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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42D563 it is the complementary color #BD2A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42D563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42D563 shade: #47D55E, #58E771, #69F984, #7AFF97 and #8BFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42D563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42D563 shade: #42D563, #31C350, #20B13D, #0F9F2A and #008D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42D563 shade: #42D563, #49D542, #71D542, #98D542 and #C0D542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42D563 shade: #42D563, #42D58B, #42D5B3, #42D0D5 and #42A9D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42D563 shade matches the following richer shades: #42D563, #30E859 and #1DFA4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42D563 shade: #42D563, #55C36E, #67B078, #7A9D82 and #8D8B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42D563 shade: #71D542, #4AD542, #42D562, #42D589 and #42D5B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42D563 shade: #23A240, #2BC44D, #42D563, #64DD7F and #86E49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42D563 shade: #42D563, #4298D5 and #D5425D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42D563 shade: #42D563, #6242D5 and #D56242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42D563 shade: #42D563, #4298D5, #D542B5 and #D58042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42D563 shade: #42D563, #426CD5, #D542B5 and #D5AC42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

Complementary color

CMYK 0 / 78 / 17 / 26

HEX #BD2A9C

RGB 189 42 156

HSL 313.47, 0.64%, 0.45%

LAB 45.46, 67.03, -28.18

 

CMYK 67 / 0 / 56 / 16

HEX #47D55E

RGB 71 213 94

HSL 129.72, 0.63%, 0.56%

LAB 75.91, -61.83, 47.31

 

CMYK 62 / 0 / 51 / 9

HEX #58E771

RGB 88 231 113

HSL 130.49, 0.75%, 0.63%

LAB 82.07, -62.34, 45.94

 

CMYK 58 / 0 / 47 / 2

HEX #69F984

RGB 105 249 132

HSL 131.25, 0.92%, 0.69%

LAB 88.17, -62.61, 44.59

 

CMYK 52 / 0 / 41 / 0

HEX #7AFF97

RGB 122 255 151

HSL 133.08, 1%, 0.74%

LAB 90.73, -58.12, 38.77

 

CMYK 45 / 0 / 33 / 0

HEX #8BFFAA

RGB 139 255 170

HSL 136.03, 1%, 0.77%

LAB 91.65, -50.73, 30.65

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 75 / 0 / 59 / 24

HEX #31C350

RGB 49 195 80

HSL 132.74, 0.6%, 0.48%

LAB 69.66, -61.15, 46.28

 

CMYK 82 / 0 / 66 / 31

HEX #20B13D

RGB 32 177 61

HSL 132, 0.69%, 0.41%

LAB 63.42, -59.71, 47.59

 

CMYK 91 / 0 / 74 / 38

HEX #0F9F2A

RGB 15 159 42

HSL 131.25, 0.83%, 0.34%

LAB 57.14, -57.55, 48.57

 

CMYK 100 / 0 / 84 / 45

HEX #008D17

RGB 0 141 23

HSL 129.79, 1%, 0.28%

LAB 50.82, -54.51, 48.78

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 66 / 0 / 69 / 16

HEX #49D542

RGB 73 213 66

HSL 117.14, 0.64%, 0.55%

LAB 75.7, -64.45, 59.02

 

CMYK 47 / 0 / 69 / 16

HEX #71D542

RGB 113 213 66

HSL 100.82, 0.64%, 0.55%

LAB 76.98, -54.43, 60.75

 

CMYK 29 / 0 / 69 / 16

HEX #98D542

RGB 152 213 66

HSL 84.9, 0.64%, 0.55%

LAB 78.84, -41.35, 63.27

 

CMYK 10 / 0 / 69 / 16

HEX #C0D542

RGB 192 213 66

HSL 68.57, 0.64%, 0.55%

LAB 81.39, -25.78, 66.67

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 69 / 0 / 35 / 16

HEX #42D58B

RGB 66 213 139

HSL 149.8, 0.64%, 0.55%

LAB 76.44, -55.4, 25.62

 

CMYK 69 / 0 / 16 / 16

HEX #42D5B3

RGB 66 213 179

HSL 166.12, 0.64%, 0.55%

LAB 77.28, -46.52, 5.63

 

CMYK 69 / 2 / 0 / 16

HEX #42D0D5

RGB 66 208 213

HSL 182.04, 0.64%, 0.55%

LAB 76.72, -35.21, -13.46

 

CMYK 69 / 21 / 0 / 16

HEX #42A9D5

RGB 66 169 213

HSL 197.96, 0.64%, 0.55%

LAB 65.23, -15.68, -30.97

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 79 / 0 / 62 / 9

HEX #30E859

RGB 48 232 89

HSL 133.37, 0.8%, 0.55%

LAB 81.33, -72.11, 55.71

 

