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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42A558 it is the complementary color #BD5AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42A558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42A558 shade: #47A553, #58B766, #69C979, #7ADB8C and #8BED9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42A558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42A558 shade: #42A558, #319345, #208132, #0F6F1F and #005D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42A558 shade: #41A457, #46A441, #60A441, #7BA441 and #95A441

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42A558 shade: #41A457, #41A471, #41A48C, #41A1A4 and #4186A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42A558 shade matches the following richer shades: #41A457, #2EB64D, #1CC942 and #09DB38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42A558 shade: #41A457, #539161, #667E6B, #796C76 and #8B5980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42A558 shade: #60A441, #46A441, #41A456, #41A471 and #41A48B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42A558 shade: #296937, #358647, #41A457, #53BA6A and #71C684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42A558 shade: #42A558, #417AA4 and #A44153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42A558 shade: #42A558, #5641A4 and #A45641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42A558 shade: #42A558, #417AA4, #A4418E and #A46A41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42A558 shade: #42A558, #415DA4, #A4418E and #A48841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 47 / 35

HEX #42A558

RGB 66 165 88

HSL 133.33, 0.43%, 0.45%

LAB 60.58, -45.84, 31.41

 

Complementary color

CMYK 0 / 52 / 12 / 26

HEX #BD5AA7

RGB 189 90 167

HSL 313.33, 0.43%, 0.55%

LAB 52.86, 49.62, -23.22

 

CMYK 57 / 0 / 50 / 35

HEX #47A553

RGB 71 165 83

HSL 127.66, 0.4%, 0.46%

LAB 60.67, -45.41, 34.14

 

CMYK 52 / 0 / 44 / 28

HEX #58B766

RGB 88 183 102

HSL 128.84, 0.4%, 0.53%

LAB 67.2, -45.45, 32.76

 

CMYK 48 / 0 / 40 / 21

HEX #69C979

RGB 105 201 121

HSL 130, 0.47%, 0.6%

LAB 73.65, -45.36, 31.43

 

CMYK 44 / 0 / 36 / 14

HEX #7ADB8C

RGB 122 219 140

HSL 131.13, 0.57%, 0.67%

LAB 80.01, -45.19, 30.18

 

CMYK 41 / 0 / 33 / 7

HEX #8BED9F

RGB 139 237 159

HSL 132.24, 0.73%, 0.74%

LAB 86.29, -44.97, 29

 

CMYK 60 / 0 / 47 / 35

HEX #42A558

RGB 66 165 88

HSL 133.33, 0.43%, 0.45%

LAB 60.58, -45.84, 31.41

 

CMYK 67 / 0 / 53 / 42

HEX #319345

RGB 49 147 69

HSL 132.24, 0.5%, 0.38%

LAB 53.97, -45.49, 32.9

 

CMYK 75 / 0 / 61 / 49

HEX #208132

RGB 32 129 50

HSL 131.13, 0.6%, 0.32%

LAB 47.29, -44.7, 34.4

 

CMYK 86 / 0 / 72 / 56

HEX #0F6F1F

RGB 15 111 31

HSL 130, 0.76%, 0.25%

LAB 40.52, -43.13, 35.69

 

CMYK 100 / 0 / 87 / 64

HEX #005D0C

RGB 0 93 12

HSL 127.74, 1%, 0.18%

LAB 33.68, -40.5, 36.12

 

CMYK 60 / 0 / 47 / 36

HEX #41A457

RGB 65 164 87

HSL 133.33, 0.43%, 0.45%

LAB 60.22, -45.83, 31.46

 

CMYK 57 / 0 / 60 / 36

HEX #46A441

RGB 70 164 65

HSL 116.97, 0.43%, 0.45%

LAB 60.1, -47.66, 42.29

 

CMYK 41 / 0 / 60 / 36

HEX #60A441

RGB 96 164 65

HSL 101.21, 0.43%, 0.45%

LAB 61.15, -39.92, 43.77

 

