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Color name
HEX #424E98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #424E98 it is the complementary color #BDB167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #424E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #424E98 shade: #474E93, #5860A6, #6972B9, #7A84CC and #8B96DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #424E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #424E98 shade: #424E98, #313C85, #202A72, #0F185F and #00064C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #424E98 shade: #424E98, #4E4298, #654298, #7C4298 and #934298

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #424E98 shade: #424E98 and #424298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #424E98 shade matches the following richer shades: #424E98, #3142AA, #1F35BB and #0D28CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #424E98 shade: #424E98, #545B86, #666874, #787563 and #898151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #424E98 shade: #427D98, #426698, #424F98, #4C4298 and #634298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #424E98 shade: #29315F, #363F7B, #424E98, #515FB2 and #6E79BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #424E98 shade: #424E98, #984294 and #719842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #424E98 shade: #424E98, #98424F and #4F9842

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #424E98 shade: #424E98, #984294, #988B42 and #429847

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #424E98 shade: #424E98, #98427A, #988B42 and #429860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

Complementary color

CMYK 0 / 6 / 46 / 26

HEX #BDB167

RGB 189 177 103

HSL 51.63, 0.39%, 0.57%

LAB 71.72, -6.06, 39.25

 

CMYK 52 / 47 / 0 / 42

HEX #474E93

RGB 71 78 147

HSL 234.47, 0.35%, 0.43%

LAB 35.78, 17.4, -39.05

 

CMYK 47 / 42 / 0 / 35

HEX #5860A6

RGB 88 96 166

HSL 233.85, 0.31%, 0.5%

LAB 43.05, 16.2, -38.78

 

CMYK 43 / 38 / 0 / 27

HEX #6972B9

RGB 105 114 185

HSL 233.25, 0.36%, 0.57%

LAB 50.15, 15.23, -38.58

 

CMYK 40 / 35 / 0 / 20

HEX #7A84CC

RGB 122 132 204

HSL 232.68, 0.45%, 0.64%

LAB 57.08, 14.42, -38.45

 

CMYK 38 / 33 / 0 / 13

HEX #8B96DF

RGB 139 150 223

HSL 232.14, 0.57%, 0.71%

LAB 63.86, 13.73, -38.37

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 63 / 55 / 0 / 48

HEX #313C85

RGB 49 60 133

HSL 232.14, 0.46%, 0.36%

LAB 28.32, 19.69, -42.51

 

CMYK 72 / 63 / 0 / 55

HEX #202A72

RGB 32 42 114

HSL 232.68, 0.56%, 0.29%

LAB 20.74, 21.98, -42.84

 

CMYK 84 / 75 / 0 / 63

HEX #0F185F

RGB 15 24 95

HSL 233.25, 0.73%, 0.22%

LAB 13.11, 24.95, -42.94

 

CMYK 100 / 92 / 0 / 70

HEX #00064C

RGB 0 6 76

HSL 235.26, 1%, 0.15%

LAB 5.89, 27.32, -41.96

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 49 / 57 / 0 / 40

HEX #4E4298

RGB 78 66 152

HSL 248.37, 0.39%, 0.43%

LAB 33.53, 28.38, -45.67

 

CMYK 34 / 57 / 0 / 40

HEX #654298

RGB 101 66 152

HSL 264.42, 0.39%, 0.43%

LAB 35.85, 34.01, -41.82

 

CMYK 18 / 57 / 0 / 40

HEX #7C4298

RGB 124 66 152

HSL 280.47, 0.39%, 0.43%

LAB 38.64, 40.16, -37.21

 

CMYK 3 / 57 / 0 / 40

HEX #934298

RGB 147 66 152

HSL 296.51, 0.39%, 0.43%

LAB 41.79, 46.54, -32.01

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 57 / 57 / 0 / 40

HEX #424298

RGB 66 66 152

HSL 240, 0.39%, 0.43%

LAB 32.53, 25.78, -47.33

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 71 / 61 / 0 / 33

HEX #3142AA

RGB 49 66 170

HSL 231.57, 0.55%, 0.43%

LAB 32.81, 29.28, -57.77

 

CMYK 83 / 72 / 0 / 27

HEX #1F35BB

RGB 31 53 187

HSL 231.54, 0.72%, 0.43%

LAB 30.46, 41.97, -71.77

 

CMYK 94 / 80 / 0 / 20

HEX #0D28CD

RGB 13 40 205

HSL 231.56, 0.88%, 0.43%

LAB 29.44, 54.58, -84.05

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 37 / 32 / 0 / 47

HEX #545B86

RGB 84 91 134

HSL 231.6, 0.23%, 0.43%

LAB 39.73, 8.52, -24.86

 

