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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42D0B8 it is the complementary color #BD2F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42D0B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42D0B8 shade: #47D0B3, #58E2C6, #69F4D9, #7AFFEC and #8BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42D0B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42D0B8 shade: #42D0B8, #31BEA5, #20AC92, #0F9A7F and #00886C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42D0B8 shade: #43D0B8, #43D092, #43D06C, #43D046 and #66D043

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42D0B8 shade: #43D0B8, #43C1D0, #439BD0, #4375D0 and #4350D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42D0B8 shade matches the following richer shades: #43D0B8, #30E3C4 and #1DF6D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42D0B8 shade: #43D0B8, #56BDAB, #69AA9F, #7C9792 and #8F8486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42D0B8 shade: #43D06B, #43D090, #43D0B6, #43C4D0 and #439ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42D0B8 shade: #269A86, #2EBBA3, #43D0B8, #64D8C4 and #85E0D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42D0B8 shade: #42D0B8, #4543D0 and #D07D43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42D0B8 shade: #42D0B8, #B643D0 and #D0B643

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42D0B8 shade: #42D0B8, #4543D0, #D0435D and #CDD043

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42D0B8 shade: #42D0B8, #6F43D0, #D0435D and #A3D043

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 12 / 18

HEX #42D0B8

RGB 66 208 184

HSL 169.86, 0.6%, 0.54%

LAB 75.9, -43.11, 0.95

 

Complementary color

CMYK 0 / 75 / 62 / 26

HEX #BD2F47

RGB 189 47 71

HSL 349.86, 0.6%, 0.46%

LAB 43.22, 56.94, 20.82

 

CMYK 66 / 0 / 14 / 18

HEX #47D0B3

RGB 71 208 179

HSL 167.3, 0.59%, 0.55%

LAB 75.89, -43.62, 3.63

 

CMYK 61 / 0 / 12 / 11

HEX #58E2C6

RGB 88 226 198

HSL 167.83, 0.7%, 0.62%

LAB 82.13, -43.93, 2.6

 

CMYK 57 / 0 / 11 / 4

HEX #69F4D9

RGB 105 244 217

HSL 168.35, 0.86%, 0.68%

LAB 88.31, -44.11, 1.65

 

CMYK 52 / 0 / 7 / 0

HEX #7AFFEC

RGB 122 255 236

HSL 171.43, 1%, 0.74%

LAB 92.45, -41.11, -2.11

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 68 / 0 / 12 / 18

HEX #42D0B8

RGB 66 208 184

HSL 169.86, 0.6%, 0.54%

LAB 75.9, -43.11, 0.95

 

CMYK 74 / 0 / 13 / 25

HEX #31BEA5

RGB 49 190 165

HSL 169.36, 0.59%, 0.47%

LAB 69.61, -42.48, 2.06

 

CMYK 81 / 0 / 15 / 33

HEX #20AC92

RGB 32 172 146

HSL 168.86, 0.69%, 0.4%

LAB 63.25, -41.56, 3.3

 

CMYK 90 / 0 / 18 / 40

HEX #0F9A7F

RGB 15 154 127

HSL 168.35, 0.82%, 0.33%

LAB 56.83, -40.25, 4.69

 

CMYK 100 / 0 / 21 / 47

HEX #00886C

RGB 0 136 108

HSL 167.65, 1%, 0.27%

LAB 50.32, -38.5, 6.26

 

CMYK 68 / 0 / 12 / 18

HEX #43D0B8

RGB 67 208 184

HSL 169.79, 0.6%, 0.54%

LAB 75.93, -42.96, 0.98

 

CMYK 68 / 0 / 30 / 18

HEX #43D092

RGB 67 208 146

HSL 153.62, 0.6%, 0.54%

LAB 75.06, -51.86, 20.07

 

CMYK 68 / 0 / 48 / 18

HEX #43D06C

RGB 67 208 108

HSL 137.45, 0.6%, 0.54%

LAB 74.44, -58.8, 38.78

 

