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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42AC88 it is the complementary color #BD5377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42AC88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42AC88 shade: #47AC83, #58BE96, #69D0A9, #7AE2BC and #8BF4CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42AC88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42AC88 shade: #42AC88, #319A75, #208862, #0F764F and #00643C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42AC88 shade: #41AD89, #41AD6C, #41AD4E, #51AD41 and #6FAD41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42AC88 shade: #41AD89, #41ADA6, #4198AD, #417BAD and #415EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42AC88 shade matches the following richer shades: #41AD89, #2EC18F, #1BD495 and #07E79B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42AC88 shade: #41AD89, #559A82, #68867C, #7C7376 and #8F6070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42AC88 shade: #41AD4E, #41AD6B, #41AD88, #41ADA4 and #419AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42AC88 shade: #2B7159, #368F71, #41AD89, #58C09D and #76CBAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42AC88 shade: #42AC88, #4152AD and #AD5C41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42AC88 shade: #42AC88, #8841AD and #AD8841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42AC88 shade: #42AC88, #4152AD, #AD4167 and #AD9D41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42AC88 shade: #42AC88, #5241AD, #AD4167 and #9DAD41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 21 / 33

HEX #42AC88

RGB 66 172 136

HSL 159.62, 0.45%, 0.47%

LAB 63.71, -39.18, 9.6

 

Complementary color

CMYK 0 / 56 / 37 / 26

HEX #BD5377

RGB 189 83 119

HSL 339.62, 0.45%, 0.53%

LAB 49.9, 46.27, 0.8

 

CMYK 59 / 0 / 24 / 33

HEX #47AC83

RGB 71 172 131

HSL 155.64, 0.42%, 0.48%

LAB 63.74, -39.3, 12.44

 

CMYK 54 / 0 / 21 / 25

HEX #58BE96

RGB 88 190 150

HSL 156.47, 0.44%, 0.55%

LAB 70.25, -39.29, 11.29

 

CMYK 50 / 0 / 19 / 18

HEX #69D0A9

RGB 105 208 169

HSL 157.28, 0.52%, 0.61%

LAB 76.67, -39.2, 10.24

 

CMYK 46 / 0 / 17 / 11

HEX #7AE2BC

RGB 122 226 188

HSL 158.08, 0.64%, 0.68%

LAB 83, -39.05, 9.27

 

CMYK 43 / 0 / 15 / 4

HEX #8BF4CF

RGB 139 244 207

HSL 158.86, 0.83%, 0.75%

LAB 89.25, -38.88, 8.37

 

CMYK 62 / 0 / 21 / 33

HEX #42AC88

RGB 66 172 136

HSL 159.62, 0.45%, 0.47%

LAB 63.71, -39.18, 9.6

 

CMYK 68 / 0 / 24 / 40

HEX #319A75

RGB 49 154 117

HSL 158.86, 0.52%, 0.4%

LAB 57.12, -38.92, 10.85

 

CMYK 76 / 0 / 28 / 47

HEX #208862

RGB 32 136 98

HSL 158.08, 0.62%, 0.33%

LAB 50.45, -38.37, 12.27

 

CMYK 87 / 0 / 33 / 54

HEX #0F764F

RGB 15 118 79

HSL 157.28, 0.77%, 0.26%

LAB 43.69, -37.36, 13.89

 

CMYK 100 / 0 / 40 / 61

HEX #00643C

RGB 0 100 60

HSL 156, 1%, 0.2%

LAB 36.82, -35.78, 15.75

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 62 / 0 / 38 / 32

HEX #41AD6C

RGB 65 173 108

HSL 143.89, 0.45%, 0.47%

LAB 63.42, -45.78, 24.51

 

CMYK 62 / 0 / 55 / 32

HEX #41AD4E

RGB 65 173 78

HSL 127.22, 0.45%, 0.47%

LAB 62.98, -50.66, 39.42

 

CMYK 53 / 0 / 62 / 32

HEX #51AD41

RGB 81 173 65

HSL 111.11, 0.45%, 0.47%

LAB 63.36, -48.22, 46.1

 

CMYK 36 / 0 / 62 / 32

HEX #6FAD41

RGB 111 173 65

HSL 94.44, 0.45%, 0.47%

LAB 64.68, -38.68, 47.94

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 62 / 0 / 4 / 32

HEX #41ADA6

RGB 65 173 166

HSL 176.11, 0.45%, 0.47%

LAB 64.77, -32.11, -5.54

 

CMYK 62 / 12 / 0 / 32

HEX #4198AD

RGB 65 152 173

HSL 191.67, 0.45%, 0.47%

LAB 58.6, -19.51, -18.75

 

CMYK 62 / 29 / 0 / 32

HEX #417BAD

RGB 65 123 173

HSL 207.78, 0.45%, 0.47%

LAB 49.87, -3.27, -32.24

 

CMYK 62 / 46 / 0 / 32

HEX #415EAD

RGB 65 94 173

HSL 223.89, 0.45%, 0.47%

LAB 41.45, 14.7, -45.56

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 76 / 0 / 26 / 24

HEX #2EC18F

RGB 46 193 143

HSL 159.59, 0.62%, 0.47%

LAB 69.97, -49.53, 14.54

 

CMYK 87 / 0 / 30 / 17

HEX #1BD495

RGB 27 212 149

HSL 159.57, 0.77%, 0.47%

LAB 75.76, -57.27, 19.35

 

