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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42C194 it is the complementary color #BD3E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42C194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42C194 shade: #47C18F, #58D3A2, #69E5B5, #7AF7C8 and #8BFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42C194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42C194 shade: #42C194, #31AF81, #209D6E, #0F8B5B and #007948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42C194 shade: #42C194, #42C172, #42C14F, #57C142 and #79C142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42C194 shade: #42C194, #42C1B6, #42AAC1, #4287C1 and #4265C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42C194 shade matches the following richer shades: #42C194, #2ED59A, #19EAA0 and #05FEA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42C194 shade: #42C194, #56AD8E, #6A9988, #7E8582 and #93707D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42C194 shade: #42C14F, #42C171, #42C193, #42C1B5 and #42ACC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42C194 shade: #2B8665, #35A57D, #42C194, #61CBA6 and #80D5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42C194 shade: #42C194, #4257C1 and #C16042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42C194 shade: #42C194, #9342C1 and #C19342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42C194 shade: #42C194, #4257C1, #C14271 and #C1AC42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42C194 shade: #42C194, #5342C1, #C14271 and #B0C142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

Complementary color

CMYK 0 / 67 / 43 / 26

HEX #BD3E6B

RGB 189 62 107

HSL 338.74, 0.51%, 0.49%

LAB 46.08, 54.33, 2.53

 

CMYK 63 / 0 / 26 / 24

HEX #47C18F

RGB 71 193 143

HSL 155.41, 0.5%, 0.52%

LAB 70.5, -45.68, 15.36

 

CMYK 58 / 0 / 23 / 17

HEX #58D3A2

RGB 88 211 162

HSL 156.1, 0.58%, 0.59%

LAB 76.84, -45.81, 14.15

 

CMYK 54 / 0 / 21 / 10

HEX #69E5B5

RGB 105 229 181

HSL 156.77, 0.7%, 0.65%

LAB 83.11, -45.82, 13.03

 

CMYK 51 / 0 / 19 / 3

HEX #7AF7C8

RGB 122 247 200

HSL 157.44, 0.89%, 0.72%

LAB 89.31, -45.75, 12

 

CMYK 45 / 0 / 14 / 0

HEX #8BFFDB

RGB 139 255 219

HSL 161.38, 1%, 0.77%

LAB 92.63, -41.24, 7.01

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 72 / 0 / 26 / 31

HEX #31AF81

RGB 49 175 129

HSL 158.1, 0.56%, 0.44%

LAB 64.08, -45.02, 13.93

 

CMYK 80 / 0 / 30 / 38

HEX #209D6E

RGB 32 157 110

HSL 157.44, 0.66%, 0.37%

LAB 57.6, -44.28, 15.4

 

CMYK 89 / 0 / 35 / 45

HEX #0F8B5B

RGB 15 139 91

HSL 156.77, 0.81%, 0.3%

LAB 51.06, -43.07, 17.06

 

CMYK 100 / 0 / 40 / 53

HEX #007948

RGB 0 121 72

HSL 155.7, 1%, 0.24%

LAB 44.44, -41.32, 18.93

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 66 / 0 / 41 / 24

HEX #42C172

RGB 66 193 114

HSL 142.68, 0.51%, 0.51%

LAB 69.83, -52.4, 29.82

 

CMYK 66 / 0 / 59 / 24

HEX #42C14F

RGB 66 193 79

HSL 126.14, 0.51%, 0.51%

LAB 69.37, -57.64, 46.5

 

CMYK 55 / 0 / 66 / 24

HEX #57C142

RGB 87 193 66

HSL 110.08, 0.51%, 0.51%

LAB 69.87, -54.15, 52.91

 

CMYK 37 / 0 / 66 / 24

HEX #79C142

RGB 121 193 66

HSL 94.02, 0.51%, 0.51%

LAB 71.28, -43.76, 54.85

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 66 / 0 / 6 / 24

HEX #42C1B6

RGB 66 193 182

HSL 174.8, 0.51%, 0.51%

LAB 71.33, -36.92, -4.67

 

CMYK 66 / 12 / 0 / 24

HEX #42AAC1

RGB 66 170 193

HSL 190.87, 0.51%, 0.51%

LAB 64.77, -22.55, -20.58

 

CMYK 66 / 30 / 0 / 24

HEX #4287C1

RGB 66 135 193

HSL 207.4, 0.51%, 0.51%

LAB 54.38, -3.34, -36.65

 

CMYK 66 / 48 / 0 / 24

HEX #4265C1

RGB 66 101 193

HSL 223.46, 0.51%, 0.51%

LAB 44.68, 17.51, -52.05

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 78 / 0 / 28 / 16

HEX #2ED59A

RGB 46 213 154

HSL 158.8, 0.67%, 0.51%

LAB 76.38, -54.92, 17.6

 

CMYK 89 / 0 / 32 / 8

HEX #19EAA0

RGB 25 234 160

HSL 158.76, 0.83%, 0.51%

LAB 82.7, -63.08, 23.16

 