CMYK 12 / 10 / 0 / 55

HEX #666874

RGB 102 104 116

HSL 231.43, 0.06%, 0.43%

LAB 44.21, 1.86, -6.97

 

CMYK 0 / 3 / 18 / 53

HEX #787563

RGB 120 117 99

HSL 51.43, 0.1%, 0.43%

LAB 49.03, -2.16, 10.35

 

CMYK 0 / 6 / 41 / 46

HEX #898151

RGB 137 129 81

HSL 51.43, 0.26%, 0.43%

LAB 53.61, -4.4, 27.1

 

CMYK 57 / 18 / 0 / 40

HEX #427D98

RGB 66 125 152

HSL 198.84, 0.39%, 0.43%

LAB 49.61, -11.11, -20.4

 

CMYK 57 / 33 / 0 / 40

HEX #426698

RGB 66 102 152

HSL 214.88, 0.39%, 0.43%

LAB 42.65, 2.57, -31.19

 

CMYK 57 / 48 / 0 / 40

HEX #424F98

RGB 66 79 152

HSL 230.93, 0.39%, 0.43%

LAB 36.02, 17.29, -41.72

 

CMYK 50 / 57 / 0 / 40

HEX #4C4298

RGB 76 66 152

HSL 246.98, 0.39%, 0.43%

LAB 33.35, 27.93, -45.97

 

CMYK 35 / 57 / 0 / 40

HEX #634298

RGB 99 66 152

HSL 263.02, 0.39%, 0.43%

LAB 35.63, 33.5, -42.18

 

CMYK 57 / 48 / 0 / 63

HEX #29315F

RGB 41 49 95

HSL 231.11, 0.4%, 0.27%

LAB 21.92, 11.58, -28.56

 

CMYK 56 / 49 / 0 / 52

HEX #363F7B

RGB 54 63 123

HSL 232.17, 0.39%, 0.35%

LAB 28.82, 15.12, -35.43

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 54 / 47 / 0 / 30

HEX #515FB2

RGB 81 95 178

HSL 231.34, 0.39%, 0.51%

LAB 42.99, 19.05, -45.98

 

CMYK 42 / 37 / 0 / 25

HEX #6E79BF

RGB 110 121 191

HSL 231.85, 0.39%, 0.59%

LAB 52.68, 14.07, -38.02

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 0 / 57 / 3 / 40

HEX #984294

RGB 152 66 148

HSL 302.79, 0.39%, 0.43%

LAB 42.32, 47.2, -28.72

 

CMYK 26 / 0 / 57 / 40

HEX #719842

RGB 113 152 66

HSL 87.21, 0.39%, 0.43%

LAB 58.38, -28.13, 40.35

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 0 / 57 / 48 / 40

HEX #98424F

RGB 152 66 79

HSL 350.93, 0.39%, 0.43%

LAB 39.81, 37.28, 10.12

 

CMYK 48 / 0 / 57 / 40

HEX #4F9842

RGB 79 152 66

HSL 110.93, 0.39%, 0.43%

LAB 56.6, -40.12, 37.81

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 0 / 57 / 3 / 40

HEX #984294

RGB 152 66 148

HSL 302.79, 0.39%, 0.43%

LAB 42.32, 47.2, -28.72

 

CMYK 0 / 9 / 57 / 40

HEX #988B42

RGB 152 139 66

HSL 50.93, 0.39%, 0.43%

LAB 57.59, -4.89, 40.21

 

CMYK 57 / 0 / 53 / 40

HEX #429847

RGB 66 152 71

HSL 123.49, 0.39%, 0.43%

LAB 56.16, -43.17, 34.67

 

CMYK 57 / 49 / 0 / 40

HEX #424E98

RGB 66 78 152

HSL 231.63, 0.39%, 0.43%

LAB 35.74, 17.94, -42.16

 

CMYK 0 / 57 / 20 / 40

HEX #98427A

RGB 152 66 122

HSL 320.93, 0.39%, 0.43%

LAB 41.18, 42.83, -14.64

 

CMYK 0 / 9 / 57 / 40

HEX #988B42

RGB 152 139 66

HSL 50.93, 0.39%, 0.43%

LAB 57.59, -4.89, 40.21

 

CMYK 57 / 0 / 37 / 40

HEX #429860

RGB 66 152 96

HSL 140.93, 0.39%, 0.43%

LAB 56.54, -39.02, 21.86

 

Description

Color code: HEX #424E98 | qconv.com Color code: HEX #424E98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 78 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 78 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 49 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 49% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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