CMYK 97 / 0 / 33 / 9

HEX #07E79B

RGB 7 231 155

HSL 159.64, 0.94%, 0.47%

LAB 81.6, -63.75, 24.22

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 45 / 0 / 16 / 40

HEX #559A82

RGB 85 154 130

HSL 159.13, 0.29%, 0.47%

LAB 58.65, -27.74, 5.84

 

CMYK 22 / 0 / 7 / 47

HEX #68867C

RGB 104 134 124

HSL 160, 0.13%, 0.47%

LAB 53.44, -12.85, 1.89

 

CMYK 0 / 7 / 5 / 51

HEX #7C7376

RGB 124 115 118

HSL 340, 0.04%, 0.47%

LAB 49.32, 4.05, -0.41

 

CMYK 0 / 33 / 22 / 44

HEX #8F6070

RGB 143 96 112

HSL 339.57, 0.2%, 0.47%

LAB 46.14, 21.57, -1.23

 

CMYK 62 / 0 / 55 / 32

HEX #41AD4E

RGB 65 173 78

HSL 127.22, 0.45%, 0.47%

LAB 62.98, -50.66, 39.42

 

CMYK 62 / 0 / 38 / 32

HEX #41AD6B

RGB 65 173 107

HSL 143.33, 0.45%, 0.47%

LAB 63.4, -45.97, 25.03

 

CMYK 62 / 0 / 21 / 32

HEX #41AD88

RGB 65 173 136

HSL 159.44, 0.45%, 0.47%

LAB 63.99, -39.81, 10

 

CMYK 62 / 0 / 5 / 32

HEX #41ADA4

RGB 65 173 164

HSL 175, 0.45%, 0.47%

LAB 64.72, -32.66, -4.51

 

CMYK 62 / 11 / 0 / 32

HEX #419AAD

RGB 65 154 173

HSL 190.56, 0.45%, 0.47%

LAB 59.21, -20.57, -17.83

 

CMYK 62 / 0 / 21 / 56

HEX #2B7159

RGB 43 113 89

HSL 159.43, 0.45%, 0.31%

LAB 42.83, -28.21, 6.87

 

CMYK 62 / 0 / 21 / 44

HEX #368F71

RGB 54 143 113

HSL 159.78, 0.45%, 0.39%

LAB 53.62, -34.02, 8.2

 

CMYK 62 / 0 / 21 / 32

HEX #41AD89

RGB 65 173 137

HSL 160, 0.45%, 0.47%

LAB 64.01, -39.58, 9.48

 

CMYK 54 / 0 / 18 / 25

HEX #58C09D

RGB 88 192 157

HSL 159.81, 0.45%, 0.55%

LAB 71.01, -38.61, 8.58

 

CMYK 42 / 0 / 14 / 20

HEX #76CBAE

RGB 118 203 174

HSL 159.53, 0.45%, 0.63%

LAB 75.84, -32.52, 6.44

 

CMYK 62 / 0 / 21 / 33

HEX #42AC88

RGB 66 172 136

HSL 159.62, 0.45%, 0.47%

LAB 63.71, -39.18, 9.6

 

CMYK 62 / 53 / 0 / 32

HEX #4152AD

RGB 65 82 173

HSL 230.56, 0.45%, 0.47%

LAB 38.16, 22.46, -50.85

 

CMYK 0 / 47 / 62 / 32

HEX #AD5C41

RGB 173 92 65

HSL 15, 0.45%, 0.47%

LAB 48.16, 30.52, 30.09

 

CMYK 62 / 0 / 21 / 33

HEX #42AC88

RGB 66 172 136

HSL 159.62, 0.45%, 0.47%

LAB 63.71, -39.18, 9.6

 

CMYK 21 / 62 / 0 / 32

HEX #8841AD

RGB 136 65 173

HSL 279.44, 0.45%, 0.47%

LAB 41.27, 48.49, -45.48

 

CMYK 0 / 21 / 62 / 32

HEX #AD8841

RGB 173 136 65

HSL 39.44, 0.45%, 0.47%

LAB 58.86, 5.99, 42.71

 

CMYK 62 / 0 / 21 / 33

HEX #42AC88

RGB 66 172 136

HSL 159.62, 0.45%, 0.47%

LAB 63.71, -39.18, 9.6

 

CMYK 62 / 53 / 0 / 32

HEX #4152AD

RGB 65 82 173

HSL 230.56, 0.45%, 0.47%

LAB 38.16, 22.46, -50.85

 

CMYK 0 / 62 / 40 / 32

HEX #AD4167

RGB 173 65 103

HSL 338.89, 0.45%, 0.47%

LAB 43.72, 47.59, 1.23

 

CMYK 0 / 9 / 62 / 32

HEX #AD9D41

RGB 173 157 65

HSL 51.11, 0.45%, 0.47%

LAB 64.47, -5.49, 48.96

 

CMYK 62 / 0 / 21 / 33

HEX #42AC88

RGB 66 172 136

HSL 159.62, 0.45%, 0.47%

LAB 63.71, -39.18, 9.6

 

CMYK 53 / 62 / 0 / 32

HEX #5241AD

RGB 82 65 173

HSL 249.44, 0.45%, 0.47%

LAB 35.19, 36.41, -55.6

 

CMYK 0 / 62 / 40 / 32

HEX #AD4167

RGB 173 65 103

HSL 338.89, 0.45%, 0.47%

LAB 43.72, 47.59, 1.23

 

CMYK 9 / 0 / 62 / 32

HEX #9DAD41

RGB 157 173 65

HSL 68.89, 0.45%, 0.47%

LAB 67.6, -20.68, 51.98

 

Description

Color code: HEX #42AC88 | qconv.com Color code: HEX #42AC88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 172 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 172 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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