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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #429499 it is the complementary color #BD6B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #429499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #429499 shade: #479494, #58A6A7, #69B8BA, #7ACACD and #8BDCE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #429499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #429499 shade: #429499, #318286, #207073, #0F5E60 and #004C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #429499 shade: #419499, #417C99, #416599, #414D99 and #4D4199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #429499 shade: #419499, #417C99, #416599, #414D99 and #414199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #429499 shade matches the following richer shades: #419499, #30A4AB, #1EB3BC and #0CC3CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #429499 shade: #419499, #538487, #657576, #776564 and #885552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #429499 shade: #41996F, #419986, #419599, #417D99 and #416699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #429499 shade: #295C5F, #35787C, #419499, #50AEB4 and #6DBBC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #429499 shade: #429499, #574199 and #997A41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #429499 shade: #429499, #994195 and #959941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #429499 shade: #429499, #574199, #994641 and #839941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #429499 shade: #429499, #724199, #994641 and #699941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 3 / 0 / 40

HEX #429499

RGB 66 148 153

HSL 183.45, 0.4%, 0.43%

LAB 56.72, -23.24, -10.19

 

Complementary color

CMYK 0 / 43 / 46 / 26

HEX #BD6B66

RGB 189 107 102

HSL 3.45, 0.4%, 0.57%

LAB 54.34, 32.04, 17.15

 

CMYK 52 / 0 / 0 / 42

HEX #479494

RGB 71 148 148

HSL 180, 0.35%, 0.43%

LAB 56.74, -23.59, -7.28

 

CMYK 47 / 1 / 0 / 35

HEX #58A6A7

RGB 88 166 167

HSL 180.76, 0.31%, 0.5%

LAB 63.46, -23.69, -7.97

 

CMYK 44 / 1 / 0 / 27

HEX #69B8BA

RGB 105 184 186

HSL 181.48, 0.37%, 0.57%

LAB 70.06, -23.72, -8.61

 

CMYK 40 / 1 / 0 / 20

HEX #7ACACD

RGB 122 202 205

HSL 182.17, 0.45%, 0.64%

LAB 76.55, -23.71, -9.22

 

CMYK 38 / 2 / 0 / 12

HEX #8BDCE0

RGB 139 220 224

HSL 182.82, 0.58%, 0.71%

LAB 82.94, -23.68, -9.79

 

CMYK 57 / 3 / 0 / 40

HEX #429499

RGB 66 148 153

HSL 183.45, 0.4%, 0.43%

LAB 56.72, -23.24, -10.19

 

CMYK 63 / 3 / 0 / 47

HEX #318286

RGB 49 130 134

HSL 182.82, 0.46%, 0.36%

LAB 49.91, -22.86, -9.46

 

CMYK 72 / 3 / 0 / 55

HEX #207073

RGB 32 112 115

HSL 182.17, 0.56%, 0.29%

LAB 42.96, -22.24, -8.62

 

CMYK 84 / 2 / 0 / 62

HEX #0F5E60

RGB 15 94 96

HSL 181.48, 0.73%, 0.22%

LAB 35.89, -21.2, -7.64

 

CMYK 100 / 1 / 0 / 70

HEX #004C4D

RGB 0 76 77

HSL 180.78, 1%, 0.15%

LAB 28.65, -19.67, -6.48

 

CMYK 58 / 3 / 0 / 40

HEX #419499

RGB 65 148 153

HSL 183.41, 0.4%, 0.43%

LAB 56.69, -23.44, -10.24

 

CMYK 58 / 19 / 0 / 40

HEX #417C99

RGB 65 124 153

HSL 199.77, 0.4%, 0.43%

LAB 49.3, -10.44, -21.46

 

CMYK 58 / 34 / 0 / 40

HEX #416599

RGB 65 101 153

HSL 215.45, 0.4%, 0.43%

LAB 42.36, 3.3, -32.26

 

CMYK 58 / 50 / 0 / 40

HEX #414D99

RGB 65 77 153

HSL 231.82, 0.4%, 0.43%

LAB 35.46, 18.73, -43.22

 

CMYK 50 / 58 / 0 / 40

HEX #4D4199

RGB 77 65 153

HSL 248.18, 0.4%, 0.43%

LAB 33.26, 29.1, -46.71

 

CMYK 58 / 3 / 0 / 40

HEX #419499

RGB 65 148 153

HSL 183.41, 0.4%, 0.43%

LAB 56.69, -23.44, -10.24

 

CMYK 58 / 19 / 0 / 40

HEX #417C99

RGB 65 124 153

HSL 199.77, 0.4%, 0.43%

LAB 49.3, -10.44, -21.46

 

CMYK 58 / 34 / 0 / 40

HEX #416599

RGB 65 101 153

HSL 215.45, 0.4%, 0.43%

LAB 42.36, 3.3, -32.26

 

CMYK 58 / 50 / 0 / 40

HEX #414D99

RGB 65 77 153

HSL 231.82, 0.4%, 0.43%

LAB 35.46, 18.73, -43.22

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 58 / 3 / 0 / 40

HEX #419499

RGB 65 148 153

HSL 183.41, 0.4%, 0.43%

LAB 56.69, -23.44, -10.24

 

CMYK 72 / 4 / 0 / 33

HEX #30A4AB

RGB 48 164 171

HSL 183.41, 0.56%, 0.43%

LAB 61.76, -28.89, -12.89

 

CMYK 84 / 5 / 0 / 26

HEX #1EB3BC

RGB 30 179 188

HSL 183.42, 0.72%, 0.43%

LAB 66.63, -32.71, -15.05

 

CMYK 94 / 5 / 0 / 19

HEX #0CC3CE

RGB 12 195 206

HSL 183.4, 0.89%, 0.43%

LAB 71.94, -35.58, -16.94

 