CMYK 98 / 0 / 35 / 0

HEX #05FEA6

RGB 5 254 166

HSL 158.8, 0.99%, 0.51%

LAB 88.77, -69.57, 28.35

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 50 / 0 / 18 / 32

HEX #56AD8E

RGB 86 173 142

HSL 158.62, 0.35%, 0.51%

LAB 64.82, -33.81, 7.95

 

CMYK 31 / 0 / 11 / 40

HEX #6A9988

RGB 106 153 136

HSL 158.3, 0.19%, 0.51%

LAB 59.55, -19.67, 3.87

 

CMYK 5 / 0 / 2 / 48

HEX #7E8582

RGB 126 133 130

HSL 154.29, 0.03%, 0.51%

LAB 54.89, -3.18, 0.71

 

CMYK 0 / 24 / 15 / 42

HEX #93707D

RGB 147 112 125

HSL 337.71, 0.14%, 0.51%

LAB 51, 15.98, -1.81

 

CMYK 66 / 0 / 59 / 24

HEX #42C14F

RGB 66 193 79

HSL 126.14, 0.51%, 0.51%

LAB 69.37, -57.64, 46.5

 

CMYK 66 / 0 / 41 / 24

HEX #42C171

RGB 66 193 113

HSL 142.2, 0.51%, 0.51%

LAB 69.82, -52.57, 30.32

 

CMYK 66 / 0 / 24 / 24

HEX #42C193

RGB 66 193 147

HSL 158.27, 0.51%, 0.51%

LAB 70.46, -45.68, 13.12

 

CMYK 66 / 0 / 6 / 24

HEX #42C1B5

RGB 66 193 181

HSL 174.33, 0.51%, 0.51%

LAB 71.31, -37.19, -4.16

 

CMYK 66 / 11 / 0 / 24

HEX #42ACC1

RGB 66 172 193

HSL 189.92, 0.51%, 0.51%

LAB 65.37, -23.57, -19.67

 

CMYK 68 / 0 / 25 / 47

HEX #2B8665

RGB 43 134 101

HSL 158.24, 0.51%, 0.35%

LAB 50.1, -34.99, 10.09

 

CMYK 68 / 0 / 24 / 35

HEX #35A57D

RGB 53 165 125

HSL 158.57, 0.51%, 0.43%

LAB 60.91, -41.1, 11.72

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 52 / 0 / 18 / 20

HEX #61CBA6

RGB 97 203 166

HSL 159.06, 0.5%, 0.59%

LAB 74.83, -39.49, 9.19

 

CMYK 40 / 0 / 14 / 16

HEX #80D5B7

RGB 128 213 183

HSL 158.82, 0.5%, 0.67%

LAB 79.38, -32.6, 6.78

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 66 / 55 / 0 / 24

HEX #4257C1

RGB 66 87 193

HSL 230.08, 0.51%, 0.51%

LAB 40.94, 26.46, -58.09

 

CMYK 0 / 50 / 66 / 24

HEX #C16042

RGB 193 96 66

HSL 14.17, 0.51%, 0.51%

LAB 51.95, 36.45, 34.79

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 24 / 66 / 0 / 24

HEX #9342C1

RGB 147 66 193

HSL 278.27, 0.51%, 0.51%

LAB 44.16, 54.98, -52.51

 

CMYK 0 / 24 / 66 / 24

HEX #C19342

RGB 193 147 66

HSL 38.27, 0.51%, 0.51%

LAB 63.83, 8.76, 48.37

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 66 / 55 / 0 / 24

HEX #4257C1

RGB 66 87 193

HSL 230.08, 0.51%, 0.51%

LAB 40.94, 26.46, -58.09

 

CMYK 0 / 66 / 41 / 24

HEX #C14271

RGB 193 66 113

HSL 337.8, 0.51%, 0.51%

LAB 47.53, 54.53, 1.05

 

CMYK 0 / 11 / 66 / 24

HEX #C1AC42

RGB 193 172 66

HSL 50.08, 0.51%, 0.51%

LAB 70.34, -4.7, 55.36

 

CMYK 66 / 0 / 23 / 24

HEX #42C194

RGB 66 193 148

HSL 158.74, 0.51%, 0.51%

LAB 70.48, -45.45, 12.61

 

CMYK 57 / 66 / 0 / 24

HEX #5342C1

RGB 83 66 193

HSL 248.03, 0.51%, 0.51%

LAB 37.09, 42.22, -64.3

 

CMYK 0 / 66 / 41 / 24

HEX #C14271

RGB 193 66 113

HSL 337.8, 0.51%, 0.51%

LAB 47.53, 54.53, 1.05

 

CMYK 9 / 0 / 66 / 24

HEX #B0C142

RGB 176 193 66

HSL 68.03, 0.51%, 0.51%

LAB 74.68, -22.64, 59.46

 

Description

Color code: HEX #42C194 | qconv.com Color code: HEX #42C194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 193 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 193 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 23 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 23% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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