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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42A9F5 it is the complementary color #BD560A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42A9F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42A9F5 shade: #47A9F0, #58BBFF, #69CDFF, #7ADFFF and #8BF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42A9F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42A9F5 shade: #42A9F5, #3197E2, #2085CF, #0F73BC and #0061A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42A9F5 shade: #42A9F5, #4278F5, #4248F5, #6B42F5 and #9C42F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42A9F5 shade: #42A9F5, #4278F5, #4248F5 and #4242F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42A9F5 shade matches the following richer shades: #42A9F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42A9F5 shade: #42A9F5, #52A6E4, #62A4D4, #72A1C4 and #829FB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42A9F5 shade: #42F5E0, #42DAF5, #42AAF5, #427AF5 and #424AF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42A9F5 shade: #0B81D9, #1A97F2, #42A9F5, #69BAF7 and #90CCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42A9F5 shade: #42A9F5, #B042F5 and #F2F542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42A9F5 shade: #42A9F5, #F542AA and #AAF542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42A9F5 shade: #42A9F5, #B042F5, #F58C42 and #86F542

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42A9F5 shade: #42A9F5, #E642F5, #F58C42 and #50F542

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

Complementary color

CMYK 0 / 54 / 95 / 26

HEX #BD560A

RGB 189 86 10

HSL 25.47, 0.9%, 0.39%

LAB 48.88, 37.99, 55.94

 

CMYK 70 / 30 / 0 / 6

HEX #47A9F0

RGB 71 169 240

HSL 205.21, 0.85%, 0.61%

LAB 66.53, -6.02, -43.78

 

CMYK 65 / 27 / 0 / 0

HEX #58BBFF

RGB 88 187 255

HSL 204.43, 1%, 0.67%

LAB 72.78, -8.48, -42.08

 

CMYK 59 / 20 / 0 / 0

HEX #69CDFF

RGB 105 205 255

HSL 200, 1%, 0.71%

LAB 78.4, -15.15, -33.33

 

CMYK 52 / 13 / 0 / 0

HEX #7ADFFF

RGB 122 223 255

HSL 194.44, 1%, 0.74%

LAB 84.03, -21.03, -24.63

 

CMYK 45 / 5 / 0 / 0

HEX #8BF1FF

RGB 139 241 255

HSL 187.24, 1%, 0.77%

LAB 89.68, -26.25, -16.03

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 78 / 33 / 0 / 11

HEX #3197E2

RGB 49 151 226

HSL 205.42, 0.75%, 0.54%

LAB 60.14, -3.36, -46.17

 

CMYK 85 / 36 / 0 / 19

HEX #2085CF

RGB 32 133 207

HSL 205.37, 0.73%, 0.47%

LAB 53.59, -1.33, -45.91

 

CMYK 92 / 39 / 0 / 26

HEX #0F73BC

RGB 15 115 188

HSL 205.32, 0.85%, 0.4%

LAB 46.97, 1.2, -45.59

 

CMYK 100 / 43 / 0 / 34

HEX #0061A9

RGB 0 97 169

HSL 205.56, 1%, 0.33%

LAB 40.27, 4.3, -45.19

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 73 / 51 / 0 / 4

HEX #4278F5

RGB 66 120 245

HSL 221.9, 0.9%, 0.61%

LAB 53.15, 24.19, -67.87

 

CMYK 73 / 71 / 0 / 4

HEX #4248F5

RGB 66 72 245

HSL 237.99, 0.9%, 0.61%

LAB 41.82, 53.26, -86.37

 

CMYK 56 / 73 / 0 / 4

HEX #6B42F5

RGB 107 66 245

HSL 253.74, 0.9%, 0.61%

LAB 43.68, 60.96, -83.21

 

CMYK 36 / 73 / 0 / 4

HEX #9C42F5

RGB 156 66 245

HSL 270.17, 0.9%, 0.61%

LAB 48.95, 68.37, -74.36

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 73 / 51 / 0 / 4

HEX #4278F5

RGB 66 120 245

HSL 221.9, 0.9%, 0.61%

LAB 53.15, 24.19, -67.87

 

CMYK 73 / 71 / 0 / 4

HEX #4248F5

RGB 66 72 245

HSL 237.99, 0.9%, 0.61%

LAB 41.82, 53.26, -86.37

 

CMYK 73 / 73 / 0 / 4

HEX #4242F5

RGB 66 66 245

HSL 240, 0.9%, 0.61%

LAB 40.65, 56.53, -88.3

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 64 / 27 / 0 / 11

HEX #52A6E4

RGB 82 166 228

HSL 205.48, 0.73%, 0.61%

LAB 65.49, -6.63, -38.8

 

