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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #429988 it is the complementary color #BD6677. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #429988. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #429988 shade: #479983, #58AB96, #69BDA9, #7ACFBC and #8BE1CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #429988. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #429988 shade: #429988, #318775, #207562, #0F634F and #00513C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #429988 shade: #419988, #419970, #419959, #429941 and #599941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #429988 shade: #419988, #419299, #417B99, #416399 and #414C99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #429988 shade matches the following richer shades: #419988, #30AB93, #1EBC9D and #0CCEA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #429988 shade: #419988, #53877D, #657672, #776467 and #88525D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #429988 shade: #419959, #419970, #419987, #419399 and #417C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #429988 shade: #295F55, #357C6E, #419988, #50B4A0 and #6DC0B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #429988 shade: #429988, #414199 and #996441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #429988 shade: #429988, #874199 and #998741

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #429988 shade: #429988, #414199, #994153 and #999941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #429988 shade: #429988, #5C4199, #994153 and #7F9941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 11 / 40

HEX #429988

RGB 66 153 136

HSL 168.28, 0.4%, 0.43%

LAB 57.77, -30.4, 1.07

 

Complementary color

CMYK 0 / 46 / 37 / 26

HEX #BD6677

RGB 189 102 119

HSL 348.28, 0.4%, 0.57%

LAB 53.66, 36.62, 6.22

 

CMYK 54 / 0 / 14 / 40

HEX #479983

RGB 71 153 131

HSL 163.9, 0.37%, 0.44%

LAB 57.81, -30.55, 3.99

 

CMYK 49 / 0 / 12 / 33

HEX #58AB96

RGB 88 171 150

HSL 164.82, 0.33%, 0.51%

LAB 64.49, -30.49, 3.04

 

CMYK 44 / 0 / 11 / 26

HEX #69BDA9

RGB 105 189 169

HSL 165.71, 0.39%, 0.58%

LAB 71.05, -30.37, 2.17

 

CMYK 41 / 0 / 9 / 19

HEX #7ACFBC

RGB 122 207 188

HSL 166.59, 0.47%, 0.65%

LAB 77.52, -30.22, 1.36

 

CMYK 38 / 0 / 8 / 12

HEX #8BE1CF

RGB 139 225 207

HSL 167.44, 0.59%, 0.71%

LAB 83.88, -30.07, 0.61

 

CMYK 57 / 0 / 11 / 40

HEX #429988

RGB 66 153 136

HSL 168.28, 0.4%, 0.43%

LAB 57.77, -30.4, 1.07

 

CMYK 64 / 0 / 13 / 47

HEX #318775

RGB 49 135 117

HSL 167.44, 0.47%, 0.36%

LAB 51, -30.23, 2.1

 

CMYK 73 / 0 / 16 / 54

HEX #207562

RGB 32 117 98

HSL 166.59, 0.57%, 0.29%

LAB 44.11, -29.82, 3.27

 

CMYK 85 / 0 / 20 / 61

HEX #0F634F

RGB 15 99 79

HSL 165.71, 0.74%, 0.22%

LAB 37.1, -29, 4.66

 

CMYK 100 / 0 / 26 / 68

HEX #00513C

RGB 0 81 60

HSL 164.44, 1%, 0.16%

LAB 29.94, -27.67, 6.29

 

CMYK 58 / 0 / 11 / 40

HEX #419988

RGB 65 153 136

HSL 168.41, 0.4%, 0.43%

LAB 57.74, -30.61, 1.02

 

CMYK 58 / 0 / 27 / 40

HEX #419970

RGB 65 153 112

HSL 152.05, 0.4%, 0.43%

LAB 57.15, -36.4, 13.77

 

CMYK 58 / 0 / 42 / 40

HEX #419959

RGB 65 153 89

HSL 136.36, 0.4%, 0.43%

LAB 56.71, -40.98, 25.89

 

CMYK 57 / 0 / 58 / 40

HEX #429941

RGB 66 153 65

HSL 119.32, 0.4%, 0.43%

LAB 56.41, -44.38, 37.96

 

CMYK 42 / 0 / 58 / 40

HEX #599941

RGB 89 153 65

HSL 103.64, 0.4%, 0.43%

LAB 57.35, -37.46, 39.31

 

CMYK 58 / 0 / 11 / 40

HEX #419988

RGB 65 153 136

HSL 168.41, 0.4%, 0.43%

LAB 57.74, -30.61, 1.02

 

CMYK 58 / 5 / 0 / 40

HEX #419299

RGB 65 146 153

HSL 184.77, 0.4%, 0.43%

LAB 56.07, -22.41, -11.17

 

CMYK 58 / 20 / 0 / 40

HEX #417B99

RGB 65 123 153

HSL 200.45, 0.4%, 0.43%

LAB 48.99, -9.87, -21.93

 

CMYK 58 / 35 / 0 / 40

HEX #416399

RGB 65 99 153

HSL 216.82, 0.4%, 0.43%

LAB 41.76, 4.55, -33.2

 

CMYK 58 / 50 / 0 / 40

HEX #414C99

RGB 65 76 153

HSL 232.5, 0.4%, 0.43%

LAB 35.19, 19.38, -43.66

 

CMYK 58 / 0 / 11 / 40

HEX #419988

RGB 65 153 136

HSL 168.41, 0.4%, 0.43%

LAB 57.74, -30.61, 1.02

 

CMYK 72 / 0 / 14 / 33

HEX #30AB93

RGB 48 171 147

HSL 168.29, 0.56%, 0.43%

LAB 63.23, -39, 2.74

 

