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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #423D5A it is the complementary color #BDC2A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #423D5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #423D5A shade: #473D55, #584F68, #69617B, #7A738E and #8B85A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #423D5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #423D5A shade: #423D5A, #312B47, #201934, #0F0721 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #423D5A shade: #423D5B, #4A3D5B, #523D5B, #5A3D5B and #5B3D53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #423D5A shade: #423D5B and #3D3D5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #423D5A shade matches the following richer shades: #423D5B, #3A3167, #322573, #2A1880 and #220C8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #423D5A shade: #423D5B, #4B4A4E, #535642, #5B6335 and #636F29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #423D5A shade: #3D485B, #3D405B, #423D5B, #4A3D5B and #523D5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #423D5A shade: #1E1C29, #302D42, #423D5B, #554E73 and #675F8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #423D5A shade: #423D5A, #5B3D50 and #445B3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #423D5A shade: #423D5A, #5B423D and #3D5B42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #423D5A shade: #423D5A, #5B3D50, #565B3D and #3D5B48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #423D5A shade: #423D5A, #5B3D47, #565B3D and #3D5B51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 32 / 0 / 65

HEX #423D5A

RGB 66 61 90

HSL 250.34, 0.19%, 0.3%

LAB 27.39, 9.38, -16.55

 

Complementary color

CMYK 3 / 0 / 15 / 24

HEX #BDC2A5

RGB 189 194 165

HSL 70.34, 0.19%, 0.7%

LAB 77.35, -6.8, 14.02

 

CMYK 16 / 28 / 0 / 67

HEX #473D55

RGB 71 61 85

HSL 265, 0.16%, 0.29%

LAB 27.66, 9.85, -12.84

 

CMYK 15 / 24 / 0 / 59

HEX #584F68

RGB 88 79 104

HSL 261.6, 0.14%, 0.36%

LAB 35.33, 9.29, -13.1

 

CMYK 15 / 21 / 0 / 52

HEX #69617B

RGB 105 97 123

HSL 258.46, 0.12%, 0.43%

LAB 42.74, 8.82, -13.4

 

CMYK 14 / 19 / 0 / 44

HEX #7A738E

RGB 122 115 142

HSL 255.56, 0.11%, 0.5%

LAB 49.92, 8.42, -13.72

 

CMYK 14 / 17 / 0 / 37

HEX #8B85A1

RGB 139 133 161

HSL 252.86, 0.13%, 0.58%

LAB 56.92, 8.05, -14.06

 

CMYK 27 / 32 / 0 / 65

HEX #423D5A

RGB 66 61 90

HSL 250.34, 0.19%, 0.3%

LAB 27.39, 9.38, -16.55

 

CMYK 31 / 39 / 0 / 72

HEX #312B47

RGB 49 43 71

HSL 252.86, 0.25%, 0.22%

LAB 19.37, 10.11, -16.52

 

CMYK 38 / 52 / 0 / 80

HEX #201934

RGB 32 25 52

HSL 255.56, 0.35%, 0.15%

LAB 10.92, 11.1, -16.61

 

CMYK 55 / 79 / 0 / 87

HEX #0F0721

RGB 15 7 33

HSL 258.46, 0.65%, 0.08%

LAB 3.28, 8.28, -14.49

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 27 / 33 / 0 / 64

HEX #423D5B

RGB 66 61 91

HSL 250, 0.2%, 0.3%

LAB 27.44, 9.66, -17.13

 

CMYK 19 / 33 / 0 / 64

HEX #4A3D5B

RGB 74 61 91

HSL 266, 0.2%, 0.3%

LAB 28.24, 12.51, -15.82

 

CMYK 10 / 33 / 0 / 64

HEX #523D5B

RGB 82 61 91

HSL 282, 0.2%, 0.3%

LAB 29.12, 15.45, -14.39

 

CMYK 1 / 33 / 0 / 64

HEX #5A3D5B

RGB 90 61 91

HSL 298, 0.2%, 0.3%

LAB 30.08, 18.44, -12.85

 

CMYK 0 / 33 / 9 / 64

HEX #5B3D53

RGB 91 61 83

HSL 316, 0.2%, 0.3%

LAB 29.88, 17.13, -7.96

 

CMYK 27 / 33 / 0 / 64

HEX #423D5B

RGB 66 61 91

HSL 250, 0.2%, 0.3%

LAB 27.44, 9.66, -17.13

 

CMYK 33 / 33 / 0 / 64

HEX #3D3D5B

RGB 61 61 91

HSL 240, 0.2%, 0.3%

LAB 26.98, 7.94, -17.88

 

CMYK 27 / 33 / 0 / 64

HEX #423D5B

RGB 66 61 91

HSL 250, 0.2%, 0.3%

LAB 27.44, 9.66, -17.13

 

CMYK 44 / 52 / 0 / 60

HEX #3A3167

RGB 58 49 103

HSL 250, 0.36%, 0.3%

LAB 23.92, 18.85, -30.51

 

CMYK 57 / 68 / 0 / 55

HEX #322573

RGB 50 37 115

HSL 250, 0.51%, 0.3%

LAB 20.98, 28.85, -43.04

 

CMYK 67 / 81 / 0 / 50

HEX #2A1880

RGB 42 24 128

HSL 250.38, 0.68%, 0.3%

LAB 18.82, 39.47, -54.92

 

CMYK 76 / 91 / 0 / 45

HEX #220C8C

RGB 34 12 140

HSL 250.31, 0.84%, 0.3%

LAB 17.9, 47.55, -64.02

 