CMYK 25 / 0 / 60 / 36

HEX #7BA441

RGB 123 164 65

HSL 84.85, 0.43%, 0.45%

LAB 62.63, -30.08, 45.84

 

CMYK 9 / 0 / 60 / 36

HEX #95A441

RGB 149 164 65

HSL 69.09, 0.43%, 0.45%

LAB 64.42, -19.49, 48.33

 

CMYK 60 / 0 / 47 / 36

HEX #41A457

RGB 65 164 87

HSL 133.33, 0.43%, 0.45%

LAB 60.22, -45.83, 31.46

 

CMYK 60 / 0 / 31 / 36

HEX #41A471

RGB 65 164 113

HSL 149.09, 0.43%, 0.45%

LAB 60.66, -41.02, 18.07

 

CMYK 60 / 0 / 15 / 36

HEX #41A48C

RGB 65 164 140

HSL 165.45, 0.43%, 0.45%

LAB 61.28, -34.77, 3.89

 

CMYK 60 / 2 / 0 / 36

HEX #41A1A4

RGB 65 161 164

HSL 181.82, 0.43%, 0.45%

LAB 61.04, -26.83, -9.98

 

CMYK 60 / 18 / 0 / 36

HEX #4186A4

RGB 65 134 164

HSL 198.18, 0.43%, 0.45%

LAB 52.79, -12.57, -22.49

 

CMYK 60 / 0 / 47 / 36

HEX #41A457

RGB 65 164 87

HSL 133.33, 0.43%, 0.45%

LAB 60.22, -45.83, 31.46

 

CMYK 75 / 0 / 58 / 29

HEX #2EB64D

RGB 46 182 77

HSL 133.68, 0.6%, 0.45%

LAB 65.41, -57.58, 42.7

 

CMYK 86 / 0 / 67 / 21

HEX #1CC942

RGB 28 201 66

HSL 133.18, 0.76%, 0.45%

LAB 71.16, -67.06, 53.95

 

CMYK 96 / 0 / 74 / 14

HEX #09DB38

RGB 9 219 56

HSL 133.43, 0.92%, 0.45%

LAB 76.68, -74.26, 63.36

 

CMYK 60 / 0 / 47 / 36

HEX #41A457

RGB 65 164 87

HSL 133.33, 0.43%, 0.45%

LAB 60.22, -45.83, 31.46

 

CMYK 43 / 0 / 33 / 43

HEX #539161

RGB 83 145 97

HSL 133.55, 0.27%, 0.45%

LAB 55.02, -30.92, 19.38

 

CMYK 19 / 0 / 15 / 51

HEX #667E6B

RGB 102 126 107

HSL 132.5, 0.11%, 0.45%

LAB 50.46, -12.75, 7.49

 

CMYK 0 / 11 / 2 / 53

HEX #796C76

RGB 121 108 118

HSL 313.85, 0.06%, 0.45%

LAB 47.1, 7.03, -3.7

 

CMYK 0 / 36 / 8 / 45

HEX #8B5980

RGB 139 89 128

HSL 313.2, 0.22%, 0.45%

LAB 44.51, 26.94, -13.4

 

CMYK 41 / 0 / 60 / 36

HEX #60A441

RGB 96 164 65

HSL 101.21, 0.43%, 0.45%

LAB 61.15, -39.92, 43.77

 

CMYK 57 / 0 / 60 / 36

HEX #46A441

RGB 70 164 65

HSL 116.97, 0.43%, 0.45%

LAB 60.1, -47.66, 42.29

 

CMYK 60 / 0 / 48 / 36

HEX #41A456

RGB 65 164 86

HSL 132.73, 0.43%, 0.45%

LAB 60.2, -45.99, 31.97

 

CMYK 60 / 0 / 31 / 36

HEX #41A471

RGB 65 164 113

HSL 149.09, 0.43%, 0.45%

LAB 60.66, -41.02, 18.07

 