CMYK 68 / 0 / 66 / 18

HEX #43D046

RGB 67 208 70

HSL 121.28, 0.6%, 0.54%

LAB 74.03, -63.58, 55.62

 

CMYK 51 / 0 / 68 / 18

HEX #66D043

RGB 102 208 67

HSL 105.11, 0.6%, 0.54%

LAB 75.04, -55.62, 58.21

 

CMYK 68 / 0 / 12 / 18

HEX #43D0B8

RGB 67 208 184

HSL 169.79, 0.6%, 0.54%

LAB 75.93, -42.96, 0.98

 

CMYK 68 / 7 / 0 / 18

HEX #43C1D0

RGB 67 193 208

HSL 186.38, 0.6%, 0.54%

LAB 72.15, -29.37, -17.63

 

CMYK 68 / 25 / 0 / 18

HEX #439BD0

RGB 67 155 208

HSL 202.55, 0.6%, 0.54%

LAB 60.95, -9.53, -34.84

 

CMYK 68 / 44 / 0 / 18

HEX #4375D0

RGB 67 117 208

HSL 218.72, 0.6%, 0.54%

LAB 50.06, 12.95, -52.03

 

CMYK 68 / 62 / 0 / 18

HEX #4350D0

RGB 67 80 208

HSL 234.47, 0.6%, 0.54%

LAB 40.39, 36.27, -67.67

 

CMYK 68 / 0 / 12 / 18

HEX #43D0B8

RGB 67 208 184

HSL 169.79, 0.6%, 0.54%

LAB 75.93, -42.96, 0.98

 

CMYK 79 / 0 / 14 / 11

HEX #30E3C4

RGB 48 227 196

HSL 169.61, 0.76%, 0.54%

LAB 81.59, -50.23, 2.78

 

CMYK 88 / 0 / 15 / 4

HEX #1DF6D1

RGB 29 246 209

HSL 169.77, 0.92%, 0.54%

LAB 87.38, -55.97, 4.31

 

CMYK 68 / 0 / 12 / 18

HEX #43D0B8

RGB 67 208 184

HSL 169.79, 0.6%, 0.54%

LAB 75.93, -42.96, 0.98

 

CMYK 54 / 0 / 10 / 26

HEX #56BDAB

RGB 86 189 171

HSL 169.51, 0.44%, 0.54%

LAB 70.4, -34.3, 0.03

 

CMYK 38 / 0 / 6 / 33

HEX #69AA9F

RGB 105 170 159

HSL 169.85, 0.28%, 0.54%

LAB 65.17, -23.38, -0.89

 

CMYK 18 / 0 / 3 / 41

HEX #7C9792

RGB 124 151 146

HSL 168.89, 0.11%, 0.54%

LAB 60.33, -10.52, -0.53

 

CMYK 0 / 8 / 6 / 44

HEX #8F8486

RGB 143 132 134

HSL 349.09, 0.05%, 0.54%

LAB 56.15, 4.51, 0.41

 

CMYK 68 / 0 / 49 / 18

HEX #43D06B

RGB 67 208 107

HSL 137.02, 0.6%, 0.54%

LAB 74.42, -58.96, 39.26

 

CMYK 68 / 0 / 31 / 18

HEX #43D090

RGB 67 208 144

HSL 152.77, 0.6%, 0.54%

LAB 75.03, -52.28, 21.07

 

CMYK 68 / 0 / 13 / 18

HEX #43D0B6

RGB 67 208 182

HSL 168.94, 0.6%, 0.54%

LAB 75.87, -43.48, 1.98

 

CMYK 68 / 6 / 0 / 18

HEX #43C4D0

RGB 67 196 208

HSL 185.11, 0.6%, 0.54%

LAB 73.04, -30.82, -16.29

 

CMYK 68 / 24 / 0 / 18

HEX #439ED0

RGB 67 158 208

HSL 201.28, 0.6%, 0.54%

LAB 61.83, -11.19, -33.47

 