CMYK 54 / 23 / 0 / 17

HEX #62A4D4

RGB 98 164 212

HSL 205.26, 0.57%, 0.61%

LAB 64.88, -7.47, -30.86

 

CMYK 42 / 18 / 0 / 23

HEX #72A1C4

RGB 114 161 196

HSL 205.61, 0.41%, 0.61%

LAB 64.2, -6.61, -22.95

 

CMYK 28 / 12 / 0 / 29

HEX #829FB4

RGB 130 159 180

HSL 205.2, 0.25%, 0.61%

LAB 64.03, -5.12, -14.18

 

CMYK 73 / 0 / 9 / 4

HEX #42F5E0

RGB 66 245 224

HSL 172.96, 0.9%, 0.61%

LAB 87.89, -48.67, -2.72

 

CMYK 73 / 11 / 0 / 4

HEX #42DAF5

RGB 66 218 245

HSL 189.05, 0.9%, 0.61%

LAB 80.68, -30.52, -24.59

 

CMYK 73 / 31 / 0 / 4

HEX #42AAF5

RGB 66 170 245

HSL 205.14, 0.9%, 0.61%

LAB 66.9, -5.54, -45.93

 

CMYK 73 / 50 / 0 / 4

HEX #427AF5

RGB 66 122 245

HSL 221.23, 0.9%, 0.61%

LAB 53.67, 22.95, -67.02

 

CMYK 73 / 70 / 0 / 4

HEX #424AF5

RGB 66 74 245

HSL 237.32, 0.9%, 0.61%

LAB 42.23, 52.13, -85.7

 

CMYK 95 / 41 / 0 / 15

HEX #0B81D9

RGB 11 129 217

HSL 205.63, 0.9%, 0.45%

LAB 52.71, 3.75, -52.97

 

CMYK 89 / 38 / 0 / 5

HEX #1A97F2

RGB 26 151 242

HSL 205.28, 0.89%, 0.53%

LAB 60.57, 0.73, -54.35

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 57 / 25 / 0 / 3

HEX #69BAF7

RGB 105 186 247

HSL 205.77, 0.9%, 0.69%

LAB 72.78, -7.46, -37.72

 

CMYK 42 / 18 / 0 / 2

HEX #90CCF9

RGB 144 204 249

HSL 205.71, 0.9%, 0.77%

LAB 79.59, -7.87, -28.15

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 28 / 73 / 0 / 4

HEX #B042F5

RGB 176 66 245

HSL 276.87, 0.9%, 0.61%

LAB 51.52, 71.85, -70.08

 

CMYK 1 / 0 / 73 / 4

HEX #F2F542

RGB 242 245 66

HSL 61.01, 0.9%, 0.61%

LAB 93.7, -20.77, 79.83

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 0 / 73 / 31 / 4

HEX #F542AA

RGB 245 66 170

HSL 325.14, 0.9%, 0.61%

LAB 58.24, 75.01, -15.98

 

CMYK 31 / 0 / 73 / 4

HEX #AAF542

RGB 170 245 66

HSL 85.14, 0.9%, 0.61%

LAB 89.04, -48.55, 73.75

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 28 / 73 / 0 / 4

HEX #B042F5

RGB 176 66 245

HSL 276.87, 0.9%, 0.61%

LAB 51.52, 71.85, -70.08

 

CMYK 0 / 43 / 73 / 4

HEX #F58C42

RGB 245 140 66

HSL 24.8, 0.9%, 0.61%

LAB 68.43, 34.29, 55.14

 

CMYK 45 / 0 / 73 / 4

HEX #86F542

RGB 134 245 66

HSL 97.21, 0.9%, 0.61%

LAB 87.37, -60.34, 71.55

 

CMYK 73 / 31 / 0 / 4

HEX #42A9F5

RGB 66 169 245

HSL 205.47, 0.9%, 0.61%

LAB 66.62, -4.98, -46.38

 

CMYK 6 / 73 / 0 / 4

HEX #E642F5

RGB 230 66 245

HSL 294.97, 0.9%, 0.61%

LAB 59.26, 82.06, -57.21

 

CMYK 0 / 43 / 73 / 4

HEX #F58C42

RGB 245 140 66

HSL 24.8, 0.9%, 0.61%

LAB 68.43, 34.29, 55.14

 

CMYK 67 / 0 / 73 / 4

HEX #50F542

RGB 80 245 66

HSL 115.31, 0.9%, 0.61%

LAB 85.71, -73.5, 69.34

 

Description

Color code: HEX #42A9F5 | qconv.com Color code: HEX #42A9F5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 169 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 169 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 31 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 31% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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