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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42BEDB it is the complementary color #BD4124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42BEDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42BEDB shade: #47BED6, #58D0E9, #69E2FC, #7AF4FF and #8BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42BEDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42BEDB shade: #42BEDB, #31ACC8, #209AB5, #0F88A2 and #00768F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42BEDB shade: #42BEDB, #4295DB, #426BDB, #4242DB and #6B42DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42BEDB shade: #42BEDB, #4295DB, #426BDB, #4242DB and #4242DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42BEDB shade matches the following richer shades: #42BEDB and #30C9ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42BEDB shade: #42BEDB, #54B2C8, #66A7B6, #789CA4 and #8B9192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42BEDB shade: #42DBA5, #42DBCE, #42BFDB, #4296DB and #426DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42BEDB shade: #2090AA, #27ADCD, #42BEDB, #65CAE1 and #87D6E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42BEDB shade: #42BEDB, #7C42DB and #DBBA42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42BEDB shade: #42BEDB, #DB42BF and #BFDB42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42BEDB shade: #42BEDB, #7C42DB, #DB5E42 and #A0DB42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42BEDB shade: #42BEDB, #AA42DB, #DB5E42 and #72DB42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

Complementary color

CMYK 0 / 66 / 81 / 26

HEX #BD4124

RGB 189 65 36

HSL 11.37, 0.68%, 0.44%

LAB 45.26, 48.41, 43.33

 

CMYK 67 / 11 / 0 / 16

HEX #47BED6

RGB 71 190 214

HSL 190.07, 0.64%, 0.56%

LAB 71.57, -25.5, -21.78

 

CMYK 62 / 11 / 0 / 9

HEX #58D0E9

RGB 88 208 233

HSL 190.34, 0.77%, 0.63%

LAB 77.92, -26.14, -22.34

 

CMYK 58 / 10 / 0 / 1

HEX #69E2FC

RGB 105 226 252

HSL 190.61, 0.96%, 0.7%

LAB 84.19, -26.62, -22.87

 

CMYK 52 / 4 / 0 / 0

HEX #7AF4FF

RGB 122 244 255

HSL 184.96, 1%, 0.74%

LAB 89.89, -31.27, -15.79

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 76 / 14 / 0 / 22

HEX #31ACC8

RGB 49 172 200

HSL 191.13, 0.61%, 0.49%

LAB 65.22, -23.68, -23.82

 

CMYK 82 / 15 / 0 / 29

HEX #209AB5

RGB 32 154 181

HSL 190.87, 0.7%, 0.42%

LAB 58.75, -22.37, -23.13

 

CMYK 91 / 16 / 0 / 36

HEX #0F88A2

RGB 15 136 162

HSL 190.61, 0.83%, 0.35%

LAB 52.2, -20.64, -22.35

 

CMYK 100 / 17 / 0 / 44

HEX #00768F

RGB 0 118 143

HSL 190.49, 1%, 0.28%

LAB 45.55, -18.47, -21.46

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 70 / 32 / 0 / 14

HEX #4295DB

RGB 66 149 219

HSL 207.45, 0.68%, 0.56%

LAB 59.68, -2.54, -42.97

 

CMYK 70 / 51 / 0 / 14

HEX #426BDB

RGB 66 107 219

HSL 223.92, 0.68%, 0.56%

LAB 47.99, 23, -61.61

 

CMYK 70 / 70 / 0 / 14

HEX #4242DB

RGB 66 66 219

HSL 240, 0.68%, 0.56%

LAB 38.14, 48.23, -77.67

 

CMYK 51 / 70 / 0 / 14

HEX #6B42DB

RGB 107 66 219

HSL 256.08, 0.68%, 0.56%

LAB 41.43, 53.74, -72.15

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 70 / 32 / 0 / 14

HEX #4295DB

RGB 66 149 219

HSL 207.45, 0.68%, 0.56%

LAB 59.68, -2.54, -42.97

 

CMYK 70 / 51 / 0 / 14

HEX #426BDB

RGB 66 107 219

HSL 223.92, 0.68%, 0.56%

LAB 47.99, 23, -61.61

 

CMYK 70 / 70 / 0 / 14

HEX #4242DB

RGB 66 66 219

HSL 240, 0.68%, 0.56%

LAB 38.14, 48.23, -77.67

 

CMYK 70 / 70 / 0 / 14

HEX #4242DB

RGB 66 66 219

HSL 240, 0.68%, 0.56%

LAB 38.14, 48.23, -77.67

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 80 / 15 / 0 / 7

HEX #30C9ED

RGB 48 201 237

HSL 191.43, 0.84%, 0.56%

LAB 75.15, -26.52, -28.8

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 58 / 11 / 0 / 22

HEX #54B2C8

RGB 84 178 200

HSL 191.38, 0.51%, 0.56%

LAB 67.94, -21.39, -19.58

 