CMYK 60 / 0 / 15 / 36

HEX #41A48B

RGB 65 164 139

HSL 164.85, 0.43%, 0.45%

LAB 61.25, -35.03, 4.42

 

CMYK 61 / 0 / 48 / 59

HEX #296937

RGB 41 105 55

HSL 133.13, 0.44%, 0.29%

LAB 39.33, -32.39, 22.1

 

CMYK 60 / 0 / 47 / 47

HEX #358647

RGB 53 134 71

HSL 133.33, 0.43%, 0.37%

LAB 49.81, -39.05, 26.67

 

CMYK 60 / 0 / 47 / 36

HEX #41A457

RGB 65 164 87

HSL 133.33, 0.43%, 0.45%

LAB 60.22, -45.83, 31.46

 

CMYK 55 / 0 / 43 / 27

HEX #53BA6A

RGB 83 186 106

HSL 133.4, 0.43%, 0.53%

LAB 68.02, -47.32, 31.7

 

CMYK 43 / 0 / 33 / 22

HEX #71C684

RGB 113 198 132

HSL 133.41, 0.43%, 0.61%

LAB 73.26, -39.95, 25.25

 

CMYK 60 / 0 / 47 / 35

HEX #42A558

RGB 66 165 88

HSL 133.33, 0.43%, 0.45%

LAB 60.58, -45.84, 31.41

 

CMYK 60 / 26 / 0 / 36

HEX #417AA4

RGB 65 122 164

HSL 205.45, 0.43%, 0.45%

LAB 49.16, -5.7, -28.11

 

CMYK 0 / 60 / 49 / 36

HEX #A44153

RGB 164 65 83

HSL 349.09, 0.43%, 0.45%

LAB 41.69, 42.48, 10.54

 

CMYK 60 / 0 / 47 / 35

HEX #42A558

RGB 66 165 88

HSL 133.33, 0.43%, 0.45%

LAB 60.58, -45.84, 31.41

 

CMYK 48 / 60 / 0 / 36

HEX #5641A4

RGB 86 65 164

HSL 252.73, 0.43%, 0.45%

LAB 34.88, 34.47, -50.69

 

CMYK 0 / 48 / 60 / 36

HEX #A45641

RGB 164 86 65

HSL 12.73, 0.43%, 0.45%

LAB 45.54, 30.11, 26.56

 

CMYK 60 / 0 / 47 / 35

HEX #42A558

RGB 66 165 88

HSL 133.33, 0.43%, 0.45%

LAB 60.58, -45.84, 31.41

 

CMYK 60 / 26 / 0 / 36

HEX #417AA4

RGB 65 122 164

HSL 205.45, 0.43%, 0.45%

LAB 49.16, -5.7, -28.11

 

CMYK 0 / 60 / 13 / 36

HEX #A4418E

RGB 164 65 142

HSL 313.33, 0.43%, 0.45%

LAB 43.69, 50.09, -22.82

 

CMYK 0 / 35 / 60 / 36

HEX #A46A41

RGB 164 106 65

HSL 24.85, 0.43%, 0.45%

LAB 50.19, 18.94, 32.29

 

CMYK 60 / 0 / 47 / 35

HEX #42A558

RGB 66 165 88

HSL 133.33, 0.43%, 0.45%

LAB 60.58, -45.84, 31.41

 

CMYK 60 / 43 / 0 / 36

HEX #415DA4

RGB 65 93 164

HSL 223.03, 0.43%, 0.45%

LAB 40.63, 12.18, -41.55

 

CMYK 0 / 60 / 13 / 36

HEX #A4418E

RGB 164 65 142

HSL 313.33, 0.43%, 0.45%

LAB 43.69, 50.09, -22.82

 

CMYK 0 / 17 / 60 / 36

HEX #A48841

RGB 164 136 65

HSL 43.03, 0.43%, 0.45%

LAB 57.93, 2.01, 41.4

 

Description

Color code: HEX #42A558 | qconv.com Color code: HEX #42A558 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 165 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 165 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 47 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 47% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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