E669

RGB 66 230 105

HSL 134.27, 0.77%, 0.58%

LAB 81.17, -67.07, 48.48

 

CMYK 72 / 53 / 0 / 10

HEX #416DE6

RGB 65 109 230

HSL 224, 0.77%, 0.58%

LAB 49.22, 25.55, -65.84

 

CMYK 0 / 72 / 17 / 10

HEX #E641BF

RGB 230 65 191

HSL 314.18, 0.77%, 0.58%

LAB 56.45, 74.29, -31.09

 

CMYK 0 / 19 / 72 / 10

HEX #E6BA41

RGB 230 186 65

HSL 44, 0.77%, 0.58%

LAB 77.47, 3.79, 64.21

 

Description

Color code: HEX #42E669 | qconv.com Color code: HEX #42E669 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 230 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 230 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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