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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #423A19 it is the complementary color #BDC5E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #423A19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #423A19 shade: #473A14, #584C27, #695E3A, #7A704D and #8B8260

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #423A19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #423A19 shade: #423A19, #312806, #201600 and #0F0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #423A19 shade: #423A19, #422F19, #422419 and #421919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #423A19 shade: #423A19, #3F4219, #344219, #294219 and #1E4219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #423A19 shade matches the following richer shades: #423A19, #493F11, #51430A and #584802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #423A19 shade: #423A19, #3B3520, #333128, #2C2C2F and #242836

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #423A19 shade: #422419, #422F19, #423A19, #3F4219 and #344219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #423A19 shade: #060502, #24200D, #423A19, #605424 and #7E6F2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #423A19 shade: #423A19, #194219 and #291942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #423A19 shade: #423A19, #19423A and #3A1942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #423A19 shade: #423A19, #194219, #192142 and #421942

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #423A19 shade: #423A19, #194225, #192142 and #421936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

Complementary color

CMYK 18 / 14 / 0 / 10

HEX #BDC5E6

RGB 189 197 230

HSL 228.29, 0.45%, 0.82%

LAB 79.88, 3.99, -17.28

 

CMYK 0 / 18 / 72 / 72

HEX #473A14

RGB 71 58 20

HSL 44.71, 0.56%, 0.18%

LAB 25, 0.56, 25.09

 

CMYK 0 / 14 / 56 / 65

HEX #584C27

RGB 88 76 39

HSL 45.31, 0.39%, 0.25%

LAB 32.68, -0.49, 23.67

 

CMYK 0 / 10 / 45 / 59

HEX #695E3A

RGB 105 94 58

HSL 45.96, 0.29%, 0.32%

LAB 40.1, -1.22, 22.23

 

CMYK 0 / 8 / 37 / 52

HEX #7A704D

RGB 122 112 77

HSL 46.67, 0.23%, 0.39%

LAB 47.32, -1.76, 20.89

 

CMYK 0 / 6 / 31 / 45

HEX #8B8260

RGB 139 130 96

HSL 47.44, 0.18%, 0.46%

LAB 54.34, -2.18, 19.67

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 0 / 18 / 88 / 81

HEX #312806

RGB 49 40 6

HSL 47.44, 0.78%, 0.11%

LAB 16.42, -0.39, 21.37

 

CMYK 0 / 31 / 100 / 87

HEX #201600

RGB 32 22 0

HSL 41.25, 1%, 0.06%

LAB 7.96, 1.83, 11.95

 

CMYK 0 / 73 / 100 / 94

HEX #0F0400

RGB 15 4 0

HSL 16, 1%, 0.03%

LAB 1.7, 2.51, 2.6

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 0 / 29 / 62 / 74

HEX #422F19

RGB 66 47 25

HSL 32.2, 0.45%, 0.18%

LAB 21.06, 5.62, 17.41

 

CMYK 0 / 45 / 62 / 74

HEX #422419

RGB 66 36 25

HSL 16.1, 0.45%, 0.18%

LAB 17.87, 12.93, 13.41

 

CMYK 0 / 62 / 62 / 74

HEX #421919

RGB 66 25 25

HSL 0, 0.45%, 0.18%

LAB 15.08, 19.89, 9.77

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 5 / 0 / 62 / 74

HEX #3F4219

RGB 63 66 25

HSL 64.39, 0.45%, 0.18%

LAB 26.8, -8.09, 24.11

 

CMYK 21 / 0 / 62 / 74

HEX #344219

RGB 52 66 25

HSL 80.49, 0.45%, 0.18%

LAB 25.85, -13.42, 22.77

 

CMYK 38 / 0 / 62 / 74

HEX #294219

RGB 41 66 25

HSL 96.59, 0.45%, 0.18%

LAB 25.07, -18.34, 21.66

 

CMYK 55 / 0 / 62 / 74

HEX #1E4219

RGB 30 66 25

HSL 112.68, 0.45%, 0.18%

LAB 24.46, -22.6, 20.78

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 0 / 14 / 77 / 71

HEX #493F11

RGB 73 63 17

HSL 49.29, 0.62%, 0.18%

LAB 26.77, -1.79, 28.57

 

CMYK 0 / 17 / 88 / 68

HEX #51430A

RGB 81 67 10

HSL 48.17, 0.78%, 0.18%

LAB 28.86, -0.51, 33.9

 