CMYK 84 / 0 / 16 / 26

HEX #1EBC9D

RGB 30 188 157

HSL 168.23, 0.72%, 0.43%

LAB 68.52, -45.63, 4.82

 

CMYK 94 / 0 / 18 / 19

HEX #0CCEA8

RGB 12 206 168

HSL 168.25, 0.89%, 0.43%

LAB 74.22, -51.15, 7.04

 

CMYK 58 / 0 / 11 / 40

HEX #419988

RGB 65 153 136

HSL 168.41, 0.4%, 0.43%

LAB 57.74, -30.61, 1.02

 

CMYK 39 / 0 / 7 / 47

HEX #53877D

RGB 83 135 125

HSL 168.46, 0.24%, 0.43%

LAB 52.56, -19.83, -0.12

 

CMYK 14 / 0 / 3 / 54

HEX #657672

RGB 101 118 114

HSL 165.88, 0.08%, 0.43%

LAB 48.18, -7.15, 0.08

 

CMYK 0 / 16 / 13 / 53

HEX #776467

RGB 119 100 103

HSL 350.53, 0.09%, 0.43%

LAB 44.26, 8.14, 1.13

 

CMYK 0 / 40 / 32 / 47

HEX #88525D

RGB 136 82 93

HSL 347.78, 0.25%, 0.43%

LAB 41.31, 24.05, 3.23

 

CMYK 58 / 0 / 42 / 40

HEX #419959

RGB 65 153 89

HSL 136.36, 0.4%, 0.43%

LAB 56.71, -40.98, 25.89

 

CMYK 58 / 0 / 27 / 40

HEX #419970

RGB 65 153 112

HSL 152.05, 0.4%, 0.43%

LAB 57.15, -36.4, 13.77

 

CMYK 58 / 0 / 12 / 40

HEX #419987

RGB 65 153 135

HSL 167.73, 0.4%, 0.43%

LAB 57.71, -30.87, 1.55

 

CMYK 58 / 4 / 0 / 40

HEX #419399

RGB 65 147 153

HSL 184.09, 0.4%, 0.43%

LAB 56.38, -22.92, -10.71

 

CMYK 58 / 19 / 0 / 40

HEX #417C99

RGB 65 124 153

HSL 199.77, 0.4%, 0.43%

LAB 49.3, -10.44, -21.46

 

CMYK 57 / 0 / 11 / 63

HEX #295F55

RGB 41 95 85

HSL 168.89, 0.4%, 0.27%

LAB 36.58, -20.64, 0.29

 

CMYK 57 / 0 / 11 / 51

HEX #357C6E

RGB 53 124 110

HSL 168.17, 0.4%, 0.35%

LAB 47.36, -25.89, 0.94

 

CMYK 58 / 0 / 11 / 40

HEX #419988

RGB 65 153 136

HSL 168.41, 0.4%, 0.43%

LAB 57.74, -30.61, 1.02

 

CMYK 56 / 0 / 11 / 29

HEX #50B4A0

RGB 80 180 160

HSL 168, 0.4%, 0.51%

LAB 67.19, -34.11, 1.39

 

CMYK 43 / 0 / 8 / 25

HEX #6DC0B0

RGB 109 192 176

HSL 168.43, 0.4%, 0.59%

LAB 72.29, -29.14, 0.17

 

CMYK 57 / 0 / 11 / 40

HEX #429988

RGB 66 153 136

HSL 168.28, 0.4%, 0.43%

LAB 57.77, -30.4, 1.07

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 0 / 35 / 58 / 40

HEX #996441

RGB 153 100 65

HSL 23.86, 0.4%, 0.43%

LAB 47.32, 17.59, 28.46

 

CMYK 57 / 0 / 11 / 40

HEX #429988

RGB 66 153 136

HSL 168.28, 0.4%, 0.43%

LAB 57.77, -30.4, 1.07

 

CMYK 12 / 58 / 0 / 40

HEX #874199

RGB 135 65 153

HSL 287.73, 0.4%, 0.43%

LAB 39.97, 43.92, -35.61

 

CMYK 0 / 12 / 58 / 40

HEX #998741

RGB 153 135 65

HSL 47.73, 0.4%, 0.43%

LAB 56.57, -2.32, 39.55

 

CMYK 57 / 0 / 11 / 40

HEX #429988

RGB 66 153 136

HSL 168.28, 0.4%, 0.43%

LAB 57.77, -30.4, 1.07

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 0 / 58 / 46 / 40

HEX #994153

RGB 153 65 83

HSL 347.73, 0.4%, 0.43%

LAB 39.88, 38.57, 7.74

 

CMYK 0 / 0 / 58 / 40

HEX #999941

RGB 153 153 65

HSL 60, 0.4%, 0.43%

LAB 61.6, -12.07, 45.29

 

CMYK 57 / 0 / 11 / 40

HEX #429988

RGB 66 153 136

HSL 168.28, 0.4%, 0.43%

LAB 57.77, -30.4, 1.07

 

CMYK 40 / 58 / 0 / 40

HEX #5C4199

RGB 92 65 153

HSL 258.41, 0.4%, 0.43%

LAB 34.71, 32.62, -44.3

 

CMYK 0 / 58 / 46 / 40

HEX #994153

RGB 153 65 83

HSL 347.73, 0.4%, 0.43%

LAB 39.88, 38.57, 7.74

 

CMYK 17 / 0 / 58 / 40

HEX #7F9941

RGB 127 153 65

HSL 77.73, 0.4%, 0.43%

LAB 59.6, -23.1, 42.48

 

Description

Color code: HEX #429988 | qconv.com Color code: HEX #429988 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 153 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 153 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 11 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 11% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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