CMYK 75 / 0 / 13 / 40

HEX #269A86

RGB 38 154 134

HSL 169.66, 0.6%, 0.38%

LAB 57.31, -36.19, 1.45

 

CMYK 75 / 0 / 13 / 27

HEX #2EBBA3

RGB 46 187 163

HSL 169.79, 0.61%, 0.46%

LAB 68.58, -42.06, 1.66

 

CMYK 68 / 0 / 12 / 18

HEX #43D0B8

RGB 67 208 184

HSL 169.79, 0.6%, 0.54%

LAB 75.93, -42.96, 0.98

 

CMYK 54 / 0 / 9 / 15

HEX #64D8C4

RGB 100 216 196

HSL 169.66, 0.6%, 0.62%

LAB 79.5, -37.66, -0.12

 

CMYK 41 / 0 / 7 / 12

HEX #85E0D1

RGB 133 224 209

HSL 170.11, 0.59%, 0.7%

LAB 83.39, -30.69, -1.2

 

CMYK 68 / 0 / 12 / 18

HEX #42D0B8

RGB 66 208 184

HSL 169.86, 0.6%, 0.54%

LAB 75.9, -43.11, 0.95

 

CMYK 67 / 68 / 0 / 18

HEX #4543D0

RGB 69 67 208

HSL 240.85, 0.6%, 0.54%

LAB 37.54, 44.41, -72.32

 

CMYK 0 / 40 / 68 / 18

HEX #D07D43

RGB 208 125 67

HSL 24.68, 0.6%, 0.54%

LAB 60.32, 27.21, 44.48

 

CMYK 68 / 0 / 12 / 18

HEX #42D0B8

RGB 66 208 184

HSL 169.86, 0.6%, 0.54%

LAB 75.9, -43.11, 0.95

 

CMYK 13 / 68 / 0 / 18

HEX #B643D0

RGB 182 67 208

HSL 288.94, 0.6%, 0.54%

LAB 50.11, 65.33, -51.36

 

CMYK 0 / 13 / 68 / 18

HEX #D0B643

RGB 208 182 67

HSL 48.94, 0.6%, 0.54%

LAB 74.36, -3.43, 59.57

 

CMYK 68 / 0 / 12 / 18

HEX #42D0B8

RGB 66 208 184

HSL 169.86, 0.6%, 0.54%

LAB 75.9, -43.11, 0.95

 

CMYK 67 / 68 / 0 / 18

HEX #4543D0

RGB 69 67 208

HSL 240.85, 0.6%, 0.54%

LAB 37.54, 44.41, -72.32

 

CMYK 0 / 68 / 55 / 18

HEX #D0435D

RGB 208 67 93

HSL 348.94, 0.6%, 0.54%

LAB 49.76, 56.99, 16.71

 

CMYK 1 / 0 / 68 / 18

HEX #CDD043

RGB 205 208 67

HSL 61.28, 0.6%, 0.54%

LAB 81.01, -17.94, 66.24

 

CMYK 68 / 0 / 12 / 18

HEX #42D0B8

RGB 66 208 184

HSL 169.86, 0.6%, 0.54%

LAB 75.9, -43.11, 0.95

 

CMYK 47 / 68 / 0 / 18

HEX #6F43D0

RGB 111 67 208

HSL 258.72, 0.6%, 0.54%

LAB 41.13, 50.87, -66.31

 

CMYK 0 / 68 / 55 / 18

HEX #D0435D

RGB 208 67 93

HSL 348.94, 0.6%, 0.54%

LAB 49.76, 56.99, 16.71

 

CMYK 22 / 0 / 68 / 18

HEX #A3D043

RGB 163 208 67

HSL 79.15, 0.6%, 0.54%

LAB 78.05, -34.9, 62.28

 

Description

Color code: HEX #42D0B8 | qconv.com Color code: HEX #42D0B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 208 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 208 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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