CMYK 44 / 8 / 0 / 29

HEX #66A7B6

RGB 102 167 182

HSL 191.25, 0.35%, 0.56%

LAB 64.84, -16.76, -14.23

 

CMYK 27 / 5 / 0 / 36

HEX #789CA4

RGB 120 156 164

HSL 190.91, 0.19%, 0.56%

LAB 62.04, -10.42, -8.22

 

CMYK 5 / 1 / 0 / 43

HEX #8B9192

RGB 139 145 146

HSL 188.57, 0.03%, 0.56%

LAB 59.72, -1.97, -1.29

 

CMYK 70 / 0 / 25 / 14

HEX #42DBA5

RGB 66 219 165

HSL 158.82, 0.68%, 0.56%

LAB 78.77, -52.29, 15.19

 

CMYK 70 / 0 / 6 / 14

HEX #42DBCE

RGB 66 219 206

HSL 174.9, 0.68%, 0.56%

LAB 79.77, -42.16, -5.17

 

CMYK 70 / 13 / 0 / 14

HEX #42BFDB

RGB 66 191 219

HSL 190.98, 0.68%, 0.56%

LAB 71.92, -25.19, -23.98

 

CMYK 70 / 32 / 0 / 14

HEX #4296DB

RGB 66 150 219

HSL 207.06, 0.68%, 0.56%

LAB 59.97, -3.12, -42.51

 

CMYK 70 / 50 / 0 / 14

HEX #426DDB

RGB 66 109 219

HSL 223.14, 0.68%, 0.56%

LAB 48.52, 21.74, -60.76

 

CMYK 81 / 15 / 0 / 33

HEX #2090AA

RGB 32 144 170

HSL 191.3, 0.68%, 0.4%

LAB 55.23, -20.84, -22.26

 

CMYK 81 / 16 / 0 / 20

HEX #27ADCD

RGB 39 173 205

HSL 191.57, 0.68%, 0.48%

LAB 65.53, -23.57, -26.12

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 55 / 10 / 0 / 12

HEX #65CAE1

RGB 101 202 225

HSL 191.13, 0.67%, 0.64%

LAB 76.34, -23.08, -20.4

 

CMYK 42 / 8 / 0 / 9

HEX #87D6E8

RGB 135 214 232

HSL 191.13, 0.68%, 0.72%

LAB 81.33, -19.69, -16.48

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 43 / 70 / 0 / 14

HEX #7C42DB

RGB 124 66 219

HSL 262.75, 0.68%, 0.56%

LAB 43.21, 56.59, -69.18

 

CMYK 0 / 15 / 70 / 14

HEX #DBBA42

RGB 219 186 66

HSL 47.06, 0.68%, 0.56%

LAB 76.42, -0.86, 62.4

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 0 / 70 / 13 / 14

HEX #DB42BF

RGB 219 66 191

HSL 310.98, 0.68%, 0.56%

LAB 54.78, 71.36, -33.83

 

CMYK 13 / 0 / 70 / 14

HEX #BFDB42

RGB 191 219 66

HSL 70.98, 0.68%, 0.56%

LAB 82.98, -29.03, 68.23

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 43 / 70 / 0 / 14

HEX #7C42DB

RGB 124 66 219

HSL 262.75, 0.68%, 0.56%

LAB 43.21, 56.59, -69.18

 

CMYK 0 / 57 / 70 / 14

HEX #DB5E42

RGB 219 94 66

HSL 10.98, 0.68%, 0.56%

LAB 55.54, 47.26, 40

 

CMYK 27 / 0 / 70 / 14

HEX #A0DB42

RGB 160 219 66

HSL 83.14, 0.68%, 0.56%

LAB 81.03, -41.03, 65.63

 

CMYK 70 / 13 / 0 / 14

HEX #42BEDB

RGB 66 190 219

HSL 191.37, 0.68%, 0.56%

LAB 71.62, -24.68, -24.43

 

CMYK 22 / 70 / 0 / 14

HEX #AA42DB

RGB 170 66 219

HSL 280.78, 0.68%, 0.56%

LAB 48.95, 65.35, -59.6

 

CMYK 0 / 57 / 70 / 14

HEX #DB5E42

RGB 219 94 66

HSL 10.98, 0.68%, 0.56%

LAB 55.54, 47.26, 40

 

CMYK 48 / 0 / 70 / 14

HEX #72DB42

RGB 114 219 66

HSL 101.18, 0.68%, 0.56%

LAB 78.83, -56.43, 62.68

 

Description

Color code: HEX #42BEDB | qconv.com Color code: HEX #42BEDB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 190 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 190 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 13 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 13% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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