CMYK 0 / 18 / 98 / 65

HEX #584802

RGB 88 72 2

HSL 48.84, 0.96%, 0.18%

LAB 31.15, -0.3, 39.15

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 0 / 10 / 46 / 77

HEX #3B3520

RGB 59 53 32

HSL 46.67, 0.3%, 0.18%

LAB 22.23, -1.06, 14.21

 

CMYK 0 / 4 / 22 / 80

HEX #333128

RGB 51 49 40

HSL 49.09, 0.12%, 0.18%

LAB 20.26, -1.01, 6.07

 

CMYK 6 / 6 / 0 / 82

HEX #2C2C2F

RGB 44 44 47

HSL 240, 0.03%, 0.18%

LAB 18.11, 0.73, -1.94

 

CMYK 33 / 26 / 0 / 79

HEX #242836

RGB 36 40 54

HSL 226.67, 0.2%, 0.18%

LAB 16.3, 2.23, -9.63

 

CMYK 0 / 45 / 62 / 74

HEX #422419

RGB 66 36 25

HSL 16.1, 0.45%, 0.18%

LAB 17.87, 12.93, 13.41

 

CMYK 0 / 29 / 62 / 74

HEX #422F19

RGB 66 47 25

HSL 32.2, 0.45%, 0.18%

LAB 21.06, 5.62, 17.41

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 5 / 0 / 62 / 74

HEX #3F4219

RGB 63 66 25

HSL 64.39, 0.45%, 0.18%

LAB 26.8, -8.09, 24.11

 

CMYK 21 / 0 / 62 / 74

HEX #344219

RGB 52 66 25

HSL 80.49, 0.45%, 0.18%

LAB 25.85, -13.42, 22.77

 

CMYK 0 / 17 / 67 / 98

HEX #060502

RGB 6 5 2

HSL 45, 0.5%, 0.02%

LAB 1.37, -0.16, 1.23

 

CMYK 0 / 11 / 64 / 86

HEX #24200D

RGB 36 32 13

HSL 49.57, 0.47%, 0.1%

LAB 12.2, -1.48, 12.62

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 0 / 13 / 63 / 62

HEX #605424

RGB 96 84 36

HSL 48, 0.45%, 0.26%

LAB 35.9, -1.75, 29.35

 

CMYK 0 / 12 / 63 / 51

HEX #7E6F2F

RGB 126 111 47

HSL 48.61, 0.46%, 0.34%

LAB 46.99, -2.49, 36.98

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 62 / 0 / 62 / 74

HEX #194219

RGB 25 66 25

HSL 120, 0.45%, 0.18%

LAB 24.24, -24.25, 20.47

 

CMYK 38 / 62 / 0 / 74

HEX #291942

RGB 41 25 66

HSL 263.41, 0.45%, 0.18%

LAB 12.98, 18.54, -23.22

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 62 / 0 / 12 / 74

HEX #19423A

RGB 25 66 58

HSL 168.29, 0.45%, 0.18%

LAB 24.98, -16.66, 0.55

 

CMYK 12 / 62 / 0 / 74

HEX #3A1942

RGB 58 25 66

HSL 288.29, 0.45%, 0.18%

LAB 15.42, 23.88, -19.19

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 62 / 0 / 62 / 74

HEX #194219

RGB 25 66 25

HSL 120, 0.45%, 0.18%

LAB 24.24, -24.25, 20.47

 

CMYK 62 / 50 / 0 / 74

HEX #192142

RGB 25 33 66

HSL 228.29, 0.45%, 0.18%

LAB 13.75, 8.11, -22.08

 

CMYK 0 / 62 / 0 / 74

HEX #421942

RGB 66 25 66

HSL 300, 0.45%, 0.18%

LAB 16.73, 26.48, -17.04

 

CMYK 0 / 12 / 62 / 74

HEX #423A19

RGB 66 58 25

HSL 48.29, 0.45%, 0.18%

LAB 24.5, -1.58, 21.52

 

CMYK 62 / 0 / 44 / 74

HEX #194225

RGB 25 66 37

HSL 137.56, 0.45%, 0.18%

LAB 24.44, -22.06, 13.44

 

CMYK 62 / 50 / 0 / 74

HEX #192142

RGB 25 33 66

HSL 228.29, 0.45%, 0.18%

LAB 13.75, 8.11, -22.08

 

CMYK 0 / 62 / 18 / 74

HEX #421936

RGB 66 25 54

HSL 317.56, 0.45%, 0.18%

LAB 16.1, 24.08, -9.59

 

Description

Color code: HEX #423A19 | qconv.com Color code: HEX #423A19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 58 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 58 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 62 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 62% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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