CMYK 88 / 0 / 68 / 2

HEX #1DFA4F

RGB 29 250 79

HSL 133.57, 0.96%, 0.55%

LAB 86.6, -80.14, 65.43

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 56 / 0 / 44 / 24

HEX #55C36E

RGB 85 195 110

HSL 133.64, 0.48%, 0.55%

LAB 70.93, -49.81, 33.42

 

CMYK 41 / 0 / 32 / 31

HEX #67B078

RGB 103 176 120

HSL 133.97, 0.32%, 0.55%

LAB 65.97, -35.09, 21.73

 

CMYK 22 / 0 / 17 / 38

HEX #7A9D82

RGB 122 157 130

HSL 133.71, 0.15%, 0.55%

LAB 61.54, -17.69, 10.22

 

CMYK 0 / 1 / 1 / 45

HEX #8D8B8C

RGB 141 139 140

HSL 330, 0.01%, 0.55%

LAB 58.06, 0.94, -0.28

 

CMYK 47 / 0 / 69 / 16

HEX #71D542

RGB 113 213 66

HSL 100.82, 0.64%, 0.55%

LAB 76.98, -54.43, 60.75

 

CMYK 65 / 0 / 69 / 16

HEX #4AD542

RGB 74 213 66

HSL 116.73, 0.64%, 0.55%

LAB 75.72, -64.25, 59.05

 

CMYK 69 / 0 / 54 / 16

HEX #42D562

RGB 66 213 98

HSL 133.06, 0.64%, 0.55%

LAB 75.84, -62.2, 45.33

 

CMYK 69 / 0 / 36 / 16

HEX #42D589

RGB 66 213 137

HSL 148.98, 0.64%, 0.55%

LAB 76.41, -55.78, 26.61

 

CMYK 69 / 0 / 17 / 16

HEX #42D5B0

RGB 66 213 176

HSL 164.9, 0.64%, 0.55%

LAB 77.21, -47.26, 7.13

 

CMYK 78 / 0 / 60 / 36

HEX #23A240

RGB 35 162 64

HSL 133.7, 0.64%, 0.39%

LAB 58.57, -54.03, 40.77

 

CMYK 78 / 0 / 61 / 23

HEX #2BC44D

RGB 43 196 77

HSL 133.33, 0.64%, 0.47%

LAB 69.84, -62.67, 47.84

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 55 / 0 / 43 / 13

HEX #64DD7F

RGB 100 221 127

HSL 133.39, 0.64%, 0.63%

LAB 79.59, -53.83, 36.07

 

CMYK 41 / 0 / 32 / 11

HEX #86E49B

RGB 134 228 155

HSL 133.4, 0.64%, 0.71%

LAB 83.4, -43.16, 27.12

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 69 / 29 / 0 / 16

HEX #4298D5

RGB 66 152 213

HSL 204.9, 0.64%, 0.55%

LAB 60.27, -6.31, -38.7

 

CMYK 0 / 69 / 56 / 16

HEX #D5425D

RGB 213 66 93

HSL 348.98, 0.64%, 0.55%

LAB 50.49, 58.92, 17.86

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 54 / 69 / 0 / 16

HEX #6242D5

RGB 98 66 213

HSL 253.06, 0.64%, 0.55%

LAB 40.08, 50.62, -70.96

 

CMYK 0 / 54 / 69 / 16

HEX #D56242

RGB 213 98 66

HSL 13.06, 0.64%, 0.55%

LAB 55.35, 43.12, 39.54

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 69 / 29 / 0 / 16

HEX #4298D5

RGB 66 152 213

HSL 204.9, 0.64%, 0.55%

LAB 60.27, -6.31, -38.7

 

CMYK 0 / 69 / 15 / 16

HEX #D542B5

RGB 213 66 181

HSL 313.06, 0.64%, 0.55%

LAB 53.36, 68.49, -30.32

 

CMYK 0 / 40 / 69 / 16

HEX #D58042

RGB 213 128 66

HSL 25.31, 0.64%, 0.55%

LAB 61.64, 27.61, 46.62

 

CMYK 69 / 0 / 54 / 16

HEX #42D563

RGB 66 213 99

HSL 133.47, 0.64%, 0.55%

LAB 75.85, -62.07, 44.87

 

CMYK 69 / 49 / 0 / 16

HEX #426CD5

RGB 66 108 213

HSL 222.86, 0.64%, 0.55%

LAB 47.86, 20.22, -58.41

 

CMYK 0 / 69 / 15 / 16

HEX #D542B5

RGB 213 66 181

HSL 313.06, 0.64%, 0.55%

LAB 53.36, 68.49, -30.32

 

CMYK 0 / 19 / 69 / 16

HEX #D5AC42

RGB 213 172 66

HSL 43.27, 0.64%, 0.55%

LAB 72.26, 3.94, 57.96

 

Description

Color code: HEX #42D563 | qconv.com Color code: HEX #42D563 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 213 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 213 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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