CMYK 27 / 33 / 0 / 64

HEX #423D5B

RGB 66 61 91

HSL 250, 0.2%, 0.3%

LAB 27.44, 9.66, -17.13

 

CMYK 4 / 5 / 0 / 69

HEX #4B4A4E

RGB 75 74 78

HSL 255, 0.03%, 0.3%

LAB 31.68, 1.3, -2.23

 

CMYK 3 / 0 / 23 / 66

HEX #535642

RGB 83 86 66

HSL 69, 0.13%, 0.3%

LAB 35.77, -5.13, 11.27

 

CMYK 8 / 0 / 46 / 61

HEX #5B6335

RGB 91 99 53

HSL 70.43, 0.3%, 0.3%

LAB 40.25, -11.1, 25.02

 

CMYK 11 / 0 / 63 / 56

HEX #636F29

RGB 99 111 41

HSL 70.29, 0.46%, 0.3%

LAB 44.49, -15.39, 36.49

 

CMYK 33 / 21 / 0 / 64

HEX #3D485B

RGB 61 72 91

HSL 218, 0.2%, 0.3%

LAB 30.36, 0.7, -12.67

 

CMYK 33 / 30 / 0 / 64

HEX #3D405B

RGB 61 64 91

HSL 234, 0.2%, 0.3%

LAB 27.88, 5.94, -16.47

 

CMYK 27 / 33 / 0 / 64

HEX #423D5B

RGB 66 61 91

HSL 250, 0.2%, 0.3%

LAB 27.44, 9.66, -17.13

 

CMYK 19 / 33 / 0 / 64

HEX #4A3D5B

RGB 74 61 91

HSL 266, 0.2%, 0.3%

LAB 28.24, 12.51, -15.82

 

CMYK 10 / 33 / 0 / 64

HEX #523D5B

RGB 82 61 91

HSL 282, 0.2%, 0.3%

LAB 29.12, 15.45, -14.39

 

CMYK 27 / 32 / 0 / 84

HEX #1E1C29

RGB 30 28 41

HSL 249.23, 0.19%, 0.14%

LAB 11.04, 4.56, -8.43

 

CMYK 27 / 32 / 0 / 74

HEX #302D42

RGB 48 45 66

HSL 248.57, 0.19%, 0.22%

LAB 19.63, 6.86, -12.71

 

CMYK 27 / 33 / 0 / 64

HEX #423D5B

RGB 66 61 91

HSL 250, 0.2%, 0.3%

LAB 27.44, 9.66, -17.13

 

CMYK 26 / 32 / 0 / 55

HEX #554E73

RGB 85 78 115

HSL 251.35, 0.19%, 0.38%

LAB 35.24, 11.72, -20.15

 

CMYK 26 / 32 / 0 / 45

HEX #675F8C

RGB 103 95 140

HSL 250.67, 0.19%, 0.46%

LAB 42.71, 13.63, -23.74

 

CMYK 27 / 32 / 0 / 65

HEX #423D5A

RGB 66 61 90

HSL 250.34, 0.19%, 0.3%

LAB 27.39, 9.38, -16.55

 

CMYK 0 / 33 / 12 / 64

HEX #5B3D50

RGB 91 61 80

HSL 322, 0.2%, 0.3%

LAB 29.76, 16.54, -6.18

 

CMYK 25 / 0 / 33 / 64

HEX #445B3D

RGB 68 91 61

HSL 106, 0.2%, 0.3%

LAB 36.08, -15.21, 14.56

 

CMYK 27 / 32 / 0 / 65

HEX #423D5A

RGB 66 61 90

HSL 250.34, 0.19%, 0.3%

LAB 27.39, 9.38, -16.55

 

CMYK 0 / 27 / 33 / 64

HEX #5B423D

RGB 91 66 61

HSL 10, 0.2%, 0.3%

LAB 30.54, 10.03, 7.27

 

CMYK 33 / 0 / 27 / 64

HEX #3D5B42

RGB 61 91 66

HSL 130, 0.2%, 0.3%

LAB 35.73, -16.95, 10.96

 

CMYK 27 / 32 / 0 / 65

HEX #423D5A

RGB 66 61 90

HSL 250.34, 0.19%, 0.3%

LAB 27.39, 9.38, -16.55

 

CMYK 0 / 33 / 12 / 64

HEX #5B3D50

RGB 91 61 80

HSL 322, 0.2%, 0.3%

LAB 29.76, 16.54, -6.18

 

CMYK 5 / 0 / 33 / 64

HEX #565B3D

RGB 86 91 61

HSL 70, 0.2%, 0.3%

LAB 37.48, -7.6, 16.68

 

CMYK 33 / 0 / 21 / 64

HEX #3D5B48

RGB 61 91 72

HSL 142, 0.2%, 0.3%

LAB 35.87, -15.66, 7.46

 

CMYK 27 / 32 / 0 / 65

HEX #423D5A

RGB 66 61 90

HSL 250.34, 0.19%, 0.3%

LAB 27.39, 9.38, -16.55

 

CMYK 0 / 33 / 22 / 64

HEX #5B3D47

RGB 91 61 71

HSL 340, 0.2%, 0.3%

LAB 29.45, 14.86, -0.77

 

CMYK 5 / 0 / 33 / 64

HEX #565B3D

RGB 86 91 61

HSL 70, 0.2%, 0.3%

LAB 37.48, -7.6, 16.68

 

CMYK 33 / 0 / 11 / 64

HEX #3D5B51

RGB 61 91 81

HSL 160, 0.2%, 0.3%

LAB 36.12, -13.56, 2.23

 

Description

Color code: HEX #423D5A | qconv.com Color code: HEX #423D5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 61 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 61 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 32 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 32% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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