CMYK 58 / 3 / 0 / 40

HEX #419499

RGB 65 148 153

HSL 183.41, 0.4%, 0.43%

LAB 56.69, -23.44, -10.24

 

CMYK 39 / 2 / 0 / 47

HEX #538487

RGB 83 132 135

HSL 183.46, 0.24%, 0.43%

LAB 51.94, -15.67, -6.86

 

CMYK 14 / 1 / 0 / 54

HEX #657576

RGB 101 117 118

HSL 183.53, 0.08%, 0.43%

LAB 48, -5.69, -2.56

 

CMYK 0 / 15 / 16 / 53

HEX #776564

RGB 119 101 100

HSL 3.16, 0.09%, 0.43%

LAB 44.45, 7, 3.22

 

CMYK 0 / 38 / 40 / 47

HEX #885552

RGB 136 85 82

HSL 3.33, 0.25%, 0.43%

LAB 41.75, 20.82, 10.63

 

CMYK 58 / 0 / 27 / 40

HEX #41996F

RGB 65 153 111

HSL 151.36, 0.4%, 0.43%

LAB 57.13, -36.62, 14.3

 

CMYK 58 / 0 / 12 / 40

HEX #419986

RGB 65 153 134

HSL 167.05, 0.4%, 0.43%

LAB 57.68, -31.13, 2.08

 

CMYK 58 / 3 / 0 / 40

HEX #419599

RGB 65 149 153

HSL 182.73, 0.4%, 0.43%

LAB 57, -23.95, -9.78

 

CMYK 58 / 18 / 0 / 40

HEX #417D99

RGB 65 125 153

HSL 199.09, 0.4%, 0.43%

LAB 49.61, -11.01, -20.99

 

CMYK 58 / 33 / 0 / 40

HEX #416699

RGB 65 102 153

HSL 214.77, 0.4%, 0.43%

LAB 42.65, 2.68, -31.8

 

CMYK 57 / 3 / 0 / 63

HEX #295C5F

RGB 41 92 95

HSL 183.33, 0.4%, 0.27%

LAB 35.89, -16.03, -6.94

 

CMYK 57 / 3 / 0 / 51

HEX #35787C

RGB 53 120 124

HSL 183.38, 0.4%, 0.35%

LAB 46.51, -19.83, -8.63

 

CMYK 58 / 3 / 0 / 40

HEX #419499

RGB 65 148 153

HSL 183.41, 0.4%, 0.43%

LAB 56.69, -23.44, -10.24

 

CMYK 56 / 3 / 0 / 29

HEX #50AEB4

RGB 80 174 180

HSL 183.6, 0.4%, 0.51%

LAB 65.96, -25.89, -11.52

 

CMYK 43 / 3 / 0 / 25

HEX #6DBBC0

RGB 109 187 192

HSL 183.61, 0.4%, 0.59%

LAB 71.28, -22.7, -10.06

 

CMYK 57 / 3 / 0 / 40

HEX #429499

RGB 66 148 153

HSL 183.45, 0.4%, 0.43%

LAB 56.72, -23.24, -10.19

 

CMYK 43 / 58 / 0 / 40

HEX #574199

RGB 87 65 153

HSL 255, 0.4%, 0.43%

LAB 34.2, 31.41, -45.14

 

CMYK 0 / 20 / 58 / 40

HEX #997A41

RGB 153 122 65

HSL 38.86, 0.4%, 0.43%

LAB 53.03, 4.97, 35.39

 

CMYK 57 / 3 / 0 / 40

HEX #429499

RGB 66 148 153

HSL 183.45, 0.4%, 0.43%

LAB 56.72, -23.24, -10.19

 

CMYK 0 / 58 / 3 / 40

HEX #994195

RGB 153 65 149

HSL 302.73, 0.4%, 0.43%

LAB 42.34, 48.14, -29.28

 

CMYK 3 / 0 / 58 / 40

HEX #959941

RGB 149 153 65

HSL 62.73, 0.4%, 0.43%

LAB 61.27, -13.8, 44.82

 

CMYK 57 / 3 / 0 / 40

HEX #429499

RGB 66 148 153

HSL 183.45, 0.4%, 0.43%

LAB 56.72, -23.24, -10.19

 

CMYK 43 / 58 / 0 / 40

HEX #574199

RGB 87 65 153

HSL 255, 0.4%, 0.43%

LAB 34.2, 31.41, -45.14

 

CMYK 0 / 54 / 58 / 40

HEX #994641

RGB 153 70 65

HSL 3.41, 0.4%, 0.43%

LAB 40.47, 34.3, 19.72

 

CMYK 14 / 0 / 58 / 40

HEX #839941

RGB 131 153 65

HSL 75, 0.4%, 0.43%

LAB 59.88, -21.45, 42.88

 

CMYK 57 / 3 / 0 / 40

HEX #429499

RGB 66 148 153

HSL 183.45, 0.4%, 0.43%

LAB 56.72, -23.24, -10.19

 

CMYK 25 / 58 / 0 / 40

HEX #724199

RGB 114 65 153

HSL 273.41, 0.4%, 0.43%

LAB 37.22, 38.25, -40.14

 

CMYK 0 / 54 / 58 / 40

HEX #994641

RGB 153 70 65

HSL 3.41, 0.4%, 0.43%

LAB 40.47, 34.3, 19.72

 

CMYK 31 / 0 / 58 / 40

HEX #699941

RGB 105 153 65

HSL 92.73, 0.4%, 0.43%

LAB 58.2, -31.77, 40.5

 

Description

Color code: HEX #429499 | qconv.com Color code: HEX #429499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 148 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 148 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 3